What makes a happy customer can (and often is) debated. But one thing is for certain: they do need to be happy to return to your business. But what about empowering them, too? After all, empowered customers are more satisfied, more loyal, and more likely to recommend you to others.
If they feel respected and valued, it builds a positive relationship that might even turn into complete brand loyalty. The kind of person who has the same bank account for most of their life, or stays with their mobile phone provider is the customer companies obvious love. Unfortunately, they can be taken for granted, as most people will go where the value lies, not just where the familiarity is.
But how do you actually do this? It’s all very well to say “empower your customers,” but does that fit for your business? Maybe, maybe not. Perhaps you’ll have to come up with a new way to define this approach. In this post, we’ll discuss how that might work best:
Provide Transparent Information
You should strive to lay all the information about how to use your services simply and clearly, ensuring there are no hidden fees or confusing terms that make them feel tricked after the fact. Think about every step of the process, even if it’s just browsing your products, or if they want to read your privacy policy (how easy is it to find?). Ultimately, you want them to feel confident and informed at every turn.
For instance, if you run an online store, make sure the delivery times are clearly stated before they get to the payment page, and that all costs, including the total for their order or even details about something like the California sales tax, are visible. A simple FAQ section directed to can be a huge benefit also.
Give Them Self-Service Options
Everyone likes to feel like they have control over their own experience, and so if a business trusts their customers to sort simple issues on their own, it can really help. For instance, if they don’t always have to rely on calling someone or waiting for an email response just to handle basic tasks like changing their email on their account, they’re going to appreciate it.
For instance, providing an account portal that lets them easily track their order or start a return without having to speak to an agent can make them feel trusted. If you think about the common questions your support team receives and find ways to automate those answers or actions it can really help. When a customer can quickly manage their account or find a solution independently, they finish that task feeling capable and not frustrated.
Listen and Act On Feedback
Ultimately, to be empowered to be listened to. So, listening to what they have to say and showing them that their opinions can help with change is going to be a massive boon to your outreach. As such, it’s helpful to seek out feedback actively, which you could do through short surveys, customer interviews, or reading and responding to online comments.
You might begin this with a small section of your site or your newsletter that says, “You asked, and we delivered.” Then include some examples, as this is how you close the loop and show the impact of their suggestions, making the customer feel like an important partner in the development of your business!
With this advice, you’ll effectively empower your customers and no doubt benefit from the effort.
Sports betting has always been about anticipation, the thrill of waiting for a result, and the tension as a game unfolds. But what if you didn’t have to wait for the final score? What if every pitch, every serve, every snap offered a new chance to win? That’s the promise of micro-betting.
In this post, we’ll explore how micro-betting is changing the way we watch and wager on sports.
What Is Micro-Betting?
Micro-betting is the act of placing wagers on small, specific moments within a game rather than on the outcome. Platforms like FanDuel have helped popularize this fast-paced style of betting by offering real-time markets that update with every play. The constantly shifting FanDuel odds give bettors the chance to predict instant outcomes.
This “second by second” style of wagering turns traditional betting into a fast, interactive experience. Each play creates a new opportunity and delivers an instant result. Over the course of one game, bettors can place dozens or even hundreds of quick wagers that keep the action constantly engaging.
How Micro-Betting Works
Micro-betting is transforming the pace and excitement of sports wagering. Here’s how it works.
Real-Time Data and AI Integration
Micro-betting relies on low-latency data feeds that deliver updates from live events in near real-time. Every pitch, play, or shot is captured and transmitted to sportsbooks within milliseconds. Artificial intelligence then takes over. AI-powered algorithms analyze these incoming data streams, updating probabilities and adjusting odds in real-time. The system is designed for both speed and precision, ensuring that odds remain accurate even as events unfold at lightning pace.
Granular Market Creation
Micro-betting breaks each game into countless individual moments, turning every action into its own betting market. Rather than waiting for the final score, bettors can wager on specific, real-time outcomes that keep the excitement flowing throughout the game.
Bettors can place wagers on outcomes as granular as:
The next pitch in baseball — strike, ball, or hit.
The next play in football — run or pass.
The next point in tennis — winner or an unforced error.
This constant stream of opportunities keeps engagement levels high. Every second of the game becomes a chance to participate, making even ordinary moments feel thrilling and significant.
Rapid Settlement and Continuous Play
One of the biggest appeals of micro-betting is how quickly bets are resolved. The moment a micro-event ends, the system calculates the outcome and settles the wager instantly. There is no waiting for the final score or sitting through long delays. This speed creates a continuous feedback loop that keeps bettors engaged from one play to the next.
Because results arrive within seconds, players can place dozens of small wagers during a single game, each delivering a fresh burst of excitement. The constant rhythm of betting, resolution, and reward keeps the energy high, turning passive viewing into an active, immersive experience. Every play becomes its own rush of anticipation and instant gratification.
Mobile-First Design
Micro-betting thrives on mobile platforms, where one-click interfaces and push notifications create a frictionless experience. Mobile apps enable users to place bets instantly, track live markets, and receive results within seconds.
This design caters to younger, mobile-first audiences who expect fast and responsive digital experiences, with a focus on immediate gratification. These are the same qualities that drive engagement in gaming, social media, and short-form video platforms.
Why Second-by-Second Wagering Is Rising
The rise of micro-betting is powered by new technology and changing fan habits. Advances in data delivery, faster networks, and more powerful computing systems now enable sportsbooks to process live information almost instantly. Machine learning keeps odds accurate and updates them in real time, creating a smooth and reliable experience for bettors. FanDuel Research offers valuable statistics, news, and insights to keep you informed and stay engaged.
Younger fans, particularly millennials and Gen Z, seek fast and interactive experiences. Micro-betting delivers that by offering quick outcomes and nonstop excitement. For sportsbooks, it means higher engagement and more frequent wagers, while for bettors, it turns every play into a thrilling, instant opportunity to win.
At its core, micro-betting taps into the human desire for instant gratification. Just as bettors are drawn to checking social media for likes or notifications, they are also drawn to the fast results and quick rewards. This steady rush of feedback keeps the energy high and turns watching a game into a fully interactive experience.
The Future of Micro-Betting
Micro-betting is still growing, but its impact on sports and fan engagement is already clear. As technology advances, this fast and interactive form of wagering will continue to evolve in exciting new ways.
Integrated Broadcasts – Live odds and betting prompts will appear directly in sports broadcasts.
AR and VR Enhancements – Fans may soon view live odds through smart glasses or mobile overlays, providing a more immersive experience.
Personalized Markets – AI will recommend bets based on user preferences, favorite teams, and real-time data.
Gamified Viewing – Sports will feel more interactive than ever, turning every play into a chance to participate.
The Bottom Line
Micro-betting is transforming the way fans experience sports by making every moment a chance to play and win. With the help of real-time data and innovative technology, it’s creating faster and more interactive ways to stay engaged. As the industry grows, micro-betting is set to become a key part of how people watch and enjoy live sports.
Actress Designs Jewelry to Raise Awareness on Mercury-Free Gold Mining
Actress and activist Nathalie Kelley—known for her roles in Fast and Furious: Tokyo Drift, The Vampire Diaries, Netflix’s The Baker and the Beauty, and Motorheads—is using jewelry design to tell a story of sustainability, empowerment, and regeneration.
Kelley has designed a one-of-a-kind jewelry piece for Pure Earth’s 2025 Pure Gold Auction, which aims to raise awareness about the global impact of mercury pollution from gold mining. For the first time ever, the Pure Gold Auction will be featuring 100% ethically sourced Fairmined gold from AMATAF, the woman-led network of artisanal miners in Madre de Dios, Peru, who have worked with Pure Earth for years to eliminate mercury from their mining practices.
Of Quechua descent, Nathalie has become a passionate voice for protecting the Peruvian Amazon and the indigenous communities who depend on it. Her efforts to raise awareness about pollution from gold mining led her to Pure Earth, a global non-profit working to protect people and the planet from heavy metal pollution. Kelley joined Pure Earth’s Leadership Council in 2025.
“As someone with Peruvian and Quechua roots, this work is close to my heart,” said Kelley. “I’m proud to use my voice to support Pure Earth, an organization that honors local leadership and offers real, tangible solutions to prevent mercury pollution.”
To design her jewelry auction piece, Kelley collaborated with Peruvian jewelry designer Andrea José, who works with Pure Earth to support gold miners transitioning to more ethical practices. The result is a piece that symbolizes a shift in the narrative around gold: from toxic pollution and deforestation to sustainable livelihoods and environmental restoration.
The finished piece is an exquisite necklace featuring a jaguar pendant and precious stones. The one-of-a-kind necklace is crafted in 18k mercury-free gold from AMATAF miners trained by Pure Earth and features an Umba Sapphire from Anza Gems and 2 yellow recycled sapphires from Perpetuum Jewels. The colors of the stones depict the Amazonian sunrise, and the jaguar is a powerful symbol of nature, harmony, and the resilience of the Peruvian Amazon.
“Jewelry tells a story, and I wanted this piece to tell one of hope,” added Kelley. “Gold doesn’t have to come at the expense of poisoned rivers and lost forests. By supporting miners who are leading the way with mercury-free practices, we can transform the industry—and give people a chance to wear jewelry that reflects their values.”
Mercury is a toxic heavy metal and one of the top ten chemicals of major public health concern according to the World Health Organization. The leading source of global mercury pollution is artisanal and small-scale gold mining (ASGM), which produces about 12 to 15% of the world’s gold. There are an estimated 10 to 15 million artisanal and small-scale gold miners worldwide, including 4 to 5 million women and children.
For over a decade, Pure Earth has been working globally and in Madre de Dios, helping miners transition to mercury-free techniques, build sustainable supply chains, and restore ecosystems devastated from mining. Together with local partners, they have reforested over 10 hectares with more than 10,000 native trees.
About Pure Earth’s Pure Gold Jewelry Auction
Since 2016, the Pure Earth Pure Gold Jewelry Auction has showcased unique pieces of jewelry crafted by designers who are passionate about using responsibly sourced materials and supporting Pure Earth’s work. Funds raised from the auction of the annual collection support Pure Earth’s pollution cleanup efforts around the world, including work directly with artisanal and small-scale gold mining (ASGM) communities to help them mine without mercury and restore land stripped by mining in the Amazon rainforest.
Hoover and Strong donated the AMATAF gold, and Perpetuum Jewels donated responsibly recycled diamonds and gemstones to the 2025 designers. Participating 2025 jewelers include: Andrea Jose, Andrea Lucille Pooler, AniFineJewelry, BARBOSA, Bliss Lau, Brilliant Earth, Christina Malle Jewelry, Dana Bronfman, Delphine Leymarie, Donna Distefano, EFG Designs, Emily Chelsea Jewelry, FUTURA, LOLiDE, MERZATTA, Mociun, Sandrine B. Jewelry, Scosha, Steven Jacob, Truss and Ore, TOBY POMEROY, Vale Jewelry, WEND, and W.R. Metalarts.
The auction will take place online and in-person at Pure Earth’s Benefit at the Current in New York City on November 3rd, 2025, with special guest Nathalie Kelley. Pure Earth will honor Atul Gawande, MD, MPH, renowned surgeon, New York Times best-selling author, and public health leader, with the Impact Award at the event.
About Pure Earth
Pure Earth is a leading international nonprofit dedicated to solving pollution problems in low- and middle-income countries, focusing on lead and mercury. For more than 25 years, Pure Earth has worked to protect the health of children and communities from toxic pollution, collaborating with governments, industry, and communities to implement sustainable solutions.
Featured Photo Credits: Dana Bronfman (Earrings); Christina Malle Jewelry (Earrings); WEND Jewelry (Studs); Brilliant Earth (2 rings); Steven Jacob (Ring); BARBOSA (Ring); Scosha (Bracelet); MERZATTA (Necklace); FUTURA (Necklace)
Alternative investments have become more and more popular in recent years, especially among investors who might be skeptical about stocks and bonds. But that doesn’t mean all of them are worth investing in or would make you a noticeable profit later on in time.
Some might offer such a low potential profit it could be negligible. You’re much better off focusing on investments that aren’t too difficult to understand and that might pay off.
While there are plenty of these you can go for, a few of them might have a much higher potential upside than the rest. By focusing on these, there’s no reason why you shouldn’t make a decent return on investment later on. This could be both a short-term and long-term one.
Starting off with three of these could be great, as they mightn’t be as complicated as some other options to break into and make a profit with.
Collectibles
Collectibles have been seen as a great investment for quite some time, but they’ve gotten more and more attention in recent decades. They span everything from sports memorabilia to trading cards, and everything in between. These can all be worth quite a bit in time.
It’s just a matter of being able to find the right collectibles, buying low, and then selling for a profit later on. Keep in mind, though, that different collectibles markets will fluctuate quite wildly, so you might need to hold onto some of them for quite some time.
Crypto
OTC crypto has been a popular investment for the past few years because of how much some of these cryptocurrencies have exploded in value. Countless people have made significant profits through investing in crypto, making it more and more appealing.
As potentially profitable as this can be, however, it can be a relatively volatile investment. You’ll need to actively manage your investments to make sure you don’t make any notable losses. But, this should be a priority for any investment you have, anyway.
Derivatives
Derivatives are investments linked to underlying assets, commodities, or indexes. You can go for several types of derivatives, each of which offers their pros and cons. The first is futures, which are contracts to buy or sell a particular asset at a set price and future time.
Then there’s foreign exchange trading, also known as forex trading. This focuses on speculative investments on different currencies. Since this is a more specialized type of derivatives, you’ll often need to go to a specialized forex trader to invest in this.
It’s easy to see why alternative investments could catch your eye. You might be wary of stocks and bonds, and you’ll want to focus on areas that could generate you a better return on investment as time goes on.
While this seems complicated, it doesn’t need to be. A few particular options could stand out. Both beginner investors and their experienced counterparts shouldn’t have a problem making a profit out of them once they know what they’re doing. They’ll be more than worth it.
20-year-old Dallas, by way of St.Louis emerging rapper and producer, ian returns today with his long-awaited third mixtape, 2005 – out now via BuVision/Columbia Records. Listen to 2005 HERE. The release follows a characteristically offbeat announcement last week that had fans in a frenzy: ian, decked out in denim and a cowboy hat, teased a tongue-in-cheek country parody before “waking up” from the nightmare to reveal the real news: tape 3 was coming.
To accompany the mixtape, ian also releases today the video for standout track “You Told Me.” Presented by Lyrical Lemonade, and directed by AMD the visual starts in a studio with frenetic scenes and transitions to ian and a day in the life through the streets of Paris, showing him at a fitting, at a runway show and shopping.
On 2005, ian once again showcases the charm, wit, and boundary-pushing energy that has made him one of rap’s most unpredictable rising stars. The project spans moods and sounds, from the nostalgic opener “Go ian” to the previously released fan favorite “I Ain’t Comin Back.”
The mixtape lands ahead of ian’s Gap Year Tour, which kicks off this November across the UK and Europe, marking the first time fans overseas will get to experience his new music live.
Earlier this year, ian’s XXL Freshman Freestyle sparked viral acclaim, earning praise from fans and critics alike and even being named The New York Times “Song of the Week.” His breakout moment was followed by a crowd-roaring set at Lollapalooza, where fans screamed back every word, further cementing his status as a generational voice with limitless potential.
With the arrival of 2005 and his forthcoming tour, ian proves his momentum is only building – reminding fans why he’s one of the most exciting, self-aware, and unpredictable artists shaping the next wave of rap.
In partnership with Pictures from the Fringe and Concourse Media, Fathom Entertainment, the leading specialty distributor of content to theatrical partners worldwide, announces a special wide theatrical re-release of Guns & Moses from September 7 through September 11, offering a 5-day exclusive cinematic engagement to more than 500 theatres for audiences across the United States, including special bonus content not previously available.
Guns & Moses initially had a limited theatrical release on July 18, 2025.
Inspired by the real-life 2019 shooting at the Chabad of Poway synagogue in Poway, California, Guns & Moses delivers a powerful mix of suspense, moral courage, and cultural relevance — confronting the rise of antisemitism with unflinching resolve. The film delivers a gripping, genre-bending narrative that explores identity, ideology, and the clash between ancient tradition and modern extremism. With humor, heart and powerful performances, the film has been generating buzz, and a Rotten Tomatoes audience score of 96%.
Guns & Moses stars Mark Feuerstein (What Women Want, Defiance, Royal Pains), Neal McDonough (Tulsa King, Yellowstone, The Last Rodeo) Alona Tal (Cross, Veronica Mars, Burn Notice, Broken City), alongside Academy Award nominees Christopher Lloyd (Back to the Future, The Addams Family, Angels in the Outfield) and Dermot Mulroney (My Best Friend’s Wedding, Chicago Fire, Shameless), and rising star Jackson Dunn (Brightburn) rounding out a powerhouse cast that brings this story to life with intensity and depth. Guns & Moses was produced by Lee Broda, Aimee Schoof and Isen Robbins of Intrinsic Value Films, and Salvador Livak.
“From the start, Guns & Moses has broken every rule: a ripped-from-the-headlines edge-of-your-seat mystery thriller with traditional values that appeals to Christians and Jews, conservatives and liberals, old and young,” said director Salvador Litvak. “Despite our limited marketing budget, we rose above the summer noise with terrific word-of-mouth buzz and now, thanks to Fathom Entertainment, we can finally answer the question we keep hearing from our audience, ‘Why isn’t Guns & Moses playing at a theater near me?!’ This re-release gives our film the nationwide theatrical footprint it deserves and matches us with the ideal partner to meet strong fan demand and secure new audiences for an important and timely movie.”
“Guns & Moses is a terrific film and a noteworthy project for Fathom Entertainment to take on, with a riveting story that warrants a special re-release,” said Ray Nutt, Chief Executive Officer at Fathom Entertainment. “Fathom’s unparalleled strength in driving theatrical awareness and generating audience engagement are best deployed with bold and daring titles such as Guns & Moses.”
More on Guns & Moses From director Salvador Litvak and writers Nina & Salvador Litvak, Guns & Moses follows Rabbi Mo (‘Moses’), a humble leader in a high-desert Jewish community who is thrust into the role of reluctant warrior after a violent attack shakes his world. What begins as a search for justice quickly evolves into a suspenseful cat-and-mouse drama across the Mojave Desert, culminating in a jaw-dropping set piece inside a real and massive thermal solar facility, echoing Hitchcock’s North by Northwest.
The film’s authenticity extends beyond the screen. Director Litvak, now an Orthodox Jew, drew on his real-life experience with Magen Am, a volunteer security organization training Jews to protect their synagogues and communities. Litvak is also known as The Accidental Talmudist with a dedicated following across all social media platforms.
Guns & Moses is a thrilling ride inspired by real events, and a powerful reminder that courage, faith, and unity can light the way forward.
Tickets for Guns & Moses are available at Fathom Entertainment and participating theatre box offices (theatre locations are subject to change).
The AIA Los Angeles (AIA|LA) proudly announces the winners of the 2025 Design Awards, celebrated this evening at the remarkable Eric Owen Moss designed (W)rapper building, on the 9th floor, transformed for the occasion into a theatre-style setting and a sleek red club overlooking the Los Angeles skyline. The event opened with a stirring performance by the Los Angeles County Fire Department Pipes & Drums and offered an opportunity to elevate the city’s architecture while honoring the everyday heroes who keep it safe.
Jurors Recognized Design Excellence
Selected from among peer-leaders in architecture and design, this year’s jurors included:
Built Category:
· Marlene Imirzian FAIA (Imirzian Architects),
· Charles Dilworth LEED AP (Dilworth Allies), and
· David A. Rubin PLA CPRP FASLA FAAR (David Rubin Land Collective).
Unbuilt “Next LA” Category:
· Jennifer Siegal, Principal and Founder (Office of Mobile Design)
· Michael Bulander AIA LEED AP (HED)
Gold Medal Recipients + Board of Directors Awards
In a highlight of the evening, AIA|LA’s highest honor—the Gold Medal Award—was presented to Alice Kimm FAIA and John Friedman FAIA of JFAK Architects. “Their work, leadership and body of influence underscore why Los Angeles remains one of the world’s most relevant creative capitals”, said Chava Danielson, AIA, 2025 AIA|LA President. The event also recognized the Board of Directors Awards winners — celebrating the service and dedication of projects, organizations and individuals who advance the profession.
A City at Its Best — And Ready for 2028
“I’m proud to say that the Design Awards prove Los Angeles still has the juice. We are one of the most relevant creative capitals in the world, and we are certainly ready to make sure we show a city at its best for the 2028 Olympics,” said Carlo Caccavale, Hon. AIA|LA, Executive Director of AIA|LA.
About the Event
Hosted atop one of LA’s most discussed buildings, the night offered sweeping views of the city while placing design center-stage. The architecture-celebration included thanks to the firefighters whose vigilance allows the city to live and build freely. Event MCing was led by ByDesign producer & presenter Mike Chapman, radio personalities Madeleine Brand and Frances Anderton, Hon. AIA|LA and emerging designers Athenna Ann Lim and Marco Zhou, Assoc. AIA—each bringing unique voice and energy to the evening.
About AIA|LA Design Awards
The annual AIA|LA Design Awards celebrate innovation, sustainability and design excellence in built and unbuilt work in Los Angeles and beyond. This year’s program introduced a new category: Resilient Architecture, honoring projects that respond to natural disasters and climate realities.
The American Institute of Architects Los Angeles chapter (AIA|LA) supports architects and design professionals throughout the region, promoting excellence in the built environment and fostering a strong, inclusive architectural community. With initiatives that reach beyond architecture into policy, advocacy, and community engagement, AIA|LA strives to elevate the role of design in building a better Los Angeles.
For more information about AIA|LA and the Center for Communities, please visit www.aialosangeles.org
‘Dance Theatre of Harlem, known as one of the most iconic dance troupes in the world, presents avant-garde dance performances to a wide audience. As an alumnus of Detroit, their mere presence will further intensify the city’s already inherent culture and overall expression.’ — Vaughn Lowery, 360 MAGAZINE
‘It’s rare to encounter a dance company that achieves such a perfect balance between pushing the limits of the art form and grabbing the audience. In staying true to its course, Dance Theatre of Harlem arrives at brilliance.’ — St. Louis Post-Dispatch
Dance Theatre of Harlem, a leading dance institution of unparalleled global acclaim, will return to the Detroit Opera House on November 15 and 16, 2025, as the third stop of the company’s 2025–26 season performances. Led by Artistic Director Robert Garland, the company will present a dynamic program showcasing beloved classics and bold contemporary works, along with the highly anticipated remount of Firebird, a ballet the company has not performed in more than 20 years.
Tickets for Dance Theatre of Harlem’s November performances in Detroit are available online at www.detroitopera.organd start at $30. Orders for groups may be placed by emailing groupsales@detroitopera.org. Detroit residents may purchase $25 tickets, starting the Monday before any opera or dance performance, by visiting the Detroit Opera House box office in person.
Residents must show a Detroit address with a valid government-issued ID to purchase two tickets for $25 each.
Dance Theatre of Harlem first brought Firebirdto life in 1982 with choreography by John Taras, set to Igor Stravinsky’s iconic score. Geoffrey Holder’s dazzling costumes and sets reimagined the Russian folktale in a lush Caribbean dreamscape, infusing the classic with vibrant color, rhythm, and spirit. In the ballet’s triumphant finale, good triumphs over evil, and love brings renewal and hope. Reviewing the 1982 premiere of Firebird, The New York Times wrote that the ballet sent the audience “into a whooping spell of delirium.” Today, Firebird stands as one of the company’s most beloved works—a fusion of myth and magic that embodies Dance Theatre of Harlem’s signature artistry and cultural vision. #FirebirdReturns #DTHFirebird
“Dance Theatre of Harlem embodies the transformative power of the arts to connect communities and reimagine traditions,” says Executive Director Anna Glass. Robert Garland adds: “This season marks a pivotal moment for Dance Theatre of Harlem. Reviving Firebird after two decades is not just a return to an iconic ballet—it is a celebration of renewal, artistry, and connection with audiences across cultures and continents.”
In addition to Firebird, Dance Theatre of Harlem will perform works choreographed by Garland,
Jodie Gates, and Robert Bondara, including Nyman String Quartet No. 2, Passage of Being, and Take Me With You. Set to music by Michael Nyman, Garland’s Nyman String Quartet No. 2 continues his signature exploration of the intersection of cultures that is contemporary America. Complex and witty, this sophisticated work shows off the unique capacity of the company’s artists to codeswitch with abandon. “This work is dedicated to the memory of two men whom I admire: John Wesley Carlos, former track and field medal winner at the 1968 Summer Olympics, well known for his triumphant salute upon the winners podium that year, and Dance Theatre of Harlem’s Founder and Artistic Director Emeritus, Mr. Arthur Mitchell (1924-2018),” Garland remarks.
A Detroit premiere, Passage of Being is a circular, physical work that unfolds in three cinematic movements set to the evocative music of Oscar-nominated band Son Lux (Everything Everywhere All at Once). Shifting perspectives and the bittersweet beauty of time’s swift journey are brought to life through Jodie Gates’s expressive choreography, with inventive lighting by Michael Korsch and elegant costumes by Martha Chamberlain. At the heart of this elliptic ballet is the majestic and haunting song “Don’t Say It’s Too Late.” Gates weaves these elements into a poignant reflection on love, connection, and the power of the present.
Take Me With You is a contemporary pas de deux set to the music of Radiohead. Robert Bondara says: “The catchy percussion beat of the Radiohead song ‘Reckoner’ became the first trigger and source of inspiration for movement language and choreography. Getting deeper into the creative process and vague lyrics of the song in a very personal way, the content of the choreography got closer to reflecting about our existence, our efforts to grasp the meaning of life despite ‘bittersweet distractors.’ What is essential for the piece is metaphysical experience, an elusive atmosphere determining the relationship.”
“We are thrilled to welcome Dance Theatre of Harlem back for their ninth residency at the
Detroit Opera House,” says Patty Isacson Sabee, Detroit Opera’s President and CEO. “Dance Theatre of Harlem continues to transform lives not just through their inspiring performances but also through their commitment to education and community engagement. As they have done during their past residencies here, Dance Theatre of Harlem will perform on our main stage for 2,000 elementary school students, an experience we hope will inspire students to become part of a new generation of dancers.”
Dance Theatre of Harlem encompasses a world-class company, a professional studio school, a leading arts education program—Dancing Through Barriers®—and community engagement activities. Each component of Dance Theatre of Harlem carries a solid commitment toward enriching the lives of young people and adults around the world through the arts. Founded in 1969 by Arthur Mitchell and Karel Shook, Dance Theatre of Harlem was quickly recognized as “one of ballet’s most exciting undertakings” (The New York Times, 1971). Shortly after the assassination of the Rev. Dr. Martin Luther King, Jr., Mitchell was inspired to start a school that would offer children— especially those in Harlem, the community in which he was born—the opportunity to learn about dance and the allied arts. The company was a pioneer in using fleshtone shoes and tights to match dancers’ skin tones, a practice that began in 1974. Now in its 57th year, Dance Theatre of Harlem has grown into a multicultural dance institution with an extraordinary legacy of providing opportunities for creative expression and artistic excellence that continues to set standards in the performing arts.
Dance Theatre of Harlem’s connection with Detroit dates back five decades. “Detroit is a very natural and comfortable home for us,” ballerina and former Artistic Director Virginia Johnson remarked in 2022. “There’s something about the way African-Americans have shaped the arts in Detroit that is especially resonant to the way Dance Theatre of Harlem shapes the art form of classical ballet.” Artis Lane, the renowned sculptor and longtime Detroit resident, designed the original logo for the Dance Theatre of Harlem. Among those who were instrumental in bringing the company to Detroit in 1976 were Detroit Opera’s founder, David DiChiera; Dance Theatre of Harlem Board Member Sharon Madison; philanthropist Betty Brooks; and civic and community leader Alice Combs. Executive Director Anna Glass is originally from metro Detroit, and her family still resides in the community. She and company artists Derek Brockington and Ariana Dickerson attended Michigan’s Interlochen Arts Academy.
Dance Theatre of Harlem’s ninth residency at the Detroit Opera House
Dance Theatre of Harlem
Robert Garland, Artistic Director
Saturday, Nov. 15, 7:30pm
Sunday, Nov. 16, 2:30pm
Detroit Opera House 1526 Broadway Street, Detroit Program:
Nyman String Quartet No. 2 (choreography by Robert Garland, music by Michael Nyman)
Passage of Being (choreography by Jodie Gates, music by Ryan Lott, Rob Moose, Son Lux, yMusic)
Take Me With You (choreography by Robert Bondara, music by Radiohead) Firebird (choreography by John Taras, music by Igor Stravinsky)
Additional Activities
Through performances and arts education, Dance Theatre of Harlem upholds its values of access, opportunity and excellence, and carries forth its message of empowerment for all through the arts. During the performance week, the company will engage Detroiters via several community eventsandclasses (dates and locations are subject to change).
Thursday, Nov. 13–Saturday, Nov. 15, various locations and times: Media are welcome to attend with advance notice.
“Dancing in the Lobby” at Henry Ford Hospital, Thursday, Nov. 13, 2pm: Artists from Dance Theatre of Harlem will perform for patients and staff in the lobby of Henry Ford Hospital on West Grand Boulevard in Detroit. Media are encouraged to attend.
DPSCD Cultural Passport program, Friday, Nov. 14, Detroit Opera House, 11 am: The company will present a mini-performance, featuring a mix of full and excerpted pieces, to approximately 2,000 DPSCD elementary school students. Media are encouraged to attend.
Ballet Masterclass and Summer Intensive Audition, Saturday, Nov. 15, Detroit Opera House, 11 am: Open to intermediate and advanced dancers ages 12 and up, this inspiring workshop offers a rare opportunity to learn directly from artists who embody the company’s legacy of excellence, innovation, and cultural pride. Participants will refine their technique, deepen their musicality, and explore the expressive storytelling that has made Dance Theatre of Harlem a trailblazer in the world of ballet. Admission is free with a ticket for the Nov. 15 or 16 performance, or $15 without a ticket. Pre-registration is required due to space limitations. Register at: https://detroitopera.org/education–community/dance–masterclasses/.
The Saturday Nov. 15 performance is “Divine Nine Night”: Area sororities and fraternities will be acknowledged. Attendees are encouraged to wear their colors with pride and enjoy a stunning evening of art and culture.
Dance Theatre of Harlem’s performances at the Detroit Opera House are sponsored by the Gilbert Family Foundation.
hiTechMODA Paris Season 5 Show at the American Cathedral
Independent fashion designers shine under the stained glass of The American Cathedral
hiTechMODA, the internationally recognized fashion production company known for blending innovation and artistry, returned to Paris Fashion Week today with a spectacular showcase inside the historic American Cathedral. Against the soaring Gothic arches and stained-glass windows of the landmark venue, designers from across the globe unveiled collections that embodied creativity, sustainability, and the future of independent fashion.
The event featured a diverse lineup of established names and rising stars across two sessions. At 2:00pm, Nita Belle’s Closet, Elena Collection, Kat Couture, Alyssa Casa Designs, Mitch Desunia, and Wonderland presented collections that possessed bold silhouettes, inventive textiles, and distinctive narratives. The 4:30pm program brought international attention to Wanda Beauchamp, Grace Steadfast, Willow Bean Studio, Charjean Couture, SCI PH, and PAAIE, highlighting luxury craftsmanship, cultural storytelling, and avant-garde design.
hiTechMODA has built its reputation on offering designers access to world-class stages normally reserved for established fashion houses. Today’s Paris presentation underscored the platform’s mission to champion inclusivity, sustainability, and next-generation innovation while elevating independent design voices before global press, buyers, and tastemakers.
“Paris Fashion Week is the pinnacle of fashion, and our designers deserve the opportunity to showcase their talent here on one of the world’s most prestigious stages,” said Pamela Privette, Executive Producer of hiTechMODA. “We are committed to creating events that inspire and open doors for creativity across cultures, generations, and disciplines.”
hiTechMODA’s Paris shows have become an anticipated highlight of Fashion Week, drawing international media and audiences eager to see the next wave of visionary designers. Following the success of today’s event at The American Cathedral, the company will continue to expand its global reach with upcoming showcases in Milan and New York.
PARIS, FRANCE – OCTOBER 03: A model walks the runway wearing designer SCI Ph during the hiTechMODA Paris Fashion Week Season 5 Production at American Cathedral Of Paris on October 03, 2025 in Paris, France. (Photo by Richard Bord/Getty Images for hiTechMODA)
The complete history of Saab cars from the original prototype to final generation models.
It includes comprehensive technical information, production numbers, and dates, as well as archive photographs from Saab and the Saab Car Museum.
More than a dozen years after the last cars rolled off the production lines in Trollhättan, Saab still commands a keen following among car enthusiasts around the world. During the 60 years of its existence, Saab became renowned for the aerodynamic design, technical innovation, and sturdy construction of its cars, which famously appealed to individualists and creative thinkers.
This handy full-color guide covers the complete history of Saab’s cars. The story begins with the ‘Ursaab’ prototype and the original 92, which went into production in 1949 as the company branched out from aircraft manufacture after the war; it continues through to the final second-generation 9-5 models in 2011, launched when the company was struggling to stay afloat.
Individual chapters are devoted to each of Saab’s models, including the 93 and 96 saloons, which enjoyed much success in rallying, the 95 station wagon, and the striking Sonett sports cars. The Saab caravan and the Formula Junior racing car that Saab built during this period are also presented.
These early models were followed by the larger 99 and the much-loved and highly successful 900 range. The book features detailed specifications for each version of these two models, including the first turbocharged variants, with which Saab has become synonymous. In 1985, the 9000 took the marque further upmarket and into partnership with Fiat, Lancia, and Alfa Romeo.
The guide continued into the 1990s and 2000s, when General Motors progressively took control of Saab’s automotive division. Its bestsellers during this period were its 9-3 and 9-5 ranges, based on GM platforms. Less well-known, especially in Europe, are its 9-4X and 9-7X all-wheel-drive models, not forgetting the 9-2X, a badge-engineered version of the Subaru Impreza. All these models are also presented.
Each chapter provides an introduction to the development and evolution of each model, as well as comprehensive technical information. Production numbers and dates are given, as well as details of limited editions. The book is extensively illustrated in full color, with many archive photographs from Saab Automobile and the Saab Car Museum showing the cars’ interior and exterior design.
Published by Veloce Publishing an imprint of David and Charles £19.99 $26.99
