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Liza Owen and Jimmie Allen via Ryan Jay for use by 360 Magazine

Liza Owens – Songs From Monte Nido

Pop songstress Liza Owen releases her long-awaited and highly anticipated debut EP titled Songs From Monte Nido today which features singles “GETTING GOOD”, a 90s tinged rock beast, the wildly infectious “STARRY EYED”, fiery “WHY AREN’T WE HAVING SEX?” and “JOSIE” featuring critically-acclaimed, multi-platinum country star and current ACM New Male Artist of the Year Jimmie Allen along with two brand new tracks,  “CHLORINE” a synth heavy summer anthem in the making and the dreamy and nostalgic “EVEREST”.

Half Cambodian, half English, Liza Owen spins pop upside down and all around, with defiantly unfiltered lyrics, undeniable melodies and unapologetic grit. Originally breaking into the business writing songs for the likes of Selena Gomez and BTS, Liza finally lets us into her messy, imperfect, tear-stained, yet darkly glamorous world with the project presenting all the makings of a smart and deliciously subversive new star, one who stubbornly refuses to sand down her rough edges or present anything less than an image that is 100% authentic. 

The release comes accompanied with a live video of “JOSIE” that sees Liza and Jimmie link up for a beautiful performance of the epic pop ballad, watch HERE.

Songs From Monte Nido is a collection of tracks Liza wrote with her collective ASL, a supergroup of hitmaking, Grammy-award winning writers + producers including Teddy Geiger (Shawn Mendes), John Ryan (One Direction, Maroon 5), Julian Bunetta (Thomas Rhett), Andrew Haas + Ian Franzino (producer duo Afterhrs), and Shungudzo Kuyimba (Jessie Ware).

Monte Nido is a small rural community nestled in the hills of the Santa Monica Mountains, inside the ridge off the coast of Malibu where Liza and her ASL crew reside and escape, with everyone living within just walking distance from each other, a modern day songwriting sanctuary reminiscent of LA’s Laurel Canyon neighbourhood in the ‘60s. 

The making of this project spans a two-year sonic experiment with said musical friend group, and while you will find songs reminiscing on growing up in Cambodia and London, Liza’s overall sound, signature, and strut is discovered at the convergence of alternative aesthetic, country sensibility, and pop accessibility–a fitting soundscape to the very place the records were made.

Abby Jasmine via Interscope Records for use by 360 Magazine

Abby Jasmine – SOS

Abby Jasmine delivered her first music of 2021 with the emotional and reflective “SOS.” The song shows the Staten Island native delving deeper into singing and songwriting with a hazy, harmonic track. The single follows up late 2020’s deluxe edition of Who Cares, Jasmine’s expanded nine-track EP, which featured Guapdad4000, Kash Juliano, and Smoke DZA. Listen to “SOS” by Abby Jasmine HERE

“When I wrote the song, I had this visual of me drowning,” Abby shares. She says she applied the sinking effect to drowning in feelings, addictions, and relationships. This idea inspired a dreamy song that sounds like its title. “I know I got something to say with you; I get tired of saving you,” Abby sings while checking a romantic partner on their behavior. The melody and harmony in the chorus reflect Jasmine’s heavy listening diet of early 2000s R&B. 

About Abby Jasmine

Recording since she was a toddler, Abby Jasmine belongs to a musical family, with a Jazz musician for a father. By her teens, the Staten Island native flexed her music and her strong personality online. She reached millions through Vine, showing aspects of her life intermixed with singing and freestyles. Social media became a launchpad to a music career. In the late 2010s, she released Trap Mom and follow-up EPs: Abbnormal and I Hate You All. Songs like “No Hook” and “Relax” presented a woman with a slick pen, dreamy vocals, and a Big Apple attitude. Both achieved nearly seven figures in streams. Jonny shipes’ Cinematic Music Group signed Abby. By 2020’s sophomore LP Who Cares? Geffen joined in, drawn by the artist who continued to show range. 

Now 23, Abby continues to focus on her craft and be a student of life. “I’ve just been taking time out to self-reflect, spend more time with people that matter to me,” the artist says. After prioritizing herself, Abby Jasmine’s time for reflection eventually returned her to the studio, where Jasmine self-recorded personal and bold music, beginning with “SOS.” Now, with her EP I Hate You 2 on the way and with three major US festivals in her future, the buzzing genre purveyor only continues to prove that she’s someone to pay attention to in 2021.

ABRA via Coughs for use by 360 Magazine

ABRA × Playboi Carti – Unlock It

The dynamic Alt-R&B singer/producer ABRA announces that she has inked a recording deal with Bryan Leach’s Polo Grounds Music and RCA Records. To coincide with the exciting news, ABRA released “Unlock It” featuring Playboi Carti, her first major label debut single. Click HERE to listen.  

Produced by ABRA and Boys Noize, “Unlock It” reunites the longtime friends for an addictive, repeat-worthy song that highlights her distinctive sound and adoration for retro sounding production and whimsical lyrics.

“‘Unlock It’ means so much to me for more reasons than I can count, and as someone very sentimental and nostalgic, it is truly a blessing to be able to unlock the next level of my career with a friend,” states ABRA. “I’ve always been so proud of what Carti’s been able to achieve and having the fortune of reuniting with him for this song specifically feels like a trophy to what the song is about—validation for the long winding journey it took to get here and makes me feel a little more at home in this crazy new world I’m about to step into!”

As an independent artist, ABRA has put in the work to build a solid foundation of praise and achievements, including being tapped by Bad Bunny directly to appear on “Sorry Papi” for his recent Billboard #1 debut album El Ultimo Tour del Mundo (“the collaboration that fits best on the album…” according to Rolling Stone). Her two EPs, Princess and Rose have created a loyal fanbase (with celebrity love from Ty Dolla $ign, Steve Lacy, Frank Ocean, G-Eazy, Solange and more), she has toured the world with acts such as Charlie XCX and performed at several major festivals in Europe and America. In 2019, ABRA’s song “Roses” was featured in a Revlon campaign and throughout 2020 her music has been used in Hulu and YouTube ads. In addition to her notoriety within the fashion industry, ABRA made her acting debut in the 2018 film Assassination Nation.

“Making music as an independent artist has been a lot of fun, but I’m excited to start this new chapter with a team to see how high this vision can really fly,” comments ABRA. “As they say, ‘if you want to go fast, go alone, but if you want to go far, go together.’ I’m looking forward to finally sharing more music and seeing where this path with Polo Grounds Music and RCA takes me.” 

Stay tuned for more news on ABRA as she prepares for the release of her debut album on Polo Grounds Music/RCA Records.

illustration by Gabrielle Marchan for use by 360 Magazine

HRC Launches In-Home HIV Testing Kit

The Human Rights Campaign (HRC) Foundation, the educational arm of the nation’s largest lesbian, gay, bisexual, transgender and queer (LGBTQ+) civil rights organization, in partnership with Us Helping Us, launched the United States’ first national in-home HIV testing program centered around reaching communities disproportionately impacted by HIV—Black and Latinx gay, bisexual men and transgender women of color. Also, for the first time in its history, HRC will be providing a direct-to-door service to the LGBTQ+ community by pledging to administer a minimum of 5,000 free in-home testing kits for HIV over one year. 

In the lead up to Southern HIV/AIDS Awareness Day on August 20, the in-home testing kits aim to empower people to learn their status and take control of their sexual health without having to visit a medical provider. Usually, HIV testing is done with a doctor, in a hospital, or at a community health clinic but due to lack of access to healthcare and HIV stigma, marginalized populations often do not receive testing.

“The continued prevalence of the HIV/AIDS epidemic requires innovative solutions—these in-home self-testing kits allow people to find out their result in the privacy of their own home, thereby reducing HIV stigma and fear,” said J. Maurice McCants-Pearsall, Human Rights Campaign Director of HIV & Health Equity. “This expanded partnership with community-based organizations presents a unique opportunity for The Human Rights Campaign to leverage its extensive reach to propel access to life-saving HIV testing for multiply marginalized communities.”

Supported by Gilead Sciences, the home-service fits under the umbrella of My Body, My Health, a comprehensive public education campaign that works toward building a generation free of HIV/AIDS. In addition to disseminating the 5,000 testing kits, the program will provide a referral to PrEP providers in the person’s area, and link HIV positive individuals to care via navigation services. The kits will include an OraQuick oral swab, condoms, lubricants, and a test information card. HRC has also created educational resources to complement the test kits, such as an instructional test video and an online service page that shows local HIV prevention and treatment services.

Along with the HIV in-home test kits, HRC Foundation has launched a community campaign that targets regions across the country that are the most affected by HIV/AIDS—those communities are New Orleans, LA, Miami, FL, Washington DC, Puerto Rico, Indianapolis, IN and Greenville, MS. This is a digital advocacy, public awareness campaign that seeks to educate and activate Black and Latinx communities through discussing the intersections of sexual health, race and queerness in order to break down long-lasting HIV stigma and fear.

“Us Helping Us, one of the oldest and largest HIV prevention, treatment and care agencies in the nation, is pleased to partner with HRC Foundation on this high-impact and critically important initiative to achieve the EHE targets,” said Dr. DeMarc Hickson, Us Helping Us Executive Director. “It is of equal importance to increase HIV testing in areas such as the Southeastern U.S., which has a long-standing history of oppression, white supremacy and HIV stigma. In addition, we envision a world free of stigma and where HIV testing is part of routine health care.”

Current data confirms that the availability of HIV self-tests in the United States would not only increase HIV awareness, but would also expand access to testing among communities who would not otherwise get an HIV test in traditional healthcare settings. Furthermore, it is recommended that everyone between the ages of 13 and 64 get tested for HIV at least once as part of routine healthcare and once every three months for gay and bisexual men.

Marginalized populations, including LGBTQ people, face both societal and economic barriers that prevent them from accessing healthcare and communities of color have been hit the hardest—1 in 2 Black gay and bisexual cisgender men and 1 in 4 Latinx gay and bisexual cisgender men will be diagnosed with HIV in their lifetime. According to a recent CDC study in seven United States cities, 42 percent of transgender women interviewed had HIV, with 62 percent of Black transgender women and 35 percent of Latinx transgender women already living with HIV.

The Human Rights Campaign Foundation

The Human Rights Campaign Foundation is the educational arm of the Human Rights Campaign (HRC), America’s largest civil rights organization working to achieve equality for lesbian, gay, bisexual, transgender and queer (LGBTQ) people. Through its programs, the HRC Foundation seeks to make transformational change in the everyday lives of LGBTQ people, shedding light on inequity and deepening the public’s understanding of LGBTQ issues, with a clear focus on advancing transgender and racial justice. Its work has transformed the landscape for more than 15 million workers, 11 million students, 600,000 clients in the adoption and foster care system and so much more. The HRC Foundation provides direct consultation and technical assistance to institutions and communities, driving the advancement of inclusive policies and practices; it builds the capacity of future leaders and allies through fellowship and training programs; and, with the firm belief that we are stronger working together, it forges partnerships with advocates in the U.S. and around the globe to increase our impact and shape the future of our work.

Hawkeye via Jahnoy Lindsay for Marvel Comics for use by 360 Magazine

Hawkeye: Kate Bishop

This November, Kate Bishop’s adventure continues! Marvel’s new miniseries, HAWKEYE: KATE BISHOP is a five-part series that follows Kate on a new adventure in a familiar place: back home to New York. 

Following a stint in Los Angeles, HAWKEYE: KATE BISHOP picks up at a turning point in Kate’s life when she returns to New York after being convinced by many friends, and a few clues from the case she’s working, to come back to the East Coast. When Kate gets invited to a resort to solve a mysterious jewel heist, she sees it as a confidence-boost, a sign that she’s making the right decision and not going to backslide into her past. The case is perfect…and it’s almost definitely a trap.

The story comes from an elite creative team including New York Times best-selling author Marieke Nijkamp and artist Enid Balám.

“Because Kate’s story is in flux right now, it’s the perfect time to jump on board for the adventure,” writer Marieke Nijkamp told Bustle. “You don’t need to know where she was to enjoy the journey!” 

Be there when Kate’s exciting next chapter kicks off in HAWKEYE: KATE BISHOP this November! 

About Marvel Entertainment

Marvel Entertainment, LLC, a wholly-owned subsidiary of The Walt Disney Company, is one of the world’s most prominent character-based entertainment companies, built on a proven library of more than 8,000 characters featured in a variety of media for over eighty years. Marvel utilizes its character franchises in entertainment, licensing, publishing, games, and digital media.

For more information click HERE.

Hawkeye via Enid Balam for Marvel Comics for use by 360 Magazine

illustration by Mina Tocalini for use by 360 Magazine

The Jewish Community Foundation of Los Angeles Announces Naomi Strongin as Vice President

The Jewish Community Foundation of Los Angeles (The Foundation) today announced the promotion of Naomi Strongin to vice president of its Center for Designed Philanthropy (the Center).  A 12-year veteran of The Foundation, Strongin had most recently served as the Center’s acting director.

In her new position, Strongin will oversee a portfolio of responsibilities that include developing and implementing Jewish and general community grant programs, providing capacity-building support to nonprofit organizations, advising and educating Foundation donors on effective charitable giving strategies, and managing grantmaking for major Foundation fund holders. She will lead a Center team which advances strategic, high-impact philanthropy that improves lives and strengthens society in the Los Angeles Jewish community, community-at-large, and in Israel.

Established more than a decade ago by The Foundation–the largest manager of charitable assets for local Jewish philanthropists–the Center helps donors create more meaningful and effective giving strategies to enhance the impact of their philanthropy.  

Foundation President and Chief Executive Officer Marvin I. Schotland stated: “We are pleased to welcome Naomi as a member of our senior management team. During her tenure at The Foundation, she has distinguished herself in positions of increasing responsibility on both grantmaking and donor-advisory sides of the Center. Naomi is an outstanding leader and manager and this promotion is well-deserved recognition of her exceptional contributions over the past decade-plus. Additionally, her thoughtful approach to strategic philanthropy will help our family of donors better achieve their charitable goals and make meaningful investments in the community.”

Strongin joined The Foundation in 2009 with a background in direct social services and fundraising. As a program officer, senior program officer, and associate director of the Center, Strongin has directly managed The Foundation’s institutional grants programs, including its Cutting Edge, General Community, Israel, and Capital initiatives. She also was integrally involved in leading The Foundation’s response to the pandemic as well as its Racial Equity grantmaking in 2020-2021, spearheading its COVID-19 Response Grants and Reimagine Grants programs that provided nearly $12 million in support to approximately 100 nonprofits for pressing and long-term needs. She possesses extensive experience and expertise that includes developing charitable mission and vision statements, providing philanthropic guidance to multigenerational families, and giving interest-area issues such as early childhood development, economic development in Israel, and the Jewish nonprofit landscape in Los Angeles, among others. Strongin earned her master’s degree in social work with a concentration in community organizing, planning and administration from the University of Southern California, and her bachelor of arts in human development from U.C. San Diego. She is a certified 21/64 philanthropic advisor.

About The Jewish Community Foundation

Established in 1954, the Jewish Community Foundation of Los Angeles manages charitable assets of more than $1.4 billion entrusted to it by over 1,300 families and ranks among the 10 largest Los Angeles foundations. It partners with donors to shape meaningful philanthropic strategies, magnify the impact of their giving, and build enduring charitable legacies. In 2020, The Foundation and its donors distributed $116 million to 2,700 nonprofits with programs that span the range of philanthropic giving. Over the past 12 years, it has distributed more than $1 billion to thousands of nonprofits across a diverse spectrum.

Art by Mina Tocalini of 360 Magazine for use by 360 Magazine

2021 BattleBots World Championships

The hit TV show BattleBots, the world’s premier robot combat competition has found a new home in Las Vegas and tickets to be part of the live audience are on sale now. Robots from around the globe will convene to battle for the highly-anticipated 2021 BattleBots World Championship, which takes place inside the iconic BattleBox arena at Caesar’s Entertainment Studios on Aug. 23 through Sept. 4. Fans will witness world-class fighting machines and the very best domestic and international bots battling to the death in the hopes of being crowned the 2021 BattleBots World Champion. Presented by returning hosts Chris Rose and Kenny Florian, the sixth season of the popular show will air on Discovery Channel later this year.

More than 65 teams from the United States, Europe, Asia and South America will travel to Las Vegas with their fighting machines to slug it out in a series of battles to the death. The ultimate winner will take home the greatest prize in the sport: The Giant Nut, which is currently held by New Zealand’s End Game. The audience will witness the awesome spectacle of robot-on-robot, gear-grinding mayhem and see their favorite bots including Whiplash, Witch Doctor, Hydra, Blacksmith, Minotaur, End Game and Sawblaze. Also fighting this season is local favorite Jackpot, built by Las Vegas local Jeff Waters who had a record of 3-1 but lost in the Round of 32 in season five. He’s back this season to win the battle for Las Vegas.

There will be two ticketed sessions per day, culminating in the crowning of the 2021 BattleBots World Champion on Sept. 4. Dark days for the live show take place on Aug. 25, 26, 30 and Sept. 1.

BattleBots

BattleBots is the world leader in robot fighting sports. For over 20 years BattleBots has brought the joy of glorious robot fighting to TV and live audiences around the world.

BattleBots remains the most popular robotic combat sport in the world, created by Ed Roski and Greg Munson and now seen in over 150 countries. Produced by BattleBots, Inc. and Whalerock Industries, executive producers are Chris Cowan, Edward (Trey) Roski, Greg Munson, Tom Gutteridge, Aaron Catling and Evan Gatica. For Discovery Channel, Scott Lewers, Joseph Boyle and Wyatt Channell serve as executive producers, and Paola Espinosa as associate producer.

Las Vegas’ Own Team Jackpot

With the home field advantage this year, Team Jackpot co-creators Jeff Waters and Robert Stehn fully intend to keep the Giant Nut in Vegas. Waters discovered robotics as a kid by watching the original BattleBots and even created his own arena in his garage and began hosting small competitions. Eventually, Waters and Stehn sought to grow the robotics community in Las Vegas and created Vegas Combat Robots – their own robotics club. Jackpot is a weapon-focused robot with a dual vertical blade spinner called the Double Diamond. Team Jackpot has stayed true to their Vegas aesthetic by incorporating slot machine pull arms for the self-righter system and bottom-lit Lexan panels. They hold a season 5 record of 3-1 after being knocked out in Round 32.

Tickets

The five ticket types include:

$40 – General admission

$75 – Premium seating

  • Premium seats.
  • Free parking.
  • Special edition badge.
  • 5 Percent merchandise discount.

$125 – VIP

  • Backstage tour.
  • VIP swag bag.
  • Premier seating
  • Free parking.
  • Exclusive VIP badge.
  • 10 Percent merchandise discount.

$200 – Box suites

  • Seat up to six people.
  • Receive prominent television coverage.
  • Behind the scenes views but restricted view of the fights.

$1,500 – Super Ultra Mega VIP tickets are sold out, but a wait list is available by emailing this address.

  • Single tickets to all 18 sessions.
  • Backstage tour.
  • Free Rock Star parking
  • Free t-shirt and VIP swag bag
  • Special edition Super Ultra VIP badge
  • 15 Percent merchandise discount.

Space is limited. For more information and to purchase tickets, click HERE. Guests will not be admitted without proof of vaccination or negative COVID-19 test administered within the previous 72 hours. Tickets are non-refundable.

Health and Safety Info

We understand that the past year has been challenging for everyone and we feel fortunate that we are now able to stage this year’s BattleBots 2021 World Championship tournament in front of a live audience of fans. However, because we are taping the event for TV, there are certain restrictions we all must follow. Restrictions include:

  • All ticket holders, crew and builders must wear masks while visiting the BattleBots Studio Complex.

All members of the audience aged 12 years or over must show proof of vaccination against COVID-19 or proof of a negative test taken within the previous 72 hours (no proof of vaccination or negative test is currently required for children under 12, but all children must wear masks). Proof of vaccination and testing details can be found HERE.

Gay Dreams Do Come True via The Oriel Co. for use by 360 Magazine

Planningtorock – Gay Dreams Do Come True

Acclaimed artist, singer-songwriter, producer, composer, director, and DJ Planningtorock, aka Jam Rahouja Rostron, is releasing the video to their latest release “Gay Dreams Do Come True.” The euphoric Pride anthem’s video was created as a collaboration with Butt Studios (Tame Impala, Doja Cat) and Greedy Goods (Lava La Rue). The visual is an immersive, tripped out utopian fantasy 3D world that perfectly complements the track. It’s a little Technotronic, a little Deee-lite, and ultimately an ode to romance and queer celebration, bringing the conversation around gender fluidity into the animation space.

About the video, Planningtorock said they “had so much fun making this video for Gay Dreams Do Come True”. I really wanted to celebrate and share the happiness I’m feeling right now with my baby and wife Riinu. It’s also the first time I’ve worked with a director as I usually direct my own videos and George was absolutely amazing and totally got my vision and the whole shoot was such a laugh from start to finish. Aline, who was the Director of Photography, is also an amazing queer cinematographer and a total pleasure to work with.”
The track, released in June, is the first from their new EP, Gay Dreams Do Come True. The project is set for release on October 29, 2021 through their new label, Human Level, via PIAS. Comprised of three celebratory, joyful, sweet house tracks, Gay Dreams Do Come True is Planningtorock’s aural mission to own their queer happiness, and to share that joy with anyone who wants to listen.

In celebration of the video’s release, Planningtorock will be joined with director Greedy Goons and Director of Photography Aline Belfort for an Instagram livestream discussing the visual at 9AM ET / 2PM UK on Thursday August 19th.

For the uninitiated: Planningtorock has been a disruptive voice in dance music for the last fifteen years. Initially signing with DFA via James Murphy himself, in addition to subsequently opening for LCD Soundsystem in America, Planningtorock has released four acclaimed studio albums thus far, using the personal as political on each record while playing with gender in their costumes and photos for each release. These albums, along with early collaborations with subversive innovators like The Knife and Peaches, established Planningtorock as a recognised force in politicised dance music that queers sound and explores ideas around gender, queerness, sexuality, and desire.

Planningtorock has also become a highly sought-after DJ and remixer, transforming songs with their remixes of tracks by Christine and The Queens, Robyn, Romy of The xx, and many more. Following an opening slot as a DJ for Robyn in 2019, the multitalented producer teamed up with Chanel’s sound director Michel Gaubert in 2020. Their Planningtochanel EP soundtracked the Parisian label’s Autumn/Winter 2020 show, and was the first work created in Jam’s new home city of Tallinn, Estonia. It’s also here that Planningtorock created their transformative new EP, Gay Dreams Do Come True.
Jam uprooted to the Estonian capital: a beautiful, gentle-paced city on the Baltic coast, after spending two decades in Berlin.

Already feeling restless and ready for a change, everything fell into place when the musician met their partner, Riinu, through mutual friends in Helsinki; soon, Jam relocated to Riinu’s home city full-time. Last September the couple married. LGBTQ+ marriage isn’t legal in Estonia, so the ceremony took place at the city’s British Embassy. In theory, the country recognises marriages which took place abroad. In reality, they have been struggling to get their partnership acknowledged in their home country while under a right-wing coalition government. With the prime minister now ousted over an alleged corruption scandal, Estonia is going through a time of great political upheaval. Distant hope of a more progressive government is on the horizon and Gay Dreams Do Come True represents Planningtorock’s own personal exploration of queer love.

A loud, proud, unabashed celebration, Planningtorock’s new EP Gay Dreams Do Come True stands in opposition to the tragic queer narratives which can sometimes dominate the mainstream. Indeed, Jam set out to make a record which basks in the all-consuming joy of queer love instead, and the sense of belonging, intimacy, and safety that comes with it.
Planningtorock will be playing two very special shows this fall to celebrate the EP’s release.

“Planningtorock Presents Gay Dreams Do Come True” is a live show and a party all in one to celebrate music and queer stories. Planningtorock will be performing their new ep plus classic PTR songs interwoven with them Djing their favorite tracks and influences. Invited guests and artist friends will join Planningtorock on stage to perform.

POP Montreal Poster via POP Montreal for use by 360 Magazine

Pop Montreal 2021

POP Montreal 2021 will be a hybrid festival, in-person and virtual. For in-person concerts, the current Covid-19 protocols will be applied and a health pass will be required at the entrance of the concerts. If you are planning to attend a performance, you must purchase your tickets online in advance. There will be no tickets available at the door.

We will also have our Art POP exhibition on the third floor of the Rialto, Puces POP at Église Saint-Denis, conferences and discussions with POP Symposium at the Rialto, Film POP at Cinéma Moderne and at L’Entrepôt77 (ciné-concert) as well as Kids POP at Parc Saint-Viateur.

Art POP

This year, Art POP will be hosting its annual group exhibition as well as several satellite events that will bring live performances, sound installations and poster campaigns into the public spaces surrounding POP’s headquarters at the Rialto Theatre complex. POP Reads, Montreal’s bilingual reading event, will be back again for a third edition with another great lineup of local writers and readers.

This year’s group show, Cover Story, will be mounted at Studio Rialto, the former dance studio turned temporary exhibition space. The exhibition will position the artist as an interrogative and investigative body that seeks to uncover lies, debunk cultural myths, and expose half truths. 

As a visitor to the exhibition space, you will interact with research made visible, historical reenactments, and illusory installations attempting to demonstrate the internal processes behind artistic truth telling. Once you’ve made your rounds of the exhibition, head up to the rooftop to catch an immersive audiovisual performance by artists Peter Hernández, Suzanne Kite and John-Elio Reitman.

Outside the walls of the Rialto complex, Art POP expands into the Mile End to bring the public Calling Planet Earth! Ligne d’alerte!, a series of roving, site-specific radio interventions curated by artists Emmanuel Madan and Martín Rodríguez. While walking through the neighbourhood, keep your eyes peeled for SEEKING, a public series of posters by artist Florence Yee, acting as playful advertisements that allude to what we may seek from our community: an old tradition, a memory, a feeling, justice. 

Film POP 

Just narrowly escaping the streaming fate of many 2021 festivals, this edition of Film POP returns to Cinéma Moderne for an explosive big-screen showcase of the year’s best in music cinema. From portraits of contemporary icons and all-but-forgotten pioneers to deeply personal, political and experimental works, this year’s programming is all about coming together and finding ways to look forward, beyond the past 18 months. 

This year’s highlights include David Wexler’s Disintegration Loops (2021), a documentary about William Basinski’s seminal album series on the 20th anniversary of the 9/11 attacks, Bobbi Jo Hart’s Fanny: The Right To Rock (2021), about one of the first all-female rock bands to know critical and commercial success, Les Blank’s newly restored I Went to the Dance (1989), the definitive film on South Louisiana’s Cajun and Creole/Zydeco music scene, and Jeremy Ungar & Ivaylo Getov’s Soy Cubana, about the Cuban acapella group the Vocal Vidas’ historic trip to perform in Los Angeles.

POP Symposium

This year’s POP Symposium aims to envision a post-pandemic future for the music industry and the performing arts at large and will move between big ideas, like how to create socially ethical arts industries, to the specifics, like how did anyone successfully release music without touring last year?

Along with many practical panels on artist development, Symposium will also be exploring ideas around liminality. Can lectures look like performances? Can histories be written through art? How can artists embody anti-gentrification in their practices?

Overall, we are excited for another hybrid edition of POP Symposium and we hope our audiences both at home and in the beautiful Rialto Hall will find a hopeful space for learning and sharing knowledge. 

Kids POP 

This year, Kids POP takes place Sunday, September 26th. Please join us and bring the noise!

Join children’s publisher The Secret Mountain for a picnic in the sun, a paper bag puppet parade, and an animated family concert! This activity-packed day will celebrate the release of a new musical picture book, A Picnic in the Sun by Christiane Duchesne, Jérôme Minière, and Marianne Ferrer.  

Start the day at Saint Viateur Park with a picnic and a paper bag puppet-building workshop. Then hit the road with your puppets for a festive puppet parade down Bernard Avenue—complete with a mini-marching band! And then, last but not least, settle in for the main event: a children’s concert at Rialto Theatre with performances by Clerel, Geneviéve Toupin, Jérôme Minière, and José Major! Plus, share a picture of your paper bag puppet with The Secret Mountain for a chance to see your creation brought to life—as a stuffed toy—by the studio-boutique Raplapla!

Mental via 360 Magazine for use by 360 Magazine

Interview with Radhia Gleis

By: Skyler Johnson

From Jonestown to the Manson Family, we as a society have been obsessed with the inner workings of cults. Every few years a new documentary explores the secret lives of a society of people much different than ours. But it’s not very often that you meet someone that doesn’t just explore what crimes a cult committed, but how a cult is formed. This is what Radhia Gleis, an ex-member of the Buddhafield Cult, attempted to do in her most recent book: The Followers, Holy Hell and the Disciples of Narcissistic Leaders. I got the privilege to interview Gleis about the book and her experiences. 

Can you tell us a little about the Buddhafield cult and how you became involved with them?

That is a complicated story, and although the documentary Holy Hell shows the frightening transformation of a beautiful little spiritual community into an abusive cult, the details of this thirty-year journey cannot be told in a hundred minutes, like I can in the book. Like the frog in warm water that slowly comes to a boil, it took twenty years for the teacher to develop into the narcissistic sociopath he eventually became.

My journey started back when I was in Catholic school. I was inspired by the stories of the Catholic saints and their transcendental experiences of the Divine. I took a comparative religions class in ninth grade. We were studying Hinduism when we came across a word in italics: Nirvana! I asked the teacher what this word meant. He said, “Some yogis in India, through a certain practice of meditation, experience God directly.” “Is that true?” I asked. “Apparently!” he replied. And from that time on I spent another twelve to fourteen years looking for Nirvana.

I never came across anyone who said that they experienced God directly until I met the leader, Jaime, and the group, who were practicing these kinds of meditation techniques, referred to as “The Knowledge.” The name Buddha-field has little or nothing to do with Buddha or Buddhism. It was just a nickname we called ourselves. We were closer to Hinduism, although we studied Buddhism, Hinduism, Sufism, and Christian Mysticism. Originally that was what the Buddha-field was about—practicing and staying devoted to that meditation practice and a simple life of service and devotion.

In the beginning Jaime’s sharing was always about the “Knowledge.” This ancient technique was introduced to the West by Prem Pal Rawat ji, AKA Maharaji. Jaime was never a disciple of Maharajji; he lied and conned a Premi (one of Maharajji’s followers) into giving him the techniques. Later, when it looked like his guru gig was taking off, Jaime changed the name from the “Knowledge” to the “Knowing” to claim it as his own.  Originally, he used to say, “Connect to God’s love,” but it did not take long before our sycophantic adoration of him fed his narcissism to the point of creating a malignant narcissist, and suddenly the narrative became “Connect to MY love.” 

What do you believe separates a religious movement from a cult?

Chapter 16 of The Followers, entitled “What is a Cult? It’s Complicated,” analyses the definition of a cult. It’s one of my favorite chapters. Certainly one of the more irreverent and humorous. My conclusion is, I’m not sure there is a separation. Or at least they have a great deal in common. One characteristic both share is the opposition to a Socratic method of teaching—a form of cooperative argumentative dialogue between individuals, based on asking and answering questions to stimulate critical thinking and to draw out ideas and underlying presuppositions, to come to your own conclusions. Most religions regardless of their size are the opposite—non-Socratic. They’re more authoritarian and didactic or patronizing. Whether the group’s origin is based on a historical archetype such as Jesus of Nazareth, Buddha, Mohammed, or L. Ron Hubbard for that matter, the ideology is used in many cases as a form of control and to establish order over a society (large or small). The ideology and its history of origin is usually interlaced with fantastic stories and myths applied to abstract notions of God that enlarge the premise, making it difficult to dispute.

If it’s a newly established philosophy from an individual, such as L. Ron Hubbard, the founder of Scientology, or Keith Allen Raniere, founder of NXIVM, a multi-level marketing company and cult, the leader develops an exclusive and unique doctrine or dogma that suits the followers’ needs or desires at that place and time. The leader—usually male, usually white—creates, polishes, and purveys the doctrine to use as a tool for their own narcissistic supply. Some leaders rely on an established theme or a variation on a traditional theme, such as Christianity and the Bible. Jaime adapted his creed from mostly Hindu teachings, practices, and texts, then twisted it to make it his own to elevate his status. All social, political, or religious societies can be vulnerable to corruption. Power corrupts, and when we give anyone—a religious teacher, a boss, a CEO of a corporation, a political leader—too much power, it perverts the soul and feeds the narcissistic tendency in all of us.

Do you blame the government for not being able to prosecute leader Jaime Gomez, also known as The Teacher?

I never thought of blaming anyone, other than myself for not following my instincts and the other members of the group for not having the courage to come forward with the truth about what was happening behind closed doors. And I still don’t blame them; I understand why.  It’s complicated, and that is what the book is about. Why do we do the things we do? What makes people give up their will, their sense of right and wrong—give up their moral compass and family ties for a person or an ideal?

 As I said throughout the book, it was a collective deception. If one were to expect the government to step in, where does that stop? Step into what? Most of us had no idea the abuse was happening, and we had no proof or witnesses coming forward. We were all adults. The old saying, “One man’s religion is another man’s cult” applies. And we must be careful of using words like brainwashed.

The definition of brainwashing is the process of pressuring someone into adopting radically different beliefs by using systematic and often forcible means. By that strict definition we weren’t brainwashed. We didn’t adopt radically different beliefs. Most of us were already on the path of beliefs Jaime “taught” before we even met him. And we were not physically forced, like prisoners of war. This is the common mistake when we say that someone is “brainwashed,” that takes the responsibility away from them as enablers.

I heard someone on a podcast discussing Holy Hell. She said, “…and what’s with that Radhia woman? She seems like she wouldn’t take shit from anyone.” We were following the Eastern religious practice of master-disciple relationship. And I signed on to that at the time. The “shit” that I was taking from Jaime was part of the discipline. The ego is the identity of self, and I believed you could not be one with God if there was a “you.” If there is a “you” and God, by the very nature of that duality, there is a separation. That’s why I never believed I was being coerced. I was a conscious and willing participant. I was eager to let someone challenge my ego in order to overcome that ego. Willing to override my instincts and insert myself into the practice whole-heartedly as part of the discipline. What a perfect scenario for a malignant narcissist to take advantage of! But I was exercising my beliefs at the time and would have been very pissed off if the “government” came in, having no understanding of my choices, and tried to take that away.

Do you believe there should be more restrictions on cult activity in the United States and abroad?

Everything is relative and should be handled on a case-by-case basis. We have laws to deal with child abuse, sexual abuse, kidnapping, and so on—whether committed in the context of a cult, a family, a traditional religion, or among strangers. Groups we may identify as cults are not by definition abusive or criminal. The general tenet of the Buddha-field was to live a healthy, virtuous life, practicing meditation techniques, exercising unconditional love and selfless service. We were a cult of love, and we weren’t harming anyone or imposing our beliefs on anyone outside our community. And had it not been for a narcissistic leader taking advantage of our innocence, we would still be living that life in that idealistic community. But if you’re a cult of hate and division, advocate violence or show potential to do harm, or attempt to force your beliefs on others, then yes; restrictions would be appropriate.

What types of people tend to get involved in cults?

In the third section of my book, I talk about several types of people who join cults. Except for sociopaths, I believe most human beings have a conscience that dictates a line in the sand that they will not cross. A place in their soul where their moral compass finally takes the wheel and says, Stop—no more. But that line is usually preceded by little gray lines that we step over before we reach that point. From my observations, I’ve identified three basic types of people who join a cult: the hummingbirds, soldiers on a mission, and the kamikazes.

Hummingbirds are browsers. They are like looky-loos, fluttering through the fanciful world of spiritual communities. They circle around the perimeter, not ready to commit fully, but if it looks interesting, they will hang around for a time. They don’t know what they want, exactly, but they are not satisfied with what they have. They are searching for a place to belong. They will hop over a few gray lines, but when the going gets tough—they’re out.

The second category of people who join cults, after hummingbirds, is a little more complex. I call these people “soldiers on a mission.” I admit I fit more into this box than the others. This group is for those who know what they’re looking for and they are willing to step over a lot of gray lines to get it. For fourteen years prior to meeting the leader and members of the group, I was on a mission to experience God Realization, Nirvana. And when I found someone who claimed he experienced that and could show me the way—I was all in. I was willing to do the hard work and jump over a lot more gray lines to reach my goal of enlightenment.

The third type of people who join cults are the kamikazes. They don’t seem to have a final line in the sand. They come to the abyss of reality and jump off. They can range from benign people who will follow their leader to the bitter end, regardless of facts or morals, to dangerous, destructive, blindly obedient devotees who will kill or die for the leader. Examples of the latter include the followers of Charles Manson; Timothy McVeigh and other domestic terrorists; or those willing to commit suicide at the behest of the leader, such as followers of Jim Jones or the Heaven’s Gate UFO cult; ISIS suicide bombers; or Japanese kamikazes.  

What types of people tend to create cults?

It would seem to me that one would have to be pretty impressed with themself to deliberately create a cult. That type of person would be your quintessential narcissist. It’s one thing to have a prayer or meditation group, a club or gathering of people who share ideas in a Socratic format.  And sometimes it requires a board or organizers or even instructors or teachers. But when one person takes on a leadership role and is allowed to adopt a non-Socratic influence over a group, that has all the makings of a dangerous escalation of corruption and abuse.

It’s important to understand that the narcissist and the followers have a feedback loop. Together they operate on a constantly reinforced message of perceived “specialness.” Narcissism demands to be fed; and when fed it grows, eventually subsuming followers in a toxic tidal wave that forces them to sink or swim for freedom.  It is up to us to recognize and protect ourselves by avoiding the narcissist wherever possible; withdrawing our fealty; or starving their insatiable appetite for self-aggrandizement. We must not expect or wait for them to change. They never will; and the more we feed them and let them get away with it, the more dangerous and powerful they become. 

Do you believe there are cults that don’t get the media attention they deserve?

I don’t know offhand which cults should get more or less attention because I’m not a part of them, so I don’t know their story. When you say “media,” what type are you referring to? The media landscape today is not the same as the media of yesteryear. Much of media business models are about sponsors and ratings, rather than straight journalism that presents factual news or in-depth investigations. They wrap information in partisan pundit opinions and shovel a mixture of selected facts, lies, and biased appraisals into a mini horror series in order to scare the bejesus out of us, because—that’s what sells.

And then there’s the Frankenstein of the internet. The amount of traffic to mainstream social networking sites like Facebook, Twitter, Reddit, and YouTube has exploded since 2017. We find comfort in echo chambers provided by media and in social viewpoints that reflect what we already have been indoctrinated to think because it’s easier and more comfortable than taking in new information, especially if it conflicts with our preconceived notions.

In many cases social media is a rogue thought machine, with little or no filters, editors, or fact checkers. There are hardly any rules or decorum in this mock-journalism today. It’s a free-for-all. And social network platforms do not judge your beliefs. There is limited personal discernment, just algorithms designed to target your interests; so, if you’re posting or commenting on a topic, the platform’s algorithm will gladly send you more and connect you to other like-minded users to interject their latest toxins. Social media can have its advantages when trying to bring awareness, but it can also have a dark side—a recipe for abuse and exploitation.

Very often the complexities of a person or a group of people’s lives can end up as sound bites—fodder for the public’s entertainment and media profit. That’s why I wrote this book. As good as the documentary Holy Hell was, it was snippets out of thirty years of the lives of 150 individuals, each having their own experience. Don’t get me wrong, Will Allen, the filmmaker, did an amazing job telling the story. And the film opened up this important conversation. But when you put a person’s life in soundbites and leave the rest up to the viewer—strangers looking for entertainment at the expense of that person’s very personal, painful trauma—that’s the price you pay when it is put in the hands of the media. So to answer your question, I think it all depends on what media is telling the story and how thorough and sensitive the journalist or pundit is to the situation.

 Do you think the media tends to help or hurt cult activities?

I got a call from a friend one day who said she was driving in her car and heard two people talking on a podcast about me! It’s the weirdest experience to have perfect strangers talk about you on a public forum. I heard another podcast talking about Holy Hell. These two commentators saw the film and they were enthralled, giddy, like two mean girls in high school gossiping and judging about something they knew nothing about. I had to laugh because I get it. All they had was the snippets to make their conclusions and present their case to the court of public opinion. One woman on a podcast opened her episode with a caution to her listeners that Holy Hell was a “disturbing horror story and the leader was literally a hideous monster, and we were all stupid, brainwashed, sex slaves.” Whaaaat?

I will say, those podcasters inspired me to clarify what they thought they saw in the film. But if you don’t happen to have two and a half years and a lot of money to publish a book, the subjects in question are left with an indelible, distorted, and obscure impression of who they are talking about. Whether it hurts or helps—that’s a complicated proposition. Because it’s such a wild, wild West on the internet, and anyone can produce a podcast, YouTube channel, or social network—so we shouldn’t be surprised there are a lot of unprofessional “media” personalities out there, voicing their unqualified opinion. Cults are complicated, dangerous, and traumatizing—no one needs their kind of help. And it takes courage and confidence to tangle with the media.

What can we expect in your new book: The Followers: “Holy Hell” and the Disciples of Narcissistic Leaders: How My Years in a Notorious Cult Parallel Today’s Cultural Mania?

Expect a wild ride. I see so many people in a state of dis-ease, confused, frightened, and overwhelmed by what is happening in America and around the world today. And because of my twenty-five years’ experience in a cult, under the influence of a narcissistic leader, I get it on such a deep level. And like I do in my wellness practice, I conducted extensive research for The Followers from a myriad of scholastic books, articles, journals, and periodicals, but unless you’re a researcher or have a vested interest in this subject, who has time to slog through the academic material? Nobody! Except me. That’s sort of my schtick. I read, studied, digested all that material for you. But I knew if I were going to shine some light on the complexities of our present situation, I had to make it personal, humorous, raw, and entertaining as well as provocative. 

I definitely open the kimono, so to speak, in this book. I knew if I wasn’t real and honest, the reader wouldn’t trust me. Although the archival footage in the documentary Holy Hell on Amazon gives you real footage of the inside of the cult, the story is so much bigger than a 100-minute documentary could tell. I invite the reader to take a journey with me down the road of my life in the safety and comfort of their home, in hopes that they will learn from my experience and not have to take the same road. I have lived an extraordinary life. I’ve done things that most people can’t even imagine. On this journey you might laugh, you might cry, you might get angry, or you might find relief that you’re not alone. I invite you to go all the way to the end with me, even if you find some discomfort along the way. In my life I chose the road less traveled. I spent sixty-plus years in contemplative practice, and at the end of this book I promise I won’t leave you without some pearls from my experience to help you navigate this crazy world. The book The Followers, Holy Hell and the Disciples of Narcissistic Leaders is not a story about me per se, or some broken, gullible individuals, or the past; it’s a story about what’s happening todayto all of us. 

The book is available on Amazon and Barnes and Noble but if you don’t like or have time to read, it’s also on Audible in my voice.