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by Taylor Vaughn for use by 360 Magazine

Lord Huron – Love Me Like You Used To

Lord Huron released the official music video for their song “Love Me Like You Used To” off their critically acclaimed album Long Lost.

Watch Lord Huron’s “Love Me Like You Used To” official music video HERE

Stream Long Lost via Whispering Pines Studios Inc./Republic Records HERE.

The video shows a mysterious woman exploring the Whispering Pines Museum. As she explores the memorabilia, paying homage to Tubbs Tarbell and the artists of Whispering Pines Studios, the true purpose of her visit becomes clear.

Recently, the band announced new dates for their Long Lost fall 2021 headline tour, their first shows in support of Long Lost, including top billing at Ohana Encore Festival alongside Pearl Jam and Beck. The tour kicks off in Philadelphia on September 9th and hits a variety of outdoor venues in New York City, Los Angeles, Boston, Seattle, Portland and other markets across the country, with Allison Ponthier and Andy Shauf opening on select dates. See full list of tour dates below, click HERE for more info and ticket links.

Lord Huron continues to celebrate their success of recent album Long Lost, which has garnered nearly 50 million streams and counting, captured the #1 on The Americana/Folk Album and Tastemaker Albums Chart, #2 on Vinyl Albums & Alternative Albums chart, #3 Top Rock Albums Chart, #4 Top Album Sales Chart and #23 on the Billboard 200 chart.

The album also received critical acclaim from the likes of Wall Street Journal, Brooklyn Vegan, NPR, American Songwriter, All Music, Uproxx, WNYC, Flood, JamBase and more all praising the immersive world Lord Huron has created with Long Lost. Not to mention, it has captured a 88 score on Metacritic which summarizes all critical and user reviews of an album from across the globe.

Recently the band performed “Mine Forever” on The Late Late Show with James Corden,  “I Lied” with Allison Ponthier on The Tonight Show Starring Jimmy Fallon, three songs on CBS This Morning: Saturday, “Not Dead Yet” on Jimmy Kimmel Live! and a live set on NPR’s World Café.

Whispering Pines

Fans across the country have been noticing vinyl from the Whispering Pines back catalog showing up in various sections of record stores across the country. Notably, the artists who originally recorded the vinyl were seen in numerous episodes of Alive From Whispering Pines. This isn’t the first time that the merchandise, music and memorabilia from Whispering Pines studios has suddenly appeared, as fans have already found items for sale recently on CraigsList, Reverb, and Discogs.

During its first episode, viewers were introduced to Mr. Tubbs Tarbell, fell under the spell of commercials that may very well be lost tapes from the past, and were treated to some incredible performances by Lord Huron. The band played some old songs including “Meet Me In The Woods” (view video here) and provided a sneak peek at some new songs. The episode also featured a hotline where fans could call in and ask Mr. Tarbell questions and request songs from the band. Episode 2 included additional cryptic clues, more beautiful performances from Lord Huron (including  “The World Ender” and  “Frozen Pines”) and even the secret world premiere of “Mine Forever.” Episode 3 included a long awaited performance of “The Night We Met,” “The Balancers Eye,” and fan favorite “Ghost on The Shore.” In case you missed the performances of “The Night We Met” Watch HERE. The final episode featured a performance of “I Lied” with Allison Ponthier herself and tied up the four episode story of Alive From Whispering Pines and set the stage for Long Lost.

In the beginning of this new era, Tubbs put out an official letter into the multi-verse from Whispering Pines Studios describing the mythical tale of recording Long Lost with Lord Huron and the origins of its cosmic music. Read the full letter HERE.

What could be in store for the band next? Only time will tell…As Tubbs says: “As ever, friends, may you live until you die”

About Lord Huron

Lord Huron first made a name for themselves with their debut album Lonesome Dreams and shortly after Strange Tales, which featured the triple-platinum single “The Night We Met.” In 2018, Lord Huron earned widespread critical acclaim with their first Top 5 debut on the Billboard Top 2—with their third album, Vide Noir. A cinematic collection of pensive provocative, and powerful rock, the record garnered praise from NPR, Time, Los Angeles Times, Spin, Stereogum, Refinery29, UPROXX, and more as singles such as “Wait by the River” (which the band performed on “Late Night with Seth Meyers”) and “When the Night is Over” generated tens of millions of streams. Their recent album Long Lost, featuring #1 song “Not Dead Yet” debuted #1 on The Americana/Folk Album and Tastemaker Albums Chart, #2 on Vinyl Albums & Alternative Albums chart, #3 Top Rock Albums Chart, #4 Top Album Sales Chart and #23 on the Billboard 200 chart. The album also received critical acclaim from the likes of Wall Street Journal, Brooklyn Vegan, NPR, American Songwriter, All Music, Uproxx, WNYC, Flood, JamBase and more all praising the immersive world Lord Huron has created with the album and its four part live event Alive From Whispering Pines featuring mysterious character Tubbs Tarbell. In addition, the band went on to perform “Mine Forever” on The Late Late Show with James Corden, “I Lied” with Allison Ponthier on The Tonight Show Starring Jimmy Fallon, CBS This Morning: Saturday, “Not Dead Yet” on Jimmy Kimmel Live and a live set on NPR’s World Café. The band’s extensive touring includes headline shows at some of the most storied venues in the country (including the Hollywood Bowl, Red Rocks, and the Ryman Auditorium) and prime slots at festivals ranging from Coachella to Lollapalooza to Bonnaroo and more.

Headphones illustration by Alex Bogdan for use by 360 Magazine

STATTFest

Moverz, a community that collaborates to grow brands they believe in, Viola Media, and Limelight Music, the new video live streaming social media platform for music, celebrated creativity and helped raise money for the National Alliance on Mental Illness (NAMI) by throwing a two day virtual event featuring live music and comedy for lovers of music festivals, with aim to promote health alliance.

The event showcased Long Island talent including Kayla Stockert, Kenny Truhn, Bunktown Falls, Aqua Cherry, The Big Happy, Enrose, Specialists, Friendz, Logan Whaley and Nonstop to Cairo.

Virtual STATTFest was live on limelight for more than eight hours each day! Utilizing technology that will soon be available to the average limelight user, the show was streamed with professional studio equipment, thanks to Celia Werner Productions, and sets were broken up with commentary from the hosts, interviews, and all sorts of other gems. The whole event transported us back to the golden era of music television, when the Buggles first broke onto the music video scene, only this time, it’s live streaming that killed the radio star. With everything from the creative pineapple commercials of Viola Media between sets, to the fantastic live music performances, this event was one for the record books.

The virtual event was held in Long Island at West Industry Studios, under tight security, with only authorized artists and crew allowed in, while viewers were able to watch the festival livestream on Limelight Music. But miraculously, limelight’s co-founder RJ Hammond managed to sneak his way on set, and surprised everyone with an on-camera interview discussing limelight’s platform and its budding place in the industry.

In addition to limelight, the event was also livestreamed on YouTube and Facebook, but the audio and video quality was noticeably better on Limelight, and most importantly, so was the fan experience. Through limelight, STATTFest viewers were able to tip in-stream with all proceeds going to NAMI, and if you missed the chance to show your support, don’t fret! The shows are readily available to rewatch on limelight, and all tips sent, even those sent to the video on demand, will go straight to NAMI! So in case you missed this epic weekend, you can relive the moment on Limelight by watching the replay of both days which is now featured on the app.

About Limelight

Limelight provides a virtual venue for indie and emerging artists to gain an audience and make money, while preserving the concert experience for proven headliners. Viewers gain access to exceptional HD music performances, and a behind the scenes look into the lifestyle and culture of the artist.

Designed with live shows in mind, limelight has created a hybrid concert model perfect for both fans who want to enjoy the performance from home, and those who prefer to experience live music in person. With features like maps, watchlists, and the ability for fans to easily record and share videos they take at the show, limelight is everything you need to make the most out of the live music experience.

Whether the music industry is open or closed, Limelight is front and center when it comes to connecting musicians with their fans. Moverz shares limelight’s mission and helps to create community oriented experiences through music. That’s why Moverz, Viola Media, and Limelight have all come together, not just to bring the music virtually, but also to kick it in person! With more music events scheduled over the next month, it’s all leading to the main event coming this September, STATTFest 2021 at Salt Shack in Babylon, NY. Tickets are now on sale, and if you can’t make the show, download Limelight Music, the exclusive live-streaming sponsor, and watch from home!

Health via 360 Magazine for use by 360 Magazine

Rice Team Creates New Treatment for Diabetes

Rice University bioengineers are using 3D printing and smart biomaterials to create an insulin-producing implant for Type 1 diabetics.

 

The three-year project is a partnership between the laboratories of Omid Veiseh and Jordan Miller that’s supported by a grant from JDRF, the leading global funder of diabetes research. Veiseh and Miller will use insulin-producing beta cells made from human stem cells to create an implant that senses and regulates blood glucose levels by responding with the correct amount of insulin at a given time.

Veiseh, an assistant professor of bioengineering, has spent more than a decade developing biomaterials that protect implanted cell therapies from the immune system. Miller, an associate professor of bioengineering, has spent more than 15 years researching techniques to 3D print tissues with vasculature, or networks of blood vessels.

“If we really want to recapitulate what the pancreas normally does, we need vasculature,” Veiseh said. “And that’s the purpose of this grant with JDRF. The pancreas naturally has all these blood vessels, and cells are organized in particular ways in the pancreas. Jordan and I want to print in the same orientation that exists in nature.”

Type 1 diabetes is an autoimmune disease that causes the pancreas to stop producing insulin, the hormone that controls blood-sugar levels. About 1.6 million Americans live with Type 1 diabetes, and more than 100 cases are diagnosed each day. Type 1 diabetes can be managed with insulin injections. But balancing insulin intake with eating, exercise and other activities is difficult. Studies estimate that fewer than one-third of Type 1 diabetics in the U.S. consistently achieve target blood glucose levels.

Veiseh and Miller’s goal is to show their implants can properly regulate blood glucose levels of diabetic mice for at least six months. To do that, they’ll need to give their engineered beta cells the ability to respond to rapid changes in blood sugar levels.

“We must get implanted cells in close proximity to the bloodstream so beta cells can sense and respond quickly to changes in blood glucose,” Miller said. “We’re using a combination of pre-vascularization through advanced 3D bioprinting and host-mediated vascular remodeling to give each implant several shots at host integration.” 

The insulin-producing cells will be protected with a hydrogel formulation developed by Veiseh, who is also a Cancer Prevention and Research Institute of Texas Scholar. The hydrogel material, which has proven effective for encapsulating cell treatments in bead-sized spheres, has pores small enough to keep the cells inside from being attacked by the immune system but large enough to allow passage of nutrients and life-giving insulin.

“Blood vessels can go inside of them,” Veiseh said of the hydrogel compartments. “At the same time, we have our coating, our small molecules that prevent the body from rejecting the gel. So it should harmonize really well with the body.”

If the implant is too slow to respond to high or low blood sugar levels, the delay can produce a roller coaster-like effect, where insulin levels repeatedly rise and fall to dangerous levels.

“Addressing that delay is a huge problem in this field,” Veiseh said. “When you give the mouse, and ultimately a human, a glucose challenge that mimics eating a meal, how long does it take that information to reach our cells, and how quickly does the insulin come out?”

By incorporating blood vessels in their implant, he and Miller hope to allow their beta-cell tissues to behave in a way that more closely mimics the natural behavior of the pancreas.

health via 360 Magazine for use by 360 Magazine

Brain Tumor Infocon

By: Skyler Johnson

The Brain Tumor Infocon was an event that took place this past week, via Zoom because of the pandemic. The event was not for cancer patients themselves but for those that cared for them. They gave four talks on four separate days, each regarding a different topic. I attended the workshop focusing on children and young adults. All different types of people attended, from parents caring for children to friends caring for friends. But they came for the same reason, to try and gain advice towards dealing with cancer patients. And hopefully they left gaining more information then they had entered with. Here’s what I learned from the event:

Brain Cancer Changes Who a Person is

This must be terrifying to go through, but it does make sense. After all, the brain is where a person’s thoughts, feelings, and emotions are stored, and cancer destroys that. When a person has cancer you have to see them change. There’s not much anyone can do about it, there’s no way to prevent it, but it is something that happens nonetheless. 

Don’t Be Afraid to Say “Cancer”

For a person with cancer, it can be incredibly isolating when their caregiver doesn’t use the actual word. For children, it can be hard to understand what’s wrong with them if they don’t know what they’re going through if they don’t have the actual term to define it. It’s the same with emotions. Caregivers shouldn’t be afraid to show emotions just because they don’t want to upset those they’re caring for. It’s another thing that can make people feel very alone. 

The Question Jar

The presenter recommended a question jar for child patients who may be shy about asking questions regarding their cancer. The caregiver, a parent, would leave the jar in a heavily trafficked part of the house, like a kitchen or living room, and the child can put questions in the jar whenever they’d like. The caregiver would answer their questions periodically, not directly after the child put the concern in. You wouldn’t want them to know you’re keeping track. 

Feel Free to Take Time for Yourself

Having to take care of a cancer patient can be a daunting task, and one thing that was heavily encouraged was having caregivers taking time for themselves. They can’t be there for another person if they can’t be there for themselves. Exercise. Watch TV. Walk the dog. Anything that’ll help calm.

Everyone has a Different Definition of Caring

This is the first lesson I learned, and the most important. The presenter asked the group how they defined caring, which is not something I’d thought about previously. Several of the attendees answered, each in different ways. To some people, caring meant what caring means to most people: helping someone else through their day, making sure they’re content. If I answered the question I might’ve used an anecdote. But for one person it meant “loving and hurting,” which is, I can imagine, the most accurate. Caring can be painful. Caring can be suffering. Because you have to watch them fall apart, and get emotional in front of them, and despite all the advice people may give you, while caregiving will always be loving, it will also be hurting.

Mariah Pearson via Trice Browning for use by 360 Magazine

Interview with Mariah Pearson

By: Skyler Johnson

On July 5th, 2021, the Revlon Creme of Nature “Legacy to Leadership” scholarship inaugural winners were announced. The scholarship was meant to provide funding to students attending HBCUs, or historically black colleges and universities. I had the privilege of interviewing one of the students who received the scholarship: Mariah Pearson, who’s currently attending North Carolina A&T State University

How important is it for you to attend an HBCU?

It was personally extremely important for me because I feel as though a lot of times, in society, people of color, don’t exactly get the opportunities as other people would and I feel that at my HBCU and at other HBCUs across the country were given those opportunities. We’re given resources to better navigate, better operate in the real world… in corporate America and professional settings. It also provided me with a community of people who have similar backgrounds as me and similar interests as me. It’s awesome to go to one. 

What is your favorite thing about college thus far?

So far my favorite thing about college would probably be the environment, the way my school feels like a family, and how you can meet new people and it doesn’t feel awkward to introduce yourself. [Talking to a stranger at school] kind of feels like you’re talking to someone you’ve known forever. That’s probably my favorite part, just feeling like I’m at home when I’m not at home. 

Briefly, can you go over what you expect to gain out of college? 

Of course to get a degree. And learn how to operate in professional settings, but also just for personal development. I feel that going to college has opened a bunch of doors and there’s a bunch of opportunities for new experiences that you might not get if you don’t go to college. Knowing who I am and what I like, who I want to be, how I want to grow, the direction I want to grow in. I definitely feel that college helps you figure that out really quickly. 

What’re the most important lessons you’ve learned thus far?

There’s a couple. One of them is definitely: always be on your Ps and Qs, because somebody’s always watching, and you don’t know who’s watching or when, but… somebody’s always seeing you. That’s one of them. Another one is always try and surround yourself with people who you want to see yourself as. You can’t become a winner if you’re not in a group of winners. You can’t be a leader if you’re not in a group of leaders. So it’s important that you surround yourself with people who feed into you positively and of course hold you to a standard that you would hold yourself to. I think those are the main lessons that I’ve learned so far, and I’m sure there are plenty more to come. 

What made you want to get into health care?

So I’m going into physical therapy, and when I was first trying to figure out where I was going to go to school and what I was going to go for I… [didn’t] really know… But as an athlete, who had to experience going through physical therapy, I was like, “I kinda like sports, I kinda like helping people, so let’s find a way to mix the two.” And physical therapy is what came up… I later began to grow a love for it through learning how the healthcare system operates, and of course how it treats different people. Because I personally know that being a black woman I’m going to experience a different type of healthcare than anyone else would. Especially since I had family [members] who had gone through physical therapy and had different medical procedures done and they felt that they hadn’t been treated the way they should’ve been, or wanted, to be treated. [Which is why] one of my goals as a health care professional in the future would definitely be to make people feel more comfortable and cared for and appreciated as a patient.

Do you expect to change the world? 

Yes, I do. In some way, shape, or form I will [change the world], because another one of my goals as a physical therapist is to establish a [holistic] health care system. [I would not just] tap into the physical but also into the mental state, [asking] how [a patient’s] feeling, [if they were] eating, [if they were] exercising. I’m going to establish a facility where I take care of the whole person and not just say, “oh you’re sick, here’s some medicine.” Personally I’m not a big fan of medication which is why I chose physical therapy, because you’re essentially healing your own body by yourself. There’s no needles, there’s no medicine. It’s purely you moving your body and [exploring] how movement can essentially create a better lifestyle for you. 

How excited were you when you received the Revlon HBCU scholarship?

I cried, when I found out, I was so… thankful to Creme of Nature for this scholarship. It’s something that I definitely needed at the time. When I went through the process of figuring out what scholarship I was gonna apply for, and what bubble I fit in, with the scholarship world, they popped up and I [was] like, “this is perfect, this is awesome,” because I [could] make a video explaining who I [was] and what I [wanted] to do and what I [was] passionate about… It [was] purely me telling them about how I really feel about where I want to be in life, and my profession… so it was incredible. I cried. I called my mom. I called everybody.

Rowan via Paul Trojner for use by 360 Magazine

Rowan – Everybody Talks

Rising Cork trio Rowan share their sophomore EP Everybody Talks, today via their new label home, LA’s Beverly Martel. This week they also shared their grittiest and the deepest single for last, “One Of These Days.” The new release comes with an equally moving black and white music video. Pounding drums hold the foundation as the bright treble of the band’s guitars build the song higher and higher, only to come down into a honey-soaked bridge, where frontman Dylan Howe’s vocals mix with sweeter guitar melodies. Right after, a guitar solo takes the wheel, and the song thumps on.

On the track, Howe says, “One Of These Days is a song about the desire for vengeance after a relationship breaks down. ‘One of these days I’ll get her back’ is sung from the perspective of revenge rather than longing. It’s ambiguity is tied in with the contrast of ‘Smile’ and ‘Cry’ in the chorus. The bittersweet emotions of anger and love are contrasted with imagery such as death and infancy and Robert Emmet’s love for Ireland, in which he faced the gallows for.”

On the video, he adds: “The video for “One Of These Days” is a snapshot of a grittier Ireland. Touching on addiction, substance abuse and dealing with one’s inner turmoil. One person’s normality is another person’s insanity. The video is a comment on how we perceive the outsiders of society, and how isolated they can be because of the collective view on them.”

The new single follows the previous release, “Nothing’s Gonna Change,” an addictive, shimmering indie anthem, laced with soaring melodies and call-and-response guitars. Accompanied by a new music video that shows the band playing live, there’s an intimacy and quirkiness to being invited into their practice space for a private show. The first single and title track, “Everybody Talks,” is also out now with a music video.

Born out of the early pandemic last year, when the three accomplished musicians were forced into a hiatus from session work, Rowan is fast becoming one of the most exciting new Irish acts around. With a wealth of songs written over the years, primarily by vocalist Dylan Howe in his bedroom, the first clutch of songs Rowan released were delicate, longing and beautiful. 

Released in November last year, their debut EP No One Is Safe Here is a wistful collection of quiet serenity. Full of longing, escapism and a desire to be somewhere else, the songs were inspired by Dylan’s various struggles with mental health.

Of course, there were questions about whether Rowan should release music during a pandemic, especially with most established acts waiting for it all to blow over. “We figured doing anything was better than radio silence,” explains Fionn and he was right. People connected to the pained escapism their music offered, which seemed to speak to the current moment in time perfectly. They didn’t have expectations to suddenly become the biggest band in the world, “we just wanted to connect to people”. 

Connecting with people is exactly what Rowan did. With a groundswell of support from the likes of Hot Press, Nialler & Golden Plec, the band have also amassed hundreds of thousands of streams off their own backs. Now, under new label home Beverly Martel, Rowan continues to establish themselves as an emotional force to be reckoned with. A debut album is already in the works, whilst Everybody Talks comes as their next bold, defiant offering. In celebration of the EP’s release, the band will perform a very special headline show at Dublin’s Button Factory on 23rd July. Tickets are available HERE.

LMB DG via Chris Torres for use by 360 Magazine

LMB DG – Trust Me

LMB DG released his new single, “Trust Me,” via Capitol Records. Atop a haunting keyboard melody, he delivers a powerful declaration of self-reliance and victory over those who would bring him to his knees. The Los Angeles-based artist wrote the track with Chase The Money and Desro, who also served as producers. Stream “Trust Me,” from DG’s forthcoming mixtape, HERE. Watch for the official video to premiere soon.

“Trust Me” follows DG’s viral hit “Pull Up,” which has now surpassed 30 million combined global streams. Praising his “fast bars and rhythmic verses,” EARMILK said, “’Pull Up’ has a classic hip-hop and R&B sound, LMB DG toggles between melodic vocals and quick, structured raps. Each bar describes his triumphant grind for the finer things in life.” View the gritty official video for “Pull Up,” which was directed by Picture Perfect (A Boogie Wit Da Hoodie, French Montana, Cardi B), HERE.

About LMB DG

DG was born to deliver the ghetto gospel, music for survivors. Fueled by memories of his troubled Los Angeles neighborhood and the years he spent honing a powerful voice in his church choir, the West Coast artist freely spills his soul over solemn trap beats. He spins tales of tragedy, triumph, romance and everything in between, creating anthems that sit at the intersection of despair and inspiration, drawing from a life that’s been filled with unexpected twists and turns.

Born DeGabriel Floyd to a mother from Trinidad and Tobago and a father from Illinois, DG remembers riding around in the car with his dad, listening to Boyz II Men and Michael Jackson. Inspired by their melodies, he began singing in church with his sister. To this day, Boyz II Men remain one of his favorite groups. Check out DG’s soulful acapella take on their chart-topping 1992 hit “End of the Road” HERE.

When he was only nine, DG‘s father died of lung cancer. Inspired by his dad’s love of football, DG began to focus on making his own gridiron dreams a reality. By his senior year of high school, he had earned a full scholarship to play at the University of Texas. While preparing for his freshman season, DG learned he had a congenital condition that narrows the spine. He announced his retirement from football in December 2019. Turning to music as a way of coping, he quickly found that highly personal songs like “Long Nights” and “Pull Up” resonated with others.

“Now I know I’m not alone, and other people can know they’re not alone, too,” says LMB DG.

Sleeping on my Left via RCA Records for use by 360 Magazine

GASHI – Sleeping on my Left

Genre-bending artist GASHI releases another new track and music video, “Sleeping On My Left” via Honesty Saves Time/RCA Records. Listen HERE.  The music video for the upbeat summer track was directed by Jon Primo and GASHI and continues the party from GASHI’s earlier release last month “Don’t Pass On Love.”  

Earlier this week, GASHI announced his 2022 Out The Door North American tour.  The 24-date tour will start in Oakland, CA on March 18th and end in San Diego on April 21st.  Tickets for the tour will go on sale now.  For artist and partner presales and more information please click HERE.  

Look out for more music from GASHI coming soon.

About GASHI

Born in Libya, GASHI spent much of his young life as a refugee, moving from country to country.  His family eventually settled in Brooklyn, NY, where he was introduced to music at a very young age.  GASHI absorbed a melting pot of musical influences throughout his youth, resulting in the formation of his own unique sonic palette that blends together different genres of music.  His dynamic sound has allowed GASHI to collaborate with a wide range of talents ranging from Chris Brown to Travis Scott.  In the last couple of years, he released two studio albums, sold out venues across the globe, and has accumulated over 720 million streams with over 130 million video views worldwide.

Last summer, GASHI released his sophomore album 1984 which saw GASHI exploring and harboring new sounds that brought you back to his favorite time – the 80’s and featured his breakout hit “Mama” with the legendary Sting. He also released his documentary GASHI: Now You Know. Watch HERE. and performed his first ever livestream performance featuring tracks from the 1984 album. Watch the performance HERE.

Lola Young via Halpesh Latigra for Capitol Music Group for use by 360 Magazine

Lola Young – Pill or a Lullaby

Lola Young released “Pill or a Lullaby,” a song from her forthcoming EP, After Midnight. Accompanied only by piano, Young flashes back on moments from the night before, as the dawn finds her in need of a “pill or a lullaby.” She recorded the raw, emotional track in a single take, co-producing with frequent collaborator manuka. Listen HERE.

After Midnight, which will be released by Capitol Records, tells the story of one night in Young’s life, tracing the hours between midnight and 5 a.m. A short film will accompany the EP. A late-night rendezvous takes her from feeling confident and in control to gradually becoming more vulnerable and, eventually, entering a manic state of mind, where she leaves nothing on the table.

Describing the EP, Lola Young says, “My thoughts, my worries, my past lovers and my present ones too, my guilt, my fears, my dreams, wishes and all the crazy ass thoughts I have when the sun rises and I can’t sleep for shit. After midnight. The truest form of me.”

Last night, she played a sold-out show at Camden Assembly in London. Young will perform at numerous summer festivals and tour the U.K. with Dermot Kennedy in September. View itinerary HERE.

“Pill or a Lullaby” follows “Bad Tattoo,” which received its first spin on Annie Mac’s BBC Radio 1 show. Praising the “soulful powerhouse,” The Honey Pop said, “Lola’s velvet vocals had us drawn in on this track, from the first lyric to the last, and then every single time we’ve played it since then. Brilliant songwriting.” View the official video for “Bad Tattoo” HERE.

About Lola Young

Hailed as “a star on the rise” by ELLE UK, the 20-year-old artist is fiercely independent and uncompromising. Her work to date includes the powerful singles “Ruin My Makeup” and “Woman,”. Her debut collection of tracks, Intro, and second release, the Renaissance EP received support across the board from the likes of Billboard, Atwood Magazine, Wonderland, British Vogue and CLASH Magazine.

DJ Snake and Malaa via Guess Agency for use by 360 Magazine

DJ Snake × Malaa – Ring The Alarm

Multi-platinum producer DJ Snake unites with mysterious ski mask-clad French DJ and producer Malaa for the undeniably anthemic new single entitled “Ring The Alarm.” Right out of the gate, these two disruptors deliver a genre-breaking dance floor anthem primed for festival stages, stadiums and everywhere in between. Listen to “Ring The Alarm” by DJ Snake & Malaa HERE.

The song, which was teased earlier on both producers’ socials, arrives on the heels of the duo’s announcement that they will be embarking on a b2b mini North American tour starting on July 29th in Chicago, IL and ending in Oakland, CA in October. The upcoming 2021 run includes a stop at Southern California’s legendary electronic music festival Hard Summer in August. See full list of dates below, tickets will be available starting July 29th

About DJ Snake

DJ Snake made his full-length debut with Encore, a 2016 album that reached #1 on Billboard’s Top Dance/Electronic Albums chart and debuted in the top ten around the world. Since scoring his first #1 with the four-times-platinum “Let Me Love You” ft. Justin Bieber, DJ Snake has triumphed with such colossal hits as “You Know You Like It” (with AlunaGeorge), “Lean On” (with Major Lazer, featuring MØ), and “Taki Taki” ft. Selena Gomez, Ozuna & Cardi B. With its title translating to “the freedom to do whatever one chooses,” his sophomore album Carte Blanche arrived in July 2019 and shot to #1 on Billboard’s US Top Dance/Electronic Albums chart, in addition to reaching the top 50 on the Billboard 200. Thanks to the tremendous success of “Let Me Love You,” “Lean On,” and “Taki Taki,” DJ Snake now holds the distinction of being one of only two dance artists in the world to have three songs amass more than a billion streams on Spotify. 

About Malaa

DJ and producer Malaa has embraced his shrouded identity since he came onto the scene in 2015 and plays off of his anonymity in his balaclava-clad persona and regular releases of mixes on Soundcloud titled “WhoIsMalaa”. Malaa first began releasing music on Tchami’s Confession label with his debut Illicit EP in 2016 followed by his massive single “Notorious”- and has not slowed down since. Along with his steady flow of releases, Illegal Mixtapes, and NO REDEMPTION (Tchami x Malaa) project, Malaa is well known for remixes including “Oh Me Oh My (feat. Travis Scott, Migos, GASHI),” “Mind (feat. Kai)” for Major Lazer and Tchami’s “Afterlife (feat. Stacy Barthe)”. Malaa tours extensively along with the Pardon My French crew consisting of DJ Snake, Tchami and Mercer and has played global festivals including Ultra Music Festival, Creamfields and more.