Posts tagged with "streaming platform"

Singing by Mina Tocalini for use by 360 Magazine

THE DALLAS OPERA LAUNCHES STREAMING PLATFORM

THE DALLAS OPERA LAUNCHES NEW STREAMING PLATFORM FOR GLOBAL AUDIENCE: THEDALLASOPERA.TV

Monthly Subscription Provides Access to Video Catalogue from tdo network, OperaKids Programs, and Performances; New Content will be Added Regularly

Premium Films—Known as Originals—to be Featured Periodically as Special Pay-Per-View Rentals

The Dallas Opera (TDO) announces the launch of its new subscription streaming platform. Available starting today, the website brings together TDO’s full catalogue of existing video content—which ranges from full opera productions for audiences of all ages, to musical conversations and original opera-themed sit-com style episodes, to artist-hosted series that spotlight their interests and careers, educational series, and more—with new original opera films created specifically for a virtual audience.

The Dallas Opera represents a new avenue of presentation and production for an opera company, beyond the physical space of an opera house. Rather than offering only streams of staged productions filmed archivally, The Dallas Opera’s platform offers primarily original content filmed exclusively for streaming, available for viewing 24/7, 365 days a year by a global audience.

“We are so thrilled that thedallasopera.TV is launching today,” said Ian Derrer, The Dallas Opera’s Kern Wildenthal General Director and CEO. “To watch this project go from idea to reality in less than a year has been amazing to see, and we’re so proud of the content that we have ready to offer our global audience. This platform truly helps redefine our company as a leader in digital content, as well as on the opera house stage. We are breaking new ground in the field while continuing to preserve the great traditions of live opera.”

“What we’ve learned over the course of the past year without live performances is that there is a thirst for quality online content, and we are so happy to lead the way in producing that for our eager fans around the world,” said David Lomelí, a tenor, TDO’s Artistic Consultant, and creative force behind the initiative. “Statistics show that viewers ages 18-34 and 34-45 are online for more than 10 hours each day, and our efforts to reach that demographic—through unique and creative offerings—have proven successful, growing in just a year from 2,000 unique views in March 2020 to more than 150 million unique views today on our Facebook channel. Our hope is that this streaming model will reach even more.”

Subscriptions to the streaming platform are available for $4.99/month with a free seven-day trial. In addition, premium content–Originals–will be offered periodically at a pay-per-view price.

Two Originals are available as thedallasopera.TV launches today: “That Which We Love”, a recital by acclaimed mezzo-soprano Isabel Leonard, and “Vanished,” a three-part art film starring countertenor John Holiday and tenor Russell Thomas with music by Gluck, Monteverdi, and Janáček assembled into a new narrative. A third original, “The Heart of the Song,” featuring conversation with and performances by tenors Javier Camarena, Rolando Villazón, and David Lomelí, will be released on May 25 for a limited viewing period.

Thedallasopera.TV Content

Video content on thedallasopera.TV will be housed in four categories—Originals, Stages, tdo network, and OperaKids—and available via an app for mobile devices (iOS and Android), on smart TVs via Fire TV and Roku, and on the website for desktop/laptop users.

Originals

·       “That Which We Love” – Isabel Leonard in recital, pianist John Arida

This program features a mix of classical and popular songs by Sondheim, Bernstein, Kern, Offenbach, Berlioz, Bellini, and others. Rental fee = $6.99 for three months. Available now.

·       “Vanished” – an art film in three parts about longing, heartbreak, and the search for love featuring John Holiday and Russell Thomas

Directed by bass-baritone and film-maker Ryan McKinny, Vanished uses a variety of special effects and cinematic techniques to create the world of imagination depicted in the film. The soundtrack includes all 22 songs from Janáček’s “The Diary of One Who Disappeared”, as well as scenes from Gluck’s “Orfeo ed Euridice,” and Monteverdi’s “L’incoronazione di Poppea.”

Pianists for “Vanished” are Kevin J. Miller and Kathleen Kelly. The story is by Ryan McKinny, Tonya McKinny, and Kathleen Kelly. McKinny’s production company, Helio Arts, filmed, produced, and edited the film. Rental fee = $19.99 for all three episodes for six months. Available now.

·       “The Heart of the Song” – tenors Javier Camarena, Rolando Villazón, and David Lomelí

Three famous Mexican-born tenors and friends engage in serious conversation and humor-laced repartee as they offer a celebration of much-loved Mexican and Latin American songs. Filmed in Dallas, Zürich, and Paris, the show is produced by director Laura Prieto and producer Jeremy Tang. English subtitles are provided for the songs, which are all sung in Spanish.

Rental fee = $11.99. Available May 25-31 only.

Stages

Stages content is included with thedallasopera.TV subscriptions, and will feature a catalogue of “greatest hits” from The Dallas Opera, including full-length operas, concerts, recitals, and archival video streams and radio broadcasts.

Thedallasopera.TV platform launch includes:

·       The company’s 2019 production of Mozart’s The Magic Flute, presented in the 1999 Sir Peter Hall production. Conducted by Emmanuel Villaume, TDO’s Mrs. Eugene McDermott Music Director, the cast includes Italian tenor Paolo Fanale as Tamino, soprano Andrea Carroll as Pamina, soprano Jeni Houser as The Queen of the Night, baritone Sean Michael Plumb as Papageno, and bass Morris Robinson as Sarastro. Kyle Lang directed the production for TDO.

·       “The John Holiday Experience,” a recital by recent finalist on The Voice, was recorded April 9 at the Winspear Opera House in TDO’s first live presentation since early 2020. Holiday, along with pianists Kevin J. Miller and Neeki Bey, performs a wide-ranging program of songs by Stevie Wonder, George Gershwin, Henri Duparc, Tyshawn Sorey, Norah Jones, and others.

·       A celebration of the first five years of The Dallas Opera Hart Institute for Women Conductors, which features selections from the five annual Showcase Concerts that mark the culmination of each year’s Institute. Featuring Hart Institute participants and The Dallas Opera conducting The Dallas Opera Orchestra.

tdo network

Launched in February 2020, tdo network has amassed a viewership of nearly 157 million followers from 50 countries in the past year with its ever-evolving collection of whimsical, topical, and informative original content hosted by artists and social media influencers. Access to all tdo network content is included with thedallasopera.TV subscriptions.

OperaKids

OperaKids offers programming for children, as well as educational resources for parents and children, all produced by The Dallas Opera’s education department and included in the monthly subscription price.

Two family operas are available now, as is Kids Opera Boot CampTM:

·       “Jack and the Beanstalk” (music by Sir Arthur Sullivan and others; words and story adaption by John Davies) brings the classic fairy tale to the opera stage in a screen adaptation by Mary Dibbern and Ryan Lescalleet of John Davies’ delightful children’s opera.

·       “Dr. Miracle” (music by Georges Bizet and others/libretto by Leon Battue and Ludovic Halévy) tells the tale of young love through a series of disguises, mishaps, and eventual happily-ever-after in a screen adaptation by Mary Dibbern and Ryan Lescalleet of this opera in one act that the composer wrote when he, too, was just a teen.

·       Kids Opera Boot CampTM—an interactive look behind the scenes at the opera, where viewers can learn from a series of five video lessons what it takes to make an opera, how to make an opera set, and how to learn music like an opera singer. Each of the five episodes is designed to show students what it takes to create opera through an engaging combination of hands-on activities, fun facts, and laugh-out-loud characters. The program concludes with a performance of The Bremen Town Musicians—a screen adaptation by Mary Dibbern and Ryan Lescalleet of John Davies’ delightful children’s opera about the value of teamwork. Designed for grades K-6.

About The Dallas Opera

Thedallasopera.TV is made possible through the McCasland Strategic Opportunities Fund with additional support by The Dallas Opera donor family.

SEASON SPONSOR: The Nancy A. Nasher and David J. Haemisegger Family

The Dallas Opera is supported, in part, by funds from: Elsa von Seggern Foundation; Texas Instruments; the City of Dallas Office of Arts and Culture;

the Texas Commission on the Arts; and the National Endowment for the Arts (NEA). American Airlines is the official airline of The Dallas Opera.

Lexus is the official vehicle of The Dallas Opera. Advertising support from The Dallas Morning News. NorthPark Center, the official shopping center of The

Dallas Opera The Dallas Opera is a proud member of OPERA America.

Spotify illustration for RADAR by Heather Skovlund for 360 MAGAZINE

Spotify Announces girl in red as Its Next RADAR Artist

Today, Spotify’s global emerging artist development program, RADAR, has announced its latest artist partnership for the US: the Oslo-based pop sensation, girl in red, aka Marie Ulven.
girl in red has also just announced her debut album, if i could make it go quiet, out April 30th, and released its accompanying first single, “Serotonin.”  The result of a collaboration with FINNEAS and a huge pop anthem that speaks to Ulven’s struggles with mental health, the arena-ready tune can be heard HERE

Following her breakout single, “i wanna be your girlfriend,” which has been streamed over 150 Million times on Spotify, girl in red’s music has adorned some of Spotify’s most popular playlists including New Music Friday, LOREM, Oyster, Ultimate Indie, Out Now, and many more — 364 playlists, to be exact! Her cover of Maggie Rogers’s “Say it” for Spotify’s Studio Oyster has been beloved by media and fans around the world, as well as by Rogers herself. With 7 Million monthly listeners on Spotify, her music has also been celebrated by press outlets around the world like The New York Times, Paper Magazine, NME, DAZED, Rolling Stone, Pigeons & Planes and more. 

Today’s announcement is accompanied by new RADAR photos of girl in red located HERE and a blog post on Spotify’s For The Record newsroom blog HERE that includes a full rundown of the program, and a Q&A with the artist, which you should feel free to use for your own coverage.  
girl in red’s appointment to the RADAR program will include features in the RADAR playlist, a Spotify Singles recording, promotional support for her upcoming releases, a full suite of out-of-home advertising and on-platform marketing, and social promotion. girl in red’s RADAR campaign will also include a forthcoming mini-documentary to premiere later this year.
Says Ned Monahan, Spotify’s Head of Global Hits: “We’ve been closely watching girl in red’s steady ascent over the past few years — she’s built a tight-knit community of devoted fans in a remarkably organic way, based on her self-assured songwriting and deeply personal lyrics — all as an independent artist.  We’re beyond excited for her debut full-length, and look forward to helping with her global ascent via RADAR.”

When asked what she looks forward to about being a RADAR artist, girl in red says: “Taking over the world! That’s what I’m looking forward to. Having my music in people’s ears— that’s like the coolest thing ever. RADAR, then world domination!”

girl in red’s appointment as the fifth US RADAR artist follows the success of Spotify’s previous US RADAR artists Alaina Castillo, J.I The Prince of N.Y, The Kid LAROI, and Flo Milli, all joining 175 RADAR-affiliated emerging artists around the world. Last fall, Spotify celebrated the program’s six month anniversary with the launch of its global RADAR hub on-platform.

The program has propelled the success of artists around the globe like Rina Sawayama, Young T & Bugsey,Zoe Wees, Lous and the Yakuza, and more.

Illustration of a Booker by Kaelen Felix for 360 Magazine

Ambition Ladiez: Up-And-Coming Agency Proves That ‘Representation Matters’

In an era that has been ripe for the gradual erosion of longtime social stigmas in seemingly every area of human activity, the emergence of Ambition Ladiez has proven to be quite timely.

Founded in 2018 by Easop Winston, the San Francisco Bay Area-based agency equally fills niches in the urban and women’s markets, both of which feature strong consumer and brand loyal bases.

From its inception, Ambition Ladiez established itself as an urban lifestyle model and marketing agency which specializes in various forms of media, including photoshoots, brand ambassadorships, event hosting, music videos, and television placements. Ambition Ladiez has also branded itself as a disruptive outlier in its industry, having a diverse roster of models — Women of Color ( or BIPOC) — represent the company in a refreshing and empowering manner that would provide a beacon of inspiration for upcoming generations of young women who aspire to work in the modeling world.

Although the company has made its mark on the industry as a model and marketing agency, Ambition Ladiez is currently evolving to be yet another trendsetter — this time venturing into the podcast space. Original programming such as “The Lounge,” the “Cooking With” series, and the “Conversations” series have proven to give viewers a smorgasbord of delectable content for their consumption.

Adding more gas to the blazing path that the brand is currently on, Ambition Ladiez has ramped up its digital footprint, now making it virtually impossible for its movement to be slowed down — or, for the sake of the brand’s most ardent supporters — ignored either. In the past couple of years, Ambition Ladiez was able to successfully launch its app, which includes its featured content (of all forms/genres) uploaded on to major streaming platforms, such as Apple, Google Play, and Amazon Appstore, Roku, Fire TV, and Android TV.

One of the more popular shows on the Ambition Ladiez digital platform  — the “Cooking With” series — allows viewers to get a glance into their more redeeming sides of the models that supersede just their outward beauty by giving a glance of their cooking skills.

Another branch of the marketing and modeling agency’s ecosystem is its magazine. As of this writing, Ambition Ladiez Magazine has already successfully pressed and launched two issues of its quarterly publication, with more expected to be released by the end of 2021. The magazine remains true to its core demographic of longtime supporters and subscribers, providing written features on public figures, Bay Area-based artists, health, politics, and other hot topic social issues which peak the interest(s) of its target audience.

One of the magazine’s featured artists in mind is Yung Lott. A Bay Area Native and well-respected recording artist, Yung Lott’s alliance with the Ambition Ladiez brand has been solidified through him having Ambition Ladiez models featured in his music videos, as well as having a story written about him in the magazine. All of this is a testament to the agency’s reach and streamlined operations.

Prior to the widespread shutdowns of entertainment venues and live events due to the COVID outbreak of 2020, Ambition Ladiez models could be seen at such events, usually working as brand ambassadors, hosts of parties, or even utilizing their interpersonal skills to conduct red carpet interviews with VIP guests at many of the more premier events. 

The events are not only relegated to the San Francisco Bay Area. Ambition Ladiez soon will look to extend its presence to Las Vegas and Los Angeles. These two cities would be an ideal accommodation for the fast-growing entertainment/media centered brand.

In light of the country’s progressive transition towards inclusion, diversity, and proper representation in all industries, Ambition Ladiez is writing the blueprint for how to construct an outlet that’s a great alternative to traditional modeling and marketing agencies by focusing on BIPOC models. The agency then uses its multimedia capabilities to highlight not only the naturally appealing ethnic features of its models, but it can also use its original series to profile them in a favorable light in which they may not have been if they worked elsewhere.

In spite of the company’s fast growing profile among industry peers, Ambition Ladiez has enabled enthusiasts of the brand to actually buy into what it stands for, having merchandise for sale. This helps to expand its already fast growing fanbase, and allows them to feel a sense of connectivity to the brand by donning Ambition Ladiez merchandise.

The movement that the brand is creating can be likened to a record-setting storm, and in the eye of ‘Hurricane Ambition Ladiez’ exists two powerful components yet to be mentioned in great detail: company Founder & CEO Easop Winston, and…the Ambition Ladiez themselves.

A Bay Area Native, Winston has always embodied the very essence of ambition. A man of tremendous vision and unmatched work ethic, he learned the ins and outs of the entertainment and media business as a recording artist. Touring the world, writing and recording countless music projects, and weathering the treacherous paths of ‘The Business’ has molded Easop into a seasoned veteran, and quite the entrepreneur. After witnessing misrepresentation and mistreatment of creatives in the industry for years, he has assumed the role of an emancipator of sorts, allowing individuals who want to step foot into the entertainment or media world a platform to let their light(s) shine. “As a young artist, I would have relished the opportunity to be signed to an agency that thoroughly cultivates its talent with care in the manner that Ambition Ladiez does,” he states. “Once I was in a position to impart the knowledge that I have acquired on to up-and-coming generations of talent, I did not hesitate. This is what compelled me to launch the agency.”

The lucky recipients of Easop Winston’s tutelage are none other than the ACTUAL Ambition Ladiez. This extensive assortment of young women who hail from different places, ethnicities, and skill sets have set the modeling industry’s bar higher for the precise blend of riveting beauty, natural talent, and marketable personalities. Holding true to its ethics as a modeling and marketing agency, Ambition Ladiez has managed to maintain an impressive retention rate — from one of its original ‘Day 1’ signees (Nicole), to one of its newest faces (Lulu). The agency does its due diligence to provide an adequate platform that will allow them placement for other opportunities, while preparing them for longevity in the industry.

The way in which Easop establishes leadership to his company is worth taking notes from. As Owner of Ambition Ladiez, he has built an operation that’s reminiscent of many of the same methods Barry Gordy used to successfully run the legendary Motown Records many decades ago. While from first glance, the business appears to move smoothly and emanates an atmosphere of fun and leisure, Easop gives us a friendly reminder of the figurative blood, sweat, and tears that go into all things Ambition Ladiez. “I preach punctuality (for both in-person and recorded appearances), dedication to excellence, and an open line of communication for the ladies signed to this team (agency).”

With such a strong and rich culture of opulence infused into the Ambition Ladiez brand, the agency could very well forge its own path into the history books as a shining example for industry peers to follow for many years to come. 

Now THAT’s “Ambition.”

Essence Magazine article for 360 Magazine coverage for Coming to America

Coming 2 America

ESSENCE MARCH+APRIL TRIPLE COVERS FEATURE STAR-STUDDED CAST OF THE HIGHLY-ANTICIPATED COMING 2 AMERICA – INCLUDING EDDIE MURPHY, ARSENIO HALL, JERMAINE FOWLER, KIKI LAYNE AND BELLA MURPHY 

Prepare the royal jet! Coming 2 America is finally arriving, with Eddie Murphy, Arsenio Hall and an all-star cast of returning and new faces—including Jermaine Fowler, KiKi Layne and Bella Murphy. It’s been more than three decades since the beloved original Coming to America hit theaters and became a true cult classic that has spanned multiple generations and demographics. Now, in the ESSENCEMarch/April issue triple cover article, The Fresh Princes of Zamunda, Regina R. Robertson talks to the cast about why this was the right time to do the sequel, their fave moments and what the film means to the culture: 

  • EDDIE MURPHY ON WHAT THE FILM MEANS TO THE CULTURE: “Coming to America is one of my films that has really worked its way into the culture. People get dressed up as the characters for Halloween, and they still walk around saying catchphrases like ‘Sexual Chocolate.’ So many people grew up with Coming to America and have a lot invested in it, so I didn’t want to taint that…Once the ideas started coming together, it took about four or five years to get the script all the way right. Once we got it right, I knew it was time…” 
  • ARSENIO HALL ON DOING THE SEQUEL: “A lot of people have posted about Coming to America and said things like, ‘Please don’t mess with my movie’ or ‘I don’t want no sequel!’ We’ve been pitched all kinds of ideas, but I remember reading the script in Eddie’s backyard and it was all making sense. That’s when I knew that this was going to be the sequel…”  
  • KIKI LAYNE ON PLAYING MEEKA: “Meeka is loyal to her family. I’m interested in showcasing strong Black women— and being a part of this film was an opportunity to play in such a classic world and also to work with straight-up legends, all the way around…”  
  • BELLA MURPHY ON PLAYING OMMA AND WORKING WITH HER DAD: “Omma is super-smart, a little bit of a badass, and she’s super-cool. Being able to do my first film with my dad is really special…I’m over the moon…”  
  • JERMAINE ON PLAYING LAVELLE—AND WATCHING HIS DREAM COME TRUE: “In some ways, Lavelle reminds me a lot of myself when I was growing up and trying to figure out life. As a fan of the original film, I was honored to be a part of this whole world—but when they told me how Lavelle becomes part of the story, I just laughed my ass off and thought, All right, let’s do it…” 
  • SHARI HEADLEY ON WHAT AUDIENCES WILL LOVE: “I’m as excited as the audience and have no doubt that this will be a film that people will love. I’ll venture to say they’ll love it even more than the first one…” 
  • WESLEY SNIPES ON JOINING THE FILM: “I was like, ‘Whatever the role is, I want to be in it.’ Later, I was told that I was going to be a General—but really, I could have played a zebra and been just fine…”  

For more on this issue, visit ESSENCE.com or pick up the March/April issue on newsstands next week.