Posts tagged with "David Lynch"

Brian Eno’s “Film Music 1976-2020” to Release in Nov.

Brian Eno releases Film Music 1976 – 2020 – his first-ever collection of music from his film and television soundtrack oeuvre digitally on November 13, 2020, and on 2LP and 1CD on January 22, 2021. Spanning five decades, this release features classic Eno compositions and includes some lesser-known gems and seven previously unreleased tracks.

Eno’s long-standing affair with film goes all the way back to 1970 with his soundtrack to Malcolm Le Grice’s short experimental film Berlin Horse. In 1976 he followed this with Sebastiane and a long-forgotten Greek b-horror film, Land Of The Minotaur AKA The Devil’s Men. This led to an unstoppable momentum largely initiated by the release of Music For Films. Early classic Eno film moments include “Prophecy Theme” from David Lynch’s Dune, “From The Beginning” from Dario Argento’s Opera, “Force Marker” and “Late Evening In Jersey” from Michael Mann’s Heat, “Under” from Ralph Bakshi’s Cool Worldand his moving cover of William Bell’s soul classic, “You Don’t Miss Your Water,” in Jonathan Demme’s Married to The Mob.

His 1978 studio album, Music For Films was a loose compilation of material recorded between 1975 ~ 1978. It was intended as a conceptual soundtrack for imaginary films, and only the last track, “Final Sunset” was written for an actual film. It proved to be a fruitful project with nearly every piece on the album going on to be used in future films, including several of Derek Jarman’s, the remake of Jean-Luc Goddard’s Breathless, John Woo’s A Better Tomorrow, Rock ‘n’ Roll High School and Todd Hayes’ Safe. 

Eno again explored this approach with U2 as Passengers on their collaboration album, Original Soundtracks 1. Four of the tracks from the album were used in films prior to release: “Beach Sequence” and “Your Blue Room” in Michelangelo Antonioni’s Beyond the Clouds, “Miss Sarajevo” in an eponymous documentary about a beauty pageant held in the midst of besieged ‘93 Sarajevo, and “One Minute Warning” in Mamoru Oshii’s Japanese animation classic, Ghost in the Shell. Another track, “Always Forever Now” later appeared in Heat.

In the mid-seventies, Eno began a rich and rewarding collaboration with British filmmaker Derek Jarman, who initially commissioned Eno to record ”Final Sunset” for the closing scene to his first feature film, Sebastiane. The collaboration continued all the way through until Jarman’s untimely death in 1994. Including the several tracks in Sebastiane, this collaboration resulted in Eno’s music in four of Jarman’s films, including “Still Water” and “Dover Beach” in Jubilee, “Blue” and the entire score of the autobiographical Glitterbug – his final film. 

“An Ending (Ascent)” and “Deep Blue Day” are taken from Apollo: Atmosphere & Soundtracks, Eno’s collaboration with his brother Roger and Daniel Lanois. The music was originally written for Al Reinert’s landmark documentary of the Apollo moon landing, For All Mankind, although since then, “”An Ending (Ascent)” has taken on a life of its own and is now remembered just as much from Steven Soderbergh’s Traffic, Danny Boyle’s 28 Days Later and Miguel Arteta’s Beatriz at Dinner. It even made an appearance in the 2012 London Olympics opening ceremony. And then there’s “Deep Blue Day,” which will forever be identified with Ewan McGregor’s legendary toilet dive in Trainspotting.

Aside from Glitterbug and For All Mankind, Eno has also provided complete scores for a number of other films including Peter Jackson’s The Lovely Bones, and more recently, Henrique Goldman’s atmospheric Brazilian serial killer biopic, O Nome da Morte AKA A Man Called Death, Slavoj Žižek’s mind-boggling documentary, The Pervert’s Guide To Cinema, Gary Hustwit’s spotlight on pioneering industrial designer Dieters Rams, Rams, and most recently a documentary film on close long-time friend and associate, Stewart Brand, We Are As Gods, which will have its public premiere in early 2021.

Eno has also scored extensively for television, including all three series of award-winning UK crime drama Top Boy, for which he received a BAFTA Award.  Danny Boyle’s Mr. Wroe’s Virgins, which also earned Eno and his brother Roger a BAFTA nomination for “Best Original Television Music.” Other television credits include his scores to BBC Natural World’s Hammerhead, Francis Bacon’s Arena, Neil Gaiman’s futuristic urban series, Neverwhere, and Stewart Brand’s BBC mini-series ‘How Buildings Learn’.

Eno has had hundreds of pieces of his music used in films, documentaries, and television programs, including more than 20 complete scores for some of the best-known directors in the world. Film Music 1976 ~ 2020 is a long-awaited album that finally brings together seventeen of his most recognizable film and television compositions, a perfect introduction to this enormous body of work.

Film Music 1976 ~ 2020 Track-list:

  1. “Top Boy (Theme)” from Top Boy – Series 1, directed by Yann Demange, 2011 
  2. “Ship In A Bottle” from The Lovely Bones, directed by Peter Jackson, 2009 
  3. “Blood Red” from Francis Bacon’s Arena, directed by Adam Low, 2005 
  4. “Under” from Cool World, directed by Ralph Bakshi, 1992
  5. “Decline And Fall” from O Nome da Morte, directed by Henrique Goldman, 2017 
  6. “Prophecy Theme” from Dune, directed by David Lynch, 1984
  7. “Reasonable Question” from We Are As Gods, directed by David Alvarado / Jason Sussberg, 2020 
  8. “Late Evening In Jersey” from Heat, directed by Michael Mann, 1995
  9. “Beach Sequence” from Beyond The Clouds, directed by Michelangelo Antonioni, 1995
  10. “You Don’t Miss Your Water” from Married to the Mob, directed by Jonathan Demme, 1988
  11. “Deep Blue Day” from Trainspotting, directed by Danny Boyle, 1996
  12. “The Sombre” from Top Boy – Series 2, directed by Jonathan van Tulleken, 2013 
  13. “Dover Beach” from Jubilee, directed by Derek Jarman, 1978
  14. “Design as Reduction” from Rams, directed by Gary Hustwit, 2018 
  15. “Undersea Steps” from Hammerhead, directed by George Chan, 2004 
  16. “Final Sunset” from Sebastiane, directed by Derek Jarman, 1976
  17. “An Ending (Ascent)” from For All Mankind, directed by Al Reinert, 1989

Alex and Ani

unnamed
ALEX AND ANI | CHARITY BY DESIGN® Launch Exclusive Collection designed by David Lynch
 
The Meditating Eye Collection will support the David Lynch Foundation’s work to provide life-changing meditation to all people including at-risk populations.
(New York, NY) November 20, 2017 – ALEX AND ANI, CHARITY BY DESIGN launched a new Meditating Eye Collection today featuring an original design by famed filmmaker, artist, humanitarian, and philanthropist, David Lynch. The design, available in necklace, bangle, and cuff styles in both silver and gold finishes, features a double-sided epoxy charm with an open eye on one side and a closed eye on the other.
ALEX AND ANI will donate 20% of the purchase price from each Meditating Eye product sold, with a minimum donation of $25,000, to the David Lynch Foundation, which addresses the epidemic of trauma and toxic stress among at-riskpopulations, including veterans, urban youth, and women who are victims of domestic violence, through the evidence-based, health-promoting Transcendental Meditation (TM) technique.
The Meditating Eye Collection pieces range from $42 to $88 and are available at any ALEX AND ANI retail location as well as on their website, www.alexandani.com. Additionally, they will be sold by several retail partners including Bloomingdales, Zappos, and Dillard’s.
Carolyn Rafaelian, ALEX AND ANI Founder, CEO, and Chief Creative Officer said, “When like-minded people get together, magic and momentum occur. David Lynch Foundation is an extraordinary organization from its core. Educating the world that power within comes from a still mind. A simple sentence with life-changing results. I commend the work they do, support it, and feel honored to be part of such a soulful Foundation.”
David Lynch said, “It’s so beautiful that ALEX AND ANI values charitable giving. With their help, the David Lynch Foundation is stronger, as we work to reduce the effects of trauma and toxic stress for all people, especially at-risk populations. The Meditating Eye Collection was created as a symbol, encouraging every human being to access that ocean of pure consciousness within.”
ABOUT THE DAVID LYNCH FOUNDATION
The David Lynch Foundation (DLF) is a 501(c)(3) nonprofit organization, founded in 2005, that addresses the epidemic of trauma and toxic stress among at-risk populations through the implementation of the evidence-based Transcendental Meditation (TM) technique. DLF has served more than 500,000 children and adults worldwide, with a focus on underserved middle school and high school students, veterans suffering from post-traumatic stress and their families, and women and children survivors of domestic violence and sexual assault. DLF also works with those in recovery, the homeless, prison populations, people living with HIV/AIDS, and others.
ABOUT ALEX AND ANI
ALEX AND ANI creates meaningful, eco-conscious jewelry and accessories to positively empower and connect humanity. Carolyn Rafaelian, Founder, CEO, and Chief Creative Officer designs each piece herself. Rafaelian believes that every individual has their own positive energy to share with the world. By incorporating powerful symbolism and personal meaning into each product, ALEX AND ANI provides a vehicle for consumers to express their individuality. The company is passionate about the well-being of our planet, our communities, and our individual paths. ALEX AND ANI uses recycled materials with eco-conscious processes. Its CHARITY BY DESIGN division has strengthened non-profit organizations through innovative partnerships and collaborative experiences, resulting in donations of more than $40 million. An Inc. 500 Company, ALEX AND ANI has retail stores as well as retail partners worldwide. ALEX AND ANI products are proudly designed and crafted in America and made with love. The company’s World Headquarters is located in Cranston, Rhode Island. Visit alexandani.com for more information.

Becoming AFI × 50 Years

 “This book puts you directly behind the scenes for a story that began with a dream, overcame constant challenges, and evolved into the institution it is today.”Steven Spielberg

“Documented here by the people who lived it, this is a remarkable tale of how a major institution, created out of whole cloth, wove itself into the American fabric.”

Cokie Roberts, author and political commentator for ABC and NPR 

Becoming AFI Celebrates 50 Years of the American Film Institute


For over fifty years, the American Film Institute has flourished as one of America’s great cultural entities. Its graduates, faculty, supporters, and trustees have included such acclaimed individuals as Steven Spielberg, Maya Angelou, Gregory Peck, Sidney Poitier, Meryl Streep, Les Moonves, Patty Jenkins, David Lynch, Jane Fonda, Edward James Olmos, Shonda Rhimes, James L. Brooks, and many other respected leaders in the worlds of film, television, digital media, and philanthropy.

In their new book, Becoming AFI: 50 Years Inside the American Film Institute (Santa Monica Press/October 2017), Jean Picker Firstenberg and James Hindman provide a candid look at how this remarkable organization brought together aspiring filmmakers, educators, and artists who helped AFI become the foremost national champion for moving images as a vibrant art form.

From its early years operating out of the Kennedy Center in Washington, DC, and the legendary Greystone mansion in Beverly Hills under the leadership of George Stevens Jr., through its incredible growth into an influential cultural institution at its landmark Hollywood campus under the guidance of Jean Picker Firstenberg, to its continued excellence today under the dynamic leadership of Bob Gazzale, the organization and its history are chronicled in Becoming AFI through in-depth essays written by those who have been involved in its adventures, growth, and success.

 “After being asked so many times what our book would be about, we decided to put together AFI’s history as we experienced it personally,” explain Firstenberg and Hindman. “As we structured the book with the stories we wanted to tell from those years, we realized that some of those stories really belonged to other voices. So, we went to several former colleagues and asked them to join our band. Each chapter tells a stand-alone story about an aspect of AFI, but together, they add up to the full picture.”

Becoming AFI provides an insightful, behind-the-scenes look at how AFI, with passionate determination, overcame the hurdles of advancing technology, political shifts, and new audience dynamics to turn its aspirations into a substantial and highly successful organization, becoming a tireless advocate of moving images as one of America’s most popular forms of art, and maturing into one of the world’s most respected educational and cultural institutions. 

“No matter how divisive life in this country may become, the movie theater has always been a place where we can discover what unites us.”

Vernon Jordan Jr., New York Times  “AFI saved our film history. AFI celebrates filmmakers. AFI trains the next generation. Thanks to Becoming AFI for telling us the fascinating story of its fifty-year history. And a big thank you to Jean Picker Firstenberg and James Hindman for documenting all of it! Here’s to the next fifty!”

Edward James Olmos, actor and AFI trustee


About the Authors
Jean Picker Firstenberg served as president and CEO of the American Film Institute from 1980 to 2007, overseeing the development of AFI as one of America’s greatest national, cultural, and educational resources. She received an AFI Life Achievement Award for Service to the Institute and was named president emerita and a lifetime trustee. In 2016, Firstenberg was named to the California State University Board of Trustees by Governor Jerry Brown, overseeing the largest four-year public university system in the United States, with twenty-three campuses educating the most diverse student body in the nation. Prior to serving at AFI, Firstenberg spent four years as a program officer at the John and Mary R. Markle Foundation. She also served as director of Princeton University’s Publications Office. Firstenberg is a summa cum laude graduate of Boston University’s College of Communications. She has served on several boards, including that of Boston University (1984–1996), the George Foster Peabody Awards at Georgia University (1985–1997; board chair 1991–1997), and the United States Postal Service Citizens’ Stamp Advisory Committee (2002–2014; committee chair 2008–2014). She has won numerous awards and honorary degrees. 

James Hindman, PhD, has spent his career in cinema and performing arts, creating and leading professional and public education programs at major institutions. During his twenty-four years at the American Film Institute, where he served as co-director and chief operating officer, he was provost of the AFI Conservatory, which he nurtured through WASC accreditation. He was also the uncredited producer of the award-winning feature documentary Visions of Light and the television series Starring the Actor. He developed the AFI Silver Theatre and Cultural Center in Silver Springs, Maryland, as well as numerous television projects and international film and television festivals. Subsequent to AFI, he developed and led film schools in the U.S. and internationally, including the Red Sea School of Cinematic Arts in Aqaba, Jordan, and New Mexico State University’s Creative Media Institute in Las Cruces. He is currently on the board of the New Mexico School for the Arts in Santa Fe, charged with creating a new cinematic and media arts program and facilities for the school. Prior to AFI, he served as head of graduate studies in the Performing Arts Department at American University in Washington, DC, having previously taught at the University of North Carolina. Hindman holds a PhD in drama from the University of Georgia and has served on the boards of the AIDS Service Center and LAMP in Los Angeles. He currently splits his time between Santa Monica, California, and Taos, New Mexico.

Patty Jenkins made history in 2017 when she directed her second film, Wonder Woman, becoming the first woman to direct a studio superhero movie and earning the biggest domestic opening of all time for a woman director. Jenkins wrote and directed her first film, the crime drama Monster, in 2003, launching Charlize Theron’s career with many awards, including an Oscar for Best Actress. Jenkins graduated from the Cooper Union for the Advancement of Science and Art in 1993 and the AFI Conservatory in 2001.

Dana Gioia was appointed Poet Laureate of the State of California in 2015 by Governor Jerry Brown. An award-winning poet who has published five collections of poetry, Gioia served as chair of the National Endowment for the Arts from 2003 to 2009, and was named a USC Judge Widney Professor in Poetry and Public Art in 2011.

David Lynch, born in 1946 in Missoula, Montana. Eagle Scout. 


BECOMING AFI: 50 YEARS INSIDE THE AMERICAN FILM INSTITUTE

By Jean Picker Firstenberg and James Hindman

Foreword by Dana Gioia

Preface by Patty Jenkins

Afterword by David Lynch

Santa Monica Press/October 2017

Hardcover/$27.95

ISBN-13: 978-159580-094-7


FOR MEDIA INQUIRIES, REVIEW COPIES AND INTERVIEWS CONTACT:

Trina Kaye – The Trina Kaye Organization

TrinaKaye@tkopr.com / 310-915-0970