Posts tagged with "Songwriter of the Year"

Daddy Yankee Album LEGENDADDY via U Music Group for use by 360 MAGAZINE

DADDY YANKEE – LEGENDADDY

Daddy Yankee’s critically acclaimed chart-topping magnum opus and final album, LEGENDADDY, is officially THE BIGGEST LATIN ALBUM OF 2022.

It just went platinum (Latin), and the RIAA has recognized it with the “Top Latin Album Released in 2022 At Mid-Year” Award. Thus far, it has impressively racked up over 1 billion streams and counting.

The impact of LEGENDADDY only continues to grow. The recent music video for “X Última Vez” has amassed over 69 million YouTube views and counting. Rolling Stone fittingly declared, LEGENDADDY is Daddy Yankee’s final victory lap, marking the end of a lengthy career for the undisputed king of reggaeton.” It’s just the beginning though of a massive summer for Daddy Yankee.
Speaking to the excitement around the last chapter of his genre-defining career, his farewell tour “LA ÚLTIMA VUELTA” (The Last Round) has already sold out in advance of its launch this summer.

Upon release, LEGENDADDY landed as the #1 Latin Album in the World. It bowed at #1 on the Billboard Top Latin Albums Chart, arriving as his fifth consecutive #1 debut on the respective chart. Additionally, it catapulted into the Top 10 of the Billboard Top 200 at #8, marking his highest position on the chart to date and first Top 10 in 15 years since 2007’s El Cartel: The Big Boss. Additionally, it soared to #1 on the Spotify Weekly Top Albums Chart.

LEGENDADDY incited widespread critical applause. Variety proclaimed, “Spanning over three decades of music, the 19-track collection captures the essence of reggaeton, salsa, dancehall, rap, trap, bachata, EDM, and Caribbean influencers, and The New York Times noted, “The most dynamic moments come when Yankee reaches for the magic of the past – whether indulging in boastful hubris or summoning listeners into dance floor reverie.Rolling Stone awarded the record “4-out-of-5 stars” and raved, He’s going out in a blaze of glory.

Right out of the gate, LEGENDADDY took over Spotify worldwide, ascending to #1 on the Global Album Chart, achieving the biggest streaming day of his career on Spotify with a staggering 35.7 million streams—almost double his prior career-best. Additionally, five of the album’s music videos vaulted into the Top 10 on YouTube. He has bested his own personal records with the album – and it has only just begun to catch fire too!

Listen to LEGENDADDYHERE

However, his goodbye is hardly an occasion for tears. Instead, LEGENDADDY might just be the biggest part of the century as he invites a variety of A-list friends to celebrate over three decades of music on this 19-track opus. To herald the record’s arrival, he accompanied the release with nine exhilarating and high-energy music videos for “AGUA,” “LA OLA,” “ZONA DEL PERREO,” “HOT,” “BOMBÓN,” “EL ABUSADOR DEL ABUSADOR,” “IMPARES,” and for his single “REMIX. The single’s head-nodding beat and reggaeton production underscore hard-hitting verses and a rafter-reaching refrain. It pops off as a banger on par with his most applauded output. The accompanying visual proves equally scorching, stylish, and sexy.

Watch all of the videosHERE

From the epic Michael Buffer-led opener “LEGENDADDY” through the emotional finale “BLOKE,LEGENDADDY traverses a myriad of styles and sounds made famous by Daddy Yankee throughout his iconic run thus far. Other highlights on the album include “CAMPEÓN,” which tackles his career and what it took for him to be a champion in the industry as well as his staple signature tropical fusion sound that he melds together so well with the Luny (Luny Tunes)-produced track “RUMBATÓN.”

Not to mention, he attracts his most superb guest list yet. Rauw Alejandro and Nile Rodgers rolls through for “AGUA, while he and Bad Bunny turn up on “X ÚLTIMA VEZ. There’s also the unshakable and unforgettable “ZONA DE PERREO” with Natti Natasha and Becky G and “HOT” with Mr. Worldwide himself, Pitbull. Lil Jon and El Alfa team up for the international banger “BOMBÓN” and on “PASATIEMPO,” he links up with Myke Towers for an explosive anthem, while “PARA SIEMPRE” sees him turn up with Sech. He also collaborated with some of the industry’s hottest producers including Play-N-Skillz, Luny (Luny Tunes), Tainy, OMB, JBD, Dímelo Flow, Slow Mike, Nekxum, BK, Jhon El Diver, Wiso, Alex Killer, G.O.K.B., Maki Váez, Scott Summers, Chris Jedi, Gaby Music, Muzik Junkies, DJ Morphius and Blu Rey.

LEGENDADDY stands out as his first album in ten years and his boldest, brightest, and biggest musical statement ever.

For one last time, he will canvas the world on his sold out tour “LA ÚLTIMA VUELTA” (The Last Round). Promoted by Cardenas Marketing Network and Raphy Pina, MR Sold Out, the five-month trek includes some of the rapper-songwriters’ biggest headline shows in North America and Latin America to date.

That album is LEGENDADDY, and it is here forever.

About Daddy Yankee
As a culture creator, game changer, agent of change, and groundbreaker, Daddy Yankee has consistently inspired, impacted, and influenced generations of creators. An indisputable icon, he remains one of the most influential artists of all time, bringing reggaeton worldwide for the first time. Latin music and culture would not look, sound, or feel the same without him. It’s hard to even imagine the genre itself without “Gasolina,” “Despacito” [with Luis Fonsi], or “Con Calma” [with Snow], and more.

Since 1995, he has consistently conquered charts, toppled records, and made history on his own terms. The magnitude of his accolades proves nearly impossible to match or exceed. Living up to the title of “King of Reggaeton, he has moved north of 30 million records as one of the best-selling Latin music artists of all-time.” Out of hundreds of awards, he has scored five Latin GRAMMY® Awards, eight Billboard Music Awards, 26 Billboard Latin Music Awards, four Latin American Music Awards (including the Icon Award), 17 Lo Nuestro Awards, an MTV VMA, and 10 ASCAP Awards in addition to earning a spot on the Puerto Rican Walk of Fame and the “Presencia Latina at Harvard University. He also stands out as the only Latin Artist with four Spanish-language entries on the Top 20 of the Billboard Hot 100. He received Songwriter of the Year three times at the 2021 ASCAP Latin Music Awards and distinguished himself as the first urban Latino artist to enter the Billboard Hall of Fame.

Most importantly, he runs and leads his charity “Daddy’s House,” which Billboard commended with the Spirit of Hope Award.

After changing the face of Latin music forever, he leaves on the highest note possible in 2022 with his twelfth full-length offering and final album, LEGENDADDY, brought to life with his farewell tour, LA ÚLTIMA VUELTA (The Last Round). The album combines the essence of Reggaeton with salsa, dancehall, rap, trap bachata, EDM, and Caribbean music like never before.

“He’s going out in a blaze of glory…” – Rolling Stone
“…he hasn’t sounded this electric, this deliciously abrasive in years.” – The New York Times
Legendaddy is an impressive amalgamation of reggaetón’s legacy and present with Daddy Yankee at the helm.” – SPIN

Variety Hitmakers Celebration

Variety’s fifth annual Hitmakers celebration took place on Saturday December 4th, 2021, where an array of top individuals in the music industry were recognized for their revolutionary accomplishments in the year of 2021. The invitation-only brunch event was presented by Peacock and the streamer’s comedy series “Girls5Eva.” Amazon Music hosted a red-carpet pre-show before the celebration underwent.

360 Magazine was the guest of Wagoneer, the official partner of the Hitmakers celebration. The all-new 2022 Jeep Grand Wagoneer was showcased onsite at the event. The brand-new Wagoneer encompasses an innovative style paired with progressive technology. The Wagoneer showcases a pioneering spirit paired with legendary capability. What Wagoneer does in the realm of automobile experiences is exactly what the honorees of this celebration do in the music industry; they both push the envelope and delve into uncharted territory, ultimately making history.

The brunch and celebration acknowledged distinguished writers, executives, producers and artists that have had a hand in the most groundbreaking music of the year. Billie Eilish, Finneas, the City Girls, Lana Del Rey, Jack Harlow, Lil Nas X, Normani, Olivia Rodrigo and Kali Uchis were all in attendance. Such awards that were recognized at the event included:

City Girls – The Future is Female Award presented by Motown Records

Lil Nas X – Innovator of the Year

Normani – Collaborator of the Year

BTS “Butter” – Record of the Year

Olivia Rodrigo – Songwriter of the Year

Jack Harlow – Hitmaker of Tomorrow

Lana Del Rey – Decade Award

Billie Eilish and Finneas – Film Song of the Year

Kali Uchis – Crossover Award

Steven Victor – Hitbreaker of the Year

Polo G – Rising Star ward presented by Amazon music

Ron Perry and Jennifer Mallory Columbia Records – Label of the Year

Mike Dean – Producer of the Year

Wendy Goldstein – A&R Award

Max Lousada – Executive of the Year

Austin Rosen – Manager of the Year

As the awardees were recognized for their successes throughout the year, several cameos were showcased. BTS curated a video accepting their award for Record of the Year for the song “Butter.” Like BTS, Steven Victor, too, sent in a video accepting his award for Hitbreaker of the Year. Other cameo videos congratulating the esteemed group of individuals were sent in from the Jonas brothers, Ed Sheeran and the cast of Girls5eva.

The impeccable design of the venue curated an unforgettable experience for all the honorees and attendees. Several photo op sceneries were created at the outside portion of the venue. The event even had a Girls5eva gif booth where guests could curate their own original gifs. All around, the venue was decorated with bouquets of flowers at each table and at the main stage. Guests were offered brunch inside of the venue that had a wide assortment of delicious treats.

Variety’s Hitmakers celebration showcased and celebrated a wide array of esteemed individuals in the music industry. These groundbreaking names in the music industry were truly honored at the event.

By: McKinley Franklin

McKinley Franklin for use by 360 Magazine

McKinley Franklin for use by 360 Magazine

McKinley Franklin for use by 360 Magazine

McKinley Franklin for use by 360 Magazine

McKinley Franklin for use by 360 Magazine

by Tom Odell for use by 360 Magazine

TOM ODELL – MONSTERS

Tom Odell new studio album monsters out now

2022 North American Tour Announced, Fan Pre-Sale Tuesday July 13 at 12PM EST

Away from all the noise of his various successes – three UK top 5 albums including the platinum-selling, chart-topping Long Way Down; two top 10 singles; a 2013 Brit award for Critic’s Choice – there’s one thing that’s always kept Tom Odell grounded: songwriting. A classic songwriter in the mould of Elton John (who’s a big fan, actually), Odell – who was awarded a prestigious Ivor Novello for Songwriter of the Year in 2014 – relied on his passion more than ever when it came to crafting his fourth album, the pop-leaning, emotionally-healing monsters out today, July 9 via Sony Music UK/RCA Records.

Today, Odell also announces that his 2022 North American tour dates will go on sale Tuesday, July 13 to fans via pre-sale at 12 noon EST/9am PST, with general tickets available for purchase next Friday, July 16 at 10 am local time. Visit the official website for more information.

Tom Odell’s new song out today “over you yet” has him lamenting a past relationship which he painfully cannot disconnect from. While the subject matter can be heavy, there’s a lightness of touch that means he is able to pull off pop’s greatest trick – hiding sadness in bright, joyful melodies.  The track is subtly embraced by his newfound love of DIY electronic pop with its beat-driven melancholic production.

After a dark period of mental health stalked most of his 2018 and 2019, Odell wrote his way through it, eventually letting down his guard and pouring his feelings on everything from anxiety to capitalism, toxic masculinity to politics, into a 16-track opus that feels like both a daring creative rebirth and a solidifying of Odell’s strengths. It’s all there in the opening song and album lead single, “numb” which opens with Odell’s unadorned vocal over sparse piano – “I hold my hand over the flame, to see if I can feel some pain,” he sings – before eerie, wheezing electronics and layers of clipped beats cloak the song in a sticky sadness.

“I was writing songs like I always did, but it wasn’t until I started writing about stuff that was contributing to my mental health problems that I felt like a record was forming,” he says of the album – his first since 2018’s 70s rock-leaning Jubilee Road, which was started in May 2019 and finished in Odell’s home studio between lockdowns in 2020. That thematic turning point came in the shape of the single “monster,” which like the album’s lead single “numb” confronts that sentiment head on. With the sky-scraping chorus (“you’re just a monster and I’m not scared”) initially inspired by Trump, and more specifically climate change activist Greta Thunberg staring him down at the UN Climate Summit in 2019, the song soon morphed into something more abstract, a self-help mantra for Odell’s ongoing battle with anxiety. “It’s about trying to tell myself that this thing I’m feeling is not real,” he says. “It always used to happen in bathrooms – I’d be out somewhere and then I’d walk to the bathroom and my heart would go at a million miles per hour and I’d feel like I was about to collapse, and I’d try to tell myself it was fine. That it will pass. That it’s a state of mind.”

Odell has been working as a musician in the public eye since he was 21 when self-penned debut album Long Way Down earned him a number 1 album, a top 10 single, the epic “Another Love and a Brit Award. Now, 30, it’s clear to Odell that the whirlwind around his debut kick-started a work ethic that eventually became an obsession. “Just wanting to completely lose myself in it but to a damaging extent I think.” It reached an apex in September 2019 when Odell, fresh off touring Jubilee Road, went straight to LA to start writing the next album. “Then this chronic anxiety that I’d had for a couple of years just got worse – I was very lonely, I was drinking way too much, and it just got really bad.” He takes a deep breath. “I was taking Valium every day to try and just not have a panic attack. I was seeing multiple psychologists over there.” Plans were made to fly to Nashville to work with producer Mike Elizondo (Fiona Apple, Twenty One Pilots) but were swiftly cancelled after Odell woke up one morning “and I couldn’t do anymore music.”  He knew something had to change. “It was like I’m going to end up with something terrible happening,” he sighs. “I used to sit on Santa Monica beach and look at the planes taking off from LAX and just dream of being on one.” In the end he flew back home, went straight to his parent’s house, and slowly got better. “That was the point I started writing these songs.”

Slowly but surely, Odell turned that challenging experience into a new album. He also realized his broader lyrical horizons needed to be matched by a musical expansion, with a lot of the songs on the album – created alongside songwriter Laurie Blundell and producer Miles James – leaning into a more electronic, bedroom pop sound that Odell has steadily become obsessed with over the last few years. It wasn’t always that way, mind you. “I really turned my nose up at anything that was made on a computer,” he laughs. “I just didn’t like pop music. Some of that was my issue and some of it was that pop music wasn’t that good four or five years ago – it’s so interesting now. I hear lyrical subjects that I don’t think anyone’s heard in pop music before. I felt like I was getting caught up in that fire and suddenly I was so excited.” This newfound love of DIY electronic pop chimed with the pandemic’s arrival and songs were crafted in a more threadbare way around instruments he had at hand, like Moog synths. It was a move underpinned by both necessity and a desire to explore.

“It was the inhibition of not being able to use a full band that pushed things forward,” he says. So eerie synths and head-rattling beats augment the frayed-around-the-edges, impassioned rallying cry of “fighting fire with fire” (“I’m sick of white messiahs”), while “money” – which rails against society’s obsession with capitalism, while also pointing at the reflection in the mirror – is built around a driving pulse of echo-laden beats and crunchy, metallic percussion. On “numb,” inspired by experimental musician Mica Levi’s soundscapes, synthetic textures are painstakingly fused with acoustic flourishes. “I would say there was this period before it all unraveled in LA where I was just disconnected,” he says of the lyrical inspiration for “numb.”  “I felt bogged down, like I was beginning to lose that sense of lightness.”

fighting fire with fire,” “numb” and “monster” also touch on ideas around prevailing toxic masculinity and its effects on body-image issues. “On ‘monster,” I like the idea that I’m singing the chorus to myself – this idea of body image and never being good enough. You look in the mirror and it’s like ‘you’re just a monster.’ Those low self-esteem moments that we all have.” That theme also permeates the fragile, heart-breaking piano ballad and future single, lose you again, which pores over a fractured relationship and rails at the stoicism that bleeds out of men being afraid to show their feelings. Continuing to hide sadness in bright, joyful melodies is the buoyant pop shimmer of me and my friends, inspired by a homeless person Odell met briefly in LA who called him out on his patronizing need to help her, and the pastoral, 60s-inspired guitar that flutters around the broken tales of the lush tears that never dry.

As a testament to his enduring popularity, Tom Odell was invited to perform on BBC1’s Graham Norton TV show, and  more recently he appeared on the The Late Late Show with James Corden with another intimate performance.  At the same time, Odell’s fan base continues to grow exponentially with his new sound and direction. He has gained over 4 million new monthly listeners since the start of the year, with two thirds of his audience under 25. Despite joining TikTok relatively recently, his heavily engaged videos have been viewed over 15 million times, and his first ever single “Another Love” has had a resurgence in popularity amongst a new generation, becoming a viral hit and entering the UK official singles charts again.

Four albums into his career and Tom Odell has made a record that feels free of expectation, free of other people’s perceptions of who he is as an artist. While it was darkness that inspired him, he has managed to transform that into a multi-layered, genre-bending pop album full of light, and hope, even in the strangest of times. monsters also represents the start of chapter two in Odell’s ongoing musical journey. “I feel like I’ll be doing this for as long as I can,” Odell smiles. “I also feel like I do it for the right reasons – because I love making music.” He’s confident, too, after a difficult few years lost in the wilderness. “I feel like I’ve got shit to say and I’m good at what I’m doing now.”

monsters track listing

  1. numb
  2. over you yet
  3. noise
  4. money
  5. tears that never dry
  6. monster v.2
  7. lockdown
  8. lose you again
  9. fighting fire with fire
  10. problems
  11. me and my friends
  12. country star
  13. by this time tomorrow
  14. streets of heaven
  15. don’t be afraid of the dark
  16. monster v.1

2022 North American Tour Dates

Tickets for Fan Pre-Sale starts July 13 at 12PM EST /9AM PST

General Tickets Sales on July 16 at 10 am Local Time

Thu/Mar-31                     Vancouver, BC               Commodore Ballroom

Fri/Apr-1                          Seattle, WA                    Neumos

Sat/Apr-2                         Portland, OR                  Doug Fir Lounge

Mon/Apr-4                      San Francisco, CA           August Hall

Wed/Apr-6                      Los Angeles, CA              The Fonda Theatre

Fri/Apr-8                          Salt Lake City, UT           The Complex – Grand Room

Sat/Apr-9                         Denver, CO                     Bluebird Theater

Mon/Apr-11                     Minneapolis, MN              The Cedar

Tue/Apr-12                      Chicago, IL                      Thalia Hall

Thu/Apr-14                      Toronto, ON                     Danforth Music Hall

Fri/Apr-15                        Montreal, QB                   L’ Astral

Sat/Apr-16                       Boston, MA                     Paradise Rock Club

Tue/Apr-19                      New York, NY                  Webster Hall

Wed/Apr-20                    Washington, DC               Lincoln Theatre

Thu/Apr-21                      Philadelphia, PA              The Foundry

Tom Odell "monsters v.2." image shot by Netti Hurley for use by 360 Magazine

TOM ODELL – monster v.2.

Tom Odell Releases New Single + Video “monster v.2.” Listen | Watch 

New album monsters to be released June 25th Via Sony Music U.K./RCA Records

Pre-Save/Pre-Order album

Brit Award and Ivor Novello award-winning songwriter, plus platinum-selling, chart-topping artist Tom Odell today releases his new single “monster v.2” via Sony Music UK/RCA Records. Listen/Watch monsters v.2.”

Odell’s fourth studio album, monsters, will be released June 25th.  Pre-order HERE and find track listing below.

After a dark period of mental health stalked most of his 2018 and 2019, Odell wrote his way through it, eventually letting down his guard and pouring his feelings into new music that became his brand new album monsters. The album feels like both a daring creative rebirth and a solidifying of Odell’s strengths.

Last week, Tom released a stripped down version of the song and video titled “monster v.1.” CLASH described it “rustic and intimate…A song developed out of distaste, anxiety and personal responsibility, ‘monster v.1’ is a plea to better oneself despite pain. The video is starkly personal and filmed by Odell himself at home. Presented as personal diary tapes, “monster v.1” feels like watching someone’s most confidential moments of mental turbulence.”  Watch the video/listen HERETom debuted “monster” with a stripped down performance on The Graham Norton Show – Watch Here.

Last month, Odell premiered the album’s first single “numb”  via BBC Radio 1 “Hottest Record In The World” with an accompanying video filmed in Tom’s home in England and directed by Tom Odell & Joseph Delaney. Watch it HERE.

“monster v.2” is the perfect companion track to follow “numb”–with the confrontational chorus (“you’re just a monster and I’m not scared”), lyrics initially inspired by Trump, and more specifically climate change activist Greta Thunberg’s staring down the former U.S. president at the UN Climate Summit in 2019. The song’s meaning soon morphed into something more abstract. The song became a self-help mantra for Odell’s ongoing battle with anxiety.  Tom also releases a video today for which Tom’s fans sent in clips of what the word ‘monster’ meant to them.

Watch “monster v.2” here

Tom explains:  “in 2019, my anxiety got so bad that I had to stop making music for a while. There was a period when it felt like I couldn’t leave the house without having a panic attack. I wrote this song, ‘monster’ about trying to overcome my struggles with those mental health problems. The more I’ve begun to speak about this subject, the more I’ve realized so many people are going through the same thing. I asked my fans to show me what the word ‘monster’ meant to them, and I thought I was just gonna make a 30 second video for Instagram or something, but the first time we put all the clips together I cried. It was so moving to see people being so vulnerable, so I scrapped the whole other music video I had made for the song and ended up going with this as the main music video, as it was so good.  I think it’s one of the most powerful videos I’ve ever been involved with.”

Odell has been working as a musician in the public eye since he was 21 when his self- penned debut album Long Way Down, earned him a UK number one album, top 10 single (the epic “Another Love” which propelled him to global notice) as well as the coveted Brit Award. A masterful performer, Tom has appeared on The Tonight Show Starring Jimmy FallonThe Graham Norton Show, Late Late Show with James CordenLate Night with Seth Meyers and so many more.

Now, 30, it’s clear to Tom that the whirlwind around his debut kick started a work ethic that eventually became an obsession.  It reached an apex in September 2019 when Odell, fresh off touring his album Jubilee Road, left his home in London and went straight to LA to start writing the next album.  “Then this chronic anxiety that I’d had for a couple of years just got worse.” Odell woke up one morning “and I couldn’t do any more music.” He knew something had to change.  In the end he flew back home, went straight to his parent’s house and slowly got better.

Odell turned that challenging experience into this new album.  He also realized  his broader lyrical horizons needed to be matched by a musical expansion, with a lot of the songs on the album–created alongside songwriter Laurie Blundell and producer Miles James–leaning into a more electronic, bedroom pop sound that Odell has steadily become obsessed with over the last few years. This newfound love of DIY electronic pop chimed with the pandemic’s arrival and Odell crafted songs in a more threadbare way with instruments he had at hand, like Moog synths. It was a move underpinned by both necessity and a desire to explore. Eerie synths and head-rattling beats augment the sound.  While his new music is at times weighty, there is a lightness of touch that means Odell is able to pull off pop’s greatest trick of hiding sadness in the melodies. In this strangest of times, this new music represents the start of chapter two in Odell’s ongoing musical journey.

Tom Odell has enjoyed over 2.6 billion streams, three UK top 5 albums including the platinum-selling, chart-topping Long Way Down; two UK top 10 singles, a 2013

Brit Award for Critic’s Choice and was awarded the prestigious Ivor Novello award for Songwriter of the Year.

Tom Odell recently announced live dates for his UK 2022 “the monsters tour.” Tickets are available at Gigs and Tours, Ticketmaster and AXS. *Fans pre-ordering the album (vinyl, cd, cassette and more) on Tom’s official website will guarantee first access to tickets.

monsters album track listing:

  1. numb
  2. over you yet
  3. noise
  4. money
  5. tears that never dry
  6. monster v.2
  7. lockdown
  8. lose you again
  9. fighting fire with fire
  10. problems
  11. me and my friends
  12. country star
  13. by this time tomorrow
  14. streets of heaven
  15. don’t be afraid of the dark
  16. monster v.1

Pre-Order monsters here

 

 

ALESSIA CARA, MINA TOCALINI, 360 MAGAZINE

Alessia Cara × JUNO

Alessia Cara secures Album of the Year, Pop Album of the Year, and Songwriter of the Year and the 2020 JUNO Awards

Canadian singer/songwriter Alessia Cara scores big at the 49th JUNO Awards for her album, The Pains of Growing. Alessia won three awards out of the six nominations she received for Album of the Year, Pop Album of the Year, and Songwriter of the Year. In fact, Alessia is the first female artist in seven years to win Album of the Year and the first female artist to win Songwriter of the Year in six years.

Initially, Alessia planned to host the event before it’s cancellation due to coronavirus. But, the virtual ceremony showcased and celebrated many amazing artists; Alessia was one of the performers at the online awards show and sang her new song “Rooting For You.”

About Alessia Cara:

2018’s “Best New Artist” Grammy Award Winning Canadian singer/songwriter and Def Jam Recordings artist Alessia Cara emerged onto the music scene in 2015 with her first release, “Here,” a global anthem that grabbed the world’s attention when it garnered over 500,000 streams on Soundcloud in its first week. “Here” went on to become Spotify’s Most Viral Song of 2015, selling over 3 million copies. Four Pink Walls, soon followed, leading to the release of her RIAA platinum debut album Know-It-All. Alessia’s multi-platinum #1 hit single of 2016, “Scars to Your Beautiful,” was her gut-wrenching take on female identity, on body image and on deleterious behaviors in the name of beauty. “Stay” her #1 hit with Zedd sold over 2 million copies and received Song Of The Summer raves. Also in 2016, Alessia lent her voice to “How Far I’ll Go,” penned by Lin-Manuel Miranda, official song for Disney’s animated film Moana. The 4x-platinum “1-800-273-8255,” her historic collaboration with fellow Def Jam artist Logic, was one of 2017’s landmark singles with over 9 billion streams worldwide, contributing to her being named the most-streamed new female artist of 2017. “Growing Pains,” was the prelude to Alessia’s second album, her critically acclaimed The Pains of Growing.

A JUNO award winner for 2016 Breakthrough Artist of the Year in her native Canada, Alessia went on to receive the “Rule Breaker” honor at the Billboard Women in Music annual event. She won MTV VMAs in 2017 for Best Electronic Dance Video and Best Fight Against The System (for her multi-platinum #1 Billboard Pop Song “Scars To Your Beautiful,” which she and Logic performed with Khalid as the climactic moment of that year’s Grammy broadcast). Alessia also won back-to-back ASCAP Pop Awards for “Stay” and “Scars To Your Beautiful”; along with Dance Song of the Year at the iHeart Radio Music Awards. She has earned nominations for Favorite Female Pop/Rock Artist at the 2017 American Music Awards, the People’s Choice Award for Favorite Breakout Artist, the Billboard Music Award for Top New Artist, the BET Award for Best New Artist, the BBC Award for Song of The Year, and many other top honors.

Follow Alessia Cara: Facebook Instagram Twitter YouTube Website