About 360 MAGAZINE

360 MAGAZINE is an award-winning international publishing on popular culture and design. We introduce avant trademarks to efficacious architects. We are a LGBTQIA2S+ friendly publication--officially recognized by the NGLCC. Our core demographic ranges from 19 to 39-year-old college-educated trendsetters within their respective international communities. The pages in this art book satisfy their strong interests including music, art, travel, auto, health, fashion, tech, philanthropy, design, food and entrepreneurship. It's an introspective digital/print/tablet portrait series, which encapsulates artists/brands/entities who embody the true essence of our publication- empowerment, equality, sensuality and most important of all, humanity within a global society.

Finding The Cheapest Car Insurance

With many car insurance companies nowadays, it can be confusing and overwhelming to find the best one among them. Now, you can compare quotes from different insurers and save your precious time and cash from looking for the best offer around. Speaking of savings, you can find cheap car insurance from Money Expert!

When it comes to cheapest car insurance in the UK, Money Expert is the one to trust. In fact, Money Expert is rated 9 out of 10 based on more than 4,500 Trustpilot reviews. To get the cheapest car insurance quote, the following details should be provided by you:

•    Personal details (ex. age, occupation, driver’s license details, etc.)

•    Vehicle information (ex. number plate, model information, etc.)

•    Claim history (ex. accident claims, etc.)

•    Other drivers’ details

•    Policy type

•    Voluntary excess

How to find the cheapest car insurance

Car insurance is important mainly because we will never know what may happen in the future. However, shopping for the cheapest car insurance can be quite tricky. That is why it is important to know the basics of getting vehicle insurance in the first place.

Aside from having a clean driving record, older age, and more protection coverage, there are other factors that can affect car insurance costs. Furthermore, here are other tips on finding the most affordable insurance around.

1. Review your current policy every 6 months

With the current insurance market competition going on, there can be a possibility of an increase in rates due to the ongoing demand. On the other hand, some companies may sneakily increase their rates without you noticing it. That is why it is advisable to review your policy every six months to avoid these surprise rate hikes.

2. Pay on time

Paying on times means no penalties and thus no extra charges for you. More so, you can also consider paying your premiums yearly instead of monthly to save up to a hundred dollars.

3. Be on the lookout for discounts and coupons

Some insurance companies offer discounts and coupons, given that you comply with their conditions. More often than not, these can help you save extra dollars and unlock those “secret” deals you may not know all along.

4. Know that the bigger and more expensive your vehicle is, the higher your premium is

If you are looking for more affordable vehicle insurance, you may want to consider choosing or downsizing into a smaller car. On the contrary, it’s less likely you’ll find a cheap car insurance if you have a truck or SUV.

5. Consider using comparison websites

These include reliable websites such as Money Expert that will help you choose the cheapest car insurance around. By comparing cheap car insurance from Money Expert, you can see different quotes from more than 90 policy providers in the country. From there, it can help you make a decision by choosing the most affordable vehicle insurance from the lot and save you some extra cash.

The above tips are some of the best ways to get an affordable car insurance. Visit Moneyexpert.com to get a free quote today.

Niykee Heaton EP “Starting Over”

Niykee Heaton returns with a new, three-song EP, Starting Over (Capitol Records), which – as the title suggests – marks a turning point for the young Chicago-born artist. Recorded with such producers as Charlie Handsome (Post Malone, Mac Miller, Young Thug), the EP’s hypnotic, sophisticated sound is perfectly suited to Niykee’s intimate lyrics. Download /stream Starting Over HERE.

Amid soulful guitar tones and smoldering R&B grooves, the emotional title track/lead single underscores the realization that a fresh start isn’t possible without putting an end to a relationship that’s been one long loop of break-ups and make-ups.

“Most of the time I sing in a sort of growl, but I wanted to make ‘Starting Over’ a full-on power ballad,” says Niykee. “I really pushed the boundaries of what I usually do and sang it in a totally different way.”

In the past, Niykee was quick to accept the blame, as she details in the dreamy slow-burner  “Bad Guy.” “It has been a theme in my life – accepting the role of being the bad guy, just because it makes it easier for other people,” she explains.

While “Bad Guy” unfolds with a heartfelt intensity, laying the song down made Niykee realize that she had finally moved on from that role. Recording the song was so cathartic, she decided to make a last-minute change to the name of the EP, originally titled Bad Guy. By naming it Starting Over, Niykee has marked a new era in her music and life, one that’s defined by true vulnerability and self-love.

She penned her first song at age 5 and soon discovered that music offered an escape from the difficulties she faced in childhood, including bullying at school, being taught to hate herself, abuse and the loss of an older sibling. Not long after teaching herself to play guitar – and giving herself vocal training by singing along to a Diana Ross greatest-hits CD – Niykee began creating her own material and posting covers on YouTube. Her acoustic rendition of Chief Keef’s “Love Sosa” wound up on WorldstarHipHop, and instantly drew interest from a host of record labels.

Niykee made her major label debut with the single “Bad Intentions,” which has since been certified Gold by the RIAA. Migos’ remix of the track appeared on her mixtape, The Bedroom Tour Playlist. Success has not made her immune to adversity, but she’s found a way to cope.

“When I feel like something might break me, it keeps me going to remind myself why I started making music in the first place – just remembering all the girls out there who had tough childhoods, too, and relate to what I’ve been through,” says Niykee. “I want to keep writing songs for those girls, so that they know that someone else understands exactly what they’re feeling.”

Track Listing – Starting Over
1. Mascara
2. Bad Guy
3. Starting Over

Jaden Smith’s “Goku”

Multitalented visionary JADEN SMITH unleashes a brand new single entitled “GOKU” today.

Get it HERE!

Over a barrage of unpredictable electronic production, JADENS flow transitions from hyper-charged verses into the hypnotic and hard-hitting hook, “I feel like I’m GOKU. Named after the hero of Dragonball-Z, the track veers in and out of thick percussion before storming towards this anthemic chant. This brash and bold banger moves at the frenetic breakneck pace of the anime with which it shares its name. If you close your eyes and listen, it’s as cinematic as it is catchy. It’s the perfect follow up to Jaden’s club banger, “GHOST”.

NICKI MINAJ × HARPER’S BAZAAR VIETNAM

Nicki Minaj wears Phillip Plein and Cory Couture

 

Photographed by Greg Swales

 

Styled by KC Jones

PETE YORN x SCARLETT JOHANSSON

Today, Pete Yorn & Scarlett Johansson share the music video for their latest single “Iguana Bird.” Watch it HERE.

Directed by actress, producer, and filmmaker Bonnie Wright (best known for her role as Ginny Weasley in the Harry Potter series), the clip serves as the perfect visual companion to the song. “Pete Yorn and Scarlett Johansson’s new single ‘Iguana Bird’ evoked for me that new loneliness you feel in the wake of a break up, having spent every moment with someone you now have to create new memories that feel forced and out of touch with what you know,” Wright told PAPER about the track. “I was inspired by the dance scene in Jean Luc-Godard’s film ‘Bande å part’, most particularly Anna Karina’s character, and the vulnerable beauty often explored in French cinema during the 60s. I have been an admirer of LA-based choreographer and dancer Nicola Collie for a while and it was such a joy to direct her in this enclosed world we created for the music video.”

“I have been a fan of Bonnie’s work,” Yorn says about working with Wright. “She came to us with a visual concept that really captured the emotion behind the song in an original way.”

The song remains a standout from the pair’s critically acclaimed Apart EP, available at all digital retailers now via Capitol Records. Forbes praised the “fun” track, while High Snobiety called it a “charming duet carried by a wave of crashing guitars.”

Last month, Yorn launched An Evening with Pete Yorn, the You and Me Tour. The critically acclaimed gold-certified singer, songwriter, and multi-instrumentalist performs along the East Coast and Midwest on the intimate run. Tickets for the remaining dates, including limited edition options to purchase VIP backstage experiences where fans can meet Pete, watch soundcheck and even attend a pre-show performance of a song in the dressing room, are on sale now. Full routing can be found below and visit PeteYorn.com for more details.

Apart continues to incite applause from fans and critics alike. In an extensive feature, Entertainment Weekly claimed, “The dreamy alt-pop on the new EP demonstrates that the creative kinship between the troubadour and the movie star is much closer than you might expect.”

Pete Yorn U.S. Tour Dates:

10/15 Columbus, OH @ A&R Music Bar
10/16 Indianapolis, IN @ HI-FI Indy
10/18 Cincinnati, OH @ Taft Theatre
10/20 Cleveland Heights, OH @ Grog Shop
10/21 Detroit, MI @ The Shelter
10/23 Chicago, IL @ Park West
10/24 Milwaukee, WI @ Turner Hall Ballroom

Marc E. Bassy Drops “Postmodern Depression”

Bay-area pop/R&B powerhouse Marc E. Bassy returns today with his new five-song EP, Postmodern Depression, which features lead single “Love Her Too” with fellow Bay-area rapper G-Eazy.

Of the song, Bassy says “‘Love Her Too’ was that end of the session jam that turned into a real song—it was me waking the guys up and convincing them this last jam of the day was something special.” He continues, “Postmodern Depression is me battling with culture. It’s about trying to grow up in a scene that glorifies the opposite of what it is to be a wholesome individual. It’s about me always coming back to music and being forever saved by songwriting.”

Singer, songwriter and producer Marc E. Bassy made waves with his critically acclaimed 2016 debut Groovy People EP. Among a tracklisting of hits such as “Morning” and “Dirty Water,” it vaulted “You & Me” [feat. G-Eazy] onto the Billboard Hot 100 as the track generated 260 million-plus Spotify streams and achieved a platinum certification from the RIAA within two years. Hot on its heels, he dropped his first full-length, Gossip Columns, and landed yet another smash in the form of “Plot Twist” featuring Kyle. In the album’s wake, he co-headlined the Bebe & Bassy Tour alongside Bebe Rexha and launched his Gossip Columns Tour, selling out venues coast to coast. Along the way, the artist received widespread praise from Billboard, Complex, Hypebeast, XXL, Hot New Hip Hop, The FADER, Spin and many more. Positioned for pop supremacy with his forthcoming second full-length set for 2019, Bassy’s rise to the top is just beginning.

The WMC Report: #MeToo

A year following revelations in The New York Times about decades of allegations against movie producer Harvey Weinstein, the #MeToo movement has led to a significant change in the way media covers stories about sexual assault and harassment, a new report from the Women’s Media Center shows.

Overall, the number of articles on sexual assault is up over 30 percent at the end of the study, in August 2018, as compared with the first month the research looked at (before the revived momentum for #MeToo), May 2017. When articles about just #MeToo are added, the total coverage is up 52 percent, according to the report, Media and #MeToo, which was released today.

“The world has permanently changed,” said actor and Weinstein accuser Ashley Judd. “We are in a new era. It is messy, imperfect, and urgent.”

The study found that even stories beyond those about sexual abuse, assault, and harassment—beginning with the Times story in October 2017—have been amplified by the #MeToo movement. After October 2017, media began to more commonly write about issues that particularly pertain to women—such as reproductive health and the wage gap.

“We’ve come a long way since Anita Hill’s courageous testimony in 1991, and it is women who have led the way. It took the explosion of the #MeToo movement to shift and increase coverage of women, sexual assault, and harassment. There’s no going back,” said Maya Harris, co-chair, Women’s Media Center.

The Women’s Media Center research took a close look at the press coverage five months before and in the 10 months that followed the Weinstein revelations and the rise of #MeToo. The report looked at whose stories were covered, what outlets considered sexual assault and harassment important enough to report on, and whether or not the media industry—and American culture as a whole—has changed as a result of the movement.

“In an era in which women are insisting that their stories of sexualized violence be heard—and believed—the media has a critical role to play in helping shift our culture, by credibly presenting accusations, doing its own investigations, and explaining the context in which an alleged attack occurred,” said Lauren Wolfe, director of the WMC Women Under Siege Project and co-author of this report. “It is beyond time that the media treat women survivors with the respect they deserve.”

By breaking down how coverage of sexual assault in various arenas of American life waxed and waned (specifically, the report looked at the church (instances of clergy abuse within and beyond the Catholic Church), Hollywood, media, and politics), the Women’s Media Center was able to clarify which institutions took precedence in the press. By looking at the gender of bylines on sexual assault/#MeToo articles, it found a surprising shift in who is writing stories on sexual assault and harassment. Examining the words most used in headlines for stories on each institution the report focused on (and, separately, for Trump and Weinstein) gave the researchers an idea of how media framed these stories.

“This has been a year when the media and truth itself are under siege,” said Julie Burton, president of the Women’s Media Center. “With #MeToo exposing horrible individual and institutional practices, we see an opportunity for a new transparency and permanent changes aimed at greater equality and power for women.”

“Naming sexualized violence makes it visible and subject to prosecution,” said Gloria Steinem, co-founder of the Women’s Media Center. “In the past, what happened to men was political, but what happened to women was cultural. The first was public and could be changed, and the second was private, off limits, even sacred. By making clear that sexualized violence is political and public, it breaches that wall. It admits that sexualized violence can be changed.”

The Women’s Media Center Media and #MeToo research was produced by the Media Lab at the Women’s Media Center and conducted by Eliza Ennis, media analyst and data manager of the lab. Eliza Ennis is also the co-author of this report.

The Women’s Media Center analyzed the content of headlines, bylines, and articles on 15,228 pieces of news produced from May 1, 2017, through August 31, 2018. The survey consisted of 14 of the nation’s most widely circulated newspapers. They are: Chicago Sun-Times, Chicago Tribune, Los Angeles Times, Newsday (N.Y.), Tampa Bay Times, The Arizona Republic, The Columbus Dispatch, The Denver Post, The Houston Chronicle, The Mercury News (Calif.), The New York Times, The Seattle Times, The Washington Post, and USA Today.

Jonas Blue’s “Polaroid”

Multi-Platinum global recording artist/producer Jonas Blue returns with “Polaroid”, a sparkling celebration of love at first sight that features vocals by Liam Payne and Lennon Stella. A slice of R&B pop replete with an anthemic chorus and an irresistible groove, the track was produced by Blue, who wrote it with JP Cooper, Sam Romans, and Ed Drewett. The song is from his debut album, which Astralwerks will release in November.

Download / stream “Polaroid” HERE and view the lyric video HERE. Stay tuned for the premiere of the official video, which Blue, Payne and Stella shot in Manhattan.

Liam Payne made his solo debut in 2016 with the single “Strip That Down”, featuring Quavo. Now certified Platinum in five countries, it was one of the biggest selling singles of 2017, and the biggest selling solo single from any current member of One Direction. He recently released his debut EP, First Time.

Lennon Stella first gained national attention in 2012 when her and sister Maisy’s cover of Robyn’s “Call your Girlfriend” went viral. That same year, Lennon landed her starring role in the hit television show “Nashville” as Maddie Conrad. The acoustic version of her original song “Like Everybody Else” recently hit No. 1 on both the U.S. and Canada Spotify Viral Charts.

“Polaroid” follows Blue’s massive summer hit “Rise” featuring Jack & Jack, which has accrued more than 500 million global streams to date. He also contributed the end credits song to Sony Pictures Animation’s Hotel Transylvania 3: Summer Vacation “I See Love” featuring Joe Jonas.

A four-time BRIT Award nominee, Jonas Blue has achieved worldwide success with five billion cumulative streams, 30 million single sales and over 85 Platinum certifications from countries around the globe. “Fast Car,” his breakthrough single featuring Dakota, reached No. 1 on Billboard’s Dance Club Songs chart and went Platinum in the U.S. Subsequent singles “Perfect Strangers” and “Mama” are both certified Gold in the States. Blue has also worked on remixes and collaborations for such artists as Ellie Goulding, Becky Hill, MK, James Bay and Sabrina Carpenter. He recently launched his own record label Blue Future.

Follow Jonas Blue:
Follow Liam Payne:
Follow Lennon Stella:

RIP Keenan Carter

Keenan Carter was murdered in Atlanta on Wednesday.

360 Magazine President Vaughn Lowery met Keenan about nine years ago and began to work for 360 Magazine as an intern. He eventually went on to become an executive assistant before pursuing his dreams.

Vaughn released this statement on his Instagram: “It literally took me almost 24 hours to write this because I am and still am in disbelief. He always put a smile on everyone’s face and was always eager to help anyone in need #RIPKeenanCarter #KappaAlphaPSI.”

We are devastated by this death, and are keeping him and his family in our thoughts.

RIO DE JANEIRO × PERFORMANCES ON TRANSPORTATIONS

Rio de Janeiro approves cultural performances on trains, subways and ferry boats

Cariocas and tourists who use the Rio de Janeiro transportation systems daily are now able to enjoy cultural performances at the stations and inside the trains, subways and ferry boats. The performances, that help people kill time during the trips, are now approved. That is determined by an act approved by the state legislators, sanctioned by state governor Luiz Fernando Pezão and published in the Official Gazette on September 26th. In the coming days, the Department of Transportation, which regulates the concession holders that control the transport modals, will announce the regulation of the act.

The time approved for the performances will be from 6am to 11pm on weekdays and from 7am to 11pm on Saturdays, Sundays and holidays. The act states that the performer cannot charge the users of the public transports, who may spontaneously donate during the performances. Based on the wording, it will be up to the concession holders that provide these services to create a registry of interested persons to perform. However, the only purpose of this registry is to organize the time for the performances, though they are not allowed to prevent unregistered people from performing.

Currently, the subway concession holder is the only one keeping a cultural program in their stations, although they do not allow performances inside the wagons. According to MetrôRio, the Palco Carioca project allocates spaces in three stations – Carioca, Siqueira Campos and Maria da Graça – for musical performances on weekdays, from noon to 8pm. Registration to participate in the project is free and may be made online at www.metrorio.com.br/Cultura/PalcoCarioca.