About 360 MAGAZINE

360 MAGAZINE is an award-winning international publishing on popular culture and design. We introduce avant trademarks to efficacious architects. We are a LGBTQIA2S+ friendly publication--officially recognized by the NGLCC. Our core demographic ranges from 19 to 39-year-old college-educated trendsetters within their respective international communities. The pages in this art book satisfy their strong interests including music, art, travel, auto, health, fashion, tech, philanthropy, design, food and entrepreneurship. It's an introspective digital/print/tablet portrait series, which encapsulates artists/brands/entities who embody the true essence of our publication- empowerment, equality, sensuality and most important of all, humanity within a global society.

ST. VINCENT x MAGGIE ROGERS PERFORMANCE

Mastercard House  presents St. Vincent and Maggie Rogers  performances leading up to the 60th Annual GRAMMY Awards in New York City . These performances at the Mastercard House are a part of the Mastercard Start Something Priceless movement, meant to inspire people to pursue their passion and purpose, comes to life through artfully curated content and this music-inspired experiential pop-up in NYC. The Mastercard House, an experiential retail store and concert space, is now open featuring curated vinyl listening stations, and exclusive merchandise; a photo gallery from iconic music photographers including Robert Knight, Kevin Mazur and Christopher Polk; and a recording booth where you can press your own vinyl.

 

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“THE GOOD SIDE,” A NEW SONG FROM TROYE SIVAN, IS OUT TODAY

Today, Troye Sivan shared another new song, “The Good Side.” Available for download and streaming HERE, it follows last week’s release of hisnew single, “My My My!” Both songs are from his forthcoming album, which will be out this spring on Capitol Records.

Tune in to “Saturday Night Live” on January 20 to see Troye perform as this week’s musical guest.

Troye Sivan     Photo Credit: Hedi Slimane

“My My My!” was the top trending topic worldwide after its release last week and the official video, directed by Grant Singer (Lorde, The Weeknd), became the #1 trending clip on YouTube. After only six days, cumulative worldwide streams surpassed 25 million.

Pitchfork named it the “Best New Track” and observed, “With his throbbing new single “My My My!” – one of the first great songs of this young year – Sivan is celebrating pure joy, the feeling of being swept up and rendered invincible by new love.” TIME placed it on its list of “5 Songs You Need to Listen to This Week” and Rolling Stone hailed it as “a joyous preview of his upcoming album.” Idolator noted, “the searing track has all the makings of a major hit.”

OUT said, “Gone are the emotionally pure days of the heart-wrenching Blue Neighbourhood trilogy of videos or his house party sleepover visuals for ‘Youth.’ In their place, the Australian singer has a sensual, swaggering new video…” NPR Music observed, “It’s an infectious celebration of sexual desire.”

Troye was recently selected by designer Pierpaolo Piccioli to be the face of the Valentino Spring 2018 menswear advertising campaign. His 2015 debut album, Blue Neighbourhood(Capitol Records), topped the iTunes charts in 66 countries. It has sold more than two million adjusted albums worldwide and is certified Gold in the U.S. Streams across all platforms exceed 1.5 billion while video views have surpassed 500 million.

The New York Times hailed Troye as a “prototype for tomorrow’s global pop star” and he appeared on the covers of Rolling Stone, Out and V Magazine. Associated Press named Blue Neighbourhoodas the No. 1 album of 2015 and Rolling Stone awarded it four stars.The single “Youth” claimed the No. 1 spot on Billboard’s Hot Club Play chart and has been certified Platinum in the U.S. His numerous awards include a Billboard Music Awards trophy and two GLAAD Media wins.

UME Spring Break 2018

With winter in full effect with frigid wind chills and subzero degree weather, the only thing keeping us warm is the thought of spending spring break beachside on South Padre Island with Alesso & Diplo at UME!

 

Disco Donnie Presents & Global Groove have announced their full lineup for UME ’18 and has everyone flocking to shores March 16 & 17 to witness the isle transform into a dance music paradise. The all-star lineup includes Adventure ClubSan Holo, + more, all bringing the heat for the Ultimate Music Experience. More info and full lineup in press release HERE

 

Sundance 2018

Actor Issa Rae (‘Insecure’) among the celebrities to attend The Blackhouse’s Killer Creativity: A New Breed Panel, sponsored by BET Networks, at Sundance 2018, seen here with BET Fellows 

(photo credit: Eric Umphery Photography) 

 John LegendIssa RaeDebra Lee and Bevy Smith were among the guests in attendance for the first two days of programming at The Blackhouse during the 2018 Sundance Film Festival. 

 

Filmmakers and industry insiders packed into the Blackhouse’s Sundance headquarters to listen to their peers discuss topics ranging from diversity and inclusion in filmmaking to discussions around the premiere of one the biggest films at Sundance, Monster, all before jamming to the sounds of Grammy-nominated DJ/producer Vikter Duplaix at the official Blackhouse Party.  

 

Attendees mixed and mingled while enjoying wine and hors d’oeuvres, but the Blackhouse’s co-founder, Brickson Diamond, made it clear that while having a good time is important, Blackhouse means serious business, “It’s not about a party. It’s about the mission of expanding access and opportunity. It’s about getting our stories told, distributed and our artists heard again and again.” 

 

The Blackhouse Foundation, an organization whose mission is to create a community for black content creators, is in its 11th year at Sundance and will be at the 2018 festival from January 19-22. Programming highlights this year include a conversation with Grammy-and-Oscar-winner John Legend and Tonya Lewis Lee about film Monster premiering at Sundance and a discussion about ways in which black women are leading the revolution featuring activist and commentator Angela Rye and sponsored by Color of Change and Planned Parenthood. 

 

The Blackhouse Foundation welcomes and thanks the following sponsors for their continued belief and support: Comcast NBC/Universal returns as a full-year sponsor. BET sponsors the Blackhouse Fellows Program bringing 10 Howard University MFA students to the festival and serve as a Creative sponsor. Official sponsors include AT&T Hello LabFacebook, and 21st Century Fox Global Inclusion. Supporting sponsors include NETFLIX and HBO. Creative sponsors include CAA, Planned Parenthood/Color of Change, SAG-AFTRA, The Will and Jada Smith Family FoundationStarz, UMC – The Urban Movie Channel, Eos and more. 

Grammy and Oscar-winner John Legend, Producer Tonya Lee Lewis, and SAG-AFTRA Diversity Advisory Committee Chair Jason George, along with the director, writers, and cast during “The Making of ‘Monster,’ presented by SAG-AFTRA” (photo credit: Eric Umphery Photography) 

 

 

ABOUT THE BLACKHOUSE FOUNDATION

The Blackhouse Foundation works to expand opportunities for Black content creators by providing pathways to opportunities within film, television, digital and emerging platforms. Blackhouse provides opportunities for minority creative to learn about the financial, production, marketing and distribution resources that will raise the profile of their content, while also providing participants with a nucleus for continuing support, community and education. 

KEEP UP WITH THE BLACK HOUSE!

Website: http://www.theblackhouse.org
Twitter: 
@the_blackhouse
Facebook: 
The Blackhouse Foundation
Instagram: the_blackhouse
Download: Blackhouse Festival App

Sundance Film Festival 2018

The Blackhouse at 2018 Sundance Film Festival Schedule 

  • Broadening the Lens: Perspectives on Diverse Storytelling (Sponsored by Will & Jada Smith Family Foundation)
  • “On One with Angela Rye” Presents: Black Women are Leading The Revolution (Sponsored by Color of Change and Planned Parenthood)

10:00 am – 12:00 pm                            

Sunday Brunch & How to Stay in the Game: John Amos from “Good Times” to Animation

Location: The Blackhouse (804 Main St) 

 

12:45 pm – 2:15 pm                                               

“On One with Angela Rye” Presents: Black Women are Leading the Revolution

Sponsored by: Color of Change and Planned Parenthood

Location: The Blackhouse (804 Main St) 

 

Since 2017, the resistance of women, specifically women of color, has been amplified worldwide though social media and Hollywood engagement. This panel will examine the alignment between the current culture, political, reproductive and gender-based justice movements. Highlighting how content creators, culture creators, influencers, and allies can inclusively use their platforms to sustain the revolution.

 

 

2:30 pm – 4:00 pm                                       

Facebook SEEN Program Panel                

Sponsored by: Facebook

Location: The Blackhouse (804 Main St) 

 

The Blackhouse Foundation joins forces with Facebook Creative Shop for the launch of SEEN, an inclusivity in film program for independent filmmakers. It kicks off with the “inclusivity in Film: How Facebook partnered with A Boy. A Girl. A Dream to be SEEN,” panel discussing the program with independent filmmakers Qasim Basir and Datari Turner, and star cast of Meagan Good and Omari Hardwick, ahead of their Sundance premiere of their shortlisted film A Boy. A Girl. A Dream.

 

 

4:00pm – 5:30pm                                                

Netflix in One Take Panel 

Sponsored by: Netflix

Location: The Blackhouse (804 Main St) 

 

A fireside chat with Black executives at Netflix about representation, “who kicked down the door” for each of them and why the company’s culture is unique. In addition, they will go through a project’s journey through the Netflix platform and how they find an engaged audience for each title.

 

 

6:00 pm – 7:00 pm                                              

Will & Jada Smith Family Foundation

Reception

Location: The Blackhouse (804 Main St) 

 

 

7:00pm – 8:00pm                                                

Broadening the Lens: Perspectives on Diverse Storytelling

Sponsored by: Will & Jada Smith Family Foundation

Location: The Blackhouse (804 Main St) 

 

Broadening the Lens : Perspective on Diverse Storytelling will examine diversity and inclusion in the industry today and how underrepresented groups can work together to widen the lens of storytelling include all voices. We will also explore what modern storytelling will look like in the digital and global landscape of the future. Panelists include iconic actress and philanthropist Jada Pinkett Smith, influential writer and The Chi creator Lena WaitheMACRO Senior Vice President, Development & Production Poppy Hanks, and in-demand television writer Radha Blank [The Get DownEmpireShe’s Gotta Have It, & Monster].

 

 

9:00pm – 12:00am

Smart, Funny and Black with Amanda Seales Panel and Party

Sponsored by: TBC

Music by: Amanda Seales

Location: The Blackhouse (804 Main St) 

 

 

ABOUT THE BLOCKHOUSE FOUNDATION 

 

The Blackhouse Foundation works to expand opportunities for Black content creators by providing pathways to opportunities within film, television, digital and emerging platforms. Blackhouse provides opportunities for minority creative to learn about the financial, production, marketing and distribution resources that will raise the profile of their content, while also providing participants with a nucleus for continuing support, community and education. 

 

 KEEP UP WITH THE BLACK HOUSE!

 

Website: http://www.theblackhouse.org
Twitter: 
@the_blackhouse
Facebook: 
The Blackhouse Foundation
Instagram: the_blackhouse
Download: Blackhouse Festival App

EDEN RELEASES ALBUM

Dublin-based vocalist-producer and multi-instrumentalist EDENborn Jonathon Ng, releases his debut album, vertigo, today via all digital providers. An exclusive T-shirt is available for purchase along with a digital album bundle for one week only beginning today here: http://shop.iameden.eu/.
EDEN also premieres the video for the song “float” today.  “Walking the line between stirring beats and subdued lyrics, “float is a literal medley of earnest emotion and ingenuity,” saysLadygunn.
Shot in Ukraine, the “float” video completes the trilogy directed by Zhang + Knight, who also lensed EDEN’s videos for gold and crash.” Watch it HERE.
On March 1st, EDEN kicks off the North American leg of his headlining vertigo world tour. The 21-year-old musician sold out several shows almost immediately and added additional dates and upgraded venue sizes in over ten cities due to high demand. Fourteen shows, including two nights at Irving Plaza in New York City and one night at The Fonda in Los Angeles, are sold out. Tickets for the remaining shows are on sale now at http://iameden.eu/tour. All dates can be found below.
Several tracks from vertigo have been released, including “gold,” which flew to No. 10 on Spotify’s Global Viral Chart upon release and has over four million Spotify streams to date, as does “crash.”
Pigeons & Planes declared that “‘gold’ showcases [his] songwriting skills and forward-thinking arrangement choices, and it’s an exciting look at an artist poised for a breakthrough year … EDEN is set to have a big 2018.” “gold” followed “start//end,” which Billboard called,striking … a nostalgically cast reflection on youth and all-too-relatable feelings of desperation and hope – there’s a secret depth to [EDEN’s] sound.”
V Magazine declares, “both (EDEN’s) music and his persona seem reflective of his overall goal on his upcoming debut album – to make something grand and magical out of something that seems much smaller… Given the captivating and utterly intriguing output he’s given us so far, the task should be easily doable.”
On his 2016 breakthrough EP i think you think too much of me, EDEN struck a rare balance of ingenuity and intuition with its guitar-heavy take on electronic pop. With vertigo, he takes an even more instinct-driven approach to his music, a process he perceives as a form of exploration. “Even when I’m writing, I don’t feel like I’m actually creating anything,” he says. “It’s more like I’m uncovering something that’s already there. Like how an archaeologist doesn’t create a fossil – they’re just finding it and uncovering it, and maybe rearranging it if it’s broken. Releasing this body of work is terrifying and exciting and overwhelming for me. A lot of it is so personal. This album is not a coming-of-age story, but it caused one.”
Racking up over 90 million streams on Spotify to date, i think you think too much of me EP hit No. 1 on the iTunes Alternative Chart, and No. 2 on Billboard‘s Heatseeker chart. From the bedroom of his childhood home, Ng initially began to cultivate a large online following and made his EP debut with End Credits in August 2015. Despite making no effort to promote it, he soon found the work gaining major attention – ultimately amassing more than 145 million streams combined across his two EPs. EDEN’s first U.S. tour sold out immediately and he spent that summer performing at major U.S. music festivals including Governors Ball, Bonnaroo and Firefly.  He also performed at the Reading and Leeds festivals in the UK and Fuji Rock in Japan.
TOUR DATES:
03/01   Houston, TX                White Oak Music
03/02   Austin, TX                    Scoot Inn (sold out)
03/03   Dallas TX                     Trees (sold out)
03/06   Phoenix AZ                  The Crescent Ballroom (sold out)
03/07   San Diego, CA              House of Blues
03/09   Santa Ana, CA             The Observatory
03/10   Los Angeles CA            The Fonda Theatre (sold out)
03/13   San Francisco, CA        Regency Ballroom
03/15   Portland OR                Hawthorne Theater (sold out)
03/16   Seattle, WA                 Showbox SoDo
03/19   Salt Lake City, UT        Grand at The Complex
03/20   Englewood, CO           Gothic Theatre (sold out)
03/22   Minneapolis MN         The Cedar (sold out)
03/23   Milwaukee, WI            The Rave II
03/24   Chicago IL                    House of Blues (sold out)
03/26   Detroit, MI                  Saint Andrews Hall
03/28   Toronto ON                 Danforth Music Hall (sold out)
03/29   Montreal, QC              Corona Theatre
04/02   Boston, MA                 House of Blues
04/04   New York NY               Irving Plaza (sold out)
04/05   New York NY               Irving Plaza (sold out)
04/06   Philadelphia, PA          Union Transfer
04/07   Washington, DC          9:30 Club
04/10   Pittsburgh PA              The Club @ Stage AE (sold out)
04/11   Columbus, OH             Newport Music Hall
04/12   Nashville TN                Mercy Lounge (sold out)
04/14   Atlanta GA                   Variety Playhouse (sold out)

Beth Ditto x I’m Alive

Beth Ditto‘s compelling version of “I’m Alive” is out today and available for download and streaming HERE. View the static video HERE. Max Factor has licensed the track for an international advertising campaign that will begin airing in the U.K. in February. Written by Tommy James, “I’m Alive” was first recorded in 1968 by R&B legend Johnny Thunder.

“Being alive is radical right now! So let’s live!” said Beth Ditto, who adds she was drawn to the song’s simple, elemental joy, which feels defiant in the darkness of the current social and political landscape.

Ditto will kick off her first tour of 2018 on March 7 in her home state of Arkansas, performing at Revolution Music Room in Little Rock. Tickets are on sale now for the North American run, which includes shows at New York’s Brooklyn Steel (March 14), The Fonda Theatre in Los Angeles, CA (March 23) and Wonder Ballroom in Portland, OR (March 27). See below for itinerary or visit www.bethditto.com.

Hailed by NPR as the “force-of-nature performer best known for fronting the pop-punk group Gossip,” Ditto recently released her debut solo album, Fake Sugar (Virgin Records). The official video for “Fire,” which has over two million views, can be seen HERE. Other clips include “We Could Run” and the animated lyric video for “In And Out.”

In a four-star live review The Guardian said, “Ditto has said this is her southern record, and opener Oh My God kicks in with a funk-rock beat as she channels the mid-80s power vocals of Bonnie Tyler, complete with a front-of-stage electric fan to give her the perfect windswept look. On In and Out and Fake Sugar, she closes her eyes and draws out the tender trill in her voice, giving her the air of a heartbroken Nashville queen. And like Dolly Parton, Ditto alternates between infectiously warm, wisecracking comic and soul-baring torch singer.”

The Wall Street Journal included Fake Sugarin its round-up of “The Best Music of 2017” and observed, “Great pop for grownups is a rare commodity…Beth Ditto delivers.” The New York Times praised Ditto as a”powerhouse singer” and noted that the album’s songs”have stomp and girl-group melodies, Southernisms in their lyrics and garage-rock swagger.” Paperchristened Ditto “rock’s homecoming queen” while People highlighted Fake Sugar as one of its “Picks,” observing, “Whether it’s a glittering stomper (‘Oo La La’) or stripped-down Stevie Nicks homage (the title track), Ditto shines throughout…”

In addition to releasing six acclaimed albums with the Gossip, Ditto has recorded with such artists as Blondie and disco legend Cerrone, collaborated with Jean Paul Gaultier on her eponymous plus-sized luxury clothing line, modeled for Marc Jacobs. She appears in the new Gus Van Sant film, Don’t Worry, He Won’t Get Far On Foot, which premieres at the Sundance Film Festival today.

S.L.U.T. x Bea Miller

Co-written by Bea Miller, Steph Jones and Ido Zmishlany, S.L.U.T. (sweet little unforgettable thing) is one of the featured tracks from Bea’s recently released chapter three: yellow EP. The companion video, directed by duo AJ & Miles (whose credits include Billie Eilish, Stanaj, Jaden Smith and Kid Ink), features women representing beauty in all its shapes, sizes and ethnicities.

While the title is provocative, the message of the funk-tinged song is timely. Harassment comes in many forms and it’s what sparked the origin of the song. As Bea tells it, she was wearing a bodysuit and white skirt. It was hot, and I wasn’t wearing a bra, which I thought was perfectly acceptable, she says, noting, I have little baby boobs. But when Miller posted a photo, a young woman who saw it begged to differ, rudely.

The girl called me a slut, and I lost it, Miller remembers. I was ranting. Women should support each other and I don’t understand what the problem is with nipples. Miller had a thought to look up the nasty term on Urban Dictionary, and found a post defining it as an acronym for Sweet Little Unforgettable Thing and a lyric was born. I thought, that’s amazing, recalls Miller, and we wound up writing a fantastic song that was also a cool and funny response to this girl.

If you don’t like what I’m wearing

Well you’re only bothered cuz you’re staring

And you’ll never talk me into caring

Cuz it’s my own and I’ll keep owning it

Just mind your own and I’ll keep owning it

We gotta learn to stick together

Love your color, gender or whatever

Cuz your happiness don’t need a sensor

Just mind your own and we’ll keep owning it

KAILEE MORGUE DEBUTS MEDUSA

Kailee Morgue unleashes her anxiously awaited debut EP, Medusa [Republic Records]. Check it out here.

A gateway into the artist’s widescreen sonic wizardry, the four-song set includes her breakthrough “Medusa”and latest track “Discovery”—which Zane Lowe personally selected as a “World First” record on Apple Music Beats 1 just last month. Additionally, she reveals two equally majestic anthems at which to marvel. Produced by Joel Little [Lorde, Khalid], “Unfortunate Soul” tiptoes between clean guitars and glitchy beats as the songstress pleads, “I’m an unfortunate soul. It’s just the way that I roll.” Meanwhile, “Ghost of Mine” haunts and hypnotizes as her voice careens over spacious beats from producers Imad Royal and Brenton Duvall. Check out the official lyric video for “Unfortunate Soul” Here!

 “Discovery” arrived hot on the heels of the viral hit “Medusa, produced by CJ Baran [Melanie Martinez, Panic! At the Disco, Carly Rae Jepsen], quietly transformed the artist into a palpable phenomenon. Upon release, it launched to #1 on Hype Machine, was premiered by Fader and received “Best Track of the Week” by The New York Times, Line of Best Fit, MTV, Coup de Main and reached #2 on the Canadian viral chart on Spotify. Check out the video for “Medusa” Here.

The 19-year-old songstress first teased out the track in 2016 with a brief Twitter video, and it ignited a viral reaction spawning 100,000 “likes” overnight. Over an airy minimalistic soundscape, Morgue exorcises a, hypnotic, and heartfelt melody with haunting and powerful lyrics.

In addition, she recently posted a cover of label mate Post Malone’s smash hit “rockstar” ft. 21 Savage. The track is a follow up to a previous cover she posted of “Feeling Whitney” back in January. Check out the “rockstar” cover here!

Tattooed, green haired, and anime-obsessed 19-year-old Phoenix-born and Los Angeles-based gothic pop siren Kailee Morgue casts a sonic spell with her music. A self-described “introvert” and the second oldest of six kids, she found solace in the sounds of fellow sonic sorceresses such as Stevie Nicks and Gwen Stefani as well as Pink Floyd, Led Zeppelin, and more. By the age of ten, she picked up her first guitar, began quietly penning music, and eventually started posting tracks on Soundcloud. Between a gig at Jack in the Box, an 18-year-old Kailee found the beat for “Medusa” on YouTube back in 2016 and cooked up the single. As “Medusa” became an underground phenomenon, she inked a deal with Republic Records in the summer of 2017.

Kailee Morgue Links
Twitter: http://twitter.com/morguemami

Instagram: http://www.instagram.com/morguemami/

Facebook: http://www.facebook.com/KaileeMorgueMusic/

Tribute to The Honorable George P. Shultz

Joined by nearly 250 guests at the historic Old U.S. Mint, the California Historical Society, the state’s official non-profit organization dedicated to preserving and promoting the history of the Golden State, hosted a Gala dinner celebrating The Honorable George P. Shultz on January 11, 2018.

“Secretary Shultz has had a distinguished career serving five presidents, holding four key Cabinet positions, and overseeing some of the nation’s most historic, pivotal moments,” said Dr. Anthea Hartig, Executive Director of the California Historical Society, “Dr. Shultz is a man of integrity, leadership, and loyalty – a true statesman who has dedicated his life to serving our nation and advancing important causes.  His wide-ranging and long-standing contributions have been acknowledged with a truly remarkable array of awards and honorary degrees, their very variety a testimony to the rich diversity of his contributions.”

The black-tie event took place on the 263rd birthday of Alexander Hamilton, the first U.S. Treasury Secretary. In 1972, as America’s 62nd Treasury Secretary, George Shultz helped save the 1874 Old U.S. Mint – now a National Historical Landmark – from sale and destruction, ensuring the powerful legacy of the Treasury in the western United States.

A distinguished group of leaders in business, education, government, and philanthropy came together to plan and support the Gala in celebrating one of California’s and the Nation’s true civic legends, in one of the West’s most significant historic buildings.

The Honorary co-chairs for the event were Mr. Stephen D. Bechtel, Jr., Governor Edmund G. Brown, Jr., the Honorable Dr. Condoleezza Rice, and Mrs. Charlotte Mailliard Shultz. The Chair of the Host Committee was CHS Trustee Linda Elliott.