Posts tagged with "Brian Eno"

Brian Eno’s “Film Music 1976-2020” to Release in Nov.

Brian Eno releases Film Music 1976 – 2020 – his first-ever collection of music from his film and television soundtrack oeuvre digitally on November 13, 2020, and on 2LP and 1CD on January 22, 2021. Spanning five decades, this release features classic Eno compositions and includes some lesser-known gems and seven previously unreleased tracks.

Eno’s long-standing affair with film goes all the way back to 1970 with his soundtrack to Malcolm Le Grice’s short experimental film Berlin Horse. In 1976 he followed this with Sebastiane and a long-forgotten Greek b-horror film, Land Of The Minotaur AKA The Devil’s Men. This led to an unstoppable momentum largely initiated by the release of Music For Films. Early classic Eno film moments include “Prophecy Theme” from David Lynch’s Dune, “From The Beginning” from Dario Argento’s Opera, “Force Marker” and “Late Evening In Jersey” from Michael Mann’s Heat, “Under” from Ralph Bakshi’s Cool Worldand his moving cover of William Bell’s soul classic, “You Don’t Miss Your Water,” in Jonathan Demme’s Married to The Mob.

His 1978 studio album, Music For Films was a loose compilation of material recorded between 1975 ~ 1978. It was intended as a conceptual soundtrack for imaginary films, and only the last track, “Final Sunset” was written for an actual film. It proved to be a fruitful project with nearly every piece on the album going on to be used in future films, including several of Derek Jarman’s, the remake of Jean-Luc Goddard’s Breathless, John Woo’s A Better Tomorrow, Rock ‘n’ Roll High School and Todd Hayes’ Safe. 

Eno again explored this approach with U2 as Passengers on their collaboration album, Original Soundtracks 1. Four of the tracks from the album were used in films prior to release: “Beach Sequence” and “Your Blue Room” in Michelangelo Antonioni’s Beyond the Clouds, “Miss Sarajevo” in an eponymous documentary about a beauty pageant held in the midst of besieged ‘93 Sarajevo, and “One Minute Warning” in Mamoru Oshii’s Japanese animation classic, Ghost in the Shell. Another track, “Always Forever Now” later appeared in Heat.

In the mid-seventies, Eno began a rich and rewarding collaboration with British filmmaker Derek Jarman, who initially commissioned Eno to record ”Final Sunset” for the closing scene to his first feature film, Sebastiane. The collaboration continued all the way through until Jarman’s untimely death in 1994. Including the several tracks in Sebastiane, this collaboration resulted in Eno’s music in four of Jarman’s films, including “Still Water” and “Dover Beach” in Jubilee, “Blue” and the entire score of the autobiographical Glitterbug – his final film. 

“An Ending (Ascent)” and “Deep Blue Day” are taken from Apollo: Atmosphere & Soundtracks, Eno’s collaboration with his brother Roger and Daniel Lanois. The music was originally written for Al Reinert’s landmark documentary of the Apollo moon landing, For All Mankind, although since then, “”An Ending (Ascent)” has taken on a life of its own and is now remembered just as much from Steven Soderbergh’s Traffic, Danny Boyle’s 28 Days Later and Miguel Arteta’s Beatriz at Dinner. It even made an appearance in the 2012 London Olympics opening ceremony. And then there’s “Deep Blue Day,” which will forever be identified with Ewan McGregor’s legendary toilet dive in Trainspotting.

Aside from Glitterbug and For All Mankind, Eno has also provided complete scores for a number of other films including Peter Jackson’s The Lovely Bones, and more recently, Henrique Goldman’s atmospheric Brazilian serial killer biopic, O Nome da Morte AKA A Man Called Death, Slavoj Žižek’s mind-boggling documentary, The Pervert’s Guide To Cinema, Gary Hustwit’s spotlight on pioneering industrial designer Dieters Rams, Rams, and most recently a documentary film on close long-time friend and associate, Stewart Brand, We Are As Gods, which will have its public premiere in early 2021.

Eno has also scored extensively for television, including all three series of award-winning UK crime drama Top Boy, for which he received a BAFTA Award.  Danny Boyle’s Mr. Wroe’s Virgins, which also earned Eno and his brother Roger a BAFTA nomination for “Best Original Television Music.” Other television credits include his scores to BBC Natural World’s Hammerhead, Francis Bacon’s Arena, Neil Gaiman’s futuristic urban series, Neverwhere, and Stewart Brand’s BBC mini-series ‘How Buildings Learn’.

Eno has had hundreds of pieces of his music used in films, documentaries, and television programs, including more than 20 complete scores for some of the best-known directors in the world. Film Music 1976 ~ 2020 is a long-awaited album that finally brings together seventeen of his most recognizable film and television compositions, a perfect introduction to this enormous body of work.

Film Music 1976 ~ 2020 Track-list:

  1. “Top Boy (Theme)” from Top Boy – Series 1, directed by Yann Demange, 2011 
  2. “Ship In A Bottle” from The Lovely Bones, directed by Peter Jackson, 2009 
  3. “Blood Red” from Francis Bacon’s Arena, directed by Adam Low, 2005 
  4. “Under” from Cool World, directed by Ralph Bakshi, 1992
  5. “Decline And Fall” from O Nome da Morte, directed by Henrique Goldman, 2017 
  6. “Prophecy Theme” from Dune, directed by David Lynch, 1984
  7. “Reasonable Question” from We Are As Gods, directed by David Alvarado / Jason Sussberg, 2020 
  8. “Late Evening In Jersey” from Heat, directed by Michael Mann, 1995
  9. “Beach Sequence” from Beyond The Clouds, directed by Michelangelo Antonioni, 1995
  10. “You Don’t Miss Your Water” from Married to the Mob, directed by Jonathan Demme, 1988
  11. “Deep Blue Day” from Trainspotting, directed by Danny Boyle, 1996
  12. “The Sombre” from Top Boy – Series 2, directed by Jonathan van Tulleken, 2013 
  13. “Dover Beach” from Jubilee, directed by Derek Jarman, 1978
  14. “Design as Reduction” from Rams, directed by Gary Hustwit, 2018 
  15. “Undersea Steps” from Hammerhead, directed by George Chan, 2004 
  16. “Final Sunset” from Sebastiane, directed by Derek Jarman, 1976
  17. “An Ending (Ascent)” from For All Mankind, directed by Al Reinert, 1989

Bloom: Open Space

Open to the public now, Bloom: Open Space is a new mixed reality generative music experience created by musician, producer, visual artist, and thinker Brian Eno and longtime collaborator, musician/software designer Peter Chilvers. For just five days, guests to The Transformatorhuis (Trafo House) at Westergasfabriek in Amsterdam can explore this unique MR installation that blurs the lines between the physical and virtual.

 
Based upon their highly acclaimed, award-winning app of the same name, the installation explores uncharted territory in the realms of both applications and generative art. Guests can use the Microsoft HoloLens to physically experience Bloom – tapping the air around them to create elaborate patterns and unique melodies with the simplest of gestures.

 
Says Eno, “I have always been interested by the possibilities that new technologies offer, particularly that subset which falls under the heading ‘things nobody ever thought of doing before.’ This offer was an opportunity to explore the possibilities of Bloom further and augmented reality further.”

 

Bloom: Open Space seeks to inspire creativity in line with Brian Eno’s innovations, while the HoloLens allows the audience to directly participate and become part of the total experience. Eno has consistently pushed the boundaries of music, sound, and visual art, continually challenging both himself and those who experience his work. Eno and
Chilvers have been experimenting with generative systems for about 15 years, and as well as Bloom, have also released a number of other apps including Scape, Trope, and most recently, Reflection.

A part of the Microsoft Music x Technology program, this collaboration transforms the way we experience and create music. The installation is open to the public in Amsterdam through February 25th, 2018. For those unable to travel to Amsterdam, you can get an inside look at Bloom: Open Space here: bloomopenspace.com

 

Event Details :
Bloom: Open Space
A mixed reality installation by Brian Eno + Peter Chilvers
Open now – Sunday 25 February, 2018

The Transformatorhuis (Trafo House) at Westergasfabriek
Klönneplein 2
1014 DD Amsterdam

 

ASTRALWERKS TURNS 24

Astralwerks – one of America’s pre-eminent homes for unique and forward-thinking artists – is marking its 24th year with a multi-platform celebration, contests and more. Astralwerks is now an official Curator on Apple Music. Listen to the playlists that range from latest releases, to deep cuts & remixes, throwbacks, and current hot dance and electronic tracks HERE. Highlights of the anniversary celebration include:
  • A limited edition 24th anniversary t-shirt debuts today in the Astralwerks shop During a 24-minute flash sale that begins at 2:00 PM ET today, it will be available for only 24 cents.
  • Vevo Watch Party– View 24 key videos from Astralwerks artists, spanning from Fatboy Slim’s “Weapon of Choice” to Albin Lee Meldau’s “Bloodshot.” The videos will play on a loop for the next 24 hours HERE.
  • Spotify 24-hour playlist featuring seminal Astralwerks artists. StreamHERE.
  • Astralwerks.com contest -Fans can enter to win rare and signed items from the label’s 24-year history HERE.
  • Learn “24 Things You Didn’t Know About Astralwerks”HERE. Which two international artists inspired the label’s name? Which artist used to have a cubicle at Astralwerks?
 “Astralwerks was established as a response to, and in recognition of, the rise of electronic music in the mid 90’s and since then have remained dedicated to working with and signing innovators that have both transformed dance music and moved culture,” said Astralwerks’ General Manager, Glenn Mendlinger, who has been with the label for 20 of its 24 years. “We could not be prouder of our incredible roster and wanted to honor our 24th anniversary with a 24 hour-themed celebration. Astralwerks…always on and always open.”
Founded in New York City, Astralwerks was the brainchild of staffers at Caroline Records who saw an opportunity for a label focused on the emerging electronic and ambient scene. The label launched with Tales Of Ephidrinaby Amorphous Androgynous (an alias of The Future Sound of London), which was released on July 30, 1993. Astralwerks was instrumental in igniting two explosive waves of musical creativity: first with the pioneers of electronic music in the ’90s, and more recently with EDM in the new millennium, while also nurturing and developing artists beyond the realm of dance music. To date, Astralwerks has amassed 30 GRAMMY nominations, taken home six GRAMMY Awards and released prominent soundtracks such as the GRAMMY-nominated Six Feet Under and the BRIT-nominated The Virgin Suicides. The label has hosted massive events at Miami’s legendary Winter Music Conference, staged the first Rave On The Rocks at Red Rocks in Denver and produced a celebrated music video that was voted “best video of all time” in the U.K. for “Weapon Of Choice” by artist Fatboy Slim-who also happened to be the first DJ to sell one million albums in the U.S.
In addition to a current roster of Halsey, The Chemical Brothers, The AvalanchesFatboy Slim, Swedish House Mafia, Future Sound Of London, Underworld, Empire Of The Sun, Brian Eno, Röyksopp, Alison Wonderland, Duke Dumont, Lemaitre, Kings of Convenience, Audienand The Kooks;Astralwerks’ artists throughout its history have also included Kraftwerk, Hot ChipSia, Air, David Guetta, Porter RobinsonDovesPet Shop BoysPhoenixThe B-52’sBeta BandEric Prydzamong many more.