In celebration of Pride, RCA Records is excited to announce they will be holding a virtual livestream – 2020 Pride Benefit Concert – to help raise funds for the Human Rights Campaign on June 30th. The livestream will be mixed with performances from some of RCA’s outstanding roster as well as serve as a platform to educate viewers on the mission of the Human Rights Campaign and ways to get involved. All proceeds received during the livestream will go to the Human Rights Campaign.
Alphonso David, president of the Human Rights Campaign: “Pride started with protest. And this year, it is clearer than ever that the fight for LGBTQ rights is intricately linked to the fight against racism and the fight for dignity for us all. Pride is also about celebration and the community we have built, together. And since many of us could not celebrate in person this year, we are looking forward to joining forces with RCA Records to host a virtual Pride benefit concert to close out the month. We are grateful to have this space to bring the community together, to celebrate our progress and redouble our commitment to the work we have ahead of us.”
Set to perform in this 1 hour livestream are Cam, TOBi, WALK THE MOON, Jimmy Eat World, Sam Fischer, SAYGRACE, Isaac Dunbar, Citizen Queen, Christian French and more to be announced. Fans and viewers can tune in on Tuesday, June 30th at XX on RCA Records’ YouTube channel to catch the livestream.
The Human Rights Campaign and the Human Rights Campaign Foundation together serve as America’s largest civil rights organization working to achieve LGBTQ equality. By inspiring and engaging individuals and communities, HRC strives to end discrimination against LGBTQ people and realize a world that achieves fundamental fairness and equality for all. The Human Rights Campaign envisions a world where lesbian, gay, bisexual, transgender and queer people are ensured equality and embraced as full members of society at home, at work and in every community.
Since its inception in 1900, RCA Records, the second oldest label in American history, has been home to some of the most iconic music artists of all-time celebrating music across all genres. The label has a rich, storied history which is earmarked by artists continually pushing their artistic boundaries and shaping the cultural landscape.
Why call this new museum show Beyond the Cape? Compared to so many other exhibitions around the world about comic books, this original and unconventional take soars beyond just superheroes.
Beyond the Cape! Comics and Contemporary Art shows how some of the most currently sought-after contemporary artists are influenced by graphic novels and comic books.
The artworks in this pioneering show making its world premiere at the Boca Raton Museum of Art take viewers on a deeper dive into adult realms, tackling some of today’s thorniest issues: politics, divisiveness, immigration, racial prejudice, planetary climate armageddon, feminism, LGBTQ rights, religion, gender, and more.
Grouped together for the first time in this new way, the exhibition at the Boca Raton Museum of Art features prominent artworld superstars, including:
Kumasi J. Barnett, George Condo, Renee Cox, Liz Craft, Kota Ezawa, Chitra Ganesh, Mark Thomas Gibson, Trenton Doyle Hancock, Christian Marclay, Kerry James Marshall, Takahasi Murakami, Elizabeth Murray, Yoshitomo Nara, Joyce Pensato, Raymond Pettibon, Peter Saul, Kenny Scharf, William T. Wiley, David Wojnarowicz, and Michael Zansky.
Some of the most acclaimed underground comic book artists are also front-and-center, including: R. Crumb, Aline Kominsky-Crumb, and Mimi Pond.
Also featured in the exhibition are artists from The Hairy Who: Gladys Nilsson, Jim Nutt, and Karl Wirsum.
The show features more than 80 works by 40 artists: paintings, video, photography, sculpture, prints, drawings, and tapestries.
Rare comics will also be shown, plus contemporary animation and rarely seen historic cartoons from the early 1900s on vintage TVs.
This exhibition is curated by Kathleen Goncharov, Senior Curator at the museum. She recruited as her ‘muse’ for this exhibition Calvin Reid, the Senior News Editor at Publishers Weekly and a leading expert in the field of comics.
Reid was one of the first critics to recognize comics as a literary form for adults, and selected the comic books and graphic novels in the reading room where the public can comfortably lounge and enjoy reading (many from Reid’s own private library).
“Beyond the Cape delves into the world of comics and graphic novels and their influence on contemporary artists. Their work defies commonalities, but come together to present a boldly visual, eye-opening mirror of our contemporary world and present issues,” said Irvin Lippman, the executive director of Boca Raton Museum of Art.
Some of the surprising twists and turns visitors can see at Beyond the Cape!
Elizabeth Murray began working with comic imagery in the 1970s, when minimalism dominated the art scene. Her personal, colorful work proved that painting was still relevant and ripe for innovation, and set the stage for a return to figurative work in the 1980s. As a child she drew from newspaper comic strips, and even sent a sketchbook to Walt Disney.
Kerry James Marshall’s work is currently at the very top of the art market. Known for his flat, colorful paintings of contemporary Black America, for the past 20 years he has been working on his comic series Rythm Mastr (set in the Black community where his Chicago studio is located).
The genesis of Rythm Mastr began with the demolition of public housing and the spike of violence in Chicago in the 1990s. He grew up in the Watts area of South-Central Los Angeles, and the Civil Rights and Black Power movements impacted this artist’s work.
Most assume comics are primarily intended for children, usually featuring super heroes as evidenced by today’s popular films – but this exhibition is decidedly for adults.
The only references to superheroes in this show are by Renee Cox (whose Jamaican anti-racist avenger Raje does not wear a cape), and Luca Buvoli’s animation Not-a-Superhero.
Art that is flat, graphic and colorful (like the art in graphic novels and comics), is taking center stage in the Instagram age. Artists, galleries and collectors are turning to social media as the place to promote their art and find art to purchase.
Looking beyond the 1960s Pop Art movement led by big name New York artists, this show features the “other” art movements from the 60s and 70s such as Bay Area Funk Art and the Chicago Imagists (who called themselves Hairy Who).
These artists rebelled against the formalist New York style, and during their youth, they were belittled as ‘provincial regionalists’ by the New York-centric art world of the time.
The Chicago artists in Hairy Who (Jim Nutt, Gladys Nilsson, and Karl Wirsum) have greatly influenced younger artists of today.
A nod to Japanese Manga comics and graphic novels features two major artists: Takashi Murakami and Yositomo Nara.
Almost all of the artists in this exhibition are living artists, except for three: Elizabeth Murray, H.C. Westermann and David Wojnarowicz.
Two works by the Indian-American artist Chitra Ganesh. One is titled City Inside Her, (2014), and another is Manuscript, (2018),
a giant 3-D hand with projected henna designs used by women in India and the Middle East
Chitra Ganesh is an Indian-American artist who combines the iconography of Hinduism, Buddhists and South Asia pictorial traditions with the contemporary popular visual language of comics, illustration and science fiction.
Her work will include a giant 3-D hand with projected henna designs used by women in India and the Middle East. She will also show a series of work loosely based on the comic book series Amar Chitra Katha (Immortal Illustrated Stories).
Ganesh’s original comic book premiered in India in 1967 and was intended to teach children traditional historical and religious stories. Unfortunately, the original series reinforced the caste system with its attendant issues of race and gender. In her work, Ganesh flips the script by highlighting alternative feminist narratives.
California artist Peter Saul, 85, was not taken seriously outside of California until relatively recently. Today his work is in great demand and is a major influence on young artists. Similar to comics, his work is irreverent, idiosyncratic, colorful and political.
Koto Ezawa’s comics-inspired animation tells the story of the Isabella Stewart Gardner museum art heist.
Michael Zansky, the son of Louis Zansky who drew the early “Classic Comics” in the 1940s, is a painter and multi-media artist whose monumental large cut, burnt and carved wood panels feature mysterious hybrid creatures inspired by comics, ancient art and works from the Western art canon.
Another family connection is Jody Culkin who is a descendant of Harriet Hosmer, a prominent neo-sculptor who lived in Rome in the 19th century. Hosmer was a scholar, an inventor, writer and feminist. She wrote a play set in London and in the then-future (1977) in which mummies come to life in the British Museum. Featured in this exhibition is the rarely seen animated comic Culkin made about this play.
Kumasi Barnett uses actual comic books in his work to create new characters such as The Amazing Black-Man. His nine works featured in this show will be encased in plastic, the way rare comics are sold.
Moreover, there’s an emerging artist community within Mississauga, Ontario. Hopefully, these types of installations and many more will come with the assistance of Precondo.
THE IKEA READING ROOM
An extensive reading room designed by IKEA features hundreds of graphic novels and comics for the public to comfortably peruse in a relaxed setting.
Selected by Calvin Reid, Senior News Editor at Publishers Weekly, the 200+ comic books and graphic novels include many from his own personal library.
The public can enjoy reading works by Lynda Barry, Allison Bechdel, Roz Chast, R. Crumb, Aline-Kominsky Crumb, Mimi Pond, Trina Robbins, Art Spiegelman, George Takei and Ronald Wimberly, and many others.
Reid began writing in the 1980s, about the same time Art Spiegelman and R. Crumb, alumni of the underground RAW comics, emerged as serious figures in the comic world. Spiegelman’s MAUS is probably the first graphic novel to reach a wide audience.
A goal in providing the reading room is to inspire fans of graphic novels who may not be prone to visit a museum to take the leap, walk into a museum and experience works of art in person. Rare comics and a series of contemporary and historic animation works will also be on view.
Support for this exhibition is generously provided by the Museum’s Leadership Fund, with major funding from: Estate of Ardele L. Garrod, Isadore & Kelly Friedman Foundation, PNC Bank, Jody H. & Martin Grass, Anne & Scott P. Schlesinger, Jennifer & Marc Bell, Dalia & Duane Stiller, Susan & Eric Kane and Laurence W. Levine Foundation, Angela & John DesPrez III, El Ad National Properties and Alina Properties, Joy & Richard Blakeman and Lisette Model Foundation, Karen Mashkin, Patricia Savides, Schmidt Family Foundation, the Museum’s Friends Auxiliary, and those who wish to remain anonymous.
In-kind corporate support for the exhibition is generously provided by IKEA.
— Jellyfish Eyes, by Takashi Murakami, (2003), collection of Beth Rudin DeWoody
DRØME is excited to announce the cover star of the third annual issue of DRØME’s print magazine is actor Ashton Sanders. The issue will become available on Thursday, October 25th, 2018.
Dubbed the “Fantasy” issue, Volume III features cover star and “Moonlight” actor Ashton Sanders, musical wunderkind Billie Eilish, performance artist, poet, and LGBTQ rights activist Alok Vaid-Menon, fashion designer Christian Siriano, ballet dancer Michaela DePrince, and model Salem Mitchell.
DRØME Magazine is a queer positioned media platform dedicated to the representation of alternative voices across an ever-expanding community. By thrusting a diverse representation of young artists and enervators into the mainstream, DRØME Magazine strives to become and embody the alternative voice of a generation.
An in depth interview accompanies each editorial spread — typically conducted by DRØME Co-Creative Director’s Satchel Lee and Gorman – highlighting each artist’s creative journey, subtly exploring their experience with the concept of fantasy.
“Ashton Sanders was an obvious choice for the cover of DRØME’s third print issue. His poise and quiet intensity pull those around him in closer. He follows his gut and makes his fantasies a reality, and does so with grace and a true understanding of who he is and who he strives to be.” – Satchel Lee, DRØME Co- Creative Director
“Through its theme, ‘Fantasy’, DRØME Volume III explores the power of imagination and its ability to transcend our physical realm through creative thought.” – Caroline D’Arcy Gorman, DRØME founder and Co-Creative Director
DRØME Volume III retails for $25 USD and will be available at select retail partners including McNally Jackson, Bluestockings, Casa Magazines, Mulberry Iconic, and Bouwerie Iconic in New York City, Arcana Books on the Arts in Los Angeles, MagCulture in London and via the DRØME website, www.wearedrome.com
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