360 MAGAZINE is an award-winning international publishing on popular culture and design. We introduce avant trademarks to efficacious architects.
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Our core demographic ranges from 19 to 39-year-old college-educated trendsetters within their respective international communities. The pages in this art book satisfy their strong interests including music, art, travel, auto, health, fashion, tech, philanthropy, design, food and entrepreneurship.
It's an introspective digital/print/tablet portrait series, which encapsulates artists/brands/entities who embody the true essence of our publication- empowerment, equality, sensuality and most important of all, humanity within a global society.
Collecting classic cars can be an exciting journey, but it comes with its own set of challenges. This guide will help you navigate the process of shipping your classic car, making it easier and more enjoyable. From choosing a reliable shipping company to caring for your car after delivery, we’ve got you covered with essential tips and insights.
Key Takeaways
● Always check reviews and ratings for shipping companies to ensure reliability.
● Document your car’s condition before shipping to avoid disputes later.
● Choose a shipping method that suits your needs, whether it’s door-to-door or terminal-to-terminal.
● Stay informed about customs regulations if you’re shipping internationally.
● Join classic car communities for support and networking opportunities.
Choosing the Best Car Shipping Company for Your Classic Car
When it comes to shipping your classic car, picking the best car shipping company is crucial. You want to ensure your vehicle arrives safely and without any hassle. Here’s how to make the right choice:
Evaluating Reputation and Reviews
● Check online reviews: Look for feedback from previous customers to gauge their experiences.
● Ask for recommendations: Talk to fellow classic car enthusiasts for trusted suggestions.
● Research their history: A company with a long-standing reputation is often more reliable.
Comparing Shipping Costs
● Get multiple auto shipping quotes: This helps you understand the average price range.
● Look for hidden fees: Ensure you know what’s included in the price.
● Consider the value of your car: Sometimes, paying a bit more for better service is worth it.
Understanding Insurance Coverage
● Ask about insurance options: Make sure your car is covered during transit.
● Read the fine print: Understand what is and isn’t covered in case of damage.
● Consider additional coverage: If your car is particularly valuable, extra insurance might be a good idea.
Checking for Specialized Services
● Look for enclosed transport: This is often safer for classic cars.
● Inquire about door-to-door service: It can save you time and effort.
● Ask about tracking options: Being able to track your vehicle can give you peace of mind.
Remember, choosing the right shipping company can make all the difference in ensuring your classic car arrives in perfect condition. Take your time to research and ask questions before making a decision!
Preparing Your Classic Car for Shipping
When you’re ready to ship your car to another state, there are a few important steps to take to ensure everything goes smoothly. Here’s how to get your classic car ready for the journey:
Documenting the Vehicle’s Condition
● Take detailed photos of your car from all angles.
● Write down any existing scratches or dents to avoid disputes later.
● Keep a record of mileage and any recent repairs.
Securing Loose Parts and Accessories
● Remove any loose items from inside the car.
● Secure any external accessories, like mirrors or spoilers, that could get damaged.
● Check the trunk for any items that might shift during transport.
Choosing the Right Shipping Method
● Decide between open or enclosed transport based on your car’s value and condition.
● Consider door-to-door service for convenience.
● Ask about the estimated delivery time to plan accordingly.
Understanding Customs and Regulations
● Research any state-specific regulations if you’re shipping across state lines.
● Prepare necessary paperwork for customs if shipping internationally.
● Check if your shipping company provides assistance with customs documentation.
Preparing your classic car properly can save you from headaches later. Take the time to ensure everything is in order before the big day!
By following these steps, you can feel confident that your classic car will arrive safely and in the same condition you left it. Remember, a little preparation goes a long way when you decide to car ship your prized possession!
Navigating the Shipping Process with Ease
When it comes to shipping your classic car, you want to make sure everything goes smoothly. Here’s how to navigate the process without a hitch:
Booking Your Shipment
1. Choose a reliable shipping company: Look for one with good reviews and a solid reputation.
2. Get a quote: Make sure to understand the costs involved.
3. Schedule your shipment: Pick a date that works for you and the shipping company.
Tracking Your Vehicle
● Stay updated: Most companies provide tracking options so you can see where your car is at all times.
● Communicate: Don’t hesitate to reach out to the shipping company if you have questions.
Handling Delays and Issues
● Be prepared: Sometimes, delays happen due to weather or other factors. Stay calm and patient.
● Know your rights: Understand the shipping company’s policies on delays and damages.
Receiving Your Car Safely
● Inspect upon arrival: Check your car for any damages before signing off on the delivery.
● Document everything: Take photos and notes if you notice any issues.
Remember, shipping your classic car should be a smooth experience. With the right preparation and communication, you can enjoy the process and get your prized possession delivered safely.
By following these steps, you can ensure that your classic car arrives at its destination in the best possible condition, giving you peace of mind throughout the shipping process.
Post-Shipping Care for Your Classic Car
Once your classic car arrives, the excitement is just beginning! Here’s how to ensure your new treasure stays in top shape:
Inspecting for Damages
● Check for any visible damage: Look for scratches, dents, or any signs of wear.
● Take photos: Document everything for your records.
● Report issues immediately: If you find any problems, contact the shipping company right away.
Maintaining Proper Documentation
● Keep all shipping documents: Store your bill of lading and any insurance papers safely.
● Document the car’s condition: Write down any pre-existing issues to avoid confusion later.
● Create a maintenance log: Track repairs and services to maintain the car’s value.
Scheduling Maintenance and Repairs
● Set up a maintenance schedule: Regular check-ups can prevent bigger issues down the road.
● Find a trusted mechanic: Look for someone experienced with classic cars.
● Address repairs promptly: Don’t let small issues turn into costly repairs.
Joining Classic Car Communities
● Connect with fellow enthusiasts: Join local clubs or online forums to share tips and experiences.
● Attend events: Participate in meet-ups and shows to showcase your car and learn from others.
● Stay informed: Keep up with trends and news in the classic car world.
Remember, taking care of your classic car is not just about maintenance; it’s about preserving a piece of history. Enjoy every moment with your vintage ride!
Showcasing Your Classic Car After Delivery
Once your classic car has arrived safely at your home, the fun really begins! You’ll want to show off your new ride and connect with other enthusiasts. Here are some great ways to do just that:
Participating in Local Meet-Ups
● Find local car clubs: Many cities have clubs that meet regularly. Joining one can help you meet fellow classic car lovers.
● Attend car shows: Look for events in your area where you can display your car and meet other collectors.
● Organize a cruise: Gather friends and fellow enthusiasts for a fun drive around town.
Attending Regional Exhibitions
● Research upcoming exhibitions: Keep an eye out for regional events where classic cars are featured.
● Prepare your car: Make sure your vehicle is clean and in top shape for the exhibition.
● Network with other collectors: These events are a great way to make connections and learn more about classic cars.
Entering National Showcases
● Look for national events: These larger showcases can provide great exposure for your car.
● Follow entry guidelines: Make sure you understand the requirements for entering your vehicle.
● Show your passion: Share the story of your car with others; it adds to its charm and history.
Leveraging Social Media for Exposure
● Share your journey: Post pictures and stories about your classic car on platforms like Instagram and Facebook.
● Join online communities: Engage with other classic car enthusiasts in forums and groups.
● Use hashtags: Help others find your posts by using popular classic car hashtags.
Showcasing your classic car isn’t just about the vehicle; it’s about connecting with a community that shares your passion. Whether it’s through local meet-ups or social media, every interaction adds to the story of your car.
By taking these steps, you’ll not only enjoy your classic car but also become part of a vibrant community that celebrates automotive history. So, get out there and let your classic car shine!
Understanding the Financial Aspects of Classic Car Shipping
When it comes to shipping your classic car, understanding the financial side is super important. Here’s what you need to keep in mind:
Budgeting for Shipping Costs
● Get Quotes: Always ask for quotes from different shipping companies. This helps you find the best deal.
● Consider Distance: The farther your car has to travel, the more it might cost. Keep this in mind when planning.
● Extra Fees: Look out for any hidden fees, like fuel surcharges or additional insurance costs.
Exploring Insurance Options
● Basic Coverage: Most shipping companies offer basic insurance, but it might not cover everything.
● Additional Insurance: Consider getting extra coverage for peace of mind, especially if your car is valuable.
● Check Policies: Always read the fine print to understand what’s covered and what’s not.
Evaluating Long-Term Value
● Investment Potential: Classic cars can appreciate over time, making them a good investment. Think about how shipping costs fit into your overall budget.
● Market Trends: Keep an eye on market trends to see if your car’s value is likely to increase.
● Community Value: Being part of classic car communities can also enhance your car’s value through networking and events.
Remember, shipping your classic car is not just a cost; it’s an investment in your passion and future.
By understanding these financial aspects, you can make informed decisions that will help you enjoy your classic car without breaking the bank!
Building Trust with Sellers and Shipping Companies
When you’re diving into the world of classic cars, building trust with both sellers and shipping companies is super important. Here’s how you can do it:
Researching Seller Reputation
● Look for reviews: Check online platforms for feedback from previous buyers.
● Ask for references: A good seller should be able to provide contacts of past customers.
● Check their history: See how long they’ve been in the business and their track record.
Verifying Shipping Company Credentials
● Check licenses: Make sure the shipping company is properly licensed and insured.
● Read reviews: Look for customer experiences to gauge reliability.
● Ask about their experience: A company that specializes in classic cars will know how to handle them with care.
Reading Customer Testimonials
● Look for detailed stories: Testimonials that share specific experiences can give you a clearer picture.
● Check multiple sources: Don’t rely on just one site; look around for a well-rounded view.
● Ask for recent testimonials: This ensures the company is still maintaining good service.
Ensuring Clear Communication
● Ask questions: Don’t hesitate to inquire about anything that seems unclear.
● Get everything in writing: Make sure all agreements are documented to avoid misunderstandings.
● Stay in touch: Regular communication can help ease any worries you might have.
Building trust takes time, but it’s worth it. When you feel confident in your seller and shipping company, the whole process becomes much smoother.
Final Thoughts on Collecting Classic Cars
In summary, collecting classic cars is an exciting journey that goes beyond just owning a vehicle. It’s about embracing a rich history and being part of a passionate community. Once you find your dream car, the fun really begins! You can show it off at local events, meet fellow enthusiasts, and even see its value grow over time. Remember, taking care of your classic car is key to keeping it in great shape and preserving its worth. So, whether you’re in it for the thrill of the ride or the potential investment, owning a classic car is a rewarding experience. Don’t wait too long to make your move—your perfect classic car is waiting for you!
Every once in a while, 360 MAGAZINE encounters a young person who possesses a certain JE NE SAIS QUOI. This time around, it’s Morgan Brown.
What was it like growing up in your city?
I grew up in New Rochelle, New York where I lived from ages 6-13 before moving to Sammamish, Washington in 2019. Both neighborhoods have very large white populations and for a very large part of my life I found myself chasing validation from my white peers out of a deep rooted need to fit in. Being black in a community where black people were always the butt of a joke, I found myself trying incredibly hard to assimilate to their ‘culture’ in hopes that they’d see our commonalities and be kind.
Who was your inspiration?
I’ve always been inspired by my mother who’s incredibly successful. Sometimes there’s a lot of pressure to live up to what she’s accomplished, but she always reminds me that I’m on my own path that will lead me to completely different places.
Main motivation to attend college and how/why you chose your major?
To be completely honest college was never something I thought about in high school. I was trying so hard to make it through those four years that I didn’t even want to think about the next four. I took a semester off after graduation and then started going to my local community college in January of 2023 where I have, to my own surprise, succeeded greatly. Now, I’m looking to transfer to a four year school in fall of 2025 where I can pursue an English degree and continue to cultivate my love of writing.
If you could look in the mirror and speak to the 10yro version of yourself, what would you say?
I would tell her that things were gonna get worse before they got better, but when they got better they would be really good.
If you could make one change with the world what would it be?
More inclusivity and acceptance for plus-sized people.
ID PRESENTS ITS THIRD ANNUAL NO EXCUSE FOR ABUSE CAMPAIGN THIS OCTOBER, FEATURING THE PREMIERE OF CHRIS BROWN: A HISTORY OF VIOLENCE
• Sunny Hostin Hosting a Discussion with Experts Encouraging Advocacy and Impact Immediately Following the Documentary
• Trailer for Chris Brown: A History of Violence here –
This October, Investigation Discovery (ID) proudly presents the third year of its impactful NO EXCUSE FOR ABUSE campaign in alignment with Domestic Violence Awareness Month and in partnership with NO MORE. Throughout the month, this campaign underscores ID’s unwavering commitment to shedding light on the multifaceted and complex dynamics of intimate partner violence with resources and programming initiatives, including an in-depth exploration of the issue with the premiere of CHRIS BROWN: A HISTORY OF VIOLENCE, premiering on Sunday, October 27 at 9 pm ET/PT on ID.
Chris Brown has been praised for his innovation and immense talent since he burst onto the music scene. But in 2009, the world was exposed to a much darker side of the pop star when he made headlines for assaulting then-girlfriend, Rihanna. This arrest put a spotlight on Brown and his adult life involving multiple violent incidents, including intimate partner violence, assault charges, and even sexual assault allegations. CHRIS BROWN: A HISTORY OF VIOLENCE charts Chris Brown’s past all the way back to his troubled childhood, explores the lasting impact of the cycle of abuse, and poses the question: how does a man with such a violent public record maintain his superstar status? With expert and cultural commentary layered throughout, the documentary provides thoughtful reflections into each survivor’s experience and the psychological destruction in the aftermath of their abuse.
Sunny Hostin, The View co-host and 4x Emmy Award-winning journalist, will host a dedicated conversation immediately following the documentary about intimate partner violence. The special will expand on the discussion about domestic violence, providing guidance on recognizing signs of abuse, information on where to find help, and insights on violence prevention from a roundtable of leading experts and advocates, including NO MORE’s co-founder Jane Randel.
“Throughout my career, I have always prioritized being a fierce defender of women and children,” said Sunny Hostin. “Domestic violence is a very close, personal issue to me as I reflect on my past as a prosecutor of these types of cases, and in my role as a mother and public figure whose actions inform and help shape the next generation. This issue is a prevalent epidemic which knows no socio-economic boundaries, so I am dedicated to expanding and continuing this crucial conversation. The more we know, the better we can help advocate for change as a society.”
“ID is dedicated to empowering individuals and communities through its programming and campaigns. Our annual No Excuse for Abuse campaign amplifies this message, providing resources to show survivors and their loved ones that they are not alone and that help is available,” said Jason Sarlanis, President of ID. “In our third year, we are creating impactful content and collaborating with champions like Sunny Hostin, who brings her expertise and passion to lead thoughtful and nuanced discussions on domestic violence.”
Through the ongoing partnership with NO MORE, ID is dedicated to empowering viewers with the knowledge and tools necessary to identify all forms of domestic violence, find support if needed, and become part of the solution. For comprehensive information and the list of network initiatives, please visit the campaign’s website at NoExcuseForAbuse.com. Please join the conversation on social by using #NoExcuseforAbuse.
CHRIS BROWN: A HISTORY OF VIOLENCE is produced for ID by Ample Entertainment.
For exclusive web content and bonus material, fans can follow ID on X, Instagram, and Facebook or check out the network’s true crime blog, CrimeFeed.
“New Orleans is one of my favorite places in the country to visit because of its rich history and culture. So imagine how much of a treat it was to get a taste of both while visiting Los Angeles. Preservation Hall educated, enlightened, and entertained us Saturday night with a wide range of rich, soulful music and that New Orleans flare. One moment I was being brought to tears by the magical piano playing of Kyle Roussel and the next I was on my feet snapping and tapping with the audience to upbeat vocals by Clint Maedgen and Branden Lewis. From their newly minted bass player to those from some of New Orleans’ famous musical families, namely Revon Andrews on the trombone, to rising world star Peter Varnado on drums, Preservation Hall transported us from Malibu to The French Quarter on a cloud of rhythmic soul.” – Sheronda Rochelle
Be transported to New Orleans with Preservation Hall Jazz Band at Smothers Theatre on Pepperdine University’s Malibu campus on Saturday, September 28 at 8 p.m. “Laissez les bons temps rouler” with this high-energy, joyous performance.
Preservation Hall Jazz Band tours worldwide with a mission of nurturing and perpetuating the art of New Orleans jazz. Throughout its history, New Orleans has been the point at which sounds and cultures from around the world converge, mingle, and resurface. Preservation Hall Jazz Band has held the torch of New Orleans music aloft for more than 60 years, forging boldly forward into the future while proudly preserving its vibrant sonic past.
Marching that tradition forward once again, Preservation Hall’s album “So It Is” redefines what New Orleans music means today by tapping into a continuum that stretches back to the city’s Afro-Cuban roots, through its common ancestry with the Afrobeat of Fela Kuti and the Fire Music of Pharoah Sanders and John Coltrane, and forward to cutting-edge artists with whom the band has shared stages with. Preservation Hall has performed with legends such as Stevie Wonder, Elvis Costello, the Grateful Dead, Beck, The Foo Fighters, My Morning Jacket, and the Black Keys.
“I’ve been playing since I was 11 years old,” band member Charlie Gabriel says, “I never did anything in my life but play music. I’ve been blessed with that gift that God gave me, and I’ve tried to nurse it the best way I [know] how.” Gabriel has been a musician for over 75 years and a member of Preservation Hall Jazz Band since 2006. With the group’s bassist and tuba player, Ben Jaffe, and guitarist, Joshua Starkman, they recorded Gabriel’s debut album “89” presented by Preservation Hall.
Tickets are available now and are priced at $43–$78 for the public. Price includes ticket fees. Discounted tickets are available for groups, Military, Wave Associates, and Pepperdine faculty, staff, students, and alumni. To purchase tickets, call the Lisa Smith Wengler Center for the Arts box office at (310) 506-4522 or visit the Preservation Hall Jazz Band event page.
New York City personifies energy, fashion-forward thinking, and unparalleled access to the world’s most coveted art and design. Illuminating the scene is the launch of the new NYC Jewelry and Vintage Show (NYCJAVS), a dynamic monthly pop-up event that will transform the Metropolitan Pavilion into a treasure trove of vintage jewelry, fashion, art objects, accessories, and watches. The highly anticipated event kicks off on October 26, 2024, continuing monthly with upcoming dates on November 29-30 and December 13-14, 2024, and January 25, 2025. Each showing promises a unique, fresh experience for collectors, enthusiasts, and those eager to explore the world of vintage design.
Stepping into the NYC Jewelry and Vintage Show is stepping into another era—one where craftsmanship, originality, and history take center stage. Upon entering the Metropolitan Pavilion, guests are surrounded by curated collections from vendors across the United States. Each hand-selects their finest offerings of vintage fashion and accessories. Whether a seasoned collector seeking a rarity, a fashion aficionado looking for inspiration, or someone curious about art, NYCJAVS immerses one in a world of creativity. The show’s thoughtfully curated selection promises something for everyone, from exquisite Victorian and Edwardian rings and necklaces to retro designer fashion. Each piece tells its own story, inviting attendees to admire beauty while learning about craftsmanship and personal journey behind each piece. More than a marketplace— the NYC Jewelry and Vintage Show is a community event, bringing together passionate collectors and creatives who understand the value of preserving and celebrating the past.
Konstantinos Leoussis, Founder of NYCJAVS and parent company, KIL Promotions, emphasizes the importance of creating an experience that resonates on a personal level. “The NYC Jewelry and Vintage Show is designed to be an unforgettable journey through vintage fashion and jewelry,” Konstantinos explains. “We want our visitors to discover pieces that speak to them, pieces that are as unique as they are. The show is about bringing people together to celebrate fashion and style that endures decades.”
Held monthly at the Metropolitan Pavilion, located in Chelsea’s thriving art and fashion district, NYCJAVS promises to be a regular highlight for those who value high-quality vintage finds. The accessible location and recurring schedule make it easy for attendees to return time and time again, always discovering new treasures and engaging with vendors who are as passionate about their pieces as the people who buy them. Each show will offer a fresh selection, offering a new and exciting experience with each visit, allowing the fashion-forward to refresh their wardrobes and jewelry collections with exclusive vintage finds. With a unique opportunity to engage directly with vendors, personal connections forged at NYCJAVS are as valuable as the jewels themselves— an enriching experience that goes beyond shopping. For many, the event is a chance to learn about the cultural and historical significance of the pieces on display, sparking new interests in vintage design and inspiring personal style choices that are rooted in the past while resonating with modern sensibility and style.
The NYCJAVS team provides an accessible, inclusive, and engaging atmosphere where anyone—from long-time collectors to the artsy curious—can find something they love. Ultimately, the show is a celebration of timeless design, offering a place where past and present merge seamlessly, and where the next great addition to your wardrobe or collection is waiting to be discovered.
As the opening date of October 26 approaches, anticipation for the new NYC Jewelry and Vintage Show grows. Future dates, including November 29-30, December 13-14, and January 25, will bring fresh excitement and ever-changing collections, giving ample opportunity to return and rediscover. Immerse in the world of vintage fashion and jewelry, build connections with like-minded enthusiasts. For exhibitor registration, visit https://www.nycjavs.com/apply-as-a-vendor.
Levi’s Launches New Global Campaign Featuring Beyoncé
The Levi’s brand today announced a new campaign with global icon Beyoncé. Following the release of “LEVII’S JEANS” — a beloved track from “COWBOY CARTER,” the critically acclaimed album exploring and redefining Americana — Beyoncé steps into the role of protagonist in “REIIMAGINE,” a campaign inspired by the legacy of the Levi’s brand and the forward-thinking vision of one of the most influential figures of modern culture, reaffirming the brand’s enduring place at the center of culture.
“The Levi’s brand has and always will be the unofficial uniform for those moving forward in the pursuit of better. We believe a key part of that is continuously breaking and building the codes of culture” Post this
Drawing inspiration from Beyoncé’s innovative approach to art, culture, and storytelling, the campaign reimagines classic Levi’s looks and films. In a series of chapters, the new campaign reinterprets several of the Levi’s brand’s most iconic advertisements, bringing them into the modern era through the transformative vision of celebrated filmmaker Melina Matsoukas. The first film — inspired by “Launderette,” the 1985 ad that famously reignited “I Heard It Through the Grapevine” on the Billboard charts — places Beyoncé center stage and celebrates the Levi’s brand’s heritage as a canvas for self-expression, worn by changemakers and icons alike.
“My song ‘LEVII’S JEANS’ celebrates what I believe is the ultimate Americana uniform — something we all wear with pride,” said Beyoncé. “I am honored to work with Levi’s to create quintessential American iconography. Denim on denim has often been seen through a male lens, so this reimagining campaign, which celebrates the iconic female perspective, is important to me. I look forward to exploring innovative ways for our visions to align in empowering women and honoring their strength.”
“The Levi’s brand has and always will be the unofficial uniform for those moving forward in the pursuit of better. We believe a key part of that is continuously breaking and building the codes of culture,” said Kenny Mitchell, global chief marketing officer of the Levi’s brand at Levi Strauss & Co. “In collaboration with Beyoncé, we explore the power of reimagination through this campaign, helping us to connect with our fans in new ways and supporting the growth of our women’s business as the definitive denim lifestyle brand.”
The fully integrated campaign — which will include television, out-of-home, digital, social media, print, brand activations and exclusive products — kicked off with digital projections in key markets like San Francisco, Houston, Chicago, New York, Atlanta, Paris, London and Berlin, creating buzz and giving fans a sneak peek into the campaign to come. On September 30, high-impact out-of-home is launching around the world to inaugurate the Levi’s and Beyoncé campaign.
The first film was brought to life through the lens of Marcell Rév, an Emmy Award-winning cinematographer. Outside of the immersive visual world of the film, the Levi’s brand worked with photographer Mason Poole, who captured a collection of timeless campaign imagery, adding to the canon of incredible photography of icons in Levi’s jeans, from Marlon Brando to Marilyn Monroe — and now Beyoncé. The campaign was conceived in creative partnership with TBWA\Chiat\Day LA and produced by de la revolućion/PRETTYBIRD.
To see the latest content from the global campaign and to stay up to date on the campaign, visit levi.com and follow @levis on Instagram and TikTok. The full version of the film can be found on YouTube.
To mark the 20th anniversary of U2’s critically-acclaimed eight-time Grammy-winning album How To Dismantle An Atomic Bomb, Interscope Records today announce the release of a shadow album titled How To Re-Assemble An Atomic Bomb, which includes new, unreleased songs discovered in the archive of the original album recording sessions. Set for a standalone release on November 29, the first songs to be made available from How To Re-Assemble An Atomic Bomb are ‘Country Mile’ and ‘Picture Of You (X + W)’, listen here. Watch lyric videos here.
To further celebrate the anniversary of this seminal album, How To Dismantle An Atomic Bomb has now been remastered for the first time, a process which saw the band go back to the vault to revisit those early ‘00s recording sessions, a period of intense creativity for U2 in the studio, as well as a time of deep personal and artistic reflection following the passing of Bono’s father Bob in 2001. This special 20th anniversary edition – out November 22 – will include the bonus track ‘Fast Cars’. See below for a complete list of formats. How To Dismantle An Atomic Bomb (Re-Assemble Edition) – featuring both How To Dismantle An Atomic Bomb + How To Re-Assemble An Atomic Bomb – will be available as a dual digital availableNovember 22.
The Edge said of How To Re-Assemble An Atomic Bomb – “The sessions for ‘How To Dismantle An Atomic Bomb’ were such a creative period for the band, we were exploring so many song ideas in the studio. We were inspired to revisit our early music influences, and it was a time of deep personal introspection for Bono who was attempting to process – dismantle – the death of his father.
For this anniversary edition I went into my personal archive to see if there were any unreleased gems and I hit the jackpot. We chose ten that really spoke to us. Although at the time we left these songs to one side, with the benefit of hindsight we recognize that our initial instincts about them being contenders for the album were right, we were onto something.
What you’re getting on this shadow album is that raw energy of discovery, the visceral impact of the music, a sonic narrative, a moment in time, the exploration and interaction of four musicians playing together in a room… this is the pure U2 drop.”
How To Re-Assemble An Atomic Bomb is a collection of ten songs taken from the original recording sessions for ‘How To Dismantle An Atomic Bomb’ – U2’s critically acclaimed, eight-time Grammy winning album – recently rediscovered in the band’s archive and now released for the first time as a standalone album. This shadow album includes new, never-before-heard or previously released songs – ‘Treason’, ‘Evidence Of Life’, ‘Country Mile’ and ‘Happiness’; plus a song called ‘Luckiest Man In The World’ – familiar to fans under its working title ‘Mercy’, an early demo of which was leaked online almost 20 years ago – which now gets its official release; as well as five newly remastered songs – ‘Picture Of You (X+W)’, ‘I Don’t Wanna See You Smile’, ‘Are We Gonna Wait Forever?’, ‘Theme From The Batman’ and ‘All Because Of You 2’ – all collected together for the first time to mark the 20th anniversary of ‘How To Dismantle An Atomic Bomb’.
How To Dismantle An Atomic Bomb is U2’s eleventh studio album. Released by Island Records / Interscope on November 22, it went to No. 1 in 34 countries around the world, including Ireland, the UK, and the US. Described by Bono at the time as “our first rock album”, How To Dismantle An Atomic Bomb was recorded at the band’s studio in Hanover Quay, Dublin and the South of France, and produced by Steve Lilywhite, with additional production from Chris Thomas, Flood, Jacknife Lee, Brian Eno, Daniel Lanois, Nellee Hooper and Carl Glanville. The 11 tracks included the songs ‘Vertigo’ and ‘Sometimes You Can’t Make It on Your Own’, both of which debuted at No. 1 in the UK charts, the first time a U2 album produced two charts topping singles. How To Dismantle An Atomic Bomb and its singles won a total of eight Grammy Awards, sweeping all of the categories in which the band were nominated, with ‘Vertigo’ alone winning three in 2005, including Best Rock Song. The band were the night’s big winners in 2006, taking home the Grammy for Album of the Year, as well as Song of the Year for ‘Sometimes You Can’t Make It On Your Own’ and Best Rock Song for ‘City of Blinding Lights’, with Steve Lilywhite also winning Producer of the Year.
Click here – or visit U2.com – for a detailed list of formats and tracklistings.
EXECUTIVE PRODUCER GORDON DURICH AND DIRECTOR JOE MCDOUGALL SET TO RELEASE “Thou Art That: The Sayed Sabrina Story”
A DOCUMENTARY
An exciting new untold documentary chronicling one of America’s greatest unsigned music artists will introduce even more followers to the force known as Sayed Sabrina.
“Sabrina,” is a powerhouse independent singer, musician, and songwriter, based in Los Angeles. Her album “Thou Art That” – her most recent and the one of which she is most proud, also autobiographical. Sabrina says, “I’ve incorporated the styles that have become a part of me and am blessed and extremely grateful for the brilliantly talented people on this project. Together we created something very special”. Sabrina is so excited about going back into the studio this year to create another stellar project.
The recording features tracks that are both personal and profound. Take “The Pedestrian,” a whimsical song that speaks to Sabrina’s position as a non-driver in L.A. A captivating and fun animated video illustrates the message. This and other tracks are included in the documentary “Thou Art That: The Sayed Sabrina Story.”
Raised by a Muslim father and a Catholic mother, Sabrina reveals we “practiced music, not religion” at home. Later, she was homeless, survived the streets of Hollywood, and was a punk rocker. A teenage mother who was kicked out of her home, she experienced some other extremes, such as juvenile hall, through no fault of her own. Sabrina turned her life around with her rare and remarkable talent, Sabrina’s voice is unlike any other, thrilling her audiences across the globe, her sound has been compared to Shakira, with Janis Joplin sprinkled in for good measure. Her first love is performing, Sabrina has played on the same bill as B.B. King, Los Lobos, Jimmy Cliff, Dr. John, Leon Russell, and Tower of Power, to name a few.
The short documentary came about after Gordon Durich wrote a story about Sabrina and the recording “Thou Art That” for The Hollywood Times.
“Thou Art That: The Sayed Sabrina Story”, delves into the fascinating history of Sayed Sabrina’s trajectory, from her humble beginnings to her music to becoming a global sensation. Offering a unique perspective on the creative process, her personal struggles, passions, and triumphs of overcoming all odds.
Gordon says, “Thou Art That: The Sayed Sabrina Story,” “was a labor of love that has taken years to bring to life. I am thrilled to share her incredible story with the world and shine a light on the talented individual who carved her own path in music. After interviewing Sabrina for what seemed like hours, I was left with the feeling her story was just begging to be told, in more than just words. It had a documentary written all over it, at the very least a biography, so I brought in acclaimed Director Joe McDougall and veteran Producer and Editor Rick Pratt, and the rest is history.”
The documentary is being submitted to film festivals and other outlets nationally and internationally.
“Thou Art That,” The Sayed Sabrina Story running time is close to 24 minutes, and is in color.
A must-see documentary that reveals a success story that will uplift your mind and spirit, just as Sayed Sabrina’s music has always done.
Join the conversation: # “Thou Art That, The Sayed Sabrina Story” #Sayed Sabrina
Gordon Durich – Executive Producer Joe McDougall – Director Rick Pratt – Producer & Editor
The average length of a music documentary is between 20 and 40 minutes, why did you choose this time for this video?
Gordon Durich – Executive Producer:
It was long enough to cover highlights and depth of the story.
How did you get this footage, and is there more if you wanted to lengthen this video?
Gordon Durich – Executive Producer:
Documentary combined footage, animated archival, video of concerts, and performing singing at concerts. Sabrina’s daughter Sadie was very instrumental in getting us footage and outlining the whole documentary. There was a lot more footage, but we would have had to pay for song use from other various artists.
Talk about the technical aspects of this documentary.
Rick Pratt – Producer & Editor:
They have software they can use now to convert original footage. Also, it uses just the original content in the film. Original footage makes the film look more authentic. So, not a whole lot of converting old footage. We used Topaz; an AI program used to convert film.
What type of studio did you work out of?
Gordon Durich – Executive Producer:
ES Audio. She recorded her own album and wanted to record with the same engineer she usually records with Donny Baker.
What type of cameras did you use?
Joe McDougall – Director:
Cameras I used were the Canon Black Magic 3000 and the Canon 5D, Mark 4.
Was there a DP involved with this project?
Gordon Durich – Executive Producer:
Yes, our very gifted director took care of that – Joe McDougall.
Is there a mission statement to this documentary?
Gordon Durich – Executive Producer:
Yes, for young people and women to follow their talents and calling. To empower people, show resilience, determination, and not to wind up dead or in jail.
Are there charities that you would want to target from this documentary?
Gordon Durich – Executive Producer:
Union Rescue Mission LA, Interface Children and Family Services, and any charity that would be relevant to Sayed Sabrina’s story.
Was it at all scripted or story boarded?
Gordon Durich – Executive Producer:
We already had everything scripted and ready with the questions; we covered everything. It ended up becoming a conversation between the interviewer and the artist. It was two women connecting and conversation rather than just a Q&A.
Joe McDougall – Director:
We certainly had a strong idea of what we wanted and the direction we wanted to go in. Usually, documentaries have a strong outline rather than a traditional or theatrical script. Through interviews and the research process, we built the story.
How did the editing process go?
Gordon Durich – Executive Producer:
There wasn’t a storyboard followed, so I ordered it in a certain way, sequencing the film and cutting out unnecessary parts so there wouldn’t be repetition. Going back to clips of her past would have been good, but there wasn’t much found, so there were limitations in finding videos that were a visual representation of her story. So, we got exactly what was possible.
Rick Pratt – Producer & Editor:
The process was standard in this age of remote work. I received the footage and the initial cutdown from the first editor who worked on it. I made an initial assembly of just the content of Sabrina’s interview – no b-roll. I posted the rough cut on Vimeo, where it was reviewed by Sabrina’s team. I’d get notes and then proceed with making new cuts. This process continued for the remainder of the editing. For b-roll, I requested as much live performance footage as possible as well as still photos of her, (current and from her childhood.) This was all done digitally, using Vimeo, Google Drive, etc.
This documentary is so uplifting; was there a downside?
Gordon Durich – Executive Producer:
In filming, not exactly, but there were a lot of sad parts to her story. She had it very hard, but she turned it into something so positive. It portrays her as independent instead of being more commercial. Not becoming another sell-out for record label. Her successes are so vast that she opened for BB King before he passed; she has lots to be proud of. We trimmed more of the negative stuff out because we wanted to keep it uplifting so Sabrina could explain why she is the way she is now.
Joe McDougall – Director:
There weren’t any downsides, but when telling a story about someone like Sabrina and her life’s journey, there were definitely some emotional moments during our process.
The depiction of Sayed Sabrina is one of uplifting her life; is that what you set out to do?
Gordon Durich – Executive Producer:
Yes, her resilience needs to be shared with all and change people’s lives.
Joe McDougall – Director:
Her story is so unique; her challenges growing up, realizing her dreams and passion within an industry that is considered one of the most demanding, she pushed through whatever she faced with respect and great spirit. It reflects to the audience that great things come from great challenges.
How did this documentary evolve?
Gordon Durich – Executive Producer:
Publicist Jodi Jackson got the story for Sayed Sabrina in the Hollywood Times portal in 2023. I wrote that story; it appeared in the Hollywood Times in 2023. After I heard about Sayed Sabrina’s plight, I just had to dive in deeper into her story and decided to do this documentary. Sabrina is very strong; she is a natural performer. She has two sides, the sides off stage and the side on stage. She loves to perform, so doing this documentary was a blessing.
How many hours did it take to film?
Gordon Durich – Executive Producer:
The actual interviews with Sayed Sabrina took one day in studio.
How did you make the decisions of what existing footage to use?
Rick Pratt – Producer & Editor:
This was driven by the content of what Sabrina was saying in her interview. I would place performance footage and/or stills that pertained to the content in the sections that needed it. Initially, it was a hit-or-miss thing, but as I grew more familiar with the material, it became more refined.
Was Sayed Sabrina onboard with this documentary from the start?
Gordon Durich – Executive Producer:
Sabrina was immediately on board to share her mission and story, overcoming all the odds. She is very humble, but I felt it was in others’ best interest to know her struggles.
Was there any part of the filming where Sayed Sabrina struggled?
Gordon Durich – Executive Producer:
Talking about her past and revisiting it. Talking about being kicked out by her mom. Her father passed at an early age, and the problems that came with that and her mother. She is a very young mother and the depiction of all of that, but really, she is so strong, she was happy to see how we showed her life turn around. Sabrina also had a disability; she stuttered but was able to talk about it to help others. Usually, singers lose their stutter when they are singing. There was very little that Sabrina didn’t like; she was open to sharing her story.
Joe McDougall – Director:
Any time anyone revisits their past, especially those who have had hardships like Sabrina, there will be moments of pause and maybe even a new acceptance. Fortunately for us, Sabrina was so open and generous with her story; it was a celebration of her, her family, and her career as an artist.
Was there any part of this documentary that had to be cut for numerous reasons?
Rick Pratt – Producer & Editor:
There was a good chunk of material that was cut. Most of it was because it was repetitive. In some cases, it was because there was no footage to cover or support the content, so to keep the flow of the piece, it was cut.
When did it get released?
Rick Pratt – Producer & Editor:
Last month approximately, in the beginning of August.
What platforms did it get released on?
Rick Pratt – Producer & Editor:
YouTube, Vimeo, and more to come.
How did you come across Sayed Sabrina, and why did you want to do this documentary?
Gordon Durich – Executive Producer:
I wanted to produce this documentary, which was my idea, as I felt Sabrina had a spirited story that had to be shared with the world. Her transformative climb – from the streets, to studios and stages. And her personal triumphs, love of family, and for her followers.
How do you see Sayed Sabrina’s talent, singing, songwriting, and artistry?
Gordon Durich – Executive Producer:
She has a God-given musical talent; she did not go to school for it and learned the drums and piano all by herself. Incredible combination to have personal songs, a writer, a great performer, and musician.
Rick Pratt – Producer & Editor:
She is a musician who discovered her talent due to her limitations in talking with a stutter, and it was what helped her overcome that obstacle. She is very connected to the audience through her music because it is relatable, and she portrays herself through it.
How did you find this team for this documentary?
Gordon Durich – Executive Producer:
I met Joe McDougall at an event in Lake Sherwood, where he was showing some of his brilliant photographs. He is a talented photographer. Another day, we met for coffee. I told him I was looking for a director/DP for my documentary, and he said yes. He was waiting to start on an Audrey Hepburn documentary, so he was available. Ironically, his wife was a singer as well. he was on board from the beginning. They decided to see if he would be up to the project with no budget, and he immediately said yes after hearing about it. He loved her background story.
What did you have to do with the original footage to make it work with any new technology?
Rick Pratt – Producer & Editor:
We have software they can use now to convert original footage. Also, it uses just the original content in the film. Original footage makes the film look more authentic. So, not a whole lot of converting old footage. We used the Topaz, AI program used to convert film.
How did Producer & Editor Rick Pratt become part of it?
Rick Pratt – Producer & Editor:
Gordon called me. He had been referred to me from a colleague that I had worked with previously. I agreed to come on-board because I enjoy documentary filmmaking as well as the fact that I’m a musician and love working on musical projects.
How did Sayed Sabrina’s family get involved?
Gordon Durich – Executive Producer:
They were asked to participate; they asked her husband/manager Edward Marks, who also helped with the documentary. Edward is very protective of her image, so they helped a lot with the plans and the coordination.
What is your core audience of this documentary?
Gordon Durich – Executive Producer:
“Thou Art That, The Sayed Sabrina Story” speaks to music lovers of all genres. Sabrina was influenced by and loves blues, Broadway, jazz, rock, and punk, and was prompted by everyone from Judy Garland to Kate Bush. It also will appeal to women who are independent, driven, articulate, and family oriented. Another audience is those who feel less than. It shows how personal adversity can be overcome.
Did you want to submit it for any of the short documentary film festivals?
Gordon Durich – Executive Producer:
Yes, it has been submitted to film festivals and platforms. including Vimeo, YouTube, Shortverse, and others. It has already been submitted to the Brooklyn International Film Festival, as well as California Music Video Festival, Docs and Rocks – London, and Through Women’s Eyes – Film Festivals. “In Consideration.” Fingers and toes crossed! https://www.shortverse.com
Can you all describe your process in making this documentary?
Gordon Durich – Executive Producer:
Egged on by Sabrina’s haunting voice, I dove into tons of research online, then with her inner circle, since she is private as a person and has a public persona. All was about Sabrina’s one-of-a-kind life, and work as a musician. I wanted the documentary to be more than just a talking head interview but more like a “music video” intercut with visual clips.
The film started with a very warm meeting with her. For the most part, the documentary is based on her most recent recording, “Thou Art That,” her autobiographical album, which was very personal and written and produced by her. My film was storyboarded at first but became more free from it as it evolved. I worked closely with Sabrina’s older daughter, Sadie Dean, who is a scriptwriter and musician. I was introduced to Sadie by Sabrina’s manager, Edward Marks. Sadie and I discussed the film’s structure and how it should look and feel. We were going to have interviews with others, but Sabrina was so engaging with such an electric personality both intense and a bit naughty,) we felt it was better, Sabrina, tell her own story.
Kitty Dill, journalist and writer, developed questions for Sabrina to address and were emailed to her. They met over the phone, hit it off, talked in the studio before the recording, and developed a warm chemistry.
At first, Sabrina was going to sing and play piano at her home, but it was more expedient to record her session in the nearby Glendale studio. Edward planned to have Sabrina sing and play her piano, which belonged to her dad, at her home.
I had booked ES Audio for one long Sunday, thanks to Edward with engineer Donny Baker, whom Sabrina trusted since Sabrina and Donny had recorded the record there. The next step was finding the visual – photographic – elements. Edward came up with great clips and photos of Sabrina and family for the editors to use. Rob Berson, and Rick Pratt did a fantastic job of assembling and editing a lot of material. Edward and Sabrina had final approval. A lot of going back and forth over months.
How does Sayed Sabrina’s story relate to young musicians trying to make it in the music business?
Gordon Durich – Executive Producer:
Sabrina’s story relates to young musicians as an inspiration. She tells how adversity can be turned into opportunity. Talent, whether natural, like hers, or learned, can be developed with support and perseverance. Lyrically, songwriting, or instrumentally, Sabrina had it from a very early age.
Gordon, talk about your different projects from the past and why you wanted to be a part of this documentary?
Gordon Durich – Executive Producer:
Different projects I had done in the past included “Pedaling A Dream…” a documentary about a man who had MS and collected and repaired bikes he donated to the homeless and youth, in order for them to have transportation to go to work and get around. It was such an inspiring story that it won the American Motion Picture Society Best of Competition Award at the American International Film and Video Festival in 2001. Also, a film about Hal Riddle, an actor who might have been a star, had life’s breaks come differently for him. It was selected for the West Valley Film Festival. It ran on Time Warner cable.
Joe, talk about your different projects from the past and why you wanted to be a part of this documentary?
Joe McDougall – Director:
I’ve been a photographer and filmmaker since my early teens. I’ve worked in features, documentaries, and commercials for the last 35 years. After meeting with Gordon and hearing about Sabrina, sharing our research, and then finally meeting her, it was an honor to be asked to direct and a privilege to be a part of.
Rick, talk about your different projects from the past and why you wanted to be a part of this documentary?
Rick Pratt – Producer & Editor:
I’ve been involved in making documentaries for about 10 years. In that time, I’ve produced/edited a film called “Only in Theaters” that played in over 80 theaters nationally and internationally and made it to the Academy’s “Long List” of docs that is used to determine nominees for the Academy Award. I’ve also done two limited series for PBS SoCal – “LA Foodways”, which received an Emmy nomination, and “10 Days in Watts”, which received 5 Emmy nominations and won an Emmy. I felt that my experience would only help for this project, especially since I’ve been a musician for my entire life which helps me both finding an editing rhythm and gives me specific insights into how musicians think.
Do you think this documentary will help teenage youth get off the streets?
Gordon Durich – Executive Producer:
For sure, anything for them to see and relate to.
Do you think this documentary will help teenage youth with mental health issues?
Gordon Durich – Executive Producer:
Sabrina confides in the viewer and listener about her very early life challenges with extreme insecurity to the point of not being able to look directly at people and stuttering. (FYI, singer Carly Simon stuttered and overcame that by singing, she’s said).
Sabrina’s mother was abusive, and her father, who died when she was very young, was not there for her support and defense. Sabrina’s father was Muslim, and Sabrina’s mom was Catholic, which bred even more instability emotionally.
Do you think this documentary will help teenage youth with unwanted pregnancies?
Gordon Durich – Executive Producer:
Abortion and unwanted pregnancies are very topical now. This documentary can help young teens to show how it’s possible to survive even if the teen does not have a stable home and support.
Do you think this documentary will help teenage youth with crime?
Gordon Durich – Executive Producer:
Homeless, Sabrina lived on the streets of Hollywood. Although she did not engage in serious crimes, she was in and out of juvenile hall: “Nothing too nefarious or naughty,” such as going to bands and desperate to hear live at clubs when she was underage.
Do you think this documentary will help runaway teenage youth?
Gordon Durich – Executive Producer:
Yes, I see it helping with those who would want to run away, but see the consequences and the outcome through Sabrina’s life.
Do you think that music can change people’s lives?
Gordon Durich – Executive Producer:
The story of Sabrina in this documentary shows the best outcome from music changing people’s lives. Look at how independent artists like John Lydon (“The Sex Pistols”) created a radical musical movement, punk rock, which influenced thousands worldwide and made people, mostly young, more expressive, demonstrative, and not have to fit into cookie-cutter molds of music and fashion / style.
Rick Pratt – Producer & Editor:
Yes! A thousand times, yes! It can provide an anchor for people when there’s nothing but chaos and adversity in their lives. It can also provide the inspiration to climb out of whatever dark place they may be in. And it’s always there, like a loyal friend, providing comfort and an emotional release.
What’s the best outcome since you started this documentary?
Gordon Durich – Executive Producer:
The best outcome since I started working on my “Thou Art That…” documentary has helped me discover music that ebbs through different genres. I’ve also shared Sabrina’s story, (with her permission, of course) with family and friends, who have been affected by life upheavals, and they’ve been blown away by Sabrina’s voice. What would be your ultimate wish list for this documentary? Gordon Durich – Executive Producer:
The ultimate wish list is “Thou Art That…” is shown on television, cable, and multi-platforms worldwide. Also, this is selected for film festivals worldwide and wins awards.
Rick Pratt – Producer & Editor: Primarily to just get seen by her fans and maybe to help create some new ones.
Do you think in what the final product is, that you succeeded?
Gordon Durich – Executive Producer:
I believe we’ve succeeded in showcasing Sabrina’s soul-reaching talents, and her wishes remain unique as a recording and performing artist.
Rick Pratt – Producer & Editor:
Yes – I think it accurately presents Sabrina as the talented, inspirational person that she is.
Sayed Sabrina is a true artist and really does not like any extra accolades or praise. How do you think she sees herself in the making of this documentary?
Gordon Durich – Executive Producer:
In a modest way, Sabrina does not feel she needs to prove anything anymore to anyone. Yet she continues to write, create, and produce even more original music. In fact, she’s working on a new album and, at press time, has announced new music. On Threads social media, Sabrina just stated “new music” for Halloween called, “The Nightmare Collection”. Topical. Sabrina’s full of surprises.
Do you think she would be comfortable in getting global attention from the success of this documentary?
Gordon Durich – Executive Producer:
I think Sabrina can accept global attention with grace and still stay herself. In my opinion, she’s not going to sign with a major record label blindly.
Do you have any of your own examples where music has changed people’s lives that were troubled?
Gordon Durich – Executive Producer:
Sabrina’s songs HAVE changed troubled lives, I know for a fact because that IS the feedback I’ve gotten in person from many people, including those I did not previously know. Example: The song “Ghosts” Sabrina introduces with the sound of rain, light drumsticks tapping, which replicates the sounds she heard living in the gutter. She sings, “Ghosts that lived such lonely lives, ghosts of lonely lies…”. She does not shun her homeless experience but embraces it with honesty and even humor. Wait until you hear her story about “Dorothy.”
Why do you think all the subject matter covered in this documentary is so important to discuss?
Gordon Durich – Executive Producer:
All the subject matter covered in this documentary is so important to discuss because it addresses faith NOT in a religious way but a universal way. Sabrina says, “We practiced music, not religion, at home.”
Can you give the documentary viewers and journalists any closing thoughts?
Gordon Durich – Executive Producer:
This film is meant to be uplifting. It could have been a hard-luck story, but because Sabrina is so positive, enthusiastic, resilient, and funny, she tells her story so well. And people will relate.
Rick Pratt – Producer & Editor:
This documentary is a great introduction to Sayed Sabrina, but it’s really only the tip of the iceberg of what Sabrina has done with her life as well as her music… There’s a lot more to come!
Louis Vuitton announces two new versions of its iconic Bed Trunk, designed in collaboration with Nicolas Ghesquière, Artistic Director of the Women’s Collections, along with Pharrell Williams, Men’s Creative Director.
The Bed Trunk, created for sophisticated travelers and those who love design, features two fresh, contemporary versions. Nicolas Ghesquière’s novel interpretation of the historic Bed Trunk includes signature aesthetics from his earlier collections creating a one-of-a-kind model. Inspired by one of the historic Bed Trunks from the archives, Pharrell Williams’ interpretation reinvents the iconic design with an original twist.
Having shared one song a week since the release of lead single “Stuff I Don’t Need” ft. BANKS in July, two-time GRAMMY award-winning artist Kimbra today unveils her new album Idols & Vices (Vol. 1) in its entirety, out everywhere via Inertia / [PIAS]. LISTEN HERE.
Featuring collaborations with a host of genre-bending artists including BANKS, Dawn Richard, DRAM, Skrillex and Sahtyre, Idols & Vices (Vol. 1) is a celebration of Kimbra’s early influence of 90’s R&B, fused with the sonic stylings of contemporary pop, soul and hip hop. Executive produced by Kimbra and Taylor Graves – the album traverses the increasingly complex realm of our digital existence, as Kimbra reinvents herself alongside some of her closest friends.
Kimbra explores the disillusionment of our online era and constructs an entirely new world full of stimulus and temptation (‘Keen’ ft. DRAM), the allure of youth in our culture of celebrity worship (‘Demi God’ ft. Sahtyre), and the covert deception of online personas in recent single ‘Catch Ya In The Lie’ ft. Le’Asha, of which Kimbra shares: “I drew inspiration from catfish culture and stalkers to write this song. We can say almost anything behind digital masks until caught in the lie. It’s about reclaiming power when taken by people who seek to destroy and deceive.”
Kimbra’s latest song, ‘Honeycomb’, is a collaboration with Candy Crush Saga that invited her to play with the game’s iconic sounds to create an original track. Drawing inspiration from the Idols & Vices (Vol. 1) universe, Kimbra blended her signature style with Candified sounds to create a song that feels both nostalgic and explosive. Of its eclectic impetus, Kimbra says “I like to approach my work with a sense of curiosity and discovery— that playfulness is at the heart of my creative process. Sampling the Candy Crush sounds was a wonderful reminder of the joy and freedom that music allows.”
With a holistic approach to collaboration for this project, Kimbra enlisted New Zealand animator Greg Sharp (Childish Gambino, Unknown Mortal Orchestra, Rick & Morty) to craft mid-90s anime-inspired visuals to accompany each song on the record. The otherworldly videos serve as individual episodes of the album’s overall arc, following 10 characters as they navigate through an abyss of elaborate fantasies and distractions in the search for moments of awakening.
Idols & Vices (Vol. 1) is the follow-up to Kimbra’s 2023 album A Reckoning, a 10-track project that saw the artist at her most confessional as she encourages listeners to find catharsis and connection through the songs. A Reckoning earned praise from outlets globally such as Billboard, The Guardian, Double J (Feature Album), Consequence, PAPER, The Telegraph and others, marking a distinctive new era for Kimbra.
Shortly after the release of her 2023 record, she embarked on an Australia and New Zealand tour including coveted performances at The Sydney Opera House for Vivid LIVE and Melbourne Recital Hall, with a triumphant homecoming at Auckland’s Synthony In The Domain. Most recently, Kimbra concluded a run of U.S. shows as the special guest for musical prodigy, Jacob Collier.
Idols & Vices (Vol.1) LP by Kimbra is out now via Inertia / [PIAS],
