JUST ANNOUNCED:
DREAMERS AND BEA MILLER SET TO PERFORM AT LOLLAPALOOZA 2019!
Listen to Bea Miller’s “it’s not u it’s me” STREAM | DOWNLOAD Follow Bea Miller | Instagram |
Listen to Dreamers “Die Happy” STREAM| DOWNLOAD Follow Dreamers | Instagram |
Morgxn performs “home” on LAST CALL with Carson Daly as the song hits #12 at Alternative Radio WATCH HERE Follow Morgxn | Instagram |
IN REAL LIFE RELEASES NEW SINGLE “CRAZY AF” STREAM | DOWNLOAD Follow In Real Life | Instragram
BRYTIAGO
The singer wins 2 important awards on Thursday night in Puerto Rico.
San Juan Puerto Rico. March 22, 2019. Urban music singer Brytiago is celebrating his two awards Urban Music New Urban Artist and National Song of the Year for “Murder” with the collaboration of Darell. The awards were held in the emblematic “Choliseo” of Puerto Rico this Thursday before most of the urban singers gathered at this first gala where they recognized the most prominent of the genre.
Brytiago sang with Darell his successful “Assassin,” with a majestic colorful number where the charisma and the scenic power covered the singer who danced for all the present public.
“I thank God, my family and all those who are supporting me to make this my dream come true, to Daddy Yankee for believing in me, my work team for guiding me and helping me to continue on the right path, to the media tv, radio press written each of you have put their two cents in this my career,” said Brytiago. Brytiago who has just released his most recent single “Aprendí Amar” along with the video yesterday which was recorded in the city of Miami, under the direction of the prominent audiovisual artist Gus, and tells a story of drama and love, very different from the usual videos of the urban genre. The song was written by Brytiago himself and produced by Chris Jeday and Gaby Music.
Follow Brytiago |Instagram |
Download / Stream Attitude HERE
Attitude. The debut single from Aaron Carpenter, is out now and available for download / streaming HERE The Neptunes, Chad Hugo, and London-based electronic musician SG Lewis produced the club-ready track, which captures the pure rush of instant attraction. Carpenter penned Attitude with the producers and Scott Harris (Julia Michaels, The Chainsmokers). The song showcases his soul-pop sensibilities, pairing Carpenters dreamy falsetto and brightly soaring vocals with slinky grooves and funky saxophone work. View the visualizer for Attitude HERE. Watch for the official video to premiere soon.
As announced earlier this week in Billboard, Carpenter has signed to Capitol Records. In this interview, the 20-year-old self-taught musician talks about how his social media success paved the way for him to move from Shreveport, Louisiana to Los Angeles to pursue his musical ambitions. Carpenter co-founded the MAGCON tour, which took him and other social media influencers across the U.S. to meet their fans. He has more than 7.5 million followers across his socials.
“Where I’m from, pursuing music is much more difficult than it is in a lot of other places,” says Aaron Carpenter. “For a long time, I kept my music secret from everyone, but at some point, I realized I had to just go for it.”
In 2015, he shared a video in which he performed a cover of Jason Mrazs ‘I’m Yours’ on ukulele. From there, Carpenter continued posting covers, with each video spotlighting the powerful vocal presence he’d honed partly by singing in the church choir and in school musicals. The videos received an overwhelmingly positive response, but Carpenter wanted to push much further with his music. “I didn’t want to get attention for singing other people’s songs” he explains. “I wanted to share my own songs and make it something really personal.”
Soon after that realization, Carpenter packed up and moved to L.A., where he immersed himself in writing songs and learning guitar and piano. After a chance meeting at a party, Carpenter connected with his managers, who were impressed by his demos and scheduled him for a songwriting session. Collaborating with other writers and producers helped him refine his musical vision, shaping an immensely catchy R&B-pop sound informed by his lifelong appreciation of artists like Marvin Gaye and Al Green.
“I love how some music can just take you right back to a specific moment in your life and bring up all these really happy memories that wouldn’t come up otherwise,” he says. “I’d love to do that for other people with my music: to take them to a place where nothing else matters in the world, and they can just have a good time.”
Follow Aaron | Instagram |
By Tara McDonough x Vaughn Lowery
Durango SRT 392
Starting at the base price of $62,995, the Dodge Durango SRT 392 reinvents the idea of what an SUV is capable of. Recently, 360 MAGAZINE took the Durango from LA to Vegas, toting Diesel, a 200 lb English Mastiff with room to spare. This three row truck not only provides enough space for a family of up to seven, but entertainment options to keep kids busy as well. Among the numerous technology options provided in the SRT is an 8-speed automatic transmission and the ability to tow up to 8,700 lbs.
PERFORMANCE
This remote start system is fit with large mirrors and optional blind-spot warning to provide exceptional visibility. While maintaining the heavy feel of a truck, the Durango provides a composed and planted drive, free of any harsh motions or jiggling. It can reach a higher volume at full throttle, but when cruising noise remains at a peaceful minimum due to its active noise canceling system. This allows the Durango to provide a perfect setting for a family road trip. Under its vented hood lies a 475 hp worth of Hemi V-8 driving all four wheels through an eight-speed automatic, permitting the Durango to go from 0 to 60 mph in 4.4 seconds and braking from 60 mph in 125 ft. The Brembo six piston high-performance brakes feel moderate to soft with long-travel strokes. It is precise and weighted, able to perform quick U-turns and maintains a comfortable slack at freeway speeds. The Durango has 7 SRT drive modes which include street, sport, track, snow, tow, valet, and eco. It’s 4-wheel drive, traction control and low-range gearing provide real off-road capabilities as well. With an annual fuel cost of $3,000, the Durango uses 6.7 gallons per 100 miles.
EXTERIOR
In this newest model appearances can be deceiving, similar to a Transformer in its versatility and markings and easily passing as Bumblebee’s cherry colored cousin. While the Durango is a perfect family car, it maintains a sporty and bold exterior. The model is equipped with 20-inch x 10-inch black noise wheels and 295/45ZR20 BSW all season tires. The clean lines and seamless stitching of the Durango are refined and reminiscent of European auto offerings. The style of this SUV is edgy, racy and customizable as well.
INTERIOR
Inside are three rows of leather-trimmed bucket seats with suede inserts. The driver’s seat is supportive and adjustable. The Durango is one of the most spacious three-row SUVs, ideal for children, as well as adults, to fit comfortably in all of the cabin’s seating positions. Second row seats flip and fold in order to gain access to third row seats, which provide a surprising amount of space; optimal for families spending ample amounts of time in the car. Front and second row seats are also equipped with heating and ventilation options.
SAFETY
As for safety, this vehicle offers; Blind-Spot Monitoring, illuminating a light on either of the Durango’s side mirrors; Forward Collision Warning, which helps prevent collisions by sounding an alert when the Durango detects an imminent collision; and Lane Departure Warning Plus, which sounds a warning if the Durango begins to drift from its lane without a turn signal being activated. The Durango received great results when tested for side impact, roof strength, and rear crash protection / head restraint.
TECHNOLOGY
Among the amenities of this vehicle are Uconnect 4C NAV with 8.4-inch display, SiriusXM traffic plus, a 4G LTE Wi-fi Hot Spot, and 9 Alpine amplified speakers with subwoofer. The media hub also comes with Apple Carplay and Google Android Auto capabilities.
A current tech option available for the Durango is an 825-watt Harman/Kardon sound system boasting 19 speakers. The sound system provides a listening experience similar to sitting front row at a concert with your favorite artists singing right into your ear.
Additional options include; rear DVD entertainment center with blu-ray compatible dual screen video and rear seat video system, a power sunroof, a second-row console with armrest and storage including 1 USB charging port, 12-volt auxiliary power outlet, third-row full-console floor mat and illuminated rear cup holders, and a hand-wrapped dashboard and live stitch with real carbon fiber interior accents.
The Durango SRT 392 is a highly successful crossover SUV combining high end speed and design with durability, space and safety for the family. It gives off a muscle-car attitude wrapped in a family-friendly package, causing the model to embody two cars in one. The Durango combines the best of both worlds for parents who want to ride in style and make sure their children are happy and comfortable. With it’s roaring Hemi V-8 and dual-purpose nature, the Durango can do no wrong. The Durango remains one of the most capable and well-rounded three-row crossovers you can buy, making it possible to please every member of the family.
19 year-old Bessemer, Alabama native, TLE Cinco just released his debut-label project, 2.0 Cinco. The “All The Money” rapper caught the attention of 300 Entertainment in late 2018. After catching the attention of Elevator, Singersroom, and DJ Carisma, TLE has garnered a special feature from label-mate, Tee Grizzley for the remix of “All The Money.” Throughout the spring, Cinco will continue to release visuals from the 13-track project. Check out TLE Cinco’s new mixtape below.
Emerging singer/songwriter Billy Raffoul releases new song “Lovely” today on Interscope Records. “Lovely” was written by Raffoul and produced by Greg Kurstin and Raffoul. “Lovely” is available now at all digital retailers and will appear on Raffoul’s forthcoming debut album which will be released later this year.
“Lovely is a sad happy song about missed opportunity,” says Raffoul.
Raffoul will hit the road this spring first heading out on a handful of dates opening for Julia Michaels, then supporting Parachute on their North American tour. The extensive run of dates with Parachute will bring Raffoul to New York’s Gramercy Theater, Nashville’s Cannery Ballroom, D.C.’s 9:30 Club, Boston’s Royale as well as two dates at Los Angeles’ Troubadour. With his debut album due out soon, he’s looking forward to widening the reach of his live show, a stripped-back performance currently featuring only Raffoul, his guitar, and his drum pedals.
Growing up in the small farming town of Leamington, Ontario, Raffoul first started writing songs at age 10, thanks in no small part to the influence of his father—a musician who’s opened for everyone from Joe Cocker to Bon Jovi. After landing his first paying gig—playing to long-haul drivers at a local truck stop—Raffoul began playing at nearby bars and clubs at age 16, often driving into Detroit for shows. He eventually connected with a manager and moved down to Nashville to push forward with his music career. Soon after scoring a deal with Interscope Records, Raffoul released the critically hailed song “Driver” and followed that with his debut EP 1975 in June 2018. Critical praise followed with NPR raving, “Billy Raffoul has stepped into the spotlight.” Over the past few years, Raffoul has opened for heavyweight artists like, Kings of Leon, X Ambassadors, NEEDTOBREATHE and Kaleo, captivating crowds with his understated yet intensely passionate stage presence.
See below for a complete list of upcoming Billy Raffoul tour dates:
March 26 Tulsa, OK The Vanguard^
March 29 Tucson, AZ Rialto Theatre^
April 2 Boulder, CO The Fox Theatre^
April 26 Orlando, FL The Social*
April 27 Tampa, FL The Orpheum*
April 30 Charlottesville, VA The Jefferson*
May 1 Washington, DC 9:30 Club*
May 2 Philadelphia, PA TLA*
May 5 Boston, MA Royale8
May 7 New York, NY Gramercy Theatre*
May 9 Cleveland, OH House Of Blues*
May 10 Chicago, IL House Of Blues*
May 11 Milwaukee, WI Turner Ballroom*
May 12 Minneapolis, MN The Varsity*
May 14 Des Moines, IA Wooly’s*
May 15 Omaha, NE The Waiting Room*
May 17 St. Louis, MO Delmar Hall*
May 18 Nashville, TN Cannery Ballroom*
May 29 Kansas City, MO Record Bar*
May 31 Denver, CO Gothic Theatre*
June 1 Salt Lake City, UT The Depot*
June 4 Seattle, WA Neptune*
June 5 Portland, OR Star Theatre*
June 7 San Francisco, CA August Music Hall*
June 8 Fresno, CA Strummers*
June 9 Sacramento, CA Ace of Spades*
June 11 Los Angeles, CA Troubadour*
June 12 Los Angeles, CA Troubadour*
June 14 San Diego, CA House of Blues*
June 15 Phoenix, AZ Crescent Ballroom*
June 18 Austin, TX 3Ten at ACL Live*
June 19 Dallas, TX Grenada Theatre*
June 21 Bryan, TX Grand Stafford Theatre*
June 22 Houston, TX Heights Theatre*
June 24 Birmingham, AL The Saturn*
June 25 Atlanta, GA Terminal West*
June 26 Charlotte, NC The Underground*
June 27 Carrboro, NC Cat’s Cradle*
June 28 Pittsburgh, PA Rex Theatre*
June 30 Indianapolis, IN Deluxe @ Old National Center*
*w/ Parachute
^w/Julia Michaels
DJ Snake and Eptic have teamed up on a new song, “SouthSide,” which is released today via Geffen Records and available from all digital partners.
Listen to “SouthSide” by DJ Snake and Eptic HERE.
The French DJ and producer and Belgian bass music prodigy teamed up after running into each other at the airport in London two years ago. “Snake said he wanted to work together, but only on one condition,” Eptic says. “We had to make the hardest track possible. It took a lot of time and elbow grease, but we ended up with something next level and I couldn’t be more proud. I’ve been opening with this for last few months and it absolutely destroys the dance floor.”
DJ Snake’s previous single “Taki Taki,” featuring Selena Gomez, Ozuna, and Cardi B, shot to No. 1 on iTunes in 25 countries, continuing his track record of global hits, from “Turn Down for What” to “Let Me Love You” to the club smash of last summer — his India-inspired “Magenta Riddim.” The video for “Taki Taki” is the sixth-fastest music video of all time to hit 100 million views on YouTube. Visit http://djsnake.com/tour/ for upcoming tour dates, which include appearances at Coachella on April 12 and April 19, and the sold out Pardon My French, featuring DJ Snake, Tchami X Malaa, and Mercer, at Red Rocks Amphitheatre in Denver on April 26.
Twenty-five-year-old wunderkind Eptic has established himself as one of the brightest talents in bass music, earning millions of streams through a slew of powerhouse anthems including his remix of “Get With The Program” with Trampa, his collaboration with Zomboy on “Bop It,” and his re-work of Dillon Francis’ “Say Less” featuring G-Eazy.
Just before launching her sold-out spring tour tonight, Maggie Rogers announced a new series of North American dates. The Heard It In A Past Life tour will kick off on July 26 at Thompson’s Point in Portland, ME. The outing will include a two-night stand at New York City’s Radio City Music Hall (October 1 & 2) and shows at the Greek Theatre in Berkeley, CA (September 20), Nashville’s Ryman Auditorium (October 15) and ACL Live at The Moody Theater in Austin (October 19). Empress Of and Jacob Banks will join Rogers as support. Visit http://www.maggierogers.com/live/ for itinerary. The acclaimed producer/songwriter/performer will also play numerous festivals, including Coachella.
Pre-sale tickets for the summer/fall shows go on sale to members of Rogers’ fan club on Monday, March 25th. The AMEX pre-sale begins on Monday, March 25thand the Spotify pre-sale starts on Wednesday, March 27th. Tickets go on sale to the general public here on Friday, March 29th, at 10:00 AM local time. AEG Presents will present the majority of Rogers’ fall tour. The remaining dates will be presented by independent promoters. Rogers recently wrapped up a tour of the U.K., Ireland and Europe. At London’s O2 Academy Brixton, Florence Welch of Florence + The Machine joined her onstage for a performance of “Light On.”
Rogers is touring in support of her Capitol Records debut album, Heard It In A Past Life, which entered Billboard’s Top Album Sales chart at No. 1 and charted at No. 2 on the Billboard 200. It has sold nearly 200,000 album adjusted units to date with cumulative streams across all tracks exceeding 400 million. Her current single, “Light On,” topped Billboard’s Adult Alternative Songs chart for two consecutive weeks. Rogers recently performed “Burning,” another track from the album, on “The Late Show With Stephen Colbert.” View here.
In this feature, The New York Times said, “‘Heard It in a Past Life’ is a collection of buoyant electronic pop songs, but the lyrics are unmistakably the work of an introvert struggling to recalibrate.” Rolling Stone awarded the album four stars and hailed it as “a laser focused statement with nary a wasted lyric or synth line.”TIME said, “The album confirms Rogers as a tender but powerful musical force, putting her in the company of a group of solo female artists claiming space outside of the typical machines of pop, country or R&B.” NPR Music noted, “’Heard It In A Past Life’ (is) smart sparkling pop.”
Maggie Rogers grew up in Easton, Maryland. After graduating from NYU’s Tisch School of the Arts, she released her critically acclaimed debut EP, Now That The Light Is Fading. The BBC, Tidal, Google Play, Vevo, Pandora and numerous publications – including Rolling Stone, NYLON, SPIN, Billboard and more – have tipped her as an artist to watch. NPR named her one of its Favorite Musicians and The New Yorker declares, “Maggie Rogers is an artist of her time.” Rogers’ television performances include “Saturday Night Live,” “The Tonight Show Starring Jimmy Fallon,” “Late Night with Seth Meyers,” “The Late Late Show with James Corden” and “The Ellen DeGeneres Show.” Named as the first YouTube Artist On The Rise (AOTR) of 2019, she has also been included in Twitter Music’s #ArtistToFollow, Amazon’s First And Last and Pandora’s Drumbeats programs.
Maggie Rogers – Heard It In A Past Life World Tour – Summer/Fall 2019
+ Empress Of to support
^ Jacob Banks to support
Newly Announced Dates
7/26Portland, METhompson’s Point
7/30North Adams, MAMASS MoCA
7/31Toronto, ONRebel
9/12Portland, ORArlene Schnitzer Concert Hall
9/13Vancouver, BCOrpheum
9/14Seattle, WAWaMu Theater
9/17Santa Barbara, CASanta Barbara Bowl
9/20Berkeley, CAGreek Theatre
9/23Denver, COThe Mission Ballroom
9/24Kansas City, MOArvest Bank Theatre at the Midland
9/26Minneapolis, MNThe Armory
9/28Columbus, OHExpress Live!+
9/30Pittsburgh, PAStage AE+
10/1New York, NYRadio City Music Hall+
10/2New York, NYRadio City Music Hall+
10/4Philadelphia, PASkyline Stage @ The Mann+
10/5Boston, MAWang Theatre – Boch Center+
10/8Washington, DCThe Anthem+
10/9Charlotte, NCThe Fillmore Charlotte^
10/11St. Augustine, FLThe Amp^
10/12Orlando, FLHard Rock Orlando^
10/15Nashville, TNRyman Auditorium^
10/18Dallas, TXBomb Factory^
10/19Austin, TXACL Live at The Moody Theater^
THE SCORE ANNOUNCES THE PRESSURE TOUR THIS SPRING
PRESSURE EP OUT NOW
Critically acclaimed, buzzing LA based, New York born rock band The Score – Eddie Anthony and Edan Dover – return to the road on The Pressure Tour this spring. It kicks off April 27th at In The Venue in Salt Lake City, UT and rolls through major markets coast to coast, concluding at The Troubadour in Los Angeles on May 17. LostBoyCrow and OVERSTREET round out the bill as support. Check out the full itinerary below.
Tickets are on sale now! Fans can purchase tickets here.
The group will be on the road in support of their recently released Pressure EP—available HERE via Republic Records. The six tracks have already tallied a cumulative total of 40 million streams and counting as the duo regularly averages nearly 3 million monthly listeners on Spotify. Songs like the latest single “Dreamin” [feat. Blackbear] will undoubtedly explode from the stage night after night on the road.
Don’t miss The Score on what promises to be an unforgettable and intimate run.
New York-born and Los Angeles-based duo The Score stand out as a fiery genre-defying phenomenon, incinerating the lines between rock, pop, indie, and electronic. Powered by ubiquitous anthems such as “Oh My Love,” “Legend,” and “Unstoppable,” the boys racked up nearly 800 million cumulative streams within three years’ time over the course of two EPs—Unstoppable and Myths & Legends—and a 2017 full-length debut, ATLAS. As they ignited venues across North America, in addition their music has been used in campaigns for Jeep, NBA, and beyond.
TOUR DATES
April 27th Salt Lake City, UT In The Venue
April 28th Denver, CO Marquis Theatre
April 30th St. Paul, MN Amsterdam Bar & Hall
May 2nd Chicago, IL Lincoln Hall
May 3rd Cincinnati, OH Top Cats
May 4th Columbus, OH Skully’s
May 5th Detroit, MI Shelter
May 7th Brooklyn, NY Knitting Factory
May 8th Washington, DC U Street
May 10th Carrboro, NC Cat’s Cradle
May 11th Atlanta, GA The Loft
May 13th Austin, TX The Parish
May 14th Dallas, TX Deep Ellum
May 16th Phoenix, AZ Pub Rock
May 17th Los Angeles, CA The Troubadour
PRESSURE EP TRACKLISTING
Follow The Score on Social Media
SUZI WU RELEASES ERROR 404 EP VIA AMF RECORDS/DEF JAM
WATCH THE VIDEO FOR “HIGHWAY” HERE
ANNOUNCES US SHOW DATES INCLUDING GOVERNORS BALL ON JUNE 1
“On the surface scattergun, these songs are in reality precision-tooled and pretty much perfect.” – Sunday Times Culture
“Suzi Wu is the badass pop music needs” – Pigeons & Planes
“She’s presenting a sound that’s very new, yet – in the best of way – still manages to feel familiar.” – MTV
“Her lyrics are full of charisma, and will resonate with anyone who’s ever been young and directionless in the city.” – Noisey
21-year-old Londoner Suzi Wu drops her EP ‘Error 404’ (mixed by Mike Dean) and video for “Highway” today via AMF Records/Def Jam Recordings. Suzi explains, “I wrote this EP in a time of transition from my previous releases to something more electronic. I was writing poetically about things that are artificial. Trying to write romantically about the blue glow playing across my bedroom and big open luminous- grey spaces like the M25 motorway, where I spent a lot of my childhood in between the departure and the destination.
The video for “Highway” is just me and my mates having a good time in a warehouse, which is sort of reminiscent of squat raves for me. I’m in tiny little Mercedes Benz because although, like everyone else I love the idea of having money, I’m a little bored of clout culture and everyone flexing. I’d prefer to drop a few grand on a pinball machine compared to a diamond necklace. It’s just more fun.”
Born in Blackpool, Suzi Wu grew up in London and spent the summers back up north, learning as much in the big city as she did in the never-ending car journeys she’d take on the motorway. Driving back to extended family, Suzi (surname: McDermott) earned another extended family in the car where she enjoyed the company of her mother’s extensive record collection: from Beastie Boys to Riot Grrl, Beck to Patti Smith. You can hear all and none of those influences in Error 404, her second EP; the sound of pop turned inside out.
After school, Suzi decided to pursue a course in production. The inequalities that exist behind the scenes in the music industry didn’t even occur. For her, production skills would give her the keys to the car. She had been writing songs on guitar from a young age but had a vision for how she wanted it to sound. She excelled at the course. “That was a new good feeling,” she laughs.
Pop culture is deeply important to Suzi. From the bands she’d listen to growing up, to the “collective” she considers herself part of in East London currently, she recognizes the power of music in its subversion of societal norms and in its welcoming of outcasts; outcasts who manage to outsmart old industry tropes. With her second EP on the horizon – the follow-up to 2017’s ‘Teenage Witch’ – she’s following in similar self-possessed, fan-base building footsteps.
Error 404 is a far more electronic collection of songs and more unashamedly pop. Suzi, however, strives to buck trends. The EP is chopped and screwed with a hip-hop edge. Suzi’s vocal delivery has been compared with M.I.A. and King Krule. Those comparisons both feel limiting and reductive. Particularly given Suzi is 21 years-old and living her own unique experience. The four songs are rooted in her plainspoken swagger, which she carries out in her lower register and doesn’t pretty up to render it more feminine.
With Teenage Witch having already racked up a wealth of praise and attention from radio, press, and streaming services, tongues are wagging with anticipation for Suzi’s follow-up. Error 404 bridges the gap but definitely transports Suzi to an even bolder stop on her journey to pop notoriety. “I’m always writing,” she says, always another move ahead.
Catch Suzi Wu On the Road
5/29 – DC9, Washington, DC
5/30 – Johnny Brenda’s, Philadelphia, PA
6/1 – Governors Ball Festival, New York, NY
6/5 – Schubas, Chicago, IL
6/7 – Popscene, San Francisco, CA
6/10 – Moroccan Lounge, Los Angeles, CA
Tickets on sale Wednesday, March 27 at 10am local time
Follow Suzi Wu On Social Media
