Posts made in July 2020

Funimation

Funimation – New Shows

Funimation’s industry panel at FunimationCon 2020 was packed full of exciting new and returning series, an upcoming theatrical release, expansion of Funimation to Latin America, and more. On its streaming service, Funimation announced that all 220 episodes of the original Naruto series subbed and dubbed will launch in North America on July 6, and the next batch of One Piece dubbed episodes are coming in August to digital storefronts. Funimation also announced returning and continuing series including Fruits Basket Season 2, Fire Force Season 2, No Guns Life Season 2, and new series including DECA-DENCE, By the Grace of the Gods, Higurashi: When They Cry – NEW and Akudama Drive are coming to the service. Funimation continues to delight fans with exclusive products in THE FUNIMATION SHOP, including Dragon Ball Z Funko Pop Ultra Size Shenron, and Exclusive Dragon Ball Super Funko Pop Kale and Caulifla two-pack. And starting today, the Demon Slayer: Kimetsu no Yaiba Part One Standard Edition Blu-ray is available for pre-order.

Aniplex of America is partnering with Funimation Films to distribute the new highly anticipated Demon Slayer – Kimetsu no Yaiba – The Movie: Mugen Train in theaters! We are so thrilled to partner with them on this theatrical release! Stay tuned for information soon!

Funimation, which is currently available in the U.S., Canada, U.K., Ireland, Australia, and New Zealand, will expand to Mexico and Brazil in Fall 2020. Funimation also announced it would offer select subtitled and dubbed anime series in Spanish and Portuguese. Stay tuned for more information.

Returning and Continuing Series this Summer (North America)

*  Fruits Basket Season 2
*  Fire Force Season 2 premieres July 3
*  Black Clover
*  One Piece – Simulcast continues
*  Sword Art Online Alicization War of Underworld Part 2 premieres July 11
*  No Guns Life Season 2 resumes July 9 with Episode 13
*  The Millionaire Detective – Balance: UNLIMITED resumes Simulcast on July 30 with Episode 3
*  APPARE-RANMAN! resumes Simulcast on July 24 with Episode 4
*  A Certain Scientific Railgun T – SimulDub™ resuming
*  Diary of Our Days at the Breakwater returns July 28 with Episode 4
*  Bungo and Alchemist -Gears of Judgement- returns July 3 with Episode 8

New to Funimation’s Streaming Service in July 2020 (North America)

*  SUPER HXEROS premieres July 3
*  DECA-DENCE – July 2020
*  Uzaki-chan Wants to Hang Out! premieres July 10
*  Lapis Re: LiGHTs premieres July 4
*  Muhyo & Roji’s Bureau of Supernatural Investigation Season 2 (Subtitled) premieres July 7. All of Season 1 (subbed) will be released on the same day as Season 2 premieres

Coming to Funimation 2020 and 2021 (North America)

*  By the Grace of the Gods – Fall 2020
*  Akudama Drive – October 2020
*  Adachi and Shimamura – Fall 2020
*  Higurashi: When They Cry – NEW – Fall 2020
*  Maesetsu! Opening Act – Fall 2020
*  Our Last Crusade or the Rise of a New World – Fall 2020
*  Ikebukuro West Gate Park – Fall 2020
*  Dropout Idol Fruit Tart – Fall 2020
*  MARS RED – 2021

New Products and Home Video Releases in the Funimation Shop

Funimation revealed exciting products available in the Funimation Shop. Highlights include exclusive Dragon Ball Z Funko Pop, Dragon Ball Super Funko Pop, Fruits Basket Kyo, and Yuki Figures, and the Chrome Pop Collection. Pre-order is open for Demon Slayer: Kimetsu no Yaiba Part One Standard Edition Blu-Ray.

Home Entertainment

*  Demon Slayer: Kimetsu no Yaiba Part One Standard Edition Blu-ray (Pre-order)
*  The Rising of the Shield Hero – Season One Part One – BD / DVD Limited Edition
*  The Rising of the Shield Hero Season One Part Two – BD / DVD + Artbook
*  The Quintessential Quintuplets – Season One – BD / DVD Limited Edition

Products Available for Pre-Order

*  Dragon Ball Z Funko Pop – Ultra Size Shenron – Pre-Order (metallic/glow in the dark)                                                           *  Exclusive Dragon Ball Super Funko Pop – Kale/Caulifla 2pk
*  Exclusive Fruits Basket – Kyo Figure
*  Exclusive Fruits Basket – Yuki Figure

Special Product Offers

*  Berserk Guts: Black Swordsman (exclusive bloody variant)
*  July 3rd – Chrome Pop Collection / XL All Might Glitter FiGPiN
*  July 4th – XL Gogeta/Broly FiGPiN 2-pack

About Funimation

Funimation distributes the best anime to a passionate, global community of fans. For over 25 years, Funimation has pioneered an omnichannel approach to engaging and entertaining millions where they want it most—streaming, home entertainment, theatrical, e-commerce, merchandising, live events, and more.

Funimation’s streaming services offer a growing catalog of over 700 anime series and 13,000+ hours of content available on 15 platforms and in 47 countries. Funimation’s in-house team designs must-have, exclusive collectibles distributed through major retailers and an e-commerce site; Funimation’s theatrical division is responsible for six of the top 20 anime films in the U.S. As pioneers of the SimulDub™, Funimation is the gold standard for foreign language dubbing of Japanese anime with the highest quality standards and fidelity to the original artists. With a fan-centric approach, Funimation has built a loyal social community of over 30 million followers and earned the trust of Japan’s most iconic creators.

Funimation has nine offices in six countries, and over 400 employees worldwide. As an independently operated joint venture between U.S.-based Sony Pictures Entertainment and Japan’s Aniplex, a subsidiary of Sony Music Entertainment (Japan) Inc., Funimation benefits from deep entertainment expertise across cultures, territories, and languages.

music, note, orange, black

DJ Cassidy x “Pass The Mic”

DJ Cassidy debuts an uplifting “Pass The Mic” video featuring icons Earth Wind & Fire, Kool & The Gang, New Edition, Bobby Brown, and more! DJ Cassidy releases the uplifting “Pass The Mic” today. Well known for his mega birthday parties with surprise iconic performances from legendary artists, Cassidy was inspired during quarantine to celebrate in a different way this year. He united his musical heroes of the 1970s and 1980s on Zoom – creating a virtual mix of his favorite records of that era, all uplifting songs full of love, spirit, and soul – in tribute to the heroes around the world on the frontlines of health, freedom, and justice.

Click HERE to view. Cassidy said about the video, “I hope this virtual mix moves others as much as it has moved me. I am forever grateful to my musical heroes for their decades of hope, inspiration, and soul, and with them, I celebrate all the heroes around the world.” The idea came to Cassidy while on a FaceTime with his friend and mentor, Verdine White of Earth Wind & Fire.

While they were catching up, EWF’s classic record, “That’s The Way Of The World,” came on the speakers. Hearing that song, while on the phone with Verdine, put a smile on his face and brought him some much-needed calm. He thought about how fortunate he was to have friendships with many of his heroes and how lucky he was to be able to enjoy their music in their company. He wondered if he could find a way to share that special feeling with others, so he sat at his turntables in his living room and began Zooming with his musical heroes. They each sang along to their classic records, literally passing the mic from one home to the next, in an effort to honor and uplift the heroes around the world on the frontlines of health, freedom, and justice.

Rita Azar, 360 MAGAZINE, travel, illustration

TAP Air Portugal: Book With Confidence

TAP Air Portugal is bringing back its “Book With Confidence” program for next two weeks to support travelers from the US who are unsure about making flight bookings for the next few months.

TAP will offer free re-booking for all new tickets booked from July 1-15, for travel through October 31.

While the European Union is limiting arrivals from the US to those on essential or professional travel, or who are Portuguese citizens, residents and their family members, TAP is continuing to reinstate flights this month from Newark, Boston, Miami and Toronto – including two new nonstop routes to the Azores from Boston and Toronto.

A new Montreal-Lisbon service also starts on August 1. All three new routes are currently on sale, through July 8, with a 25 percent discount using a promo code.

US residents who are not Portuguese citizens or residents who travel for essential reasons must provide a negative COVID-19 test, taken within the previous 72 hours a rule which also applies to transit passengers connecting through Lisbon.

The “Book with Confidence” offer means that a one-time rebooking is free of charge on all flights operated by TAP, applicable on Discount, Basic, Classic and Executive fare products, but does not include any difference in fares or taxes for the new flight. For more information, click here.

Sale bookings for TAP’s new routes from Boston or Toronto to the Azores, and from Montreal to Lisbon, through July 8 receive a 25 percent discount and are also covered by the Book with Confidence program.  For more information and promo code, see here.

TAP also has introduced its Clean & Safe program, a new and demanding standard of hygiene, health and sanitary safety in line with the guidelines of EASA, IATA, DGS and UCS.  For more information on these procedures and recommendations, please visit here.

Cee Kay Mona Lisa visual

Cee Kay – “Mona Lisa”

CEE KAY UNVEILS NEW TRACK “MONA LISA”

LISTEN HERE

Continuing to gain steam as a rising rapper to watch, Cee Kay unleashes a new single “Mona Lisa” via Hikari-Ultra/Republic Records.

The Arkansas talent fills the track with his nimble rhymes and a hypnotic hook, painting his “Mona Lisa” masterpiece. Stay tuned for the video coming soon. Earlier this year, Cee Key accelerated his ascent to hip-hop’s heavyweight class with one buzzing banger after another, with his most recent intoxicating song “Drugs.”

Earning critical nods, Imprint predicted he’s “geared to become a force in rap, maintaining a credo of remaining true to himself and the code of the streets.” Meanwhile, Hip-Hop Vibe crowned him, “Next To Blow Out Of The South.” The rapper put himself on the map with 2019’s Blood On My Hands. Led by “Pressure” feat. YoungBoy Never Broke Again, it has racked up nearly 10 million total streams and received praise from XXL, HipHopDX and more.

Stay tuned for more new music from Cee Kay on the way.

Follow Cee Kay: 

Twitter | Instagram | Spotify | Youtube

ABOUT REPUBLIC RECORDS:

A division of Universal Music Group, the world’s leading music company, Republic Records is home to an all-star roster of multi-platinum, award-winning legends and superstar artists such as Ariana Grande, Drake, Florence + the Machine, Greta Van Fleet, Hailee Steinfeld, Jack Johnson, James Blake, James Bay, Jessie J, John Mellencamp, Jonas Brothers, Julia Michaels, Kid Cudi, Liam Payne, Lil Wayne, Lorde, MetroBoomin, NAV, Nicki Minaj, Of Monsters and Men, Pearl Jam, Post Malone, Seth MacFarlane, Taylor Swift, The Weeknd and more.

Founded by brothers and chief executives Monte and Avery Lipman, it is also comprised ofinnovative business ventures, including American Recordings, Boominati Worldwide, Brushfire, Casablanca Records, Cash Money, Lava Records, Monkeywrench, XO, Young Money, among others. Republic also maintains long-standing strategic alliances with Universal Music Latin Entertainment (Karol G) and Hollywood Records (Zendaya).

In addition, Republic has expanded to release high-profile soundtracks for Universal Pictures (Fifty Shades of Grey), Sony Pictures (Spider-Man Into the Spider-Verse), Lionsgate (Zoey’s Extraordinary Playlist) and NBC TV (The Voice), as well as other notable film and television franchises. Extending further into the worlds of film, television, and content, Republic launched Federal Films during 2017 in order to produce movies and series powered by thelabel’s catalog and artists. Its first production is the Jonas Brothers documentary Chasing Happiness for Amazon Prime Video.

Lil West Give It All Up visual

Lil West – “Give It All Up”

LIL WEST ADDS “GIVE IT ALL UP” TO ALL DIGITAL STREAMING PLATFORMS

STREAM “GIVE IT ALL UP” HERE 

MORE MUSIC COMING SOON

Today, genre-blurring boundary breaker Lil West shares “Give It All Up” with all streaming platforms via Republic Records.

Produced by Take A Daytrip [Lil Nas X, Sheck Wes, Travis Scott] and Russ Chell [Lil Nas X], the track unfolds like a hazy daydream. Echoing guitar by Chell reverberates over a sparse beat from Take A Daytrip. Meanwhile, Lil West dips in and out of woozy verses before a heartfelt hook. Waving goodbye, he croons, “I’ll feel better when I reach all my goals. Things ain’t lookin’ too good for me and you. And I’m here to lift you up and brighten your soul. And I should give it all up.”

Originally debuted on Soundcloud, the track quietly emerged as a fan favorite with over 186K plays. Now, it finally receives an official release spurned by audience demand.

Earlier this year, Lil West joined forces with Brevin Kim for the Metallic Body Language EP. Complex touted the single “Bleach” on its “Best New Music This Week.” The project also garnered looks from HotNewHipHop, Banger of the Day, Hip Hop Spirit, and more. Meanwhile, the Delaware disruptor continues to post up nearly 450K monthly Spotify listeners.

Last year, Lil West flipped the game upside down with his EP series, Vex Part 1 and Vex Part 2. He put up over 20 million streams with highlights such as “Somedays” [3.7 million Spotify streams] and “Not Sure” [2.5 million Spotify streams] from the first installment and the second installment’s “Want Love” [1.6 million Spotify streams], “Hot Sauce” [1.3 million Spotify streams], and “Bad” [1 million Spotify streams]. Meanwhile, upon the release of Part 2, HotNewHipHop claimed, “The Delaware rapper establishes himself as one of the best up and coming artists in the game.”

Follow Lil West on Instagram HERE

ABOUT REPUBLIC RECORDS:

A division of Universal Music Group, the world’s leading music company, Republic Records is home to an all-star roster of multi-platinum, award-winning legends and superstar artists such as Ariana Grande, Drake, Florence + the Machine, Greta Van Fleet, Hailee Steinfeld, Jack Johnson, James Blake, James Bay, Jessie J, John Mellencamp, Jonas Brothers, Julia Michaels, Kid Cudi, Liam Payne, Lil Wayne, Lorde, Metro Boomin, NAV, Nicki Minaj, Of Monsters and Men, Pearl Jam, Post Malone, Seth MacFarlane, Taylor Swift, The Weeknd and more.

Founded by brothers and chief executives Monte and Avery Lipman, it is also comprised of innovative business ventures, including American Recordings, Boominati Worldwide, Brushfire, Casablanca Records, Cash Money, Lava Records, Monkeywrench, XO, Young Money, among others. Republic also maintains long-standing strategic alliances with Universal Music Latin Entertainment (Karol G) and Hollywood Records (Zendaya).

In addition, Republic has expanded to release high-profile soundtracks for Universal Pictures (Fifty Shades of Grey), Sony Pictures (Spider-Man Into the Spider-Verse), Lionsgate (Zoey’s Extraordinary Playlist) and NBC TV (The Voice), as well as other notable film and television franchises. Extending further into the worlds of film, television, and content, Republic launched Federal Films during 2017 in order to produce movies and series powered by the label’s catalog and artists. Its first production is the Jonas Brothers documentary Chasing Happiness for Amazon Prime Video.

Danger Incorporated Working On Danger visual

Danger Incorporrated – Working On Danger

Today, the Atlanta genre-blending duo Danger Incorporated release their new EP Working On Danger via Awful Records/RCA Records.

The duo, made up of Boothlord and Louie Duffelbags, was featured as a Pigeons & Planes “Best New Artist Of the Month” for December where they describe, “Danger Incorporated’s dreary, unpredictable, grunge-meets-hip-hop style is perfect for right now, and the guys are ready to take it to a broader audience.” Describing them further, Lyrical Lemonade explains, “the group has developed masterful cohesivity in all facets of their creative output, whether sonically, visually, or aesthetically – all of which orbit around the odd, devious world of what it means to be a ‘Danger Boy.'”

Recently, they released their new track “Frankenstein,” which was produced by Oogiemane of Working on Dying, along with the video which marks their first collaboration with the influential street racing brand PINKFLAMINGOUSA. The duo also released their track and video “Fucking For A Reason” earlier this year. The FADER describes “Fucking For A Reason”: “The song as a whole captures all the mixed thoughts one has in the wake of heartbreak and is the perfect accompaniment for another Friday night in the crib.”

Prior to 2020, Danger Incorporated released their tracks “First To Last” and “Wassup Phonies” in 2019 and their EP Danger Reality in 2018. The release of “Frankenstein” marks the next wave for the Atlanta creatives, unveiling their latest vision with hints of what’s to come.

Buy/Stream to Working On Danger here.

Buy/Stream “Frankenstein” here.

FOLLOW DANGER INCORPORATED: Instagram | Twitter

Jane Velez-Mitchell illustration by Mina Tocalini

Meat Causes Cancer

The American Cancer Society’s (ACS) new guidelines for cancer reduction were revealed recently and it’s no surprise that they recommend avoiding or reducing meat intake. The ACS is advising the public to consume far less processed and read meats while shifting to more plant-based whole foods. In the guidelines they do advise consuming nutrient-rich, high in fiber foods like vegetables, whole grains, beans, fruits, and peas. “Eat the rainbow” as we’ve all heard for years. 

These new guidelines follow in line with the World Health Organization (WHO) stance released in 2015 where they famously classified red meats as a Group 2A carcinogen that was “probably carcinogenic to humans”. They referenced studies that lined consistent consumption of red meat to colorectal cancer.   

New Day New Chef: Support and Feed Edition focuses on the organization’s work supplying food to children’s charities, homeless and domestic abuse shelters, food banks, family and senior centers by supporting vegan restaurants in Los Angeles, New York, and Philadelphia. Filmed largely with robotic cameras during the COVID-19 outbreak, the show follows Maggie Baird, (actress, screenwriter, vegan, and mother of musicians Billie Eilish and Finneas, who are also vegan) on her journey to create Support and Feed. Two episodes are now available to stream on Prime Video, with more released weekly. 

Animal Rights Activist & Host of “New Day New Chef: Support and Feed” Jane Velez-Mitchell is the founder and editor of JaneUnChained.com, a multi-platform social media news channel producing thousands of widely shared videos on animal rights and veganism. Jane is the winner of four Genesis Awards from the Humane Society of the United States. For six years she hosted her own show on HLN (CNN Headline News) where she did a weekly animal segment. Velez-Mitchell also reported for the TV show Celebrity Justice, and was a news anchor/reporter at KCAL-TV in LA and WCBS-TV in NY. Jane is active in the LGBTQ community in Los Angeles. Two episodes are now available to stream on Prime Video, with more released weekly. 

Follow New Day New Chef Support and Feed: Facebook | Instagram | Twitter

Tokyo’s Revenge Goes Gold

The indomitable and mysterious rapper, Tokyo’s Revenge is back with brand new track “GOTHAM”. In the grungy track, Tokyo returns to his signature style of blending melodies with hard hitting and slick rap verses. “GOTHAM” comes at the heels of Tokyo celebrating the RIAA Gold certification of breakout single “GOODMORNINGTOKYO!.” The track grew in infamy peaking at #1 on Spotify’s Global Viral charts. If you haven’t listened to the track, check it out the video which has over 19 Million views. The young rap artist is currently recording a new body of work that will be released this Summer from Black Noize!/Interscope/Geffen Records.

Praise for Tokyo’s Revenge:

2020 Artist to Watch — Pigeons & Planes

“Tokyo’s Revenge is coming for the top…” — Elevator Magazine

“Tokyo’s style is distinctively his own… Magnetic!” — Ones To Watch

“Tokyo’s Revenge, has taken off by mixing lovelorn R&B singing with the syllable-jammed aggro rapping” — Chicago Reader

About Tokyo’s Revenge

If you’re unfamiliar with Tokyo’s Revenge, that’s intentional. The multi-disciplinary artist has made a point of keeping himself anonymous, and yet, he is set to be one of the year’s most exciting addition to the music landscape. Tokyo has risen through the charts with viral track “GOODMORNINGTOKYO” which peaked at #1 on Spotify’s Global Viral 50 with more than 43 Million streams, peaked at #2 on Rolling Stone’s Trending 25 chart on the fastest rising songs of the week, peaked at #1 on the Bubbling under Hot 100 Billboard chart and received more than 12.3 million plays on SoundCloud.

A self-taught musician, Tokyo began rapping at an early age, learning to freestyle at high school amongst various hobbies ranging from art to video games. He recorded his first song with a friend’s equipment couchsurfing, post-high school graduation and working security guard and pizza shop jobs. Now at the helm of new music and videos, Tokyo’s Revenge is quickly rising in ranks and relishing at being the battery pack the music has been missing.

Racial justice illustration by Mina Tocalini

Racial Justice

The Magnanimity of The Moment

Learning from Our Past in Today’s Fight for Racial Justice

By Jason Green

The murders of George Floyd, Breonna Taylor, and far too many other black bodies have answered Langston Hughes’ prophetic question: “What happens to a dream deferred?” As justified anger and frustration have exploded across communities large and small, I have quietly questioned whether there is room for community building. I thought for a moment that our collective hurt and fatigue might be so great that there simply might not be space for hope and reconciliation. The idea of searching for fellowship felt naïve and insignificant.

Seven years ago, as I sat at the bedside of my then 95-year-old grandmother, she told me how, in 1968, her all-black church merged with two all-white congregations (themselves split generations earlier over the issue of slavery) in the wake of the assassination of Dr. Martin Luther King, Jr. Given the tumultuous backdrop, I was surprised by their decision to join, but I will be forever moved by the intentional community building that has kept their congregation together for more than 50 years. The hardest decision wasn’t the one to come together, it was the decision to stay together.

Last week, on our weekly call, my Grandmother Green reawakened my spirit. “We have to keep working and praying and not give up,” she extolled. “Even if things are not going our way we have to have that faith, and do the work. It was important that they see my face in the choir in 1968. Well, it’s just as important today.” She helped me realize in times like these, we need to be reminded of what is possible and to be vigilant about the hard work required to achieve it.

I’ve spent years chronicling how those three congregations came together in 1968 and how they have persisted, purposefully integrated, for more than 50 years. Below are three lessons I’ve learned from that experience that can inform how we collectively move forward today:

•Establish A Clear Goal

As they stumbled through the early days of the church merger, leadership of each congregation gathered to agree to the goal of coming together. A specific shared outcome gave them something to hold tight to when the path got difficult. As individual groups began working toward their own agenda, it armed the broader coalition with a mission to pull them back to. In this moment, people have begun working in different directions to speak out against and organize in support of racial justice. There is not one way to do the work — in fact, there must be a multitude of strategies, activities, and actors. To be successful, we must define the objective to hold others accountable to if their efforts achieve progress toward that shared goal, not question if their strategies happen to be similar or different to our own.

•Trust Must Be Built

When the churches merged, each harbored fear, skepticism, and animosity. There wasn’t the hugging and hand-holding you’d expect in church. To overcome, they had to be intentional; this started with acknowledging the pain of their history and being deliberate about difficult conversations. No meeting would end if someone still had something to say. Leadership demanded people share their concerns and complaints, though sometimes harsh, and those concerns were addressed. The work that faces us now is deep and structural and must push beyond performance. It will require addressing a history of hurt and creating alliances, with both traditional and non-traditional allies, to meet the magnanimity of the moment. At times, it will require taking the first step, even when you took the first step last time, and recognizing that sometimes, alliances will fray. Work to build trust anyway.

•Be Prepared To Go Alone

For those in the movement, this moment feels like a turning point, and there’s a desire to draw a line in the sand: “If you aren’t with us now, then you are against us.” But the reality is there will be folks who, even in this moment, will not be prepared to take action. Because we know that for something to be truly gained, something must be given up, there will be those who aren’t prepared for what change will mean for them. In 1968, my grandfather disagreed with the proposed church merger. My grandmother, my father, and his brother, decided to merge, despite Grandpa’s objection. We must be prepared to do the work, knowing that it is rooted in righteousness, and that there will be some who are not ready for change, even amongst those whom we love and respect. Move forward anyway, but resist the temptation to draw those terminal lines in the sand. Continue to build bridges for others to come on the journey. My grandfather joined the merged congregation years later. Before he died, he was one of its trustees.

Like the church merger, our democracy is one big social experiment that requires engagement and vigilance if it will ever reach its promise. Elections have consequences, and policy has impact. To see change, we must be active at the federal, state, and local levels to enable leadership that aligns with our values and implements policies that reflect the communities we represent.

But elections cannot eradicate racism, and policy cannot force neighbors to see each other with dignity, value and respect. This moment does not call for an “either or” approach; this must be a “yes and” strategy. And, if we want to eradicate the poison that killed George Floyd, Breonna Taylor, Michael Brown, Elijah McClain, Ahmaud Arbery, Tamir Rice, and every other individual lost due to racist acts, then in addition to external activation, we must look inward to understand what each of us is prepared to do, give, and change in this moment.

Last week, my grandmother turned 102, and as we discussed plans for her socially distanced drive-by birthday parade, we also talked about the current state of the world. As I expressed frustration regarding the lack of national leadership and exhaustion that this is where we find ourselves, in true Grandma Green fashion, she said, “I hear all that, but what are you gonna do? What are you prepared to do for those who look like you and those who don’t? For those who don’t pray like you? For those who don’t love like you? What are you gonna do to inspire fellowship and build the community that we all want to see?”

I guess I know what to give for her birthday this year. Join me in making change. Across the country. Within our communities. And in ourselves.

Jason Green is a Maryland-based attorney, entrepreneur and filmmaker. Green recently directed Finding Fellowship, a documentary inspired by conversations with his grandmother which focuses on the unlikely merger of three racially segregated churches in 1968. Green is the co-founder of SkillSmart, Inc., a workforce development company that creates transparent paths to economic prosperity. A current Commissioner for the Montgomery County Commission on Remembrance and Reconciliation, Green also previously served as Associate White House Counsel to President Barack Obama.

Syria illustration

Lebanese Crisis: How it Happened

By Rita Azar

Lebanon today can be summed up to bread lines, a devalued currency, no clear system for clean water, and a garbage crisis. To understand how the country that was called “Paris of the East” for nearly 40 years in the 20th century has now became widely known as a failed state, one must understand how post-civil war Lebanon was built.

During the 1990’s through the early 2000’s the countries leaders notably Rafic el Hariri stared privatizing previously government owned facilities for his own companies. These leaders did this by creating systems that were made to fail by being a burden on the state. Where this proved successful for politicians was when Rafic el Hariri privatized Lebanon’s internet department. In other words, Hariri made the internet department his own company, free of the state, named “Ogero.” With “Ogero,” politicians would be able to buy failed government facilities for cheap and benefit financially whilst the country only would soon after claim debt.

Of course, not all of these government facilities were privatized and stolen. Due to opposition forces that came after the Syrian withdrawal of 2005, the states had some protection to protect their assets from being stolen. These facilities include: the electricity sector, which only provides 8 hours of electricity daily and costs the government billions of dollars in yearly debt, and the Ministry of Water and Environment, which, despite also costing the government billions in debt, is unable to supple citizens with clean water. Despite all of these characteristics of a failed state, Lebanon has been able to survive with generous amounts of foreign aid. But now, due to the more recent politicians, Lebanon has been stripped of its American and Saudi financial aid. Some of these politicians include the new prime minister, Hassan Diab, and leader of the largest political bloc fpm, Gebran Bassil, and the president, Michel Aoun. All this has led to complete economic collapse.

This economic collapse caused the currency being inflated and around half of Lebanese citizens being under the poverty line. This collapse hasn’t been unfelt by the Lebanese people. Senior citizens have seen their savings destroyed. Young adults, adults, and older adults have all came up with one solution, the solution being emigration.

An important fact to consider is that more than 15 million Lebanese that live outside and only 5 million inside the country, so immigration is nothing new, but the fact that millions of young Lebanese people will leave their country, their home, their families and their friends is not being celebrated or ignored. As the economy crumbles in the once celebrated city, Lebanon’s fate is more blurry than ever.

More sources about the Lebanon Crisis:

NC state University- “Why Did They Leave”

Al Jazeera- “Plotting Our Escape”

Al Jazeera- Who is the One to blame for Lebanon’s crisis

Annahar- Lebanon crisis brings mixed legacy for central bank governor

BBC- Lebanon protests escalate as currency dives

CNN- Michele Aoun’s presidency ends 29-month leadership vacuum in
Lebanon