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Rolls-Royce Dawn tops list in 2017 Neiman Marcus Xmas Book

The 2017 Christmas Book and legendary Fantasy Gifts were unveiled today by luxury omni-channel retailer Neiman Marcus in Dallas. The 91st edition of this renowned book continues Neiman Marcus’ unmatched tradition of offering a selection of spectacular and unique holiday gifts that are sure to make even the wildest of dreams come true.

 

As the much anticipated annual tradition hits the mailboxes of luxury connoisseurs nationwide, for the first time ever, the leading name in luxury retail recognizes the pinnacle in luxury automotive excellence. The Rolls-Royce Dawn is the ultimate holiday gift for you and a loved one. Why settle for one when the fashion experts at Neiman Marcus have worked with the Bespoke Designers at Rolls-Royce Motor Cars to develop a stunning set of Dawns. As always, they can be further personalized to meet the exclusive taste of any patron of luxury.


In a Rolls-Royce Dawn, every journey is effortless, accompanied with powerful, yet silky smooth acceleration, light and accurate steering, and precise braking, all wrapped in unparalleled Rolls-Royce Motor Cars luxury and attention to detail. Built with care and precision by the skilled artisans at the Home of Rolls-Royce, Goodwood, United Kingdom, these highly personalized examples are inspired by two of the most glamorous locales in the world: Lake Como and Saint-Tropez.

 

The ‘Lago di Como Dawn’ features a crisp Selby Grey and Black interior of hand-sewn leather, complemented by a brushed aluminum fascia. The ‘Saint-Tropez Dawn’ has an equally sumptuous interior of Seashell leather, accented with bright orange Mandarin and sumptuous chocolatey Dark Spice, with a fascia and doors paneled in rich Canadel open-pore wood. 

 

Both Bespoke commissions are lovingly hand-crafted by artisans and each car is distinctly unique: they both feature lustrous Silver bonnets and sleek Silver fabric tops, which disappear, silently, in mere seconds. 


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Detroit insiders share their passion for the city’s resurgence

The new Little Caesars Arena anchors a 50 block redevelopment in the heart of downtown Detroit
THOMAS WILMER
Detroit insiders share their passion for the city’s resurgence


Detroit’s street art symbolizes the city’s vibrant new urban beauty
CREDIT THOMAS WILMER

Detroit’s resurgence is propelling with a new light rail, the freshly opened Little Caesars Arena—an anchor of a 50 block downtown development project, the legendary Motown Museum’s expansion plans, and a visit with the owner of Michigan’s oldest licensed brewpub, Traffic Jam & Snug.
Join the conversation with Detroit Convention & Visitors Bureau staffers, Renee Monforton, Jennifer Ollinger and Stan Smith; Carolyn Howard owner of Traffic Jam & Snug; Brian Stevenson at Motown Museum; and Tom Wilson, President and CEO of Olympia Entertainment at Little Caesars Arena.
 


Journeys of Discovery with Tom Wilmer iTunes NPR podcast album art

CREDIT KORNREICH DESIGN, SAN LUIS OBISPO

You are invited to subscribe to the Lowell Thomas award-winning NPR Podcast travel show Journeys of Discovery with Tom Wilmer via: 
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Journeys of Discovery with Tom Wilmer winner of the 2016, 2015, 2013 Lowell Thomas Award

CREDIT SATW FOUNDATION

61st BFI LONDON FILM FESTIVAL ANNOUNCES 2017 AWARD WINNERS

LOVELESS (Best Film), THE WOUND (Best First Feature), KINGDOM OF US (Best Documentary) and THE RABBIT HUNT (Best Short Film) receive the Star of London

The 61st BFI London Film Festival in partnership with American Express® announced this year’s Festival Award-winners at its high profile Awards dinner, at Banqueting House, Whitehall, this evening. Hosted by James Nesbitt and with an address from BFI Chair Josh Berger, guests included Andrea Arnold, Hayley Atwell, Eric Bana, Jessie Buckley, Lily Cole, Jason Isaacs, Adrian Lester, Helen McCrory, Andrea Riseborough, Anya Taylor Joy and this year’s BFI Fellowship recipient, Paul Greengrass.

OFFICIAL COMPETITION WINNER – Best Film: LOVELESS, directed by Andrey Zvyagintsev (Russia, France, Germany, Belgium)

Recognising inspiring, inventive and distinctive filmmaking, the winner of the Best Film Award, went to Andrey Zvyagintsev’s LOVELESS, a powerful and eloquent film about a divorcing Russian couple whose son disappears. The award was announced by President of the Official Competition jury, previous Sutherland alumnus and Academy Award® and BAFTA-winning director Andrea Arnold:

The jury commented:

 “We felt that Loveless was a very poetic and beautiful film. Dark and told with a fierce passion. Although the film concentrated on the intimate story of one family in Russia, it felt like a universal tragedy; one that we recognized as one of the world¹s great sadnesses. The film-maker elevated the personal to a social and political statement. A critique of our current psychological and political moment. Some of us felt the film a cautionary tale. An angry warning. And some of us saw it as a rallying call for the opposite of what the film is called.  

We also commend Wajib. We found this to be a very honest, tender and beautifully acted story about a father and son delivering wedding invitations to their relatives. Sometimes funny and often sad we loved the glimpse into the lives of ordinary Christian Arabs in Nazareth. And through the intimacy between father and son, the film explored the clash of old and new in a fast changing world. A call for patience, respect and understanding”. 
Arnold’s fellow jurors were the BAFTA award-winning filmmaker Babak Anvari; the actor Eric Bana whose latest film THE FORGIVEN premiered at this year’s LFF; Ashley Clark, senior programmer of cinema at BAM Brooklyn; actor and social entrepreneur Lily Cole; previous LFF Best Film winner, the writer and director Alexei Popogrebsky and the BAFTA and Academy Award®-nominated producer Emma Thomas.

This is the second time that Andrey Zvyagintsev has won the Best Film at BFI London Film Festival having previously received the award for LEVIATHAN in 2014 which subsequently went on to win the Golden Globe for Best Foreign Language film and was nominated for an Academy Award and a BAFTA in the same category.

FIRST FEATURE COMPETITION WINNER – The Sutherland Award: John Trengove for THE WOUND (South Africa)

The long-standing Sutherland Award is named after the first Chairman of the British Film Institute, George Sutherland-Leveson-Gower, 5th Duke of Sutherland. The Sutherland Award is presented to the director of the most original and imaginative first feature in the Festival, and this year’s winner is John Trengove for THE WOUND, a powerful exploration of masculinity and unspoken queer desire set in the remote mountains of South Africa’s Eastern Cape. The winner was announced by the jury president, composer and producer, Melissa Parmenter.

About THE WOUND, the jury said:

“Among a strong field of debut features, we found ourselves enamoured by the urgency, vitality and originality of The Wound. Director John Trengove and his terrific cast have created a dynamic and inimitable coming-of-age story that takes a heart-breaking look at masculinity and sexuality. 

We would also like to give a special mention to the dreamlike Summer 1993, a beautiful and personal film, impressively and sensitively crafted. Its director and screenwriter Carla Simón is an exciting emerging filmmaker to watch”.

Parmenter’s fellow jurors were freelance film writer and editor Kaleem Aftab; the multi-award-winning actors Jason Isaacs and Helen McCrory and the filmmaker and Turner Prize-nominated artist Isaac Julien CBE.

DOCUMENTARY COMPETITION WINNER – The Grierson Award: KINGDOM OF US , directed by Lucy Cohen (United Kingdom)

The Grierson Award for the Best Documentary recognises outstanding feature-length documentaries of integrity, originality, technical excellence or cultural significance. Lucy Cohen’s documentary feature debut is a luminous exploration of grief, identity, family bonds and emotional recovery.. The award was presented by the jury President, the BAFTA & Academy Award®-winning documentary producer, John Battsek.

On behalf of the jury, John Battsek said:

“In a strong and diverse documentary selection, Lucy Cohen’s impressive debut Kingdom of Us equally fascinated and moved us all. It captures an extraordinary level of family intimacy in its delicate exploration of grief and memory.  

We would like to specially commend the poignant yet beautiful Makala, which examines third world poverty in simple and unflinching way, and also the thoroughly enjoyable, charming, inventive hybrid Before Summer Ends – this French road trip with three expat Iranians really touched and delighted the jury”. 

Joining Battsek on the jury this year were BAFTA and GRIERSON-winning editor and producer Paul Dosaj; creative director of UK Factual at Raw TV Liesel Evans; multi-award-winning directors Edward Lovelace and James Hall and the highly-accoladed documentary veteran Norma Percy.

SHORT FILM COMPETITION WINNER – Best Short Film Award: THE RABBIT HUNT directed by Patrick Bresnan (USA)

The Short Film Award is now in its third year at the Festival, and recognises short form works with a unique cinematic voice and a confident handling of chosen theme and content. Patrick Bresnan’s documentary short film THE RABBIT HUNT follows a family hunting rabbits in the sugarcane fields of the Florida Everglades during the harvest season. The Short Film award was presented by jury President, the Academy Award® and BAFTA-winning animation director and illustrator, Michael Dudok de Wit.

Of the winning film, Dudok de Wit and his jury commented:

“We were unanimously impressed by Patrick Bresnan’s verité documentary The Rabbit Hunt. The film is a thrilling look at one family’s otherwise everyday hustle, and is proof that farm-to-table eating doesn’t have to be a bourgeoisie exercise. We admired its agility, its confidence and its refusal to judge its enterprising subjects, and are excited to see what Bresnan does next.

We are also giving a special mention to Scaffold, for its assured simplicity and economy of storytelling; Martin Cries (Martin Pleure), for its inventiveness in transforming the ultraviolent video game Grand Theft Auto V into a tone poem about loneliness; and to Deborah Zebeda, for her magnetic performance in Laws Of The Game”.

Joining Dudok de Wit on the jury were film critic and culture writer, Simran Hans; BAFTA-winning producer Afolabi Kuti; one of the former BAFTA ‘Brits to Watch’ and director of the acclaimed feature debut LADY MACBETH, William Oldroyd and actor Chloe Pirrie, a former BAFTA Breakthrough awardee and Screen Star of Tomorrow.

BFI FELLOWSHIP Paul Greengrass (as previously announced)

This year’s BFI Fellowship was presented to BAFTA award-winning director, producer, screenwriter and former broadcast journalist, PAUL GREENGRASS by his frequent collaborator Tim Bevan.

Eili Harboe and Joachim Trier premiere Thelma

A college student starts to experience extreme seizures while studying at a university in Oslo, Norway. She soon learns that the violent episodes are a symptom of inexplicable, and often dangerous, supernatural abilities.

We spoke to the main actress Eili Harboe and director Joachim Trier who told us about his rumoured connections with director Lars Von Trier

Watch our interview here:

WATCH TRAILER HERE

Credit: Ana de Cozar

Malavika Mokanan, Ishaan Khattar premiere Beyond the Clouds

Beyond the Clouds is an upcoming Indian drama film written and directed by Majid Majidi with music composed by A. R. Rahman. The film stars Ishaan Khatter, actor Shahid Kapoor’s younger brother and Malavika Mohanan in the lead roles. Powerful coming-of-age tale about a brother trying to save his jailed sister.

We spoke to the cast at the world premiere at the BFI London Film Festival. Watch it here:

Credit: Ana de Cozar

Azazel Jacobs on directing The Lovers. BFI London Film Festival

A man and his wife, each embroiled in an extramarital affair, are sent reeling when they suddenly fall for the least likely person imaginable — each other.

Watch our interview with director Azazel Jacobs here:

WATCH TRAILER HERE

Credit: Ana de Cozar

Good Manners premiere at BFI London Film Festival

Clara, a lonely nurse from the outskirts of São Paulo, is hired by mysterious and wealthy Ana to care for and protect her son after he is born not looking like a human.

Watch our interview with the directors here:

WATCH TRAILER HERE

credit: Ana de Cozar

PROFESSOR MARSTON & THE WONDER WOMEN is NOW IN THEATERS

And to celebrate the release Annapurna Pictures has dropped a new easter egg trailer! Check out the trailer below and look for more hidden secrets from the film in theaters everywhere!
Watch the Easter Egg Trailer HERE:

Get tickets here

PROFESSOR MARSTON & THE WONDER WOMEN

Release Date: October 13, 2017

Genre: Drama

Director: Angela Robinson

Writer: Angela Robinson

Producers: Amy Redford, Terry Leonard

Cast: Luke Evans, Rebecca Hall, Bella Heathcote, Connie Britton
SYNOPSIS

In a superhero origin tale unlike any other, the film is the incredible true story of what inspired Harvard psychologist Dr. William Moulton Marston to create the iconic Wonder Woman character in the 1940’s. While Marston’s feminist superhero was criticized by censors for her ‘sexual perversity’, he was keeping a secret that could have destroyed him. Marston’s muses for the Wonder Woman character were his wife Elizabeth Marston and their lover Olive Byrne, two empowered women who defied convention: working with Marston on human behavior research — while building a hidden life with him that rivaled the greatest of superhero disguises.

Jamie Bell, Annette Bening premiere Film Stars Don’t Die in Liverpool

Based on Peter Turner’s memoir, the film follows the playful but passionate relationship between Turner (Bell) and the eccentric Academy Award®-winning actress Gloria Grahame (Bening) in 1978 Liverpool. What starts as a vibrant affair between a legendary femme fatale and her young lover quickly grows into a deeper relationship, with Turner being the person Gloria turns to for comfort. Their passion and lust for life is tested to the limits by events beyond their control.

We had the pleasure to speak with the cast Jamie Bell (Billy Elliot), Annette Bening (American Beauty) and even the real Peter Turner! Have a peak on the interview here:

WATCH TRAILER HERE

Credit: Ana de Cozar

2018 JAGUAR F-TYPE 400 

By Vaughn Lowery × Anthony Sovinsky

For 2018, Jaguar is introducing a genetically enhanced version of its already popular F-Type series – the 400 Sport Coupe Special Edition. At first glimpse, the vehicle immediately appears to be a part of the family, yet subtle differences cause it to break away from the battalion.

Although the F-Type didn’t call for a redesign, they redefined excellence with a one-year-only configuration. This limited version exhibits tons of sporty appointments which hint nifty performance gains to be anticipated as well. The 400 Sport is featured in three different metallic colors: Yulong White, Indus Silver and Santorini Black. It arrives in two different drive trains – AWD and RWD. Lastly, one can select between a convertible or coupe.

As of late, we had the joy of testing out the Indus Silver two-door AWD (allowing it to grip and corner with ease). While approaching the vehicle head-on, you are at once enthralled by its bespoke elements – stealthy accents on the grille fitted with an audacious front splitter adorning “400 Sport” in bold yellow.

While orbiting the vehicle, we gained an admiration of its contoured yet nimble stance. Some of the new additions included blade-like extended side sills and prominent front/rear splitters which shout, “I am fast as I am athletic.” It squats on 20″ Dark Satin alloy wheels that come to a stop with Super Performance 380mm front and 376mm rear brakes (currently, an upgrade featured in the 400 Sport). With a wheelbase of 103.2,” ground clearance of only 4.1″ and a length of 176.5,” you can be reassureed that this vehicle was built to track (very little drag coefficient w/ automatic retractable spoiler).

The F-Type 400 Sport possesses the most agile V6 offered in the series, until now still doesn’t measure up to the R (V8 550hp) and SVR (V8 575hp)’s performance. It’s the difference between a Ferris wheel and a roller coaster (less scream factor). Nevertheless, this 3.0L V6 400PS supercharged engine delivers 400hp with 339lb-ft of torque alongside of an 8-speed gearbox. It’s 20hp faster than its forerunners. Most of it is felt in the top end which makes it worth acquiring. This increase in power also enhances the already invigorating exhaust that’s expelled through the trumpet-like tips. Letting off the gas at high RPMs (5000+) will make the car backfire – crackling and popping like a 4th of July fireworks show. Don’t fret, though. As prevalent in former models, Jaguar wanted to make certain you don’t upset the neighbors by adding an option to tame it with the press of a button.

Inside the cabin, your eyes are drawn yet again to the vibrant yellow emblems, “400 Sport” tastefully planted: the steering wheel; console finisher; embroidered headrests and tread plates, reminding you of the anomaly of which you have. In addition, slimmer premium leather performance seats improve dash to backrest space, creating a racier ambiance. For the foremost time, there’s a flat-bottomed sport steering wheel accompanied by anodized aluminum paddle shifters ergonomically placed for aggressive driving. Next, you’ll discover the beautifully black-coated aluminum center dash baring a touch screen infotainment system which allows you to navigate, choose your favorite station and/or Bluetooth to your smart devices.

The 2018 Jaguar F-type 400 Sport Coupe Special Edition is definitely something special. Aside from all the jaw-dropping signature patches, it offers exclusivity to the owner because of its minimal production, unique performance and cosmetic upgrades. This makes it a well-balanced vehicle of choice for those seeking something snazzy without the hefty price tag.

In short, we forecast this to become the affluent millennials’ two-seater select for 2018.