Posts tagged with "lana del rey"

Zella Day Photo credit: Elizaveta Porodina from Jen Appel, The Oriel Company for use by 360 Magazine

Zella Day Releases New Song × Video – Golden

Zella Day is thrilled to release a brand new song called “Golden” via Concord Records. “Golden” is full of luminous harmonies, a shimmery, skirt-twirling disco beat, and one of the best choruses Day has ever written. A video for the song, directed by Corey “Titanic” Sinclair, and concepted by Day and Titanic, can also be seen today as well.

Says Day about the song, “The Genesis of ‘Golden’ happened as a tornado was tearing through Nashville and whispers of a global pandemic were evolving past a rumor. I was in Alabama writing with John Paul White as my phone was lighting up with messages from friends and family back home. I was supposed to drive back to Nashville that evening, but plans changed like the weather. In the stillness of the studio, ‘Golden’ was written communicating with powers beyond my control, expressing and coping with the magnitude of the situation by creating art; singing a melody into the moment to address its fragility and infinite beauty.”

Click here to listen to “Golden”

Click here to watch the video for “Golden”

“Golden” is a taste of Zella Day’s highly anticipated sophomore album, which is due out this fall. Recorded with producer Jay Joyce (Cage The Elephant, Emmylou Harris), the album features guest turns by Local Natives’ Ryan Hahn, Day’s longtime collaborator John Velasquez, drums by Autolux’s Carla Azar, and bass by Cage The Elephant’s Daniel Tichenor.

“Golden” follows the release of the songs “Dance For Love” and “Girls,” and all of them will be featured on Day’s sophomore album. The tracks together are a brilliant glimpse at what is set to be a career-defining musical year for Zella Day, whose songs have amassed millions and millions of streams already. In addition to the duet with Weyes Blood earlier this year, Day also appeared on Lana Del Rey’s Chemtrails Over the Country Club this past March, covering Joni Mitchell with Del Rey and Weyes Blood in a symbolic passing of the sonic torch from one great LA singer/songwriter to the new generation. Day’s forthcoming sophomore album follows 2020’s EP, Where Does The Devil Hide, produced by Dan Auerbach, and released by Concord Records.

Day is a recently-announced addition to this year’s ACL lineup for both weekends, in addition to playing this year’s Beachlife Festival, taking place in Redondo Beach, CA the weekend of September 10th, 2021. The singer is also set to open for the acclaimed band Silversun Pickups on select dates this fall.

2021 Tour Dates

Wed Sept 8 – Solana Beach, CA – Belly Up

Fri Sept 10 – Mon Sept 13 Redondo Beach, CA – Beachlife Festival

Sun Sept 12 – Santa Cruz, CA – The Catalyst

Tues Sept 14 – Sacramento, CA – Ace of Spades

Wed Sept 15 – Reno, NV – Virginia Street Brewhouse

Thurs Sept 16 – Napa, CA – JaM Cellars Ballroom

Fri Oct 1 – Sun Oct 3 – Austin, TX – Austin City Limits

Zella Day:

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Bleachers Image provided by Jamie Abzug and RCA Records for use by 360 MAGAZINE

Bleachers Release Secret Life

Today, Bleachers release “Secret Life” ft. Lana Del Rey. This is the latest track to be released off Bleachers’ highly anticipated 3 album Take the Sadness Out of Saturday Night  which will be released this Friday, July 30 via RCA Records. Check it out HERE.

To celebrate the release of Take The Sadness Out of Saturday Night, Bleachers partnered with Jersey City pizzeria Razza to produce and sell a tomato sauce featuring New Jersey’s finest homegrown tomatoes. The sauce is available as part of a special limited edition package on Bleachers’s website.

Last week Bleachers’ performed their lead single “Stop Making This Hurt” on NBC’s Late Night with Seth Meyers where Antonoff was also a chat guest. Check it out HERE and HERE.

Earlier in July, Bleachers’ performed a very special NPR Tiny Desk from home, recorded at Electric Lady Studios – check it out HERE.

In May, Bleachers’ debuted their track “How Dare You Want More” during their much celebrated performance on NBC’s The Tonight Show Starring Jimmy Fallon where they were the first full band to perform in studio in over a year. Watch HERE.

Additionally it was announced that, Bleachers will be hitting the road this fall on their ‘Take the Sadness Out of Saturday Night’ headline tour. Tickets are on sale now. To purchase tickets go HERE. The tour kicks off on September 11, 2021 at Jack’s ‘Shadow of the City’ festival in New Jersey. For more information visit The Shadow Of The City website.

Jack Antonoff illustration by Samantha Miduri for use by 360 Magazine

PRODUCER JACK ANTONOFF IS EVERYWHERE

By: Andrew Shibuya

Working quietly beside some of today’s most famous and talented musicians is producer Jack Antonoff. Though one likely knows the various critically acclaimed albums he has co-produced over the past five years with artists such as Taylor Swift, Lana Del Rey, and Lorde, he seems to have worked primarily in the shadows of these singer-songwriters.

Known for his sleek and polished pop, his signature 80s-style synths, and ornate instrumentation, Antonoff began his rise to prominence first as a member of the now defunct group fun., and later as one of the producers on Swift’s 1989 and Reputation. And while he is far from unknown by any means, it is only this past spring that Antonoff’s influence has seemed to be inescapable.

In the past six months alone, Antonoff has been credited as co-producer on some of the most celebrated and eagerly anticipated releases of the year, including Del Rey’s Chemtrails Over the Country Club, St. Vincent’s Daddy’s Home, Clairo’s forthcoming Sling, Lorde’s forthcoming LP, as well as on Swift’s last two LP’s, evermore and folklore. Given the prominence of the artists he works with, and the sheer amount of Antonoff’s work that is being released at present, one can only help but wonder if there are any implications to Antonoff’s extensive list of collaborators and his unmistakable influence over much of the contemporary pop scene.

This past week alone saw the release of both Lorde’s and Clairo’s first singles (“Solar Power” and “Blouse”, respectively) from their forthcoming records, with the two singer-songwriters even lending their vocals to each other’s tracks. And while the producer himself once stated that each record he produces has its own “sound world”, many fans have taken to social media to complain about what they deem to be Antonoff’s “copy-pasting” from record to record. Critics have pointed out some of the valid similitudes among some of Antonoff’s most recent works.

For example, many critics point to similarities between the key, tempo, and vocals of the refrain of St. Vincent’s track “… At the Holiday Party” from her latest work “Daddy’s Home” and the chorus of Lorde’s recent single “Solar Power”. Side by side, the sonic resemblance between the two is somewhat uncanny. Fans have even gone as far as to create mashups of the two songs, alongside pleas for Antonoff to take a break from working with so many artists at once.

Another instance of Antonoff’s so-called “copy-pasting” that fans have taken grief with is the use of identical instrumentation from tracks from Del Rey’s two most recent albums, both co-produced by Antonoff. The distinctive jingle bells of 2019’s “How to Disappear” are used almost identically as in the chorus of 2021’s “Wild at Heart”. Many fans were quick to express their dismay given the fact that several tracks from Chemtrails Over the Country Club were recorded during the sessions for Norman Fucking Rockwell!  and “Wild at Heart.” For some fans, these tracks seemed to merely be leftovers from the first LP, leaving many lamenting that Antonoff must be too busy to be wholly novel with each work.

This is not to say, however, that Antonoff’s production has by any means become stale, nor that the producer is lacking versatility. Contrarily, his range is objectively remarkable. Take, for instance, his work with indie rock artist Annie Clark, who writes and performs as St. Vincent. From the glam rock and electro-pop sound of her 2017 LP MASSEDUCTION to the psychedelic and 70s-inspired Daddy’s Home alone, Antonoff, co-producing with Clark, proves himself to be adroit across a multitude of instruments and production styles.

And still, many fans of St. Vincent’s remarkable career over the past decade and a half consider Clark’s last two albums, both co-produced alongside Antonoff, to be among her worst. Critics often cite the sleek and polished production that Antonoff favors as the problem. This, of course, begs the question: are these artists responsible for the similarities in their work with their peers’, or could Antonoff be to blame?

Based on what the artists he works with have to say, the former might seem to be the answer. Swift, following the release of her 2020 LP folklore, wrote in a tweet about Antonoff: “Talking to Jack about life is one of my all time favorite hobbies. He’s always curious, always wondering how to keep learning and growing. He’s the best.” Del Rey, Lorde, and Clark have all likewise echoed this sentiment, similarly praising Antonoff’s willingness to listen and move in any direction musically.

So what is it about Antonoff that makes him so compelling to artists and somewhat divisive amongst fans? With every album and single that he produces comes an accompanying Instagram post alongside various platitudes praising the new work and artist. Just below rests humorous, and somewhat exasperated, comments from fans wondering when the producer has time to sleep.

With so many of his collaborators being women, many interviewers and fans have been curious as to why Antonoff tends to gravitate toward female singer-songwriters. In a recent Rolling Stone interview, Antonoff responded to the question regarding the majority of his production being for female artists, stating, “It’s never come up in my head outside of being interviewed.”

Fans, however, are constantly intrigued by Antonoff’s prodigious discography, especially the predominance of women singer-songwriters with whom he collaborates. Some in this online discourse criticize Antonoff’s dominance in pop production, given that in a recent report conducted by USC’s Annenberg Inclusion Initiative, just 2.6 percent of all producers are women. These critics argue that these famous and talented artists should seek out women producers, as opposed to simply continuing to work with Antonoff.

Still, Antonoff remains one of the most in-demand producers who is sought out by some of the biggest names in music, most notably by prominent and talented female singer-songwriters. Is it because he’s simply the most talented? Or the most well-known? And, how much Antonoff is too much Antonoff? Though the answer to these questions may be unclear, his influence is undeniable–and now, almost inescapable. Behind the scenes of many of the greatest pop releases of 2021, and indeed the latter half of the past decade, was Antonoff working tirelessly.

Music Notes illustration by Mina Tocalini for 360 Magazine

ANDREW WATT WINS GRAMMY FOR PRODUCER OF THE YEAR

MULTI-PLATINUM PRODUCER ANDREW WATT SCORES FIRST GRAMMY WIN FOR PRODUCER OF THE YEAR AT THE 63rd ANNUAL GRAMMY AWARDS.

PRODUCER CREDITS IN 2020 INCLUDE DUA LIPA’S FUTURE NOSTALGIA, WHICH TOOK HOME BEST POP VOCAL ALBUM, AND POST MALONE’S HOLLYWOOD BLEEDING, NOMINATED FOR ALBUM OF THE YEAR.

Critically acclaimed, award-winning music producer Andrew Watt took home the award for Producer of the Year at the 63rd annual Grammy Awards.  This marks the first official Grammy win for the multi-platinum selling hit-maker, who worked on some of 2020’s biggest music releases including; Ozzy Osbourne’s Ordinary Man, Miley Cyrus Plastic Hearts, both of which he executive-produced, Dua Lipa’s Future Nostalgia, which tonight took home the Grammy for Best Pop Vocal Album, and Post Malone’s Hollywood’s Bleeding, nominated for Album of the Year.

Watt’s work has continued to dominate the charts. He helped steer the hit “Midnight Sky” to become Miley’s 14th Top 20 US hit and Plastic Hearts to 3 consecutive weeks at #1 on the Rock Charts. And he started 2021 off with a bang with his recent work on Justin Bieber’s smash hit “Anyone,” which helped catapult the single to the top 10 of the Billboard Hot 100, making it Bieber’s 22nd career top 10 in the US.  Watt also produced Bieber’s latest release “Hold On” from his highly anticipated upcoming album Justice.

About Andrew Watt

ANDREW WATT is music-industry royalty, having collaborated with a wide variety of A-list acts including Justin Bieber, Elton John, Miley Cyrus, Mick Jagger, Selena Gomez, Smokey Robinson, Bruno Mars, Sam Smith, Juice Wrld, Halsey, Nile Rodgers, Ellie Goulding, Khalid, Slash, The Chainsmokers, Blink 182, Bebe Rexha, Tom Morello, Florida Georgia Line, Duff McKagan, 5 Seconds of Summer, Taylor Hawkins and Chad Smith to name a few. The record producer, singer, songwriter and multi-instrumentalist’s production credits include Cardi B.’s groundbreaking 2019 album Invasion of Privacy, which took home the Best Rap Album Grammy Award in 2019, Shawn Mendes and Camila Cabello’s smash global hit “Senorita,” as well as Lana Del Rey’s “Doin Time,” which topped the Billboard charts at #1. His genre-transcending talent as a producer entices artists of all kinds but it is his laid-back charm that keeps them coming back – as friends, and as collaborators. His versatility as a songwriter, producer and all-around musician have made him a bona-fide hit-maker reminiscent of legends way beyond his time.

LANA DEL REY, 360 MAGAZINE

Norman Fucking Rockwell

SHARES NORMAN FUCKING ROCKWELL! VIDEO, FEATURING THE SONGS ‘NORMAN FUCKING ROCKWELL’, ‘BARTENDER’ AND ‘HAPPINESS IS A BUTTERFLY’

ONE OF THE YEAR’S BEST-REVIEWED RECORDS

LISTEN HERE

Lana Del Rey today shares a stunning video, bringing to life three tracks from this year’s critically-acclaimed album Norman Fucking Rockwell!. The dreamlike visuals directed by Chuck Grant and edited by Lana brings together the tracks ‘Norman fucking Rockwell’‘Bartender’ and ‘Happiness is a butterfly’ as Lana finishes her biggest year to date, celebrating one of 2019 and the decade’s best-reviewed records. The LP, her 5th with Interscope, recently debuted at number three on the Billboard 200 in the US. NFR!was mainly produced with Jack Antonoff and features the songs ‘Fuck it I love you’‘The Greatest‘, ‘Venice Bitch’‘Mariners Apartment Complex’‘hope is a dangerous thing for a woman like me to have – but I have it’, and ‘Doin’ Time’, a cover of the Sublime classic.

Video Link: http://smarturl.it/NFRFilm

Hangout Music Festival, 360 MAGAZINE

HANGOUT MUSIC FESTIVAL

The ​Hangout Music Festival​, a three-day music vacation on the beach, today announces the lineup for the eleventh installment of the annual festival. Hosted oceanside on the beaches of Gulf Shores Alabama, Hangout Fest is a one-of-a-kind experiential event featuring performances from the biggest artists in pop, rock, hip-hop, electronic and country, and an array of immersive beach activities that extend far beyond music. This year’s event will take place Friday, May 15 ending Sunday, May 17, 2020.

Hangout Fest offers attendees a luxurious weekend of watching the biggest names in music with their feet in the sand. VIP pools with a close-up view of the Hangout Main Stage and hammocks lining the beach give fans a festival experience of unparalleled comfort and proximity to the cast of all-star performers.

The highly anticipated lineup, arguably Hangout’s biggest yet, will include:

Red Hot Chili Peppers, Post Malone, Billie Eilish, Marshmello, Lana Del Rey, Cage The Elephant, Juice WRLD, Illenium, Kane Brown, Rainbow Kitten Surprise, Louis The Child, The Head and the Heart, RL Grime, Jhené Aiko, Megan Thee Stallion, FINNEAS, Madeon, Quinn XCII, Moon Taxi, The Band Camino, Oliver Tree, T-Pain, Tove Lo, Big Wild, Wallows, Chelsea Cutler, Alec Benjamin, YUNGBLUD, Jai Wolf, Dominic Fike, Mt. Joy, Omar Apollo, Orville Peck, Snakehips, Surfaces, Doja Cat, SAINt JHN, Scarypoolparty, Bea Miller, Getter, Shallou, The Aces, Missio, Barns Courtney, SNBRN, Blunts & Blondes, The Glorious Sons, Whipped Cream, 99 Neighbors, Elderbrook, NOTD, Paul Cauthen, Raveena, Regard, Bren Joy, Luttrell, Taska Black, Pluko, Bailey Bryan, Dan Luke and the Raid, Duskus, Mattiel, MEMBA, Lucii, Perto, KennyHoopla, and Softest Hard

Complementing the stellar talent, guests can partake in a wide range of activities and events. Dive into the water at one of our beach clubs, swing at Hammock Beach, play beach volleyball, practice yoga, go disco skating at the full-sized Roller Rink. You can also rekindle those vintage summer vibes at Camp Hangout or join one of the epic dance parties happening by the waves with DJs all weekend long! See a full list of activities ​here​.

Tickets go on sale Monday, December 9 at 10 AM CT / 11 AM ET with a variety of ticket offerings ranging from GA to a host of VIP options. Celebrate your best life with all-inclusive VIP, Super VIP, Big Kahuna and Cabana packages for a decadent stay that is part music, part gourmet dining and 100% epic beach party. Featuring exclusive beach access, pool-side and jacuzzi-side views of the main stage, complimentary food, beer, wine and cocktails all weekend. Regular three-day GA tickets are $299 and all-inclusive three-day VIP tickets start at $1,099. The festival will again offer payment plans for GA and VIP purchases, allowing fans to pay for their tickets in five installments with a 10% down payment. Detailed information on ticketing can be found at ​hangoutmusicfest.com.

Fans have the opportunity to purchase presale tickets via American Express or Tunespeak. The AMEX presale starts Friday, December 6 at 8AM CT / 9 AM ET and is open to all American Express Card Holders. The Tunespeak presale starts Friday, December 6 at 10AM CT / 11 AM ET and customers can sign up for access at ​hangoutmusicfest.com​. Both presales end Monday, December 9 at 9:30 AM CT / 10:30 AM ET .

Website​ * ​Facebook​ * ​Twitter​ * ​Instagram

Ariana Grande, Miley Cyrus, Lana Del Rey, 360 MAGAZINE

Ariana × Miley × Lana

When Charlie’s Angels hits theaters this November – for the first time in the entire history of the franchise, films and television, directed by a woman, Elizabeth Banks – the new Angels will move to the beat of Ariana GrandeMiley Cyrus, and Lana Del Rey as Republic Records and Sony Pictures Entertainment release their song “Don’t Call Me Angel (Charlie’s Angels)” and the song’s official music video. The track, which features co-writing credits from all three of the artists, was recently featured in the film’s trailer and is the lead single from the upcoming Charlie’s Angels (Original Motion Picture Soundtrack). The soundtrack is co-executive produced by Ariana Grande, Savan Kotecha, and Scooter Braun and will be available November 1, 2019 via Republic Records, two weeks prior to the films November 15, 2019 release.
 
Check out “Don’t Call Me Angel (Charlie’s Angels)” HERE and the official music video HERE.

ANDREW LLOYD: THE PLATINUM COLLECTION

In celebration of his 70th birthday, ANDREW LLOYD WEBBER UNMASKED: THE PLATINUM COLLECTION was recently released through UMe / Polydor.

 

As one of the most successful composers of the modern era, Andrew Lloyd Webber‘s repertoire includes some of the world’s most celebrated musicals; Sunset Boulevard, Cats, Aspects Of Love, Joseph and the Amazing Technicolor Dreamcoat, Jesus Christ Superstar, Evita, Starlight Express, The Phantom of The OperaSchool of Rock and Love Never Dies – to name but a few.

Last year, Lloyd Webber became the only person to equal the record set in 1953 by Rodgers & Hammerstein with four shows running concurrently on Broadway (Sunset Boulevard, Cats, The Phantom of the Opera and School of Rock). Two of his shows are currently running in both Broadway and the West End: School Of Rock and The Phantom of the Opera, and his musicals have grossed more than $13.6  billion and have been watched by 302 million people across 44 countries. He has sold more than 40 million albums worldwide.

The collection is personally curated and overseen by Lloyd Webber to include classics from his earliest work starting with Joseph and the Amazing Technicolor Dreamcoat through his most recent School of Rock.

Of the new album, Lloyd Webber says: “I owe everyone involved in putting this compilation together a huge thank you.  A vast amount of thought has evidently gone into selecting tracks from my almost fifty year old career. This compilation brings back a heap of memories – it has made this ancient composer very happy.  I particularly love the new tracks and of course I love the orchestral suites. There’s nothing a composer likes more than hearing their melodies played by a cracking orchestra.”

Newly recorded songs from superstar artists Lana Del Rey (“You Must Love Me”, Evita), Nicole Scherzinger (“Memory”, Cats) and Gregory Porter (“Light at the End of the Tunnel”, Starlight Express) and add to the collection of his cherished works from the past five decades.

Of Lloyd Webber, Lana Del Rey says, “Andrew Lloyd Webber has been one of my primary inspirations in music, so to do a cover of one of his songs is a dream.”

Gregory Porter also expresses his admiration, “Andrew is an icon of not only musical theatre, but he’s an icon of music, our culture, and of our human experience.”

The Cats classic “Memory” by Nicole Scherzinger is available now as an instant grat track. Of being on the album, Scherzinger says, “Andrew’s music absolutely influenced me as an artist… It’s hard for me to fathom that I’m a part of one of Andrew’s career defining albums. That is in itself career defining for me. It’s a dream, and a lifelong accomplishment.”

The set also contains recordings by world-class performers such as Barbra Streisand, Madonna, Michael Crawford, Sarah Brightman, Michael Ball, and released for the first time, Beyonce singing “Learn To Be Lonely” from the 2005 Academy Awards with Lloyd Webber accompanying on piano.

UNMASKED: THE PLATINUM COLLECTION is available as 2 CD and 4 CD editions. The 4-disc version contains an exclusive 40-page book with a personally penned introduction from Lloyd Webber and in-depth notes on each track, written by respected theatre critic and Lloyd Webber biographer Michael Coveney, together with tributes from Barbra Streisand and Glenn Close among others.

The fourth disc encompasses a mix of overtures and showstoppers from Lloyd Webber‘s key works, as well as newly created orchestral suites. The five new orchestral suites have been specially prepared from existing recordings, emphasising the grand orchestral aspects of his work. All CDs were mastered at Abbey Road Studios.

Lloyd Webber‘s productions have sold more than 330 million tickets worldwide. The Phantom of the Opera is the longest-running show on Broadway and second longest-running show in West End history. Cats and The Phantom of the Opera are two of Broadway’s four highest grossing shows. The Phantom of the Opera original cast album is the No. 1 Broadway album of all time in the U.S. and the #175 biggest seller among ALL albums of the SoundScan era in the U.S.  In addition to his worldwide sales and audiences, Lloyd Webber has been recognised by critics and peers with numerous accolades and awards including seven Oliviers, seven Tonys, three Grammys, one Golden Globe and an Oscar.

 
“Andrew Lloyd Webber Tribute to a Superstar” airs TODAY –  Wednesday, March 28 on NBC


JESUS CHRIST SUPERSTAR LIVE IN CONCERT – airs Sunday, April 1 on NBC


Lloyd Webber’s new autobiography UNMASKED, was released by HarperCollins on March 6th.

 

BORNS RELEASE NEW ALBUM

Børns released their new album Blue Madonna Jan. 12 on Interscope Records.

1. God Save Our Young Blood feat. Lana Del Rey
2. Faded Heart
3. Sweet Dreams
4. We Don’t Care
5. Man
6. Iceberg
7. Second Night of Summer
8. I Don’t Want You Back
9. Tension (Interlude)
10. Supernatural
11. Blue Madonna
12. Bye-bye Darling

BORNS “Blue Madonna” eAlbum
Retail: http://smarturl.it/BlueMadonna
Amazon mp3: http://smarturl.it/BlueMadonna/amazonmusicbuy
Apple Music: http://smarturl.it/BlueMadonna/applemusic
Google Play: http://smarturl.it/BlueMadonna/googleplay
Napster: http://smarturl.it/BlueMadonna/napster
iTunes: http://smarturl.it/BlueMadonna/itunes
Spotify: http://smarturl.it/BlueMadonna/spotify
Tidal: http://smarturl.it/BlueMadonna/tidal

HER

HER RELEASE VIDEO FOR “WE CHOOSE”
WATCH HERE

SELF-TITLED DEBUT ALBUM OUT 3/30 – NOW AVAILABLE FOR PRE-ORDER

“Its opening uses a lone voice above sustained keyboard chords; by the end, horns and a choir have joined in without disturbing the dignified farewell.” – The New York Times

Her has shared the music video for their new single “We Choose”, directed by Antoine Poulet and Giorgio Martinoli. “We Choose” is the Her’s first release since the untimely passing of co-founder Simon Carpentier following a long bout with cancer. On “We Choose,” Victor Solf carries haunting verses into a hypnotic refrain with an airy sonic palette and classic soul style punctuated by Carpentier’s final vocal performance. The new song and video also herald the arrival of their anxiously awaited self-titled full-length debut, Her [Republic Records] — out March 30, 2018 and available now for pre-order, here.

WATCH THE NEW VIDEO FOR “WE CHOOSE” HERE

PRE-ORDER THE SELF-TITLED DEBUT LP FROM HER HERE

The video for “We Choose” was shot in Paris, in the prestigious Palais d’Iéna and was directed by Giorgio Martinoli (Creative Director at l’Optimum and l’Officiel) and Antoine Poulet (who has worked with Louis Vuitton, Yves St Laurent, and on videos for Lana Del Rey, Woodkid and The Shoes). On the song and video, Her’s Victor Solf explains,

‘We Choose’ was the first Her song we wrote after our previous band ended. We wrote it overnight. It was a statement about why we were continuing and about this strong faith we had into our music because we couldn’t do anything else. It’s the song with which we were opening all of our live shows for the past 18 months, and it felt like the right moment to release it now—as a reason why Her needs to pursue this quest for hope and life.”

“The video tries to illustrate the impossible: the absence of Simon, half of Her and my closest collaborator for 10 years. There is a sort of beautiful melancholia to the video. The basic premise was ‘what would we do if Simon was still here?’ So everything is framed for two and meant for Simon to have a place of expression.”

LISTEN AND SHARE THE NEW SINGLE FROM HER, “WE CHOOSE” HERE

““In the grander scheme, it’s a bridge between Her’s humble beginnings and their uncertain future where the question of moving forward continues to present itself. However, Solf approaches this challenge with the same determination as on Her’s first day.” – Billboard.com

HER LINKS: FACEBOOK TWITTER INSTAGRAM

While still in school, the half-German Victor and the French Simon met in 2007, bonded like long lost brothers, started making music together equally informed by old school soul a la Otis Redding and post-Yeezus hip-hop, and formed Her in 2015. Success followed as the breakout “Five Minutes” soundtracked Apple’s “Shot on iPhone” campaign and eventually generated over 6.7 million Spotify streams. The duo released a pair of EPs Her Tape #1 and Her Tape #2, spawning fan favorites such as “Quite Like,” “Union,” and “Her” and amassing over 20 million cumulative Spotify streams. Merging artfully seductive and provocative visuals and dreamy newer wave pop with a jazz undercurrent, the boys crisscrossed the globe in support of the EPs, including making waves stateside. In the middle of it all, unbeknownst to anyone but those closest to him, Simon lost a long, quiet, and arduous battle with cancer in August 2017. With his friend’s spirit always close by, Victor worked on what would become the duo’s 2018 major label full-length debut, Her [Republic Records].
 

ABOUT REPUBLIC RECORDS
A division of Universal Music Group, the world’s leading music company, Republic Records is home to an all-star roster of multi-platinum, award-winning legends and superstar artists such as Ariana Grande, Aminé, Black Sabbath, DNCE, Florence + the Machine, Gotye, Hailee Steinfeld, James Blake, James Bay, John Mellencamp, Jordan Smith, Julia Michaels, Keith Richards, Kid Cudi, Liam Payne, Marian Hill, Of Monsters and Men, Post Malone, Seth MacFarlane, Stevie Wonder, and more. Founded by brothers and chief executives Monte and Avery Lipman, it is also comprised of innovative business ventures, including American Recordings (The Avett Brothers, Towkio), Boominati Worldwide (Metro Boomin), Brushfire (Jack Johnson), Casablanca Records (Giorgio Moroder, KUNGS, Tïesto), Cash Money (Drake, Lil Wayne, Nicki Minaj), Hollywood Records (Sofia Carson, Zendaya), Lava Records (Greta Van Fleet, Jessie J, Lorde), Monkeywrench (Pearl Jam), XO (The Weeknd), Roc Nation (Belly, Justine Skye, The Dream), Tuff Gong (Damian Marley), Victor Victor Records (D Savage, Ski Mask The Slump God), among others. Republic also maintains a long-standing strategic alliance with country powerhouse Big Machine Records (Taylor Swift), and Universal Music Latin Entertainment (Luis Fonsi, J Balvin). In addition, Republic has expanded to release high-profile soundtracks for Universal Pictures (Fifty Shades of Grey, SING), Fox TV (Lee Daniels’ STAR), and NBC TV (The Voice), as well as other notable film and television franchises.