Posts made in July 2020

Rhea Roberts-Johnson in 360 MAGAZINE talks about Coachella and Goldenvoice.

Goldenvoice Black – Trailblazer

By Neecole Cockerham

Rhea Roberts-Johnson is the first Black woman to be promoted to a VP position at Goldenvoice, an AEG subsidiary. The new executive is also a new mother to an energetic toddler named Story, with her husband industry impresario Marcus Johnson.

As if having a career and being a full-time mom doesn’t take up enough time in the day, Goldenvoice staff and vendors have been forced to postpone Coachella, one of the world’s leading music festivals, due to the COVID-19. The coronavirus disease has created an unprecedented pandemic.

In the midst of the quarantine, the abnormally shut in citizens of the United States, witnessed via a cell phone recording, the murder of George Floyd by a Minneapolis police officer, who pressed his knee on Mr. Floyd’s neck for eight minutes and forty six seconds. At that moment Black people in the United States were forced into a position that challenged our civil liberties and stripped away our dignity as if we were inhumane. People of all races, from all walks of life took to the streets – men, women and children. The coordinated, mostly peaceful marches were organized by activists and the Black Lives Matter Movement. The protesters began to mobilize and protests began across the U.S and and on every continent around the world. People banded together for an unprecedented globalization of civil unrest and demanded change for the rights of Black people in America against the country’s systemic oppressed law enforcement agencies, and the society that inadvertently supported their actions.

The times are somewhat changing – as universal corporate offices have taken a short but hard look at themselves and the systemic racism that they have promoted through the years. Corporations are challenged with how they hire, retain and promote people of color within their organizations. They are being held to task to begin to fill openings with qualified Blacks and other people of color instead of continually engaging in white employment nepotism, frat boys and a Becky in tow.

The round table at Goldenvoice was a diverse group of people who acknowledged the repugnant feeling of what their eyes had seen and everyone’s heart had felt.

I sat down with Roberts-Johnson, to ask the down to earth, prestigious executive a few questions over a Zoom conference. I’ve known Rhea for a number of years, so it was easy to dive into a conversation that was just as she is – honest and candid.

Can you explain GV Black?

“Goldenvoice Black was birthed from round table discussions of Black employees, who for some time, have exchanged views of working as Blacks in a predominantly white environment – it is the voice of the people. GV Black has become a source of comfort to communicate what being Black means in today’s climate. Our social responsibility is to have acknowledgment from the corporation in which we work, the need to bring equality and more diversity to our workforce and to outline and monitor productive steps to insure that this equality is met.”

Do you have any fear in being a part of a revolutionary entity within the internal confines of a corporate environment?

“As a woman we are already marginalized in this environment. As a Black woman and a mother of a Black male child, I am more interested in social equity not just for now but for the future of those who come after me. I had no mirror to show me insight into how to maneuver in the world of behind the scenes entertainment. The conversations we were having at Goldenvoice were more than just about talking. We were all hurting just like many people and it was important for us to say something and even more important to agree on the actions that we would take to support diversity, elevate youth and develop community under the Goldenvoice umbrella.”

The music festival Coachella released its first statement ever about their position on injustice. The declaration issued by Coachella would be the words of Rhea Roberts-Johnson.

The poetic rhyme scheme is just 5 lines shy of a Sonnet and reads like a mission statement of hope:

We do not stand for injustice.

We do not stand for racism.

We do not stand for bigotry.

We stand for music.

We stand for celebration.

We stand for love.

We stand for unity.

We stand for Black Lives.

They Matter.

~Coachella

Now that the protesting has come to a halt, the pandemic is at an all time high; Goldenvoice employees are working from home or either furloughed… Goldenvoice recently posted on social media and received backlash from a few public critics, because of the word “bodies”..Can you comment on it?

“I’m actually glad that you asked this question. Before I go into what it means, I have to mention that the statement was written by Black employees, and had the public known that, it may have been received differently. Surprise! There are Black people that work at Goldenvoice (I’m sure that’s shocking to some since in its early days the company booked a lot of punk rock bands). We used the word “bodies” as a metaphor to draw attention to the objectification of Black people. Many types of Black and brown people in this country are dehumanized and not allowed the luxury of full humanity as so many others are. We also used it to emphasize the history of physical violence against Black people in our country whether it be through slavery, lynching, police brutality, etc. It’s a common term used by social justice activists, and having come from one of them, there probably wouldn’t have been a peep. Coming from a festival, some people were taken aback.”

Rhea I think to be silent nowadays is to be in agreement. Maybe those taken “aback” will be propelled into recognizing the truth and understanding the ladder is merely semantics.

What is next for GV Black?

“Without giving up too much too soon, we along with our non-Black allies at the company, are working diligently to create an even more inclusive environment for our employees, fans, artists, vendors, etc.”

Rhea Roberts-Johnson is a rare breed. She has a silent strength that exists when you can only imagine the amount of pressure that is being experienced to incite change. As we wait to see what’s next to come you can feel a glimmer of hope. Goldenvoice, GV Black and Coachella are consciously pioneering trailblazers for utilizing their platform to be all inclusive and unite people as one just as music does.

Live Virtual AIDS Walk

ABC7/KGO-TV San Francisco will air a one-hour virtual special, “AIDS Walk: Live At Home,” on SUNDAY, JULY 19 (10:00 – 11:00 a.m. PDT), to raise funds to
benefit PRC, (formerly Positive Resource Center), and more than 45 other AIDS
service organizations that provide HIV/AIDS care, prevention services and advocacy throughout the Bay Area. In addition to airing on ABC7, the special will be livestreamed on aidswalk.net and PRCSF.org.

ABC7 has been a proud sponsor of the AIDS Walk San Francisco since 1987. Normally, the news team would join in the walk that’s held at Golden Gate Park. However, due to the COVID-19 pandemic, the event will
be held virtually. Additionally, AIDS Walk San Francisco and AIDS Walk New York have joined together to feature voices of communities of supporters from both cities and coasts. This year’s special will harness the strength and individual character of two landmark events coming together virtually to present the Bay Area’s largest, single-day
AIDS-related fundraiser.

Just added to the star-studded lineup for Sunday’s virtual broadcast on ABC7 are Speaker Nancy Pelosi, Glenn Close, Anne Hathaway, Jordin Sparks, Harvey Fierstein, Raul Esparza, Norm Lewis and San Francisco Mayor London Breed. They join previously announced guests, award-winning icon Bette Midler; GRAMMY®-winning global superstar Gloria Estefan; Golden Globe® winner Matt Bomer;
entertainment icon Vanessa Williams; Emmy® and Golden Globe Award winner Laura Linney; Katharine McPhee (“Smash”); Shoshana Bean (“Wicked”); Megan Hilty (“Smash”); Skylar Astin (“Zoe’s Extraordinary Playlist”); Alex Newell (“Zoe’s Extraordinary Playlist”);
and stars from “RuPaul’s Drag Race,” including Nina West, Jackie Cox, Latrice Royale, Willam, Chi Chi DeVayne, Alexis Michelle, The Vixen and Ginger Minj.

“AIDS Walk: Live at Home” will raise awareness and funds that support HIV care and prevention services, as well as mental health, substance use, housing and other important social programs. Viewers are
encouraged to register and raise funds at aidswalk.net

About ABC7/KGO-TV San Francisco

Emmy^® Award-winning station KGO-TV ABC7 is the San Francisco Bay Area’s source for breaking news, weather and live video. Widely recognized for its solution-based promise to help the Bay Area communities, the station’s initiative “Building a Better Bay Area” dedicates more time, resources and reporting to the issues that impact its viewers’ quality of life. From the local economy and education, to health and safety, to race and social justice, ABC7’s focus is to bring greater perspective on the challenges currently facing neighborhoods. In addition to being the first station in the market to expand its weekday morning program to 4:30 a.m. in 2008 and their 11
p.m. weekend newscast to one hour in 2011, the station has consistently garnered Emmy nominations and wins for Overall Excellence/News Excellence, with one most recently awarded in 2019. KGO-TV is an ABC
owned television station serving San Francisco, Oakland, San Jose and all of the greater Bay Area.

banging gavel illustration

Georgia Governor Sues Atlanta Mayor

By Eamonn Burke

Amidst a large spike in Covid-19 cases across the United States, the governor of Georgia has sued the mayor of Atlanta, a hotspot for the virus. The lawsuit, filed yesterday, is filed against the mayor for mandating strict health measures, meaning masks. Governor Brian Kemp (R) claims that the mayor’s “disastrous policies threaten the lives and livelihood of our citizens.” Mayor Keisha Lance Bottoms (D), accepted the decision, saying “We’ll see him in court.” She also suggested that the governor had crossed a line with this challenge.

This comes as Georgia’s cases and deaths are rising, reaching numbers that the state has not yet seen since the pandemic began. It is evidence of a growing political polarization surrounding masks and other Covid-related health measures. Governor Kemp claims legal authority to set state-wide measures, while Mayor Bottoms defends her actions as following the course recommended by health experts.

The two also disagree on re-opening measures, as Kemp opened Georgia before any other state, when even President Trump thought it was “too soon.” Mayor Bottoms, however, is pushing for Georgia to return to phase one of re-opening. Kemp dismissed it as a “recommendation”, and extended his own executive order to overrule any local mandates for masks.

“While we all agree that wearing a mask is effective, I’m confident that Georgians don’t need a mandate to do the right thing,” the governor said at a news conference yesterday.

Mercedes Hotwheel illustrated by Mina Tocalini for 360 MAGAZINE.

Hot Wheels × IWC Schaffhausen

Two beloved and iconic brands – Hot Wheels and IWC Schaffhausen – just announced a new partnership that celebrates the brands’ shared affinity for performance and design and deep roots in automotive culture.

Hot Wheels is introducing the Hot Wheels IWC Racing Team Transport Set, modelled after the life-size vehicles on IWC’s motorsports team. The set includes 1:64 scale die-cast models of the Mercedes-Benz 300 SL in silver and a matching Euro Hauler Racing Truck with 2020 livery of the IWC Racing Team.

To further celebrate the partnership, IWC will release the newest video as part of its “TIME WELL SHARED” initiative featuring Richard Dickson, President and Chief Operating Officer of Hot Wheels’ parent company Mattel, who joins IWC’s CEO Christoph Grainger-Herr to discuss topics such as the parallels between their brands, how both succeed at packaging big emotions into small products, as well as the fascination collecting exerts on people of all ages.

Follow Hot Wheels: Facebook | Instagram | Twitter

Follow  IWC Schaffhausen: Facebook | Instagram | Twitter

Wizkid illustrated by Mina Tocalini for 360 MAGAZINE.

Wizkid – Smile

Global afropop superstar Wizkid celebrated his birthday yesterday (7/16) with the release of “Smile” featuring multi-Grammy award winner H.E.R., the first official single from Wizkid’s upcoming fourth full-length project Made In Lagos. In addition to his previously released tracks “Joro” and “Ghetto Love,” plus an award winning collaboration with Beyoncé and Blue Ivy on “Brown Skin Girl” from The Lion King: The Gift, Wizkid continues to be omnipresent across multiple endeavors. 

Last October, Wizkid relaunched his indoor Starboy Fest, which sold out the o2 Arena for the second year in a row and included new territories in Europe (Manchester & Paris), and this May he refocused his energy on his Starboy Entertainment imprint in Africa by executive producing the “Afro Series,” the debut EP from Terri, the youngest artist on the roster. With significant partnerships with brands such as Tecno Mobile, CIROC, Nike, and United Bank of Africa, Wizkid has solidified himself as a millennial pioneer for African entertainment and business of lasting global impact. Stay tuned for more information on Wizkid’s eagerly anticipated Made in Lagos, set for release later this year.

Follow Wizkid: Facebook | Instagram | Twitter | YouTube

Shaylen illustrated by Mina Tocalini for 360 MAGAZINE.

Shaylen – Forgive Myself

“Forgive Myself” is about learning one of the hardest lessons in life…self-forgiveness. Written and produced during self-isolation, the song shows the brutally honest pen-game that has become the hallmark of Shaylen’s reputation. “Forgive Myself” was executive produced and co-written by Jackson Foote from the much beloved electro pop group Loote and produced by Boston from Rice N’ Peas (Bazzi, Kiana Ledé, Anne Marie).

The track shows yet another side of the lyrical songstress. Airy guitar underscores confessions many may have but are hard to confront as she admits, “Don’t know how to love myself without somebody hanging in my bed” and “Don’t know how to be alone without the thought of crawling out my skin.” It builds towards an impressive vocal run fueled by just the right amount of throwback R&B vocal fireworks and pop punch.

Of the track, Shaylen says, “I wrote ‘Forgive Myself’ when I was in a really tough spot mentally. It’s all about my personal struggle with self-forgiveness. We are often taught the importance of apologizing and forgiving others but not the importance of forgiving ourselves when we mess up. I invented apologies, so I know all about it…”

“Forgive Myself” paves the way for more music to come from Shaylen this summer, as she continues to build buzz with her honest lyrics and powerhouse vocals. She recently lent her voice to the Chantel Jeffries banger “Come Back To Me.” It’s already clocked over 1.2 million Spotify streams and counting.In addition to plugs from Billboard, E! News, Variety, Elite Daily and more, CULTR praised Shaylen’s “powerful and meaningful vocals.”

Shaylen leaves a mark on pop by casually dropping the sort of lines you get tattooed somewhere scandalous or reserve for a drunk DM. Unafraid, unapologetic and unfiltered, she’ll put a boring ex on blast in one breath and open up about her deepest insecurities in the next. Yet, she sets gleefully pins those confessions to a defiant soundtrack of R&B, pop and alternative across her debut EP Highs & Lows and the buzzing 2019 single “Sprite.” Posting up over 10 million streams within a year and receiving praise from Billboard, Just Jared, Hollywood Life, Popdust and Idolator who pegged her as “on the brink of a major breakthrough,” the Los Angeles-based singer and songwriter turns heads in 2020 with a series of singles and her forthcoming full-length debut album for Republic Records.

Follow Shaylen: Facebook | Instagram | Twitter | YouTube

Nick Cannon Anti-Semitic Comments

By Eamonn Burke

ViacomCBS has fired TV personality Nick Cannon after decades of partnership following anti-Semitic remarks that he made on his podcast, Cannon Class. The episode, allegedly filmed last year, featured Professor Griff, ex-member of the rap group Public Enemy who had been kicked out in 1989 over anti-Semitic comments before rejoining. The two discussed Jewish dominance in media and that they have robbed the identity of the original Hebrew people, who are black.

“You can’t be anti-Semitic when we are the Semitic people,” he said on the show, agreeing with Professor Griff. He even went as far to suggest that “The people that don’t have [melanin] are a little less,” and that “They had to be savages” (referring to Jewish, white, and European people.

Cannon has faced ample backlash from the conversation, and he apologized afterward, asserting that “I do not condone hate speech nor the spread of hateful rhetoric,” in one of many tweets. However, when ViacomCBS cut ties with him, he defended himself in another lengthy Facebook post, saying “I will not be bullied, silenced, or continuously oppressed by any organization, group, or corporation.”

He condemned ViacomCBS and demanded full ownership of his MTV show Wild N’ Out Cannon will keep his stint as host of “The Masked Singer”, but a planned talk show will be on hold until next year, according to a statement from Lionsgate and Debmar Murray today. He also personally announced that he will take a hiatus from his LA radio show Nick Cannon Mornings for a period of personal reflection.

Jhené Aiko illustrated by Mina Tocalini for 360 MAGAZINE.

Jhené Aiko – Chilombo Deluxe

Grammy®-nominated multi-platinum singer/songwriter Jhené Aiko builds on the phenomenal #1 success of Chilombo, currently over 1.5 billion global streams, with the arrival of CHILOMBO DELUXE, available today, via 2 Fish/Art Club/Def Jam Recordings. CHILOMBO DELUXE adds nine previously unreleased bonus tracks and remixes to the original 20-track album – including the new single “Summer 2020” – with new guest features from Kehlani, Snoop Dogg, Chris Brown, Mila J and Wiz Khalifa. Check out the in-depth cover-story profile of Jhené in the new issue of HITS magazine.

Chilombo (released in March) entered the Billboard Top R&B Albums chart at #1, and the Billboard 200 album chart at #2.  Over 170 million first week streams ranked it as the biggest album debut in four years from a female R&B artist (since Beyoncé’s Lemonade in April 2016), and the biggest album debut of Jhené’s career.

Chilombo arrived on the strength of its five massive advance tracks, with cumulative streams over 700 million to date.  They comprise: “B.S.” (featuring H.E.R.), “Triggered (Freestyle),” “None Of Your Concern” (featuring Big Sean), “Pu$$y Fairy (OTW),” and “Happiness Over Everything (H.O.E.)” (feat. Future and Miguel).  The visual for another album track premiered in May, “Magic Hour.” The momentum continues to build with the release of “Summer 2020.”

Chilombo proclaims the artist’s full name, Jhené Aiko Efuru Chilombo, as it celebrates her coming into her own personal power. The initial jam sessions where she freestyled the lyrics to each song, took place on The Big Island of Hawaii where Jhené’s great grandmother was born. Jhené was inspired by the beauty and power of the island’s volcanoes, having visited throughout the years. Chilombo means wild beast. The volcano is symbolic of the beautiful, yet powerful beast. Jhené Aiko is Chilombo. In contrast to her 2017 album, Trip, which intricately detailed the process of grieving, Chilombo finds Jhené embracing her strength and power, coming into her confidence as a woman, a creator and a healer. She has always embraced magic in her particular brand of soulful, trippy, ethereal R&B, but now on Chilombo she has taken it all to another level.

THE MAGIC HOUR, Jhené’s highly-anticipated 32-city North American tour with special guest Queen Naija, originally scheduled for May-June, will be rescheduled. Special merch and digital album bundles are available at Jhené’s official D2C store.

Follow Jhené Aiko: Facebook | Instagram | Twitter | YouTube

Alec King – Weekends

Buzzing Los Angeles-based artist Alec King releases his new video “Weekends” today via The Heavy Group/Republic Records.

Watch “Weekends” HERE.

Who doesn’t like dogs? Alec King’s latest video pulls at our heartstrings as he chills under a tree in a dog park (socially distancing, of course). Between leafing through a diary, Alec plays with various pups—some of whom remain six feet away from him. The scene underscores confessional rhymes and a catchy chorus, reflecting on the boredom of the moment and trying to get over a breakup.

“Weekends” follows the video release of “Way Up” and his song “Dangerous,” which received heavy radio support in his hometown of Denver and 2 million streams in a few months. At the end of last year, Alec King went on his debut US tour with diva on the rise Kiana Ledé. He performed to sold-out venues, including Los Angeles, Chicago, New York, Washington DC and more, winning the crowd over with his infectious charm, incredible stage presence, and catchy songs.

Is there any line this guy won’t cross? Alec King is the kind of dude who rips bars about Wisconsin and god-awful ex-girlfriends with the same passion. He considers Curb Your Enthusiasm his “Torah.” He jumps into bathtubs with Porn Stars in music videos that he directs himself. He even went so far as to name his official debut EP, Greatest Hits, Vol. 1, and its successor, Greatest Hits, Vol. 2 (he backed up the latter with some heat). On the ‘gram, you’re just as likely to catch him in the shower as you are to catch him coloring with sidewalk chalk. This sort of personality endeared him to fans and peers alike. Posting up 10 million-plus streams under-the-radar and attracting acclaim from Dancing Astronaut, he has collaborated with legends such as Biz Markie and modern stars a la Rich The Kid and Kiana Ledé. Not to mention, he did all of this D.I.Y. primarily relying on an in-house team. In 2020, he floods the game with a series of singles and more surprises.

Follow Alec King: Instagram | Twitter | Facebook | YouTube | Spotify

ABOUT REPUBLIC RECORDS

A division of Universal Music Group, the world’s leading music company, Republic Records is home to an all-star roster of multi-platinum, award-winning legends and superstar artists such as Ariana Grande, Drake, Florence + the Machine, Greta Van Fleet, Hailee Steinfeld, Jack Johnson, James Blake, James Bay, Jessie J, John Mellencamp, Jonas Brothers, Julia Michaels, Kid Cudi, Liam Payne, Lil Wayne, Lorde, Metro Boomin, NAV, Nicki Minaj, Of Monsters and Men, Pearl Jam, Post Malone, Seth MacFarlane, Taylor Swift, The Weeknd and more. Founded by brothers and chief executives Monte and Avery Lipman, it is also comprised of innovative business ventures, including American Recordings, Boominati Worldwide, Brushfire, Casablanca Records, Cash Money, Lava Records, Monkeywrench, XO, Young Money, among others. Republic also maintains long-standing strategic alliances with Universal Music Latin Entertainment (Karol G) and Hollywood Records (Zendaya).

In addition, Republic has expanded to release high-profile soundtracks for Universal Pictures (Fifty Shades of Grey), Sony Pictures (Spider-Man Into the Spider-Verse), Lionsgate (Zoey’s Extraordinary Playlist) and NBC TV (The Voice), as well as other notable film and television franchises. Extending further into the worlds of film, television, and content, Republic launched Federal Films during 2017 in order to produce movies and series powered by the label’s catalog and artists. Its first production is the Jonas Brothers documentary Chasing Happiness for Amazon Prime Video. 

Jasmine Thompson and Zedd illustrated by Mina Tocalini for 360 MAGAZINE.

Jasmine Thompson × Zedd

Grammy award-winning artist/DJ/producer Zedd and Atlantic pop singer-songwriter Jasmine Thompson have announced today’s release of “Funny,” available now at all DSPs and streaming services HERE an official companion video (directed by Jack Karaszweski) is streaming now via YouTube HERE. “Funny” marks the first new music from Zedd this year and the latest in a stunning series of new releases from Thompson.

“When I first heard Jasmine’s voice on this song, I was blown away by it and knew I wanted to work with her on ‘Funny,'” says Zedd. “There’s so much emotion and energy in this song and Jasmine’s voice captures it perfectly.”

“After a relationship people always seem to come back and want to try again and pay you more attention and say they miss you. I had been through a relationship that wasn’t working and as soon as we ended it, they wanted to spend more time with me,” says Jasmine Thompson of “Funny.” “That’s what this song is about, and collaborating with Zedd was an amazing experience – his approach was unique, gave the song an incredible energy, and really brought it to life.”

Multi-platinum, Grammy Award-winning artist/DJ/producer Zedd made his debut with “Clarity” after signing with Interscope in 2012 and has been breaking down barriers surrounding music genres ever since. Throughout his career, Zedd has worked with a diverse range of artists to create hits, including Foxes on “Clarity” (which earned Zedd a 2014 Grammy “Best Dance Recording”), Hayley Williams on RIAA platinum-certified hit, “Stay The Night” (which racked up more than 400 million streams), and Selena Gomez on the platinum-certified track, “I Want You To Know,” which spent four weeks at #1 on Billboard’s “Hot Dance/Electronic Songs” chart. He’s also collaborated with Alessia Cara on their hit single “Stay” which held the #1 spot at Top 40 radio for six consecutive weeks and earned Zedd his second Grammy Award nomination, and with Maren Morris and Grey on the monster hit “The Middle,” which earned Zedd is second #1 at Top 40 radio. Digitally, the song has amassed over 1 billion streams and earned Zedd three Grammy nominations including “Record Of The Year,” “Song Of The Year,” and “Best Pop Duo or Group Performance.”

Jasmine Thompson grew up in central London where her family of four lived in a modest two bedroom flat. After her parents divorced, Jasmine saw her mother working as many as four jobs at a time but always prioritizing her kids’ creative development, even buying a second-hand green screen for Jasmine to record videos of herself singing, that unsurprisingly ended up on YouTube where she now boasts over 630 million YouTube views and more than 3.5 million subscribers. Jasmine’s booming YouTube presence and captivating vocals lead to a major label deal with Atlantic Records at the age of just 13. Now 19, the singer-songwriter has enjoyed a musical growth that’s taken her from viral covers to her own ADORE, WONDERLAND and COLOUR EPs while also establishing a global fan following with featured appearances on internationally successful recordings, collectively earning more than 3 billion global streams.  She has made chart-topping appearances on a pair of global blockbuster hit singles, including her collaboration with German DJ/producer Robin Schulz on “Sun Goes Down (Feat. Jasmine Thompson)” that’s earned 1 billion worldwide streams along with a slew of international gold and platinum certifications and over 404 million views on YouTube. German DJ Felix Jaehn’s “Ain’t Nobody (Loves Me Better)” remix was another undeniable smash, earning gold and platinum certifications in a range of countries and drawing over 1 billion global streams and over 378 million individual views on YouTube.

Follow Zedd: Facebook | Instagram | Twitter | YouTube

Follow Jasmine Thompson: Facebook | Instagram | Twitter | YouTube