About 360 MAGAZINE

360 MAGAZINE is an award-winning international publishing on popular culture and design. We introduce avant trademarks to efficacious architects. We are a LGBTQIA2S+ friendly publication--officially recognized by the NGLCC. Our core demographic ranges from 19 to 39-year-old college-educated trendsetters within their respective international communities. The pages in this art book satisfy their strong interests including music, art, travel, auto, health, fashion, tech, philanthropy, design, food and entrepreneurship. It's an introspective digital/print/tablet portrait series, which encapsulates artists/brands/entities who embody the true essence of our publication- empowerment, equality, sensuality and most important of all, humanity within a global society.

Red Bull Half Court image provided by Alex John and Red Bull Records for use by 360 MAGAZINE.

PineappleCITI × Klein × LordQuest

Today, Red Bull Records artist and rapper pineappleCITI teams up with hip-hop MC Serious Klein and producer LordQuest for the release of their single, “All My Shots.”

Out now via Red Bull Records, the single serves as the official theme song of the 2021 Red Bull Half Court, a global, high-octane 3on3 basketball tournament that tips off in more than 20 countries. Kicking off with a bouncing bassline, pineappleCITI runs the chorus with a soulful melody while Serious Klein spits heavy-hitting verses with quick-witted lyricism. A slam dunk of a single, “All My Shots” melds both artists’ styles with LordQuest’s sleek and stylish production, making for a victorious and must-listen collaboration.

Red Bull Half Court is currently underway, and tournaments continue through August. For more information visit their website.

For pineappleCITI, rhymes and raps spring right from the heart as she approaches each song, project, album, and show with equal reverence for nineties East Coast storytelling and old-school Motown catharsis. Endorsed early on by The FADER, PAPER, Complex, and Billboard, in addition to being labeled one of the ‘25 Underrated Female Rappers’ by Okayplayer, the New Jersey-born MC provides a simultaneously unique and universal perspective to her music. With a focus on songs that feature motivational lyricism and powerful messages, she has released a number of recent singles, including “Recognize,” “Believe,” and “Lift Me Up,” the latter of which was dedicated to the Black Lives Matter movement and victims of police brutality.

Kelvin Boakye AKA Serious Klein is an English rapping MC that has emerged out of the underground hip-hop scene in Germany. His debut EP, The Serious Outlook in 2012 put Klein on the map in his small German city. His following EPs The Introduction in 2015 and Summer 03’s Problem in 2016 gained Klein more popularity within his local market and a new found recognition in the US & UK. His sound, which he describes as ‘art rap,’ is an eclectic mix of jazz, rap, hip-hop, trap, and soul. His intrinsically diverse sound stems from his love of music of all kinds and is heavily influenced by artists ranging from 2Pac to Luther Vandross. 2016 brought Serious in contact with international artists such as Denzel Curry, Mick Jenkins, The Underachievers, and Bryson Tiller, some of who he supported on European tour dates. Support from The FADER, COLORS, Majestic Casual, REVOLT, Complex, and more are signs that this young artist is one to keep an eye on.

Born in Ghana and based in Toronto, LordQuest is an urban and pop producer. His unique approach to production fuses elements of old/new school hip-hop, soul, jazz, funk, and electronic music. He’s worked with and has cut songs with Schoolboy Q, Talib Kweli, Dom Kennedy, Jordin Sparks, Raekwon, SiR, and more.

online casino illustration by Alec Bogdan

Online Casino × Best Gaming Experience

Slots with the best gaming experience online

When you go to an online casino, you will find plenty of slot games to play. These can be great fun to try your luck on and also, there are some massive cash prizes to be won. Let’s take a look at some of the slots that can give you the best gaming experience online.

Call of Duty 4

You may be familiar with Call of Duty, the popular video game, but it’s made its way to the slot world as well. It has repeated its success with a series of slot games. The fourth in the series has been a big hit and that’s not the easiest of tasks as there’s the job of keeping the games fresh.

This five-reel game has 25 paylines and the symbols will be familiar to  those who have played the original video game. There are some exciting bonus features and big cash prizes to be won, so a great gaming experience is available here.

Game of Thrones

There was so much to like about the television series and turning it into a slot game was perhaps inevitable. It makes up for the ending of the show and there’s even the opportunity given to choose which of the great Houses of Westeros that you can be a member of.

Fans of the show will be in seventh heaven with the excellent symbols and the theme song being constantly played. Lots of free spins to be won too, so a great time lies ahead.

Hitman

If the Hitman  (aka Agent 47) has you in your sights, be scared, very scared. Thankfully, slot players are immune from the fear of being one of his targets. Instead, they can sit back and enjoy playing this Microgaming slot.

It has a rather moody look to it with plenty of weapons as its symbols. 18 free spins can be won and there’s some great cash prizes to be won. It’s all so different from the days when the symbols were pieces of fruit with small amounts to be won.

Upon joining an online casino, there are typically very lucrative welcome offers that can be received, as a thank you from the operator for you joining their platform and community. These are incentives to register with a site in a highly competitive industry. Often free spins will be part or all of the welcome offer. These don’t just give you the opportunity to win some money (not massive amounts as winnings are often capped) but the chance to learn how to play games you might not be too familiar with.

A good method to test online slots is to use free spin offers such as these to get your feel for the game, see if it suits your play style and find out if lady luck is on your side! Current day slot games can be very complex with their bonus games, wilds, scatter symbols and thousands of ways to get a win. Playing a game with some free spins allows you to find out more about how they work. This can protect your real cash balance and hopefully teach you the skills that will help you when using your own money.

Tennis illustration by Hannah Beck

Naomi Osaka × Mental Health Advocacy

Naomi Osaka, the highest paid female athlete to date, recently withdrew from the French Open and announced on Monday that she will also withdraw from the Berlin WTA 500 tournament. Osaka is 23 and is currently ranked number one by the Women’s Tennis Association in singles and number two in doubles, and is the first Asian player to hold the top rank in singles. Osaka has defeated long time tennis star Serena Williams and made over 37 million in endorsement deals last year.

Making enormous strides as a young, non-white female athlete and especially so in an underappreciated women’s sport, it was very shocking to hear of her depart from the French Open and subsequently from the Berlin 500 tournament. Doing what was best for her mental health, most were understanding and many of her competitors gave their praise and support for her decision. Osaka tweeted announcing her initial decision to not speak to the press on Twitter stating, “I’ve often felt that people have no regard for an athlete’s mental health and this rings very true whenever I see a press conference or partake in one.” After her announcement began to garner a lot of attention, she released another tweet explaining her leave from current play, “I think now the best thing for the tournament, the other players, and my well-being is I withdraw from the tournament so everyone can get back to focusing on the tennis going on in Paris.”

Serena Williams responded to Osaka’s decision by saying “I feel for Naomi. I feel like I wish I could give her a hug because I know what it’s like… You just have to let her handle it the way she wants to, in the best way she thinks she can.” While many agreed with Williams and shared similar sentiments, Osaka did receive a fair amount of backlash from her decision. Many criticized her for not being mentally tough and encouraged her to just talk to the press. Borris Becker, another tennis star, had a slightly different opinion, stating he was scared how Osaka’s career would fare after this decision and if she could not learn to handle the stress of a professional sports career.

Osaka told the press that she had too much anxiety over post-game press conferences; having dealt with anxiety and depression for a while and feels that interacting with the press increases her anxiety. When Osaka refused to speak to the press after her first French Open match, she was fined $15,000 and could have faced more severe punishment if she continued to ignore the press. Osaka later withdrew from the tournament after and announced her mental health was more important than her playing at this moment.

Many of you may remember a similar situation with the Seattle Seahawks running back, Marshawn Lynch, who would refuse to speak at press conferences. While it was included in his contract that he attends press conferences he told the press in a 2015 press conference that he did not appreciate the media constantly in his face hounding him, and that he felt the media was mad at him whether he spoke or not so he would prefer to say nothing at all. Called to be in compliance with his contract he would show up at every press conference and sit there not speaking or saying no comment. It came to be a joke to everyone and later clips of him at press conferences were turned into viral memes. We can see the comparison here and I wonder if the difference in reaction is because of the difference in sport or the difference in gender of the player. Both players are highly praised in their respective sports, they are top performing athletes and are both old and mature enough to make their own decisions as for what is best for them and their mental health.

Mental health struggles, although not new, have become newly accepted in society and it is a relatively new idea that celebrities, professionals and professional athletes can openly talk about their mental health struggles and hope to not to be put down for them. Although many still are, it is a sad thing to witness someone receive negative comments after claiming they are doing what they believe is in their best interests. We all struggle with mental health in one way or another and if Osaka believes it is best for her to not talk to the press, that should be a respected opinion by the community.

There will always be players, whether that is newbies who want to get their name out there and enjoy the spotlight, captains such as Megan Rapinoe and LeBron James who enjoy speaking on behalf of their team and feel it is in their duties as captains and team members to speak, or just someone who enjoys talking and doesn’t mind speaking to the press, there will never be a shortage of players, coaches, and staff members who are willing to give their opinion and comment at press conferences. All players should not be mandated to speak to the press if it is something they are not comfortable with.

With the negative reaction Osaka received, the fine and the additional media coverage she received after announcing she wanted very little, Osaka was forced to drop out from two major tournaments. Osaka discussed how she feels the tennis community, and higher ups could do a better job of supporting players and ensuring that they have good mental health. She and many others hope this starts the process of bettering all athletes’ mental health and changing outdated rules; hopefully this change does not come at the cost of a young star’s tennis career.

Calum Scott Image provided by Lisa DiAngelo and Capitol Music Group for use by 360 MAGAZINE.

Calum Scott × Biblical

Today, multi-platinum-selling singer/songwriter Calum Scott returns with his soulful new single “Biblical” and its beautifully surreal video. The first single from his forthcoming sophomore album, “Biblical” is the U.K.-based artist’s first new music since his full-length debut Only Human — a 2018 release that hit No. 1 on the iTunes album chart in 21 countries across the globe, in addition to selling more than 3.6 million in adjusted album sales and amassing over 7.5 billion combined streams.

Showcasing Scott’s soulful voice and deeply personal songwriting, “Biblical” speaks to the extraordinary power of unconditional love. “While I know the word ‘biblical’ has spiritual connotations to many, ‘Biblical’ to me is about unquantifiable love, a love beyond description or measure, a love of biblical proportions that transcends everyone and everything,” says Scott. “If I can aspire for one thing for this song, it’s that the listener hears it and fits a name, a face, or a passion to the lyric and makes it their story.”

Directed by UK duo Franklin & Marchetta, the video for “Biblical” opens on Scott sitting alone in a desolate room, then cuts to an alternate reality in which various characters (including a ballet dancer, a violinist, and a bride and groom) drift along in an underwater reverie. By the end of the video, Scott has broken through the wall that separates him from that enchanted world, becoming blissfully submerged as well.

Produced by Jon Maguire and partly recorded at the legendary Abbey Road Studios, “Biblical” unfolds in moving piano melodies and delicate string work, building to a breathtaking cascade of harmonies at the bridge. “‘Biblical’ gave me contentment during a really awful time: it was a song that I had almost given up searching for, one that truly spoke to me. Finding a song you feel so connected to is the closest to magic you can get.” In sharing “Biblical” with the world, Scott hopes to provide listeners with the same sense of connection. “Lockdown had presented all of us a moment to realize how much people mean to us and how sometimes we take that for granted,” he says. “Singing that sentiment enabled me to release and reflect those emotions, immortalizing them. The song means so much to me that I wanted to make it the first thing people hear when coming back with new music.”

With his sophomore album due out later this year, “Biblical” makes for a perfect introduction to the next era of Scott’s artistry, which finds him fully claiming his identity as a lyrical storyteller. “Having seen how my music had reacted with people over the last three years, it gave me an opportunity to absorb what I had experienced, to mature and become an artist with a mission,” says Scott. “I want to create something for people to feel seen, heard, and represented.”

To learn more about the inspiration behind “Biblical,” check out the song’s trailer HERE.

Listen to “Biblical” HERE, and watch the video HERE.

Evan Giia Image provided by Erin Cooney and Capitol Music Group for use by 360 MAGAZINE.

Evan Giia × Mood Swings

SUMMER TOUR WITH LOUIS THE CHILD KICKS OFF JULY 28 IN AUSTIN

Today, Astralwerks released EVAN GIIA’s new single, “Mood Swings.”  The track’s breezy vibe belies the rollercoaster of emotions she evokes. GIIA co-wrote the song with London-based trio RITUAL, who have collaborated with the likes of Dua Lipa, Little Mix and Avicii, all-star songwriter Georgia Ku and New York-based MEMBA. You can download and stream “Mood Swings” HERE. You can view the visualizer for “Mood Swings” HERE.

GIIA will join Louis The Child on their U.S. amphitheater tour, which will kick off with a two-night stand at Stubbs BBQ in Austin, TX (July 28 & 29). She will also perform at the Life Is Beautiful Festival in Las Vegas, at the Breakaway North Carolina Music Festival and at Holy Ship! Wrecked in Tulum, Mexico. See below for itinerary. You can purchase tickets HERE.

“Mood Swings” is the follow-up to “Stay Up,” which was released earlier this year along with a Mynxii White-directed video that took fans on a whirlwind tour of some of GIIA’s favorite nighttime haunts in her hometown of Brooklyn. Praising the exuberant clip, PLNKWIFI said, “EVAN GIIA always seems to be going on the coolest adventures, and hey, her music can easily make someone feel as if they’re on one too!” Her late 2020 single, “tiny life,” was recently heard on MTV’s “Siesta Key.” The track was also tapped for an ESPN college football campaign.

LADYGUNN said, “Opera trained vocalist EVAN GIIA is poised for massive success. She keeps on churning out hip hop hits ready to dominate pop radio.” American Songwriter observed, “Every EVAN GIIA song is a pure exchange of energy, powerful enough to lift the darkest mood…the Brooklyn-based artist brings both raw passion and precision to her vocal performance, endlessly heightening the impact of her sculpted approach to electronic pop.”

Giia made her recording debut on the MEMBA track “Heat of the Moment,” featuring alongside Hoosh. The song was named Single of the Week by BBC Radio 1. Released by ODESZA’S Foreign Family Collective in 2018, GIIA’s breakout single “WESTWORLD” and the accompanying music video propelled her to #1 on Hype Machine. Combined global streams of the song now exceed 20 million. Since the release of “WESTWORLD,” GIIA has been in sessions with Hudson Mohawke, Georgia Ku, Nate Campany, Kyle Shearer, Chris Lyon, OjiVolta, Kate Morgan, CHVRCHES, What So Not, Matias Mora and Larzz.

EVAN GIIA TOUR DATES

Supporting Louis The Child on all dates except *

7/28 | Austin, TX | Stubbs BBQ

7/29 | Austin, TX | Stubbs BBQ

7/30 | Dallas, TX | South Side Ballroom

7/31 | Oklahoma City, OK | The Criterion

8/4 | St. Augustine, FL | St. Augustine Amphitheatre

8/5 | Charlotte, NC | Charlotte Metro Credit Union Amphitheatre

8/6 | Nashville, TN | Ascend Amphitheater

8/10 | Atlanta, GA | Coca-Cola Roxy

8/11 | Louisville, KY | Iroquois Amphitheater

8/12 | Pittsburgh, PA | Stage AE

9/8 | Missoula, MT | KettleHouse Amphitheater

9/9 | Bonner, MT | KettleHouse Amphitheater

9/10 | Boise, ID | Idaho Botanical Garden

9/15 | Spokane, WA | Pavilion at Riverfront

9/16 | Eugene, OR | The Cuthbert Amphitheater

9/17 | Las Vegas, NV | Life Is Beautiful Festival*

9/18 | Sacramento, CA | Papa Murphy’s Park

10/1 | Concord, NC | Breakaway North Carolina Music Festival*

ABOUT ASTRALWERKS:

Established in 1993 in New York City, Astralwerks was the brainchild of Caroline Records staffers who saw an opportunity for a label focused on the nascent electronic and ambient scene. Now based at the historic Capitol Records Tower in Hollywood, Astralwerks has emerged as a modern, artist-first label and the #1 market share leader for dance/electronic music in the U.S. Combining a scalable, independent and global-thinking ethos with the ability to tap into the resources of a major label has enabled Astralwerks to sign such artists as ILLENIUM, Jonas Blue, Alison Wonderland, EDEN, ZHU and Alesso. As a testament to its pioneering approach, Astralwerks has amassed 30 GRAMMY nominations, taken home six GRAMMY Awards and had historic releases from the likes of The Chemical Brothers, Swedish House Mafia, Halsey, Porter Robinson, Phoenix, Eric Prydz, Fatboy Slim and many others. The label has also released such massive singles as the 6x Platinum “Happier” by Marshmello + Bastille and FISHER’s “Losing It.”

Music illustration for Pornhub article in 360 MAGAZINE

Mimi Webb Shares New Single Dumb Love

With over 116 million total streams, widespread worldwide critical acclaim, and growing global buzz, UK pop singer and songwriter Mimi Webb shares a new single and music video entitled “Dumb Love.”

On this stirring ballad, piano keys resound as she grasps on to a formative romance through her nostalgically vivid lyrics. As her powerful delivery echoes, she recalls, “We had that dumb love.” The accompanying visual directed by Elliot Simpson brings the story to life with a ton of emotion and a sharp sense of humor as Mimi Webb reconnects with an old flame at a wedding where everything else just seems to go wrong in hilarious fashion.

About the song, she commented, “I think we’ve all had ‘dumb love’ at some point! You fall crazy head over heels for someone, and it’s all about that fresh new love feeling you get. That ‘is this actually real’ feeling & sometimes, it’s the most real, because ‘dumb love’ really never ends.”

Next up, Mimi Webb will embark on her first proper headline tour. It kicks off in Dublin, Ireland at Academy 2 on Thursday October 28, visits cities across the UK, and concludes in London on November 2 at Scala.

Artist Pre-Sale tickets in UK/Ticketmaster Ireland will go on sale Monday June 14 at 9am local BST time. General tickets will go on sale Wednesday June 16 at 9am local BST time. Check out the full itinerary below and click HERE to sign up to receive early pre-sale access to Mimi’s upcoming tour dates.

In other big news, her breakout single “Good Without” just went Platinum in Ireland and Silver in the UK. It is approaching nearly 68 million global streams and counting. Mimi Webb also just made her television debut with a performance of the song on ELLEN in the past week. Watch HERE.

Right now, she’s also putting the finishing touches on her forthcoming debut EP—due out this year.

Watch “Dumb Love” HERE via YouTube/Vevo.

Listen to “Dumb Love” HERE via EPIC Records.

Chain My Heart Image provided by Nikki Crystal and Capitol Music Group for use by 360 MAGAZINE.

Topic × Bebe Rexha Release Chain My Heart

Topic and Bebe Rexha team up on the infectious new single “Chain My Heart,” which captures how, paradoxically, surrendering to love can bring the ultimate freedom. Bebe’s evocative, rapid-fire vocal delivery and Topic’s darkly melodic production are an intoxicating combination on the track, which was released today by Astralwerks.

Co-collaborator and NYC-native Bebe Rexha explains, “’Chain My Heart’ is about finding somebody that truly captivates your heart, and not wanting to let them go. I had a great time working together with Topic, he is very talented, and I am so excited for everyone to hear this song!”

Topic adds, “When creating ‘Chain My Heart,’ we noticed relatively early on that the song needed a strong woman, who could convey a certain edginess with her voice. With some melodies you directly imagine the person you want on the track in the process. Bebe Rexha was the one who struck our minds instantly. Vocally, she has exactly the attitude that the song needs. You can hear that especially in the pre-chorus.”

“Chain My Heart” comes on the heels of the release of Bebe’s Better Mistakes – the sophomore album from the Diamond-selling, two-time GRAMMY® nominee – and Topic’s collaboration with ATB and​A7S, “Your Love (9pm).” The acclaimed producer recently dropped a remix of “You,” giving the Regard + Troye Sivan + Tate McRae single a sultry, summery club vibe. His exuberant, soulful remix of Moby’s new version of “Natural Blues” ft. Gregory Porter & Amythyst Kiah can be heard HERE. Topic and A7S were nominated for a Billboard Music Award for Top Dance/Electronic Song for their 2020 hit,  “Breaking Me,” which has racked up more than 1.7 billion combined streams worldwide.

Listen HERE and watch the lyric video HERE.

Cruise illustration done by Mina Tocalini of 360 MAGAZINE.

Visit Iceland and The Fagradalsfjall Volcano

Everyone is talking about the volcanic eruption happening in Iceland right now. Iceland ProCruises/ProTravel are the premiere travel companies in Iceland, offering soft expedition-style cruises circumnavigating the Island. They announce their availability arrange a trip to the volcano before and after a cruise so travelers can visit this amazing display of nature while visiting Iceland.

The Land of Ice and Fire is once again living up to its name; a new eruption is occurring in Iceland! From Geldingadalur valley, just south of Fagradalsfjall volcano, gleaming lava can be found running in molten rivers and spurting in spectacular jets.

Making this phenomenon even more exciting is its location. The Reykjanes Peninsula is familiar to all travelers to Iceland, as it connects Keflavik International Airport with the country’s capital, Reykjavik; the region is also home to the Blue Lagoon. It is the most accessible eruption in Iceland since the country has become a major tourist destination.

There is a website available to answer the questions of potential visitors and Iceland ProCruises stand ready to make arrangements for a pre or post cruise stay in Iceland. Their expertise assures visitors of a safe and splendid tour of the volcano.

There are hiking tours with guides; some at night which show the breathtaking fountains of fire and vivid orange rivers of lava which are even more striking against the dark sky. Those who want a more personalized experience can also organize private tours. While tourists can visit without an experienced guide, it is not recommended, as no roads lead directly to the site, meaning you’ll have to hike for several hours; only certain operators have permission to drive closer. This is very challenging for those who are not knowledgeable of the local area, particularly considering the rugged terrain and unpredictable weather. It’s best to have a reputable agency make plans for you.

More information at HERE, including rates and schedules for 2021.

The Greeting Committee Image provided by Madi Florence and Capitol Music Group for use by 360 MAGAZINE.

The Greeting Committee × Can I Leave Me Too

Today, Kansas City-based alt-rock band The Greeting Committee return with their raw and radiant new single “Can I Leave Me Too?” and its accompanying video. Released via Harvest Records, the track is a bracingly intimate portrait of post-breakup grief, revealing frontwoman Addie Sartino’s gift for bringing the listener all the way into the world inside her head. This will be the band’s first release following their recent appearance in Netflix’s To All the Boys: Always and Forever, along with three of their songs on the soundtrack.

Produced by Jennifer Decilveo (MARINA, FLETCHER, Bat for Lashes) and mixed by Dave Fridmann (The Flaming Lips), “Can I Leave Me Too?” opens on a lyric that precisely captures the cruel haze of heartbreak: “Why does everybody drive the same car you do?/I’m scared of myself without you.” “My girlfriend drives a Nissan Rogue, and after we broke up I felt like I couldn’t go anywhere without seeing that car,” says Sartino. “I remember thinking, ‘There’s no way there are this many Nissan Rogues in Kansas City’ — but I think that’s a pretty universal thing to have happen when you’re going through a breakup.”

Sparked from a demo created by Greeting Committee bassist Pierce Turcotte, “Can I Leave Me Too?” ultimately took the form of a sprawling alt-pop epic. From its fuzzed-out intro to the bridge’s beautifully dizzying breakdown, the track’s lushly textured sound makes for a perfect backdrop to Sartino’s confession (e.g., “I’m filthy, clingy, and creepy for you always”). “That song holds a lot of desperation — it’s definitely about that moment when your self-esteem is just gone,” she notes. To that end, “Can I Leave Me Too?” pulls off the incredible feat of transforming its gut-punching chorus lyric into an irresistibly catchy hook: “If you leave me, can I leave me too?/I’m afraid that I might need you.”

Co-directed by Sartino and Malik Lemonthe, the video for “Can I Leave Me Too?” opens on Sartino lying alone in bed, then cycles through a series of spellbinding close-ups: Sartino brushing her teeth in front of her bathroom mirror, meandering along empty city streets, and — in a particularly brilliant sequence of repeat shots — brushing her teeth as she wanders the world. The result is an understated exploration of how time drags when we’re devastated, each day blurring into the next.

Comprised of Addie Sartino, Brandon Yangmi, Pierce Turcotte and Austin Fraser, the spirit of purposeful sharing has served as something of a lifeline for The Greeting Committee. Formed in 2014, soon after Sartino and Yangmi got their start playing local open-mic nights, the band self-released their debut EP It’s Not All That Bad in fall 2015. The EP’s lead single “Hands Down” quickly became a breakout hit, paving the way for The Greeting Committee’s signing to Harvest Records when they were all still in high school.

After making their Harvest debut with the Meeting People Is Easy EP in 2017 and the subsequent release of This Is It, the band spent much of the next few years on the road, with sold-out headline shows in major markets such as Chicago, Austin, New York, Los Angeles and Minneapolis. To date, they’ve toured with the likes of Bombay Bicycle Club, Tennis, Hippo Campus, and Rainbow Kitten Surprise and taken the stage at leading festivals like Lollapalooza and SXSW, in addition to delivering the I’m Afraid I’m Not Angry EP in late 2019 and appearing in Netflix’s To All the Boys: Always and Forever. The coming months have a lot more in store from the band.

Listen to “Can I Leave Me Too?” HERE, and check out the video HERE.

1500 Sound Academy x ASU — Music Program for use by 360 Magazine

George Harrison × All Things Must Pass

Pre-Order All Things Must Pass 50 Anniversary Edition

Watch/Share Album Trailer

Watch/Share “Run Of The Mill” (Take 36) Video

Listen/Share “All Things Must Pass” (2020 Mix)

Recorded and released in the wake of The Beatles’ April 1970 dissolution, George Harrison’s landmark solo album, All Things Must Pass, is a fully realized statement by a bold and audacious artist. Produced by Harrison and Phil Spector, the 23-track All Things Must Pass stands tall a half-century later as an epic, ambitious expression of Harrison’s remarkable gift for sheer songcraft, powerful spirituality, and a celebration of both his inimitable individuality and unique camaraderie with his fellow musicians.

All Things Must Pass was an overdue artistic release for George as a songwriter and musician. The first-ever triple studio album, All Things Must Pass overflows with a voluminous range of ideas, musical styles, and influences, spanning rock n’ roll, country, gospel, blues, pop, folk, R&B, Indian classical music, and devotional songs. Despite the album being wildly successful and Harrison’s affection for it, he would write in the liner notes for the 30 anniversary remaster, released in 2001, “I still like the songs on the album and believe they can continue to outlive the style in which they were recorded,” adding, however, “it was difficult to resist re-mixing every track. All these years later I would like to liberate some of the songs from the big production that seemed appropriate at the time.”

Decades in the making and lovingly crafted by the Harrison family, All Things Must Pass has now been completely remixed from the original tapes for a stunning suite of 50-anniversary releases that fulfills Harrison’s longtime desire. Executive produced by Dhani Harrison, a product produced by David Zonshine and mixed by triple GRAMMY Award-winning engineer Paul Hicks (The Beatles, The Rolling Stones, John Lennon), the new mix transforms the album by sonically upgrading it – making it sound brighter, fuller, and better than ever before.

Releasing August 6 via Capitol/UMe, All Things Must Pass 50 Anniversary Edition will be available in a variety of formats:

Exclusive to George Harrison’s website uDiscover, and Sound of Vinyl, All Things Must Pass 50 Anniversary Edition will be available as a very limited Uber Deluxe Edition box set, which includes the album on 8LP (180g) and 5CD + 1 Blu-ray audio disc housed in an artisan designed wooden crate (approx. 12.4” X 12.4” X 17.5”). The collection explores the 1970 album sessions through 47 (42 previously unreleased) demos and outtakes, offering an inside look into the creative process. The Blu-ray allows fans to experience the main album in a high-res stereo, enveloping 5.1 surround sound and Dolby Atmos mixes.

The crate contains two books, an elaborate and expanded 96-page scrapbook curated by Olivia Harrison, with unseen imagery and memorabilia from the era, handwritten lyrics, diary entries, studio notes, tape box images, a comprehensive track-by-track, and more; while a second 44-page book chronicling the making of All Things Must Pass through extensive archival interviews with notes is also contained herein. The elegantly designed book pays homage to Harrison’s love of gardening and nature. The book also contains a wooden bookmark made from a felled Oak tree (Quercus Robur) in George’s Friar Park. This truly unique box will also contain 1/6 scale replica figurines of Harrison and the gnomes featured on the iconic album cover, a limited edition illustration by musician and artist Klaus Voormann, as well as a copy of Paramahansa Yogananda’s “Light from the Great Ones” and Rudraksha beads, contained in individual custom-made boxes.

The Super Deluxe Edition box set, presented on 8LP (180g) or 5CD + 1 Blu-ray audio disc, explores the 1970 album sessions through 47 (42 previously unreleased) demos and outtakes. The Blu-ray allows fans to experience the main album in a high-res stereo, enveloping 5.1 surround sound and Dolby Atmos mixes. The collection contains a beautiful 60-page scrapbook curated by Olivia Harrison, with unseen imagery and memorabilia from the era, handwritten lyrics, diary entries, studio notes, tape box images, a comprehensive track-by-track, and more. It also includes a replica of the original album poster.

All Things Must Pass will be released in multiple physical and digital configurations, including as a 5LP or 3CD Deluxe Edition that pairs the main album with the session’s outtakes and jams. The main album will be available on its own as 2CD, 3LP, or limited edition 3LP color vinyl. All versions are available for pre-order now.

“Since the 50 anniversary stereo mix release of the title track to my father’s legendary All Things Must Pass album in 2020, my dear pal Paul Hicks and I have continued to dig through mountains of tapes to restore and present the rest of this newly remixed and expanded edition of the album you now see and hear before you,” says Dhani Harrison. “Bringing greater sonic clarity to this record was always one of my father’s wishes and it was something we were working on together right up until he passed in 2001. Now, 20 years later, with the help of new technology and the extensive work of Paul Hicks we have realized this wish and present to you this very special 50 Anniversary release of perhaps his greatest work of art. Every wish will be fulfilled.”

The All Things Must Pass sessions began just six weeks after the April 1970 announcement of The Beatles’ break-up. Two days were spent recording thirty demos in Studio Three at EMI Studios, Abbey Road in St. John’ Wood, London. The first day, May 26, saw Harrison record fifteen songs backed by Ringo Starr and his longtime friend, bassist Klaus Voormann, beginning with “All Things Must Pass.” The next day, May 27, George played an additional fifteen songs for co-producer Phil Spector. The All Things Must Pass Uber and Super Deluxe Editions collect all 30 of these remarkable demo recordings, including 26 tracks never before officially released and several songs that didn’t make the album like “Cosmic Empire,” “Going Down To Golders Green,” “Dehra Dun,” “Sour Milk Sea,” and “Mother Divine.”

The scope of Harrison’s songwriting remains breathtaking his deeply personal introspection and striking wit are matched by the album’s boldly extravagant production. With its densely orchestrated textures and eclectic embrace of myriad genres, Harrison and Phil Spector’s groundbreaking sonic approach set a grand blueprint for countless artists to follow.

George had been stockpiling material for nearly half a decade, with a number of songs including “Isn’t It A Pity” and the title track rehearsed with, but not recorded by, The Beatles. Further songs evinced Harrison’s growing frustration over those preceding years, including “Wah-Wah,” the dramatic “Beware of Darkness,” and “Run Of The Mill,” the latter named by both George and Olivia Harrison as one of their all-time favorites.

Written by George while producing Billy Preston’s 1969 Apple Records solo debut but saved for his own album a year later, the glorious “What Is Life” highlights the artist at his most exultant. At the album’s heart were songs like “My Sweet Lord,” “Awaiting On You All” and the impassioned “Hear Me Lord,” each of which epitomized Harrison’s lifelong inner journey.

An anthem weaving a chant of the Hare Krishna mantra and “hallelujah,” “My Sweet Lord” proved a worldwide smash upon its November 1970 single release, making history as the first solo single by a former Beatle to reach #1 in the UK or the US. Inducted into the GRAMMY Hall of Fame in 2014, the indelible anthem of spiritual and religious unity has remained one of the world’s most beloved songs, named among the “Greatest Songs of All Time” by both Rolling Stone and NME. Last year saw a limited edition clear vinyl 7 of “My Sweet Lord” released by the George Harrison Estate in partnership with Record Store Days Black Friday event on November 27, 2020 the official 50 anniversary of All Things Must Pass’ original release.

Harrison’s close friendship with Bob Dylan begat two songs: the album-opening “I’d Have You Anytime” was co-written with Dylan, while the classic “If Not For You” was at the time an unreleased Dylan composition. The All Things Must Pass Super Deluxe Edition includes previously unreleased demo recordings of both songs as well as “Nowhere To Go” and “I Don’t Want To Do It,” another original Dylan song later recorded by George for a 1985 soundtrack but remains unrecorded by Dylan himself.

George brought together a stunning roster of friends and fellow musicians to record All Things Must Pass, including Ringo Starr, Klaus Voormann, and Billy Preston, along with Eric Clapton and his new American bandmates, Carl Radle, Bobby Whitlock, and Jim Gordon (soon to be known collectively as Derek and the Dominoes). Badfinger’s Pete Ham, Tom Evans, Joey Molland, and Mike Gibbons contributed additional acoustics and percussion. Phil Spector’s desire for multiple pianos, layers of acoustic guitars, and more drums saw the addition of Peter Frampton and Jerry Shirley from Humble Pie, Spooky Tooth’s Gary Wright, Plastic Ono Band veteran and future Yes drummer Alan White, Traffic’s Dave Mason, Procol Harum’s Gary Brooker, and the in-demand horn section of Bobby Keys and Jim Price. Pete Drake, legendary Nashville session musician provided pedal steel guitar on several tracks. Arrangements for strings and horns came from longtime collaborator John Barham.

The original release of All Things Must Pass collected 18 songs over two LPs alongside a third LP dubbed “Apple Jam” showcasing four improvised instrumentals including a pair recorded as part of Derek and the Dominoes’ first-ever official recording session in June 1970. In addition, the “Apple Jam” disc includes “It’s Johnny’s Birthday,” sung to the tune of Cliff Richard’s 1968 hit “Congratulations” and recorded as a gift from Harrison to mark John Lennon’s 30 birthday.

The All Things Must Pass session tapes created in 1970 include over twenty-five hours of music on forty-nine 1” eight-track tapes, four 2” sixteen-track tapes, and forty-four stereo tapes. Richard Radford, Archivist for the George Harrison Estate oversaw the preservation of the tape collection, with the original analog multi-track and stereo tapes transferred to 192 KHz/24bit digital preservation copies.

Hailed by Rolling Stone as “the War and Peace of rock and roll” and “an intensely personal statement and a grandiose gesture,” All Things Must Pass was met by unanimous critical acclaim and spectacular commercial success, spending seven weeks at #1 on Billboard’s “Top LPs” chart and eight weeks atop the UK’s official albums chart (though chart records until 2006 mistakenly stated that it had peaked at #4). Currently certified 6x platinum by the RIAA, All Things Must Pass later received a 1972 GRAMMY Award nomination for “Album of the Year,” while “My Sweet Lord” earned a GRAMMY nod for “Record of the Year.” “What Is Life,” the album’s second single, also became an international hit, reaching the top 10 in the US and Canada as well as #1 in Australia and Switzerland.

All Things Must Pass has only grown in influence and stature in the half-century since its initial release, including induction in the GRAMMY Hall of Fame and inclusion on The Times of London’s “The 100 Best Albums of All Time” and Rolling Stone’s 2020 listing of “The Top 500 Albums of All Time.” Pitchfork declared it to have “changed the terms of what an album could be.”