About 360 MAGAZINE

360 MAGAZINE is an award-winning international publishing on popular culture and design. We introduce avant trademarks to efficacious architects. We are a LGBTQIA2S+ friendly publication--officially recognized by the NGLCC. Our core demographic ranges from 19 to 39-year-old college-educated trendsetters within their respective international communities. The pages in this art book satisfy their strong interests including music, art, travel, auto, health, fashion, tech, philanthropy, design, food and entrepreneurship. It's an introspective digital/print/tablet portrait series, which encapsulates artists/brands/entities who embody the true essence of our publication- empowerment, equality, sensuality and most important of all, humanity within a global society.

Marvel Legacy Re-Introduces Marvel Value Stamps

Who saved them? Who clipped them? Who collected them? This fall, the Marvel Universe returns to an untapped corner of its expansive history for MARVEL LEGACY with the return of the Marvel Value Stamps. Just as Marvel Legacy is bridging the past and the future of Marvel’s iconic universe, this nostalgia-based program is designed to excite new readers. Comic fans may remember these fondly, while new fans and the uninitiated will be able to enjoy them without destroying their prized possessions!

Inspired by the classic 1970’s program where different stamps could be clipped from the letters page of Marvel books, fans will be able to collect stamps featuring all their favorite Marvel characters. These stamps will be on inserts within the regular cover editions for all first issue Marvel Legacy titles, beginning with titles debuting in October. And a proper homage to these collectible stamps wouldn’t be complete without a collectible stamp album – to be revealed!

Don’t miss your chance to enjoy a part of Marvel’s history…as you dive into its past and future. Be sure to stop by your local comic shop this fall to collect your Marvel Value Stamp today!

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REGGAE AMBASSADORS THIRD WORLD RELEASE NEW SINGLE “EYES ARE UP ON YOU”

Celebrating over 40 years in music, one of the most pivotal reggae bands of all time Third World will drop their new single “Eyes Are Up On You” (out July 28, 2017) off their

upcoming full-length album. The song and album are both produced by Damian Marley and will be released on Ghetto Youths International.

Third World’s bassist Richard Daley explains why this musical process comes full circle. “I had the honor of working with Bob Marley back in the 70s doing some recording in London and how remicinensent it is as I sit in the studio working with Damian Marley. It is the same feeling and vibe, as we record and produce songs like “Eyes Are Up On You” and others. It is a great musical moment.”

Damian Marley adds to the excitement and says “I’m proud to be working with my uncles!”

The song, which will be accompanied by a lyric music video to follow. is a reminder that actions speak louder than words. “Eyes are up on you, careful what you do, someone is watching you” states the melodic chorus. The single artwork, inspired by Caribbean-influenced street art, is created by Oakland-based artist Ras Terms, a key figure in Miami’s 80s & 90s graffiti scene who is of Puerto Rican and Colombian descent.

The band is currently on the road throughout the United States and will perform the new single live as well as their repertoire of hits. See dates below and on socials.

FB | www.Facebook.com/ThirdWorldBand
Twitter | www.twitter.com/ThirdWorldBand
IG | www.instagram.com/ThirdWorldBand

SLINGSHOT INTRODUCES 2018 MODEL LINEUP

INDUSTRY-LEADING RIDE COMMAND® INFOTAINMENT SYSTEM

New Slingshot SLR LE Headlines Expanded 2018 Model Year Lineup

Featuring Enhanced Performance and Styling

Slingshot®, the three-wheeled, open-air cockpit roadster that has taken the industry to the edge since its introduction in 2014, today announced its 2018 model lineup with select offerings boasting its industry-leading Ride Command® infotainment system. Headlining the 2018 models is the all-new Slingshot SLR LE. Representing the biggest improvements since its introduction, the new Slingshot lineup takes style, performance, and technology to a whole new level.

The 2018 Slingshot lineup consists of Slingshot S, SL, SLR and SLR LE. The all new, industry-leading 7” multi-touch Ride Command is available as an accessory for Slingshot S, and comes standard in SL, SLR, and SLR LE models. Ride Command is equipped with great features like phone integration, Bluetooth and USB connectivity, and customizable vehicle information screens. Additionally, Ride Command offers turn-by-turn navigation in the SLR and SLR LE models as standard equipment and can be added as an accessory upgrade to the S and SL models.

Slingshot’s ultra-premium SLR LE packs a suite of offerings, including BILSTEIN 10-way adjustable suspension, 200w Rockford Fosgate® audio, premium sport seats with color-matched side bolsters, two-tone Ghost Gray with Lime Squeeze painted accents, and special edition graphics.

“The introduction of Ride Command merges modern conveniences of today’s latest technology with Slingshot’s high-adrenaline riding experience,” said Kevin Reilly, VP, Marketing –Slingshot. “The addition of the SLR LE rounds out our vehicle offerings with a premium model for those who demand the absolute best.”

Slingshot’s 2018 models offer an unmatched riding experience at a variety of price points that will begin to reach dealers in September 2017. The Slingshot S will be available starting at $19,999 in Gloss Black, an entry-level price point making it a more affordable means to experience an exhilarating driving experience only Slingshot can provide. Starting at $25,499, the SL will come in Navy Blue and Sunset Red, while the SLR starts at $28,999 and introduces a new Electric Blue color to the line-up. The popular SLR Orange Madness will continue for 2018. In a limited run, the Slingshot SLR LE will be available starting at $30,999 in a two-tone Ghost Gray with Lime-Squeeze painted accents.

Owners can personalize and customize their Slingshot with dozens of Slingshot Engineered Accessories, including premium 200-watt Rockford Fosgate audio kit, quilted comfort seats or add custom style with the all new rear fender*. Additionally, owners can add Slingshot’s industry-leading Ride Command system to their Slingshot S, or enhance their S or SL’s capabilities by adding the Ride Command Navigation system. Most of the vehicle accessories are offered in a variety of factory color-matched options, which allow consumers to truly customize their Slingshots.

*Rear fender only available in the United States.

For more information about Slingshot visit PolarisSlingshot.com. Follow us at Facebook.com/PolarisSlingshot, @Slingshot on Twitter and @polarisslingshot on Instagram.

About Polaris

Polaris Industries Inc. (NYSE: PII) is a global powersports leader that has been fueling the passion of riders, workers and outdoor enthusiasts for more than 60 years. With annual 2016 sales of $4.5 billion, Polaris’ innovative, high-quality product line-up includes the RANGER®, RZR® and Polaris GENERAL™ side-by-side off-road vehicles; the Sportsman® and Polaris ACE® all-terrain off-road vehicles; Indian Motorcycle® midsize and heavyweight motorcycles; Slingshot® moto-roadsters; and Polaris RMK®, INDY®, Switchback®and RUSH® snowmobiles. Polaris enhances the riding experience with parts, garments and accessories, along with a growing aftermarket portfolio, including Transamerican Auto Parts. Polaris’ presence in adjacent markets globally include military and commercial off-road vehicles, quadricycles, and electricvehicles. Proudly headquartered in Minnesota, Polaris serves more than 100 countries across the globe.

Visit www.polaris.com for more information.

BLACK CLOUD, VOLUME 1 DESCENDS THIS OCTOBER

Writers Ivan Brandon (DRIFTER, Wolverine) and Jason Latour (SOUTHERN BASTARDS, Spider-Gwen), artist Greg Hinkle (THE RATTLER, AIRBOY), and colorist Matt Wilson (THE WICKED + THE DIVINE, PAPER GIRLS) will release a trade paperback collection of the first arc in their darkly ethereal fantasy series BLACK CLOUD this October.

From the creators of Spider-Gwen, SOUTHERN BASTARDS, DRIFTER, and AIRBOY, comes a new fantasy where heroes are hard to find.

Zelda’s about to start a war of dreams. In the days when story and reality were one, the old blood—people with the power to shape stories—built a new world to escape the future we all came to live in. Generations later, Zelda rejects the old blood’s dreams and escapes into our world to run from destiny. But destiny has a nasty way of catching up to you.

BLACK CLOUD, VOLUME 1: NO EXIT (Diamond code: JUL170732, ISBN: 978-1-5343-0328-7) arrives in comic book stores Wednesday, October 11th and bookstores Tuesday, October 17th. The final order cutoff deadline for comics retailers is Monday, August 7th.

BLACK CLOUD, VOLUME 1: NO EXIT is available for preorder via Amazon, Barnes & Noble, Indiebound, and Indigo.

Select praise for BLACK CLOUD:

“BLACK CLOUD is a genuinely intriguing story with gorgeous art.”
—Frank Quitely (JUPITER’S LEGACY, Batman, New X-Men)

“Making your dreams real is never easy, but with splashy art and spiky writing, BLACK CLOUD reminds us of the beauty and power of imagination in dark times.”
—Cliff Chiang (PAPER GIRLS, Wonder Woman)

“Like Grant Morrison’s trippiest work, BLACK CLOUD will make you look at life in a new way, and wonder what stories are hiding in that stranger you keep ignoring—not to mention yourself.” —Paste Magazine

“BLACK CLOUD establishes worlds and characters that are nothing less than witty and captivating: a testament to some of the strongest imaginations in the industry.” —Comics Verse

“As intricately crafted as it is downright wild.” —IGN

“BLACK CLOUD gives storytellers back their power in our modern world. Not to be missed.” —Alison Haislip (G4, The Voice)

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‘The Complex Cover’ Features LANA DEL REY

THE COMPLEX COVER profiles Lana Del Rey on the heels of her recently released fourth studio effort Lust for Life. In the interview – filmed at the Prohibition era-inspired, Hollywood hotspot No Vacancy and produced in the nostalgia-inducing style of the 50s and 60s she’s known for – Del Rey opens up to Complex’s Noah Callahan-Bever about the album’s overall lighter tone, explains her decision to weave elements of the current political climate throughout the record, reflects on her experience collaborating with her friends, explores her growth as an artist, and more.

Lana Del Rey Quotes From The Complex Cover interview

On the potential of her political songs alienating her core fan base

“You don’t negotiate when it comes to your work or your art. You stand totally firm and take the consequences. In terms of losing fans, I don’t care. Period.”

On how she’s grown as an artist since her first album Born to Die

“Maybe just the ability to integrate my own experiences with what I’m observing. To be able to reflect back, like a good mix of inner world [and] outer world.”

On the challenge of revealing a personal side musically as she achieved greater success

“I’ve never been somebody who turned away from really hard work… If I feel like I’m just not getting it right, I’ll just keep on trying different things until I feel like I’m hitting my stride in that department. I don’t know, finding your own path is not for the faint of heart…”

On infusing hip-hop into her album seamlessly

“I never feel like I’m not where I’m supposed to be… No matter who I’m with, I’m always doing my own thing. I can’t remember the last time I was in a club or somewhere and felt like, ‘Man, I’m not supposed to be here.’ I’ve been kind of doing it for so long, I feel like everybody I’m friends with, everyone I know just knows I’m all about the music.”

The Complex Cover is one of the latest original series from Complex, joining Sneaker Shopping, the No. 1 sneaker show on the web; Complex Live and Complex Con(versations), both available on go90; Everyday Struggle; and more.

OLSEN GRUIN NEW LOCATION

Olsen Gruin is pleased to announce the opening of our new ground floor location in the heart of the Lower East Side gallery district. Sharing Country, rated as one of the top #10 summer shows to see in NY by ArtNet is currently on view at 30 Orchard.

Opening: Thursday 27 July, 5–8pm

Exhibition continues until August 10.

In addition, ALPHACHANNELING Group Summer Show will open, Friday, July 28.
Alphachanneling’s sensual compositions reference ancient, tantric, Taoist, Hindu and Buddhist tropes. Jerry Saltz exclaimed “there’s an outsider-ish Henri Rousseau quality… Sigmar Polke’s easiness of line and simplicity.” Alphachanneling describes the work as “a devotional prayer to the feminine principal.”

Opening: Friday 28 July, 5–8pm

Exhibition continues until August 31.

La Guarimba International Film Festival Promotional Movie Posters

La Guarimba is a short film and illustration festival in southern Italy that will celebrate its fifth edition from 7th to 11th of August in Amantea, Calabria (Italy) and has between its partners VIMEO.

Every year we call 30 international illustrators to make a poster with our monkey and our slogan (Bringing the cinema back to the people and the people back to the cinema). During the days of the festival, the exhibition takes place in La Grotta (The Cave), a beautiful natural park where centuries ago instead of trees and grass there use to be the sea.

Curated by illustrator Sara Fratini, this year’s posters showcase the incredible use of color, art, typography, layout, and design by illustrators from all over the world. Get inspired and check out the posters below from artists like Sarah Clifford, Joanna Hellgren, Daisy Zuo, Carolina Celas, Leonard Peng, Popy Matigot, Barbora Idesová, Caridibuja, Scott C., Erik Svetoft, Max Fiedler a.k.a Mexer, Ilka Meszely, David McMillan, Federica Ubaldo, Daniel Jamie Williams and 15 other artists.

Check the online gallery of all the artists of our 5 years of festival: http://laguarimba.tumblr.com/

Download each 2017 poster with the artist information: http://www.dropbox.com/s/wbnqd1wlmz2bgim/La%20Guarimba%20Illustrators%202017.zip?dl=0

Here is the official film competition: http://www.laguarimba.com/selection2017/

KWAYE RELEASES NEW TRACK “SWEETEST LIFE” THAT COMPLETES HISSOLAR EP ON MIND OF A GENIUS

“KWAYE is bringing back pop sounds from a bygone era with a resoundingly modern twist.” – HIGH SNOBIETY

Zimbabwe-born artist Kwaye has released his debut Solar EP, out today via Mind of a Genius/Warner Bros. Records. The EP features his previous hits “Cool Kids” and “Little Ones,” which have earned over 2.3 million streams to date.The final track in this trilogy, “Sweetest Life,” debuted today as Zane Lowe’s World Record premiere on Beats 1.
LISTEN TO “SWEETEST LIFE” HERE.
SOLAR EP AVAILABLE AT RETAIL HERE.
Mind of a Genius recently signed this dynamic talent following a chance encounter. The 22-year-old had moved to the States, pursuing a dual major at UCLA in African American studies and the music industry. One night, he hopped in an Uber whose driver happened to be a former A&R executive. Kwaye played “Cool Kids” in the car, and the driver decided to share it with Mind Of A Genius label founder David Dann. A deal followed, making him the company’s very first UK signing.

As a child, Kwaye developed an encyclopedic musical taste, devouring everything from Zimbabwean traditional songs to D’Angelo, John Legend, Thundercat, Tracy Chapman, and The Eagles. He taught himself viola, saxophone, and guitar and cut his teeth playing open mic nights in London and in the famed West End. His personal fashion mirrors the melting pot at the heart of his music, merging bright Zimbabwe-style colors and London refinement.

Kwaye arrives as a new global voice in 2017 with the power to shake things up.

Revisiting the Sumer of Love, Rethinking the Counterculture;An Academic Conference on the 50th anniversary of the Summer of Love

Northwestern’s Center for Civic Engagement, with the California Historical Society, is hosting an interdisciplinary academic conference July 27 through 29
WHAT: Key local academics will gather this week to discuss the counterculture and reexamining events that led to the Summer of Love and its legacy and impact. Scholars will discuss what the counterculture means 50 years after the Summer of Love forever transformed San Francisco, California and the country.

Professors from Stanford, Cal-Berkeley, and San Francisco State will be joined by academics around the country at the conference “Rethinking the Counterculture/Rethinking the Summer of Love,” hosted by Northwestern/San Francisco and the California Historical Society.

Three prominent Northwestern University scholars will be among several dozen historians, journalism, arts and gender studies experts from around the country gathered to offer lectures and discussion. A wide range of topics includes the Beats to hippies, the Black Panthers, media, music, and more. They will also delve into the lessons contemporary society can take from the events that occurred in the 1960s.

The summer of 1967 in San Francisco went beyond sex, drugs and rock-n-roll. 100,000 young people came for the music and the culture, and left changing the face of American society forever.

The three-day interdisciplinary academic conference will celebrate and reexamine the Summer of Love, its associated events and their contexts and implications on today’s world. The conference’s major theme is community: building community; portraying community; analyzing community; healing community; and envisioning community; done so through a variety of mechanisms from activism to the arts, from esotericism to drugs.

WHO:

* Fred Turner, Stanford University

* Richard Candida Smith, University of California Berkeley

* Peter Richardson, San Francisco State University

* Stephen Eisenman, Northwestern

* Abe Peck, Northwestern

* Michael Kremer, Northwestern

* Anthea Hartig, California Historical Society

WHEN/ Thursday, July 27, 2017 (6:00 pm-7:00 pm) Lecture:

WHERE:

Hot Fun in the Summertime: Microcosmic and Macrocosmic Views on the Summer of Love

Event Location: California Historical Society, 678 Mission St.

Friday, July 28, 2017 (9:00 am – 5:30 pm) Lectures & Panels:

Event Location: Northwestern University San Francisco, 44 Montgomery St.

From Counterculture to Cyberculture: The Dream of a World Beyond
From Subculture to Counterculture: Paths through Postwar Art to the Summer of Love
The Long 60s
Rooting the Counterculture: Rural Communes and Back to the Land
The Black Power Revolution and the Summer of Love
Engendering Social Change: Feminism, Sexual Freedom, and Gender-Transgressive

Fashion in the Age of Aquarius

From Punishment to Protection: Human Service Innovation in the Summer of Love
Agency, Activism, and Clash in the Ideology of the Counterculture
The Sound of the Counterculture: Rock Music and Its Resistances
Presenting the Counterculture: Portrayals, Perceptions, Problems
Reimagining America: Identity, Transformation, and the Politics of Community in the

Counterculture

Saturday, July 29, 2017 (9:00 am – 3:45 pm) Lectures & Panels:

Event Location: Northwestern University San Francisco, 44 Montgomery St.

William Blake and the Age of Aquarius
The Intellectual Origins of the Counterculture: How Theory Shaped Practice
The Soundtrack of the Summer of Love: Ideas, Albums, and Issues
Expanded Mediums and the Summer of Love: Objects, Performance, and Film
From Innocence to Experience: LSD, the Counterculture and Sustainable Lives
The Counterculture and the Written Word: Was the Movement a Literary Movement Too?
The Media and the Summer of Love: From Street to Straight
Visualizing the Summer of Love: The San Francisco Poster Renaissance

For complete program times and registration details visit: engage.northwestern.edu

My Moment With Myrtle Moore…

This was a human being of unfathomable beauty… She’s inspired thousands and lived an incredibly full life which left behind a huge legacy!

I Samari Robinson am honored to share her blood!

Come check out my Instagram page to learn more!

My Page!