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1500 Sound Academy x ASU — Music Program for use by 360 Magazine

Free Guy Soundtrack Released

The track list from the Free Guy Original Motion Picture Soundtrack was revealed today. With songs featured by Mariah Carey, Fred Astaire, Digital Underground, Mama Cass and more, the Free Guy soundtrack offers an eclectic mix of some of pop music’s greatest moments. The soundtrack also includes 4 score tracks by Emmy-nominated composer Christophe Beck (WandaVision, Frozen 2, Ant-Man and the Wasp). The Free Guy Original Score album is also available on August 11 and will be followed by the vinyl soundtrack album release on August 13. Listen to the Free Guy playlist HERE. “Free Guy“ opens August 13, 2021, only in theaters.

Free Guy Original Motion Picture Soundtrack track list follows:

1.    FANTASY – Performed by Mariah Carey 

2.    LEGENDZ – Performed by AG featuring Devvon Terrell 

3.    100 MILES AND RUNNING – Performed by Logic featuring Wale & John Lindahl 

4.    HUMPTY DANCE – Performed by Digital Underground 

5.    CHEEK TO CHEEK – Performed by Fred Astaire

6.    MAKE YOUR OWN KIND OF MUSIC – Performed by Mama Cass

7.    CAN’T TAKE MY EYES OFF YOU – Performed by Frankie Valli

8.    AIN’T NO STOPPIN’ US NOW – Performed by McFadden & Whitehead 

9.    THEME FROM “THE GREATEST AMERICAN HERO“ (BELIEVE IT OR NOT) –

Performed by Joey Scarbury

10. DON’T HAVE A GOOD DAY, HAVE A GREAT DAY (Score) – Music by Christophe Beck

11. IT’S ALL A LIE (Score) – Music by Christophe Beck

12. MILLIE (Score) – Music by Christophe Beck

13. GO TIME (Score) – Music by Christophe Beck  

About Free Guy

In Twentieth Century Studios’ epic adventure-comedy Free Guy, a bank teller who discovers he is actually a background player in an open-world video game, decides to become the hero of his own story: one he rewrites himself. Now in a world where there are no limits, he is determined to be the guy who saves his world his way before it is too late. Starring Ryan Reynolds, Jodie Comer, Lil Rel Howery, Joe Keery, Utkarsh Ambudkar and Taika Waititi, Free Guy is directed by Shawn Levy from a screenplay by Matt Lieberman and Zak Penn and a story by Lieberman. The film is produced by Ryan Reynolds, p.g.a., Shawn Levy, p.g.a., Sarah Schechter, Greg Berlanti and Adam Kolbrenner with Mary McLaglen, Josh McLaglen, George Dewey, Dan Levine and Michael Riley McGrath serving as executive producers.

Lakou Mizik × Joseph Ray – Leave the Bones

Few albums manage to evoke a time and place with such startling effect as Leave the Bones, the unlikely collaboration between the multi-generational Haitian band Lakou Mizik and Grammy-winning electronic music artist Joseph Ray. Out today, the album has already garnered support from global tastemakers NPR, BBC Radio 3, BBC 6 Music, KCRW, KEXP, CRACK, Afropunk, Songlines, Worldwide FM, and many more.

 The album arrives after the release of three incredible singles and videos, “Ogou (Pran Ka Mwen)”, ‘Lamizè Pa Dou” and “Bade Zile”, offering a window into the beauty of the rich and vibrant culture of the Haitian people. The album precedes a range of high-profile remixes and a feature-length documentary out later this year. In what has been a tumultuous year for Haiti, Leave the Bones provides a unique insight into the creative heart of the island nation.

 “Haiti” is a word that conjures up a lot of images. It is a country judged by many, most of whom have never set foot on its shores. But its history is rich, its people proud and defiant, and nowhere is that more evident than in its music. Culture is what defines the country, its drums and Vaksins (horns) are symbols of freedom and pride, liberty and struggle, and the joy of dancing.

 Leave the Bones paints a musical portrait, a fresh glimpse of an oft misrepresented country. Through Vodou chants, chest-pounding Rara dance tunes and contemporary protest songs, the record conveys the listener to Haiti’s spiritual heart, a place that remains a compelling mystery for foreigners and a source of pride for every Haitian.

 Since its inception Lakou Mizik has sought to re-define people’s conceptions of Haiti through its music. The nine piece band, formed in 2010, is emblematic of the melting pot that is Haiti’s musical culture. Lakou’s figurehead, Sanba Zao, one of only ten original Sanba poets left, played a central role in Haiti’s Rasin (roots) movement of the 1980s which sought to re-imagine traditional Haitian Vodou music through radical experimentation with modern instruments. This spirit of Haiti’s rich musical history underpins Lakou Mizik today; a multi-generational genre-blending ensemble that plays traditional Haitian music with a punk energy and a deep sense of their heritage.

 Joseph Ray, a Grammy winner and founding member of the pioneering Platinum selling electronic music trio, NERO, had never heard of Lakou when he arrived in Haiti in 2015, having volunteered to teach a course at Haiti’s only music production and audio engineering school, the Artist’s Institute. Ray stumbled on Lakou at a tiny beach side club in Jakmel; the scene that night was frenetic and ecstatic, evocative of the spirit of Ray’s early electronic music clubbing experiences. The band’s organic power entranced Ray, who saw the possibility of merging his cinematic electronic production style with Lakou’s own traditional dance rhythms. Their subsequent six year journey led to Leave the Bones, teaching Ray more about himself and music than any other period in his life.

Ray had initially wanted to sample the band, and overlay them on traditional 4×4 electronic beats, but he realized this approach would not evoke the spirit he was so captivated by. Lakou’s organic style needed more room to stretch and breathe, and the album became far more collaborative and deeper in scope. Ray was forced to rethink his approach, learning how to produce and engineer for a nine piece band. He incorporated new time signatures to capture Lakou’s complex drum patterns, lacing in 1930s field recordings from ethnomusicologist Alan Lomax and replacing synth sounds with Mbrias and conch shell samples that he stretched. 

By way of preview, Leave the Bones weaves us through the euphoric swagger of No Rival! and the the mystical underworld of Bade Zile (Under the Island), yet offers lessons for the living, reminding us we should not underestimate those who seem easy to walk upon on Zeb Atè (Grass of the Earth), and that we are all one people, Nou Tout Se Moun.

Leave the Bones is a record that sounds like it could come from nowhere else, and while its rhythms undoubtedly possess a universal danceability, their meaning and depth are also unique to Haiti. It’s powerful to imagine these tracks being played on dancefloors in Miami, London or Ibiza, transporting people from around the world, inviting them to dance, celebrate and get lost in the richness of Haiti, if only for a moment.

Interview with Ooshma Garg

Meal delivery services have gained a lot of popularity over the recent years and there are now many different services to choose. I was able to sit down with Oosma Garg, founder of one of these delivery services: Gobble.

Given all of the meal delivery services on the market today, what do you think makes yours stand out?

Unlike other meal kit services, Gobble’s meals only take 15 minutes to prepare. Gobble’s army of sous chefs do the prep work; like simmering sauces, marinating meats, and chopping vegetables, so that members can prepare a gourmet meal at home easily and quickly. We prep complex ingredients for 18 unique dishes every week, which gives members variety and new flavors with every meal. 

With freshly prepped meal kit ingredients, Gobble simplifies the process of eating healthy, nutritious, and flavorful food, ensuring that members don’t sacrifice time for taste or vice versa. Convenience is at the core of every Gobble product and experience — The company even launched a text concierge service so that members can chat with a “sous chef” and get real-time, educated answers at any time, especially during their cooking experience.

What inspired you to create the 15 minute meal idea?

I have always been a tinkerer and grew up curious, constantly experimenting. Women have been wondering ‘what’s for dinner’ since the beginning of time. Other companies in this industry approached this question through diets or teaching women to cook. Gobble was encouraged to solve the real problem at hand and fit into the fabric of everyone’s daily life. Gobble’s already prepped and prepared meal kits do the invisible work of solving this timeless mealtime question, in just 15 minutes. Gobble’s 15 minutes philosophy was inspired by the importance of quality time with loved ones, and when dinner isn’t stressful or time consuming, this is made possible. 

Are there meal options to fit certain diets?

Yes there are. Gobble’s Lean and Clean meal options feature lean proteins, healthy fats, and are under 600 calories per serving. This meal plan also includes the same flexibility that Gobble’s other plans do, as members can easily add breakfast and lunch options, or skip deliveries with ease. 

Additionally, Gobble is a great option for picky eaters, as customers can choose their own proteins, grains, and quantities. And, Gobble gives the user full ingredient control. Gobble does most of the prep, but it leaves the final amounts of sauces and most other ingredients going into your dish up to you (unlike oven-ready, or fully prepped/cooked kits).

Tell us about Gobble’s ingredients.

All of Gobble’s ingredients and production are fresh, as if it was cooked in small batches at home, and the production is devoid of shelf stabilizing compounds or preservatives. This makes the supply chain evermore difficult as the company cannot store these complex and custom prepped ingredients from one week to the next. 

Tell us about being a female founder in this meal kit delivery space.

Being one of the only female founders in this space, I was inspired to solve a fundamental aspect of society, mealtimes. I saw my mom working 12+ hours a day while balancing her professional role alongside her role as a mom, that there was a void of solutions that allowed working women to provide for their families without sacrificing time or nutrition. Gobble is designed to solve a real problem and fit into the fabric of everyone’s daily life. I’m proud to be a female founder in this space, and am excited to continue to bring even more solutions to the table. (Literally.) 

How did the pandemic affect Gobble?

Gobble has seen a 200% increase in basket size of non-dinner menu items, as people are home all day and demand increased deliveries for all mealtimes. Throughout this pandemic, many Americans found themselves facing COVID Burnout, which led them turning to other meal solutions. During Fall 2020, Gobble ran a survey to better understand how COVID was affecting its members. 78.5% of respondents reported that the pandemic affected how they shop for and prepare food with 48% of people sharing that they order groceries solely online. We offer members the ability to transform one’s kitchen into a new country and transport one’s tastebuds through unique flavors and ingredients by implementing adventure into everyday life at home.

LGBT flag illustration by Symara Wilson for 360 Magazine

Netflix’s Pray Away Reveals Horrors of Conversion Therapy

By: Skyler Johnson

Edited By: Andrew Shibuya

Conversion therapy, or the pseudoscientific practice of changing someone’s sexual orientation, has been considered and practiced for over a century now. Dubious to many of its’ creators’ contemporaries, conversion therapy’s capacity for change has long been contested and considered futile. The practice itself is scientifically baseless and detrimental, and what is essentially man’s foolish and ineffectual attempt to change human nature. In recent Netflix documentary Pray Away, the effects and harms of this “therapy” are explored and uncovered throughout investigation of its century-long practice.

Pray Away follows ex-leaders and survivors of the “pray the gay away” movement, focusing on Exodus International, a conversion therapy organization that only ended eight years ago in 2013. The film follows several people as they detail their horrific experiences and the consequences of their both voluntary and involuntary participation in the practice.

Conversion therapy was publicly started in the 1890s, when Albert von Schrenck-Notzing stated in a conference that he was able to turn a gay man straight through hypnosis. Decades later, Eugen Steinach would later transplant the testicles of a straight man onto a gay man to “cure” homosexuality. Lobotomies, chemical castration, and aversion therapies became popular as “therapeutic” techniques. This lasted throughout the earlier half of the 20th century into the 1960s and 1970s, during the rise of the LGBT Rights Movement, when psychiatrists began to shy away from the practice. In 1973 the APA removed homosexuality from the DSM. Unfortunately, conversion therapy did not stop but was instead utilized by faith-based groups, including Exodus International.    

Talk therapy now makes up the bulk of all current conversion therapy procedures. While this may seem a lot less intimidating, the effects of this talk therapy can be powerful, especially when utilized by the wrong people. The film exposed how many ex-gay leaders weren’t licensed professionals, and how, if they believed someone were gay, it was because they had a poor relationship with their parents. And if not, they must have been sexually abused even if they were unable to recall any abuse. To a lot of young people, this thought process made sense, as many were too young to truly understand its flaws.

The film also displayed how the people involved in this movement were dishonest about the “progress” they were making. They included the story of John Paulk, once claiming to have become a straight man through the therapy. John later admits that the entire time he was consumed with gay thoughts and was mendacious about his reformation.

The documentary exhibited that there are a lot of people that still hold their beliefs. Organizations still exist that enforce conversion therapy. It’s not a thing of the past. This was highlighted by the film’s portrayal of the leader of the Freedom March, Jeffrey McCall, an ex-transgender woman living as a man with the belief that being trans is a sin. The organization’s Facebook page now has 10,000 followers and is still growing.

While the film primarily covers people that were able to escape the movement and live better lives, there remains great struggle that many people experience. The film’s director, Kristine Stolakis, decided to make Pray Away when her uncle, who had gone through conversion therapy, committed suicide. Julie Rodgers talked about self-harm, which is something that’s incredibly common, most notably in people who have undergone conversion therapy. Participants have been 8.4x more likely to commit suicide and 5.9x more likely to undergo severe depression. It’s also been connected deeply to an overall sense of hopelessness and an increase in self-hatred.

Conversion therapy is a practice that causes pain for the many people that were subjected to it. But the film did also evince that there is, at least somewhat, a way out. Many of the film’s subjects were able to enter into healthy homosexual relationships. On the film’s website, they list a variety of resources for those anguished by conversion therapy. These can be found HERE.

Headphones illustration by Alex Bogdan for use by 360 Magazine

Fiona Grey – Sick of It

Dirty pop singer-songwriter Fiona Grey begins a new era today, arriving with her eagerly awaited MNDR-produced single, “Sick Of It.“ Inspired by the consequences of “filter era,“ fake conversions and universal doom, “Sick Of It“ is set to make you dance while simultaneously rolling your eyes at everything you would happily live without, available now at all DSPs HERE.  

“‘Sick Of It‘ was inspired by the era of filters and the ways in which society pushes us to try to all be the same version of beauty,“ says Grey. “On a personal level it was me sick of playing into those toxic parts of our society. From an industry level it was me sick of the fake small talk, the watching everyone play a character of themselves. It‘s a rolling my eyes-kinda pop anthem.“

About Fiona Grey

Named as 2018‘s “Best Pop Artist in LA“ by LA Weekly, Fiona Grey is on the frontier of a new range of the genre, creating what Galore hailed as “the kind of lady pop that makes you want to leave the house without underwear on and make a mistake with a bad boy next summer.“

The Los Angeles-based singer-songwriter has become known for her live shows at beloved venues such as LA‘s Troubadour, NYC‘s Webster Hall, and performances alongside such diverse acts as Charli XCX, Foals, and KITTEN, to name a few. Grey fascinates audiences with her theatrics, visual concepts and lyrics that explore a culture under everchanging beauty standards, predisposed to and obsessed with unrealistic societal dreams. Her messages are as much of a look outward as they are deeply introspective, carried by catchy, feel-good, obsess-worthy instrumentals.

2018‘s acclaimed Cult Classic EP proved worthy of its name, earning both critical applause and a fervent fan following with singles like “Money,“ “Girls Like Me,“ and “Dirty Dream.“ “If you find yourself drawn to the sounds of Charli XCX, MARINA and Sky Ferreira,“ declared Ones To Watch, “then Fiona Grey might just become your latest obsession.“

Kerosene

Last year saw Grey return with the powerful “Kerosene,“ joined by an equally potent music video streaming now at her official YouTube Channel HERE. The track “adds another dose of electricity to her already formidable body of work,“ wrote Atwood Magazine, while LADYGUNN raved, “Both edgy and explosive, ‘Kerosene provides a cinematic portrait of the escapism offered by pop culture…the kind of song that resonates universally and internationally.“

Kitt Wakely to Perform at Zankel Hall

Oklahoma City-based songwriter/composer/arranger/producer Kitt Wakeley is bringing his Symphony of Sinners and Saints to Carnegie Hall’s Zankel Hall for a special orchestral rock concert on Mon., Oct. 11 at 7:30 p.m. This epic performance will spotlight compositions from Wakeley’s latest chart-topping album, Symphony of Sinners and Saints, which debuted at No. 1 on the June 5 Billboard “Classical Albums” and No. 1 on the “Classical Crossover Albums” charts. 

For this special NYC performance, Wakeley has assembled a live band featuring the album’s bassist Ryan Miller, drummer Brent Berry, guitarist Jay Gleason, as well as featured electric violinist Irene Fong, featured electric cellist Marta Bagratuni, a string quartet, five-piece brass ensemble, and 10-member choir. Wakeley will lead the band on piano and keyboards. Opening the show is guest pianist, Tania Stavreva. 

Tickets for the performance are on sale now HERE

Wakeley said, “Playing Carnegie Hall is a dream come true for so many artists, including myself. I’m excited to share my latest project with live audiences, as we find our way back to normalcy. I’m confident the audience will leave feeling motivated and entertained by the incredible musicians that will accompany me on stage.”

Boasting a cinematic hybrid of orchestral music, rock, and EDM, featuring stunning compositions, heavy guitar riffs, and thundering drums, the album Symphony of Sinners and Saints was released on May 21 by Studio Seven Media. With Wakeley on synths and piano, the album features the talents of guitar legend Joe Satriani on two tracks; celebrated UK ensemble the Royal Philharmonic Orchestra (RPO); guitarists Andy Timmons (Danger Danger, Pink, Olivia Newton-John), Paige Harwell, and Daniel Uribe; Grammy-nominated pianist Paul Loomis; the London Voices choir (Paul McCartney, Luciano Pavarotti, the Hunger Games series) and Dallas’ Gospel of Light Choir; plus, the aforementioned Miller and Berry. Symphony of Sinners and Saints was recorded in October 2020 at London’s famed Abbey Road Studios. At those sessions, the RPO was conducted by Cliff Masterson (Little Mix, Kylie Minogue, Il Divo, Oasis). The album was co-produced, engineered, and mixed by three-time Grammy Award-winner Tre Nagella (Lady Gaga, Blake Shelton, Snoop Dogg) at Luminous Sound Studios in Dallas, TX.

In addition to the two chart-topping album positions, Symphony of Sinners and Saints debuted on six more Billboard charts that week, including No. 2 on “Heatseekers,” No. 12 on “Hard Rock Albums,” No. 13 on “Top Current Album Sales,” No. 14 on “Top Album Sales,” No. 47 on “Independent Albums,” and No. 50 on “Top Rock Albums.” Previously, three of the album’s singles, “Forgive Me” featuring Joe Satriani, “Sinners and Saints,” and “Conflicted,” also featuring Satriani, all hit the top position on Billboard’s “Hard Rock Digital Song Sales” chart. In addition, “Forgive Me,” also charted at No. 9 on the “Rock Digital Song Sales” chart and No. 19 on the “Hot Hard Rock Songs Chart.” His second single, “Sinners and Saints,” debuted at No. 4 on the “Rock Digital Song Sales” chart and No. 15 on the “Hot Hard Rock Songs” chart. His first single, “Conflicted” also debuted No. 6 on the “Rock Digital Song Sales” chart, and No. 18 on the “Hot Hard Rock Songs” chart.

health illustration for 360 Magazine

3 Reasons You’re Not Losing Weight

Sometimes despite your best efforts it can be hard to lose those extra pounds. Chemist, nutrition and exercise expert Christine Hronec shares three tips on why you may not be losing weight.

1. Because you are eating too much.

In order to drop weight, now we’re not talking about fat just yet we’re just talking about weight, you need to take your total daily energy expenditure. Which is your body’s basal metabolic rate plus all the energy and calories you burn in a day. Those two items added together is your total daily energy expenditure. In order to sustain your current body mass, you need to be eating that amount of calories.

Now if you are not in a caloric deficit, you will not lose any body mass. Here’s a problem. Some of you are losing body mass but you are not losing body fat. You’re thinking: “You know what, I need to eat less and to exercise more.” Yeah, to a point. But the thing is if you’re trying to lose body fat, I’m not talking about losing muscle, I’m not talking about losing water, I’m talking about just the parts of your body you don’t want, like the part that makes you look fat, the fat. If you want to lose that, that is something that you cannot just wing. You cannot just do more cardio and eat less and expect to lose body fat. So, you’re going to lose muscle and you’re going to lose water.

And the thing is your body is going to spare protein first and is going to want to hold on to your fat more. Why? Because fat is more energy dense, and if you are starving your body wants to keep the fat as a longer-term sustainable energy source to keep you alive. Your body is going to want to get rid of the protein first. So, that is why your body will get rid of muscle first. If you are eating too much and your macros are not dialed in, you will not lose any body mass whatsoever. So, don’t fool yourself and think that you can just wing it. Because if you want to go from point A to point B, you need to be more strategic.

2. Your body is not able to metabolize body fat.

Why? Because you’re drinking too much alcohol. If you are drinking alcohol, your body cannot store it anywhere. Alcohol is a poison and your body can’t hold it. The second it comes into your body, your body needs to break it down and turn it into something else. When that is happening, all other metabolic processes stop.

So, when you consume alcohol, your body passes its ability to burn body fat for 48 hours at least, sometimes even 72. I do not recommend consuming any alcohol if your goal is to lose body fat. This goes for fitness competitors, this goes for people who are getting ready for their wedding, people who have a photo shoot. Alcohol has to be the number one thing out the door if you are serious about those types of goals.

3. You are eating too little.

There are lots of circumstances where you need to eat more. And it’s going to vary on a case by case basis, but if you have been in a caloric deficit for so long and nothing is changing on your body. Meaning you are not seeing any changes in your measurements; you are not seeing any changes in the scale. You most likely have been in a caloric deficit for far too long. And as a result of that, you are not able to part with your stored body fat.

If your carbs are too low for too long what happens is your insulin levels drop. When your insulin levels drop, your Leptin levels will drop. Leptin is the hormone that tells your body it is starving. It tells your body you need to hold on to body fat as a means of survival. If those levels get too low, you’re not going to  release any sort of body fat. So, there are times when it makes strategic sense to increase your insulin having a refeed day, because that’s going to pull up your Leptin levels.

About Christine Hronec

Christine Hronec is an award-winning chemist and three-time champion fitness competitor, nutrition, and exercise expert. Since founding her company Gauge Life in 2013, Christine has helped approximately 40,000 women transform their bodies and switch to a body-positive self-image. Her YouTube channel has over 25 million views. Christine has received awards from the American Chemical Society and was published in the American Institute of Chemical Engineers. Christine was part of the team that created Time magazine’s “Invention of the Year” for her work in the biotech field.

Convergence Station

Meow Wolf, an immersive arts and entertainment company, announced today the highly-anticipated theme and opening date for its third permanent installation: Convergence Station will be coming to Denver September 17, with tickets on sale HERE.

Convergence Station is the first stop on a quantum journey of exploration and discovery as passengers traverse new worlds, and like all Meow Wolf locations, labyrinthine mysteries beckon from its vibrant walls, portals, and wormholes.

Twenty-five years ago, a freak cosmic event merged four worlds from different universes, erasing the memories of all residents and spawning the mystifying disappearances of four women. The Quantum Department of Transportation serves as the gateway to these diverse worlds: kaleidoscopic cathedrals, Corinthian catacombs, lush alien habitats, and dazzling and gritty cityscapes. In this hotbed of interplanetary cohabitation, memories serve as both currency and the key to unlocking the story behind the women’s disappearances and cause of the convergence–as do multimedia clues that reveal themselves to all of the senses.

“Denver’s art scene is active and vibrant, making it the perfect place for our next exhibition,” said Chadney Everett, Executive Creative Director of Meow Wolf Denver. “Convergence Station is Meow Wolf’s third permanent immersive experience, and it will truly change the way you look at art. This exhibition is unlike anything you’ve ever seen…from The Swamp to The Cathedral – there’s a strong narrative to be uncovered should you choose, alongside truly mind-bending art from the many talented creatives that have worked so hard to bring the vision to life. We can’t wait for everyone to explore.”

Meow Wolf has worked with 110+ Colorado-based collaborating artists and more than 200 internal artists for over three years to bring the 79 unique projects within Convergence Station to life. These muralists, sculptors, fiber artists, and technologists to name a few have come together to create a one-of-a-kind installation that will leave visitors appreciating what it really means to be immersed in a narrative. Notable collaborating artists working on this project include Kalyn Heffernan, Christopher Nelson, Everything is Terrible!, Molina Speaks, Sofie Birkin, along with Moment Factory and many others.

An evolving hive of creativity, Meow Wolf has been creating experiences that challenge the perception of reality, with three locations to explore in Santa Fe, Las Vegas, and soon Denver. Backed by top creators like Games of Thrones’ George R.R. Martin, Meow Wolf is recognized globally as a leader in the immersive space and was ranked on Fast Company’s 2020 list of the ‘World’s Most Innovative Companies’, and awarded the #1 spot for Live Events. Following the success of their flagship location in Santa Fe, the arts and entertainment company launched their second permanent exhibition in Las Vegas in February this year which was an instant success, selling 516,899 tickets to date.

Opening on September 17th, Convergence Station will be open from 10:00 am until 10:00 pm Sunday through Thursday and from 10:00 am until 12:00 am on Fridays and Saturdays. Hours are subject to change.

Tickets are available for pre-purchase for $45 for General Admission ($40 Children / Seniors / Military), and $35 for Colorado Residents. Visitors are required to pre-book a time slot for entry.

About Meow Wolf

Recognized in Fast Company’s 2020 list of The World’s 50 Most Innovative Companies, Meow Wolf is a Santa Fe-based arts and entertainment company that creates immersive, interactive experiences to transport audiences of all ages into fantastic realms of story and exploration. The company’s first location in Santa Fe opened in 2016 and showcases the THEA Award-winning, international sensation, House Of Eternal Return, where two million visitors have now discovered a multidimensional mystery house with secret passages, portals to magical worlds, and surreal, maximalist and mesmerizing art exhibits. In 2019, Meow Wolf expanded beyond Santa Fe and opened Kaleidoscape, the world’s first artist-driven ride at Elitch Gardens in Denver. Meow Wolf recently opened their second permanent installation, Omega Mart, at AREA15 in Las Vegas and their third permanent installation in Denver is slated to open September 17, 2021. Meow Wolf is proud to be the only certified B-Corporation in the themed entertainment industry, with a team dedicated to social impact and building a more inclusive and sustainable economy.

Image of Telescope via Gabrielle Archulleta for Use by 360 Magazine

New Report Underlines Importance of Science and Tech Funding

Investments in science and technology research are vital to the United States’ economic growth and global leadership, according to a new report from Rice University’s Baker Institute for Public Policy.

The Biden administration has made science and technology (S&T) a centerpiece of its early policy agenda with ambitious targets for federal investments in research and development (R&D). There are also growing concerns in Congress about the United States’ global leadership in S&T-focused industries, especially in relation to China.

“As the high technology sector (e.g., advanced computing and communications, social media platforms and other web-based services) becomes an increasingly large part of the overall U.S. economy, federal funding for early stage R&D, which has been at the root of much of the technological progress of this past century, is more important than ever,” wrote the Baker Institute’s Kenneth Evans, a scholar in science and technology policy, and Kirstin Matthews, a fellow in science and technology policy.

While President Biden’s first budget proposal aims to authorize historic increases to federal R&D agencies, the authors argue that significant challenges remain to ensure long-term, international competitiveness across scientific disciplines and advanced technologies.

According to their report, shifting priorities between administrations, changes to the ideology of Congress and broader economic conditions in the U.S. at large have resulted in inconsistent funding for R&D. 

“Traditionally, federal funding for R&D receives bipartisan support in Congress, particularly for health and defense-related research activities,” the authors wrote. “However, since the mid-1990s, government spending on basic research has declined or stagnated as a share of the U.S. GDP, in part due to the intrinsic uncertainties about the ultimate impacts of basic research.”

Science and technology R&D is essential to creating new knowledge and tools, the authors argue, because it ensures the development of new products and technologies that can drive domestic and global economies. Economists estimate innovations stemming from S&T accounted for more than 60% of economic growth over the last century. 

Yet scientists have placed relatively little value on evaluating and communicating the broader societal impacts of basic research to the public and especially to policymakers, the authors argue. The authors encourage researchers, especially academic scientists driven to action by anti-science rhetoric during the Trump administration, to continue to engage in public outreach during the Biden presidency. 

“Universities should encourage and incentivize avenues for public engagement through increased support of existing programs or funding new activities for interested faculty, postdocs, graduate students and research staff,” they wrote. 

“Building public support for R&D, strengthening trust in scientific institutions and expertise, and increasing scientists’ participation in decision-making related to S&T issues are critical to ensuring that scientific discoveries and innovation benefit the broader public and that increased investment in R&D serves the public interest,” they continued.

The report was a collaboration with two Rice undergraduate students and research interns in the science and technology policy program—Gabriella Hazan and Spoorthi Kamepalli.

Bluthner 1854 Paderewski via Dreweatts Auctioneers for use by 360 Magazine

Rare Piano Collection to be Auctioned

Dreweatts auctioneers is to offer an exceptional private collection of rare pianos in a landmark sale on September 23, 2021. The collection was amassed by David Winston, who holds a Royal Warrant as Restorer and Conservator of Pianos to HM the Queen. It is comprised of 26 unique instruments dating from the 18th century to present day.

Amongst those expected to achieve the highest bids is a rare 1925 Pleyel grand piano fitted with an original ‘Auto Pleyela’ self-playing mechanism, in a spectacular Chinoiserie Louis XV case (estimate £40,000-£60,000) and a remarkable double piano from Pleyel, which is one of only 50 ever made. This model, which has a guide price of £30,000-£50,000, was once owned by the concert pianist wife of French writer and minister of culture André Malraux. 

Speaking about the sale, Will Richards, Deputy Chairman of Dreweatts said, “It is rare to see so many exquisite pianos together in one sale. We are proud to offer such an outstanding collection of instruments of such quality, history and craftsmanship. It is also very exciting, as this is the first time the collection has been offered in its entirety. Spanning three centuries of craftsmanship and innovation, this is a historic sale and a wonderful opportunity to own a piece of piano history.”

The pianos have been collected by one of the world’s foremost piano restorers, David Winston, who has restored some of the most valuable pianos in the world, including those owned and played by the greatest names in classical music, including Beethoven, Chopin and Liszt. David Winston has a connoisseur’s eye for exceptional quality and unusual provenance. Many of his pianos are one-off pieces with significant historic importance. His collection represents a lifetime’s passion coupled with an exceptional depth of knowledge and personal involvement.

Commenting, he says, “The first thing for me is that it must be something that nobody else has. It must be both an excellent musical instrument and a beautiful object. Each was chosen for its unique place in history, art and culture.”

Among other highlights in the sale is a Wurlitzer 1411 Butterfly grand. At only 4’1” it is one of the smallest 88 note grand pianos ever made. It features an iconic case design, making it one of the most highly sought-after Art Deco instruments of all time (estimate £10,000-£15,000). Another is the first piano ever built by David, a stunning Viennese Fortepiano created in 1991, based on an original by Joseph Brodmann, 1823. A remarkable instrument, the piano has been used internationally in many recordings and concerts by some of the world’s leading musicians (estimate £15,000-£18,000).

Other covetable instruments include a handsome ship’s piano with folding keyboard, purchased by the RAF WWI Flying ace Captain Norman Macmillan for his wife, the Music Hall singer, Ena Beaumont (estimate £1,500-£2,000).

Dreweatts auctioneers is to offer an exceptional private collection of rare pianos in a landmark sale on September 23, 2021. The collection was amassed by David Winston, who holds a Royal Warrant as Restorer and Conservator of Pianos to HM the Queen. It is comprised of 26 unique instruments dating from the 18th century to present day.

Amongst those expected to achieve the highest bids is a rare 1925 Pleyel grand piano fitted with an original ‘Auto Pleyela’ self-playing mechanism, in a spectacular Chinoiserie Louis XV case (estimate £40,000-£60,000) and a remarkable double piano from Pleyel, which is one of only 50 ever made. This model, which has a guide price of £30,000-£50,000, was once owned by the concert pianist wife of French writer and minister of culture André Malraux. 

Speaking about the sale, Will Richards, Deputy Chairman of Dreweatts said, “It is rare to see so many exquisite pianos together in one sale. We are proud to offer such an outstanding collection of instruments of such quality, history and craftsmanship. It is also very exciting, as this is the first time the collection has been offered in its entirety. Spanning three centuries of craftsmanship and innovation, this is a historic sale and a wonderful opportunity to own a piece of piano history.”

 The pianos have been collected by one of the world’s foremost piano restorers, David Winston, who has restored some of the most valuable pianos in the world, including those owned and played by the greatest names in classical music, including Beethoven, Chopin and Liszt. David Winston has a connoisseur’s eye for exceptional quality and unusual provenance. Many of his pianos are one-off pieces with significant historic importance. His collection represents a lifetime’s passion coupled with an exceptional depth of knowledge and personal involvement.

Commenting, he says, “The first thing for me is that it must be something that nobody else has. It must be both an excellent musical instrument and a beautiful object. Each was chosen for its unique place in history, art and culture.”

Among other highlights in the sale is a Wurlitzer 1411 Butterfly grand. At only 4’1” it is one of the smallest 88 note grand pianos ever made. It features an iconic case design, making it one of the most highly sought-after Art Deco instruments of all time (estimate £10,000-£15,000). Another is the first piano ever built by David, a stunning Viennese Fortepiano created in 1991, based on an original by Joseph Brodmann, 1823. A remarkable instrument, the piano has been used internationally in many recordings and concerts by some of the world’s leading musicians (estimate £15,000-£18,000).

Other covetable instruments include a handsome ship’s piano with folding keyboard, purchased by the RAF WWI Flying ace Captain Norman Macmillan for his wife, the Music Hall singer Ena Beaumont (estimate £1,500-£2,000).

With a body of work such as this, it’s bound to be an excellent auction.