About 360 MAGAZINE

360 MAGAZINE is an award-winning international publishing on popular culture and design. We introduce avant trademarks to efficacious architects. We are a LGBTQIA2S+ friendly publication--officially recognized by the NGLCC. Our core demographic ranges from 19 to 39-year-old college-educated trendsetters within their respective international communities. The pages in this art book satisfy their strong interests including music, art, travel, auto, health, fashion, tech, philanthropy, design, food and entrepreneurship. It's an introspective digital/print/tablet portrait series, which encapsulates artists/brands/entities who embody the true essence of our publication- empowerment, equality, sensuality and most important of all, humanity within a global society.

EDEN RELEASES ALBUM

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Dublin-based vocalist-producer and multi-instrumentalist EDEN, born Jonathon Ng, releases his debut album, vertigo, today via all digital providers. An exclusive T-shirt is available for purchase along with a digital album bundle for one week only beginning today here: http://shop.iameden.eu/.
EDEN also premieres the video for the song “float” today.  “Walking the line between stirring beats and subdued lyrics, “float is a literal medley of earnest emotion and ingenuity,” saysLadygunn.
Shot in Ukraine, the “float” video completes the trilogy directed by Zhang + Knight, who also lensed EDEN’s videos for “gold“ and “crash.” Watch it HERE.
On March 1st, EDEN kicks off the North American leg of his headlining vertigo world tour. The 21-year-old musician sold out several shows almost immediately and added additional dates and upgraded venue sizes in over ten cities due to high demand. Fourteen shows, including two nights at Irving Plaza in New York City and one night at The Fonda in Los Angeles, are sold out. Tickets for the remaining shows are on sale now at http://iameden.eu/tour. All dates can be found below.
Several tracks from vertigo have been released, including “gold,” which flew to No. 10 on Spotify’s Global Viral Chart upon release and has over four million Spotify streams to date, as does “crash.”
Pigeons & Planes declared that “‘gold’ showcases [his] songwriting skills and forward-thinking arrangement choices, and it’s an exciting look at an artist poised for a breakthrough year … EDEN is set to have a big 2018.” “gold” followed “start//end,” which Billboard called,“striking … a nostalgically cast reflection on youth and all-too-relatable feelings of desperation and hope – there’s a secret depth to [EDEN’s] sound.”
V Magazine declares, “both (EDEN’s) music and his persona seem reflective of his overall goal on his upcoming debut album – to make something grand and magical out of something that seems much smaller… Given the captivating and utterly intriguing output he’s given us so far, the task should be easily doable.”
On his 2016 breakthrough EP i think you think too much of me, EDEN struck a rare balance of ingenuity and intuition with its guitar-heavy take on electronic pop. With vertigo, he takes an even more instinct-driven approach to his music, a process he perceives as a form of exploration. “Even when I’m writing, I don’t feel like I’m actually creating anything,” he says. “It’s more like I’m uncovering something that’s already there. Like how an archaeologist doesn’t create a fossil – they’re just finding it and uncovering it, and maybe rearranging it if it’s broken. Releasing this body of work is terrifying and exciting and overwhelming for me. A lot of it is so personal. This album is not a coming-of-age story, but it caused one.”
Racking up over 90 million streams on Spotify to date, i think you think too much of me EP hit No. 1 on the iTunes Alternative Chart, and No. 2 on Billboard‘s Heatseeker chart. From the bedroom of his childhood home, Ng initially began to cultivate a large online following and made his EP debut with End Credits in August 2015. Despite making no effort to promote it, he soon found the work gaining major attention – ultimately amassing more than 145 million streams combined across his two EPs. EDEN’s first U.S. tour sold out immediately and he spent that summer performing at major U.S. music festivals including Governors Ball, Bonnaroo and Firefly.  He also performed at the Reading and Leeds festivals in the UK and Fuji Rock in Japan.
TOUR DATES:
03/01   Houston, TX                White Oak Music
03/02   Austin, TX                    Scoot Inn (sold out)
03/03   Dallas TX                     Trees (sold out)
03/06   Phoenix AZ                  The Crescent Ballroom (sold out)
03/07   San Diego, CA              House of Blues
03/09   Santa Ana, CA             The Observatory
03/10   Los Angeles CA            The Fonda Theatre (sold out)
03/13   San Francisco, CA        Regency Ballroom
03/15   Portland OR                Hawthorne Theater (sold out)
03/16   Seattle, WA                 Showbox SoDo
03/19   Salt Lake City, UT        Grand at The Complex
03/20   Englewood, CO           Gothic Theatre (sold out)
03/22   Minneapolis MN         The Cedar (sold out)
03/23   Milwaukee, WI            The Rave II
03/24   Chicago IL                    House of Blues (sold out)
03/26   Detroit, MI                  Saint Andrews Hall
03/28   Toronto ON                 Danforth Music Hall (sold out)
03/29   Montreal, QC              Corona Theatre
04/02   Boston, MA                 House of Blues
04/04   New York NY               Irving Plaza (sold out)
04/05   New York NY               Irving Plaza (sold out)
04/06   Philadelphia, PA          Union Transfer
04/07   Washington, DC          9:30 Club
04/10   Pittsburgh PA              The Club @ Stage AE (sold out)
04/11   Columbus, OH             Newport Music Hall
04/12   Nashville TN                Mercy Lounge (sold out)
04/14   Atlanta GA                   Variety Playhouse (sold out)

Beth Ditto x I’m Alive

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Beth Ditto‘s compelling version of “I’m Alive” is out today and available for download and streaming HERE. View the static video HERE. Max Factor has licensed the track for an international advertising campaign that will begin airing in the U.K. in February. Written by Tommy James, “I’m Alive” was first recorded in 1968 by R&B legend Johnny Thunder.

“Being alive is radical right now! So let’s live!” said Beth Ditto, who adds she was drawn to the song’s simple, elemental joy, which feels defiant in the darkness of the current social and political landscape.

Ditto will kick off her first tour of 2018 on March 7 in her home state of Arkansas, performing at Revolution Music Room in Little Rock. Tickets are on sale now for the North American run, which includes shows at New York’s Brooklyn Steel (March 14), The Fonda Theatre in Los Angeles, CA (March 23) and Wonder Ballroom in Portland, OR (March 27). See below for itinerary or visit www.bethditto.com.

Hailed by NPR as the “force-of-nature performer best known for fronting the pop-punk group Gossip,” Ditto recently released her debut solo album, Fake Sugar (Virgin Records). The official video for “Fire,” which has over two million views, can be seen HERE. Other clips include “We Could Run” and the animated lyric video for “In And Out.”

In a four-star live review The Guardian said, “Ditto has said this is her southern record, and opener Oh My God kicks in with a funk-rock beat as she channels the mid-80s power vocals of Bonnie Tyler, complete with a front-of-stage electric fan to give her the perfect windswept look. On In and Out and Fake Sugar, she closes her eyes and draws out the tender trill in her voice, giving her the air of a heartbroken Nashville queen. And like Dolly Parton, Ditto alternates between infectiously warm, wisecracking comic and soul-baring torch singer.”

The Wall Street Journal included Fake Sugarin its round-up of “The Best Music of 2017” and observed, “Great pop for grownups is a rare commodity…Beth Ditto delivers.” The New York Times praised Ditto as a”powerhouse singer” and noted that the album’s songs”have stomp and girl-group melodies, Southernisms in their lyrics and garage-rock swagger.” Paperchristened Ditto “rock’s homecoming queen” while People highlighted Fake Sugar as one of its “Picks,” observing, “Whether it’s a glittering stomper (‘Oo La La’) or stripped-down Stevie Nicks homage (the title track), Ditto shines throughout…”

In addition to releasing six acclaimed albums with the Gossip, Ditto has recorded with such artists as Blondie and disco legend Cerrone, collaborated with Jean Paul Gaultier on her eponymous plus-sized luxury clothing line, modeled for Marc Jacobs. She appears in the new Gus Van Sant film, Don’t Worry, He Won’t Get Far On Foot, which premieres at the Sundance Film Festival today.

S.L.U.T. x Bea Miller

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Co-written by Bea Miller, Steph Jones and Ido Zmishlany, S.L.U.T. (sweet little unforgettable thing) is one of the featured tracks from Bea’s recently released chapter three: yellow EP. The companion video, directed by duo AJ & Miles (whose credits include Billie Eilish, Stanaj, Jaden Smith and Kid Ink), features women representing beauty in all its shapes, sizes and ethnicities.

While the title is provocative, the message of the funk-tinged song is timely. Harassment comes in many forms and it’s what sparked the origin of the song. As Bea tells it, she was wearing a bodysuit and white skirt. It was hot, and I wasn’t wearing a bra, which I thought was perfectly acceptable, she says, noting, I have little baby boobs. But when Miller posted a photo, a young woman who saw it begged to differ, rudely.

The girl called me a slut, and I lost it, Miller remembers. I was ranting. Women should support each other and I don’t understand what the problem is with nipples. Miller had a thought to look up the nasty term on Urban Dictionary, and found a post defining it as an acronym for Sweet Little Unforgettable Thing and a lyric was born. I thought, that’s amazing, recalls Miller, and we wound up writing a fantastic song that was also a cool and funny response to this girl.

If you don’t like what I’m wearing

Well you’re only bothered cuz you’re staring

And you’ll never talk me into caring

Cuz it’s my own and I’ll keep owning it

Just mind your own and I’ll keep owning it

We gotta learn to stick together

Love your color, gender or whatever

Cuz your happiness don’t need a sensor

Just mind your own and we’ll keep owning it

KAILEE MORGUE DEBUTS MEDUSA

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Kailee Morgue unleashes her anxiously awaited debut EP, Medusa [Republic Records]. Check it out here.

A gateway into the artist’s widescreen sonic wizardry, the four-song set includes her breakthrough “Medusa”and latest track “Discovery”—which Zane Lowe personally selected as a “World First” record on Apple Music Beats 1 just last month. Additionally, she reveals two equally majestic anthems at which to marvel. Produced by Joel Little [Lorde, Khalid], “Unfortunate Soul” tiptoes between clean guitars and glitchy beats as the songstress pleads, “I’m an unfortunate soul. It’s just the way that I roll.” Meanwhile, “Ghost of Mine” haunts and hypnotizes as her voice careens over spacious beats from producers Imad Royal and Brenton Duvall. Check out the official lyric video for “Unfortunate Soul” Here!

 “Discovery” arrived hot on the heels of the viral hit “Medusa,” produced by CJ Baran [Melanie Martinez, Panic! At the Disco, Carly Rae Jepsen], quietly transformed the artist into a palpable phenomenon. Upon release, it launched to #1 on Hype Machine, was premiered by Fader and received “Best Track of the Week” by The New York Times, Line of Best Fit, MTV, Coup de Main and reached #2 on the Canadian viral chart on Spotify. Check out the video for “Medusa” Here.

The 19-year-old songstress first teased out the track in 2016 with a brief Twitter video, and it ignited a viral reaction spawning 100,000 “likes” overnight. Over an airy minimalistic soundscape, Morgue exorcises a, hypnotic, and heartfelt melody with haunting and powerful lyrics.

In addition, she recently posted a cover of label mate Post Malone’s smash hit “rockstar” ft. 21 Savage. The track is a follow up to a previous cover she posted of “Feeling Whitney” back in January. Check out the “rockstar” cover here!

Tattooed, green haired, and anime-obsessed 19-year-old Phoenix-born and Los Angeles-based gothic pop siren Kailee Morgue casts a sonic spell with her music. A self-described “introvert” and the second oldest of six kids, she found solace in the sounds of fellow sonic sorceresses such as Stevie Nicks and Gwen Stefani as well as Pink Floyd, Led Zeppelin, and more. By the age of ten, she picked up her first guitar, began quietly penning music, and eventually started posting tracks on Soundcloud. Between a gig at Jack in the Box, an 18-year-old Kailee found the beat for “Medusa” on YouTube back in 2016 and cooked up the single. As “Medusa” became an underground phenomenon, she inked a deal with Republic Records in the summer of 2017.

Kailee Morgue Links
Twitter: http://twitter.com/morguemami

Instagram: http://www.instagram.com/morguemami/

Facebook: http://www.facebook.com/KaileeMorgueMusic/

Tribute to The Honorable George P. Shultz

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Joined by nearly 250 guests at the historic Old U.S. Mint, the California Historical Society, the state’s official non-profit organization dedicated to preserving and promoting the history of the Golden State, hosted a Gala dinner celebrating The Honorable George P. Shultz on January 11, 2018.

“Secretary Shultz has had a distinguished career serving five presidents, holding four key Cabinet positions, and overseeing some of the nation’s most historic, pivotal moments,” said Dr. Anthea Hartig, Executive Director of the California Historical Society, “Dr. Shultz is a man of integrity, leadership, and loyalty – a true statesman who has dedicated his life to serving our nation and advancing important causes.  His wide-ranging and long-standing contributions have been acknowledged with a truly remarkable array of awards and honorary degrees, their very variety a testimony to the rich diversity of his contributions.”

The black-tie event took place on the 263rd birthday of Alexander Hamilton, the first U.S. Treasury Secretary. In 1972, as America’s 62nd Treasury Secretary, George Shultz helped save the 1874 Old U.S. Mint – now a National Historical Landmark – from sale and destruction, ensuring the powerful legacy of the Treasury in the western United States.

A distinguished group of leaders in business, education, government, and philanthropy came together to plan and support the Gala in celebrating one of California’s and the Nation’s true civic legends, in one of the West’s most significant historic buildings.

The Honorary co-chairs for the event were Mr. Stephen D. Bechtel, Jr., Governor Edmund G. Brown, Jr., the Honorable Dr. Condoleezza Rice, and Mrs. Charlotte Mailliard Shultz. The Chair of the Host Committee was CHS Trustee Linda Elliott.

2018 JEEP GRAND CHEROKEE TRACKHAWK 

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The hawk is one of the most powerful birds in the sky. It dominates its territory by fiercely navigating the air, swooping in on its prey with incredible speed and accuracy. Now apply those characteristics to a vehicle and you discover something that is ferociously fast, nimble and adaptable with unprecedented performance.   


by Anthony Sovinsky × Vaughn Lowery 


The 2018 Jeep Grand Cherokee Trackhawk is an AWD SUV equipped with the notorious Hellcat engine. A supercharged 6.2 liter V8 delivering 707hp with 645 ft-lb of torque in a 8-speed automatic with Quadra-Trac active on demand 4WD that catapults this brute from 0-60 in 3.5 seconds, howling across the quarter mile in 11 seconds and reaches a top velocity of 180 mph. There are no other SUVs in the world exhibiting this type of performance besides the Lamborghini Urus (650hp w/ 626lb-ft torque starting around $200,000). With a height of 67.9 inches, you will be staring at the roof of many vehicles which are capable of keeping up, especially if you follow Launch Control instructions – this bird soars 0 to 60 mph in 3.3 seconds. 


Weighing in at 5,636lbs, it is armed with an enlarged Brembo performance anti-lock braking system. Up front, the Trackhawk is fitted with big 15.8-inch rotors with 6-piston calipers; and in the back end, it passes 13.8-inch rotors with 4-piston calipers, making it come to a halt from 60 mph in a mere 114 feet. The bright yellow calipers nicely compliment the 20×10 inch black satin aluminum wheels ($995) encased in meaty 295/45ZR20 BSW 3 season tires ($895). Moreover, Blistein competition suspension containing active dampening keeps it firmly planted with very slight roll. Select-Track system allows the driver to elect five different modes – auto, sport, track, snow and tow (w/ 7200lb capacity).   


Many drivers in a metropolis are defensive, but some aren’t able to concentrate on what’s in our peripheral during a concrete jungle safari. Precisely for that reason, several safety features have been implemented: parallel and perpendicular park assist; LaneSense lane departure warning; full speed forward collision warning; advanced brake assist; adaptive cruise control to stop, blind spot and cross path detection; park view rear backup camera; and last but certainly not least, a valet mode that significantly reduces horsepower (to about 200 hp) and torque to make the car more manageable to the unfamiliar.   


Carrying on to the exterior, the Jeep is tastefully badged with “Trackhawk” emblems (on floor mats as well as rear back gate) and a “Supercharged” side door steel plate informing spectators of what’s under the hood. The front-end features a seven-slot grille equipped with Bi-Xenon HID headlamps. And, similar to its Challenger Hellcat sibling, it features functional air intakes which replace fog lamps to help cool the powerful engine. Continuing towards the boot, Fiat-Chrysler North America (NA) added quad exhaust tips, causing the vehicle to appear more aggressive on most angles.  


Upon entering the cabin, drivers and passengers are welcomed by Napa/Suede “Trackhawk” stamped performance seats, carbon fiber trim, blackened chrome accents and a three-spoke flat bottom steering wheel with paddle shifters. Adjacent, lies the Uconnect 4C NAV with 8.4 inch display which is compatible with both Apple CarPlay and Android Auto. Furthermore, the screen can access various drive modes as well as engine performance readouts for the more avid aficionado. And, if you go on to purchase the 2XV package, not only will you have access to a high performance vehicle, but a high performance audio system ($1,995). Outfitted with 19 Harman Kardon speakers alongside a subwoofer and an 825-Watt amplifier. With ample head and leg room, one can expect space for the entire modern family – driver, four passengers and a small to medium sized dog to comfortably run circles in the trunk area. Moreover, there’s adequate room for a few weekender bags to stealthily fit underneath the trunk matt right above the spare tire.  


It’s almost hard to believe that such an SUV exists at such an affordable price point: supercar power plant, all-terrain capabilities, tenacious brakes, moderately precise steering (best in track mode), enhanced suspension offers comfortable cornering and hypersensitive acceleration – no one will ever ask, “Are we there yet?” The 2018 Jeep Grand Cherokee Trackhawk base price is close to $85,900 and the customer preferred package 2XV adds another $4,980 for a total of $90,880. In short, Fiat Chrysler NA once again delivers a huge bargain which cannot be ignored while delivering tremendous curb appeal. Hence, the Trackhawk will leave enthusiasts watering at the mouth for years to come.   


http://www.jeep.com/2018/grand-cherokee/performance.html  

Aura

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LISTEN VIA YOUTUBE
BUY ‘AURA’
 

PMR-signed songwriter and producer SG Lewis today shares his new single ‘Aura’. The single is taken from his expansive new project: a three-part album due to roll out over the coming year. ‘Aura’ features rising UK songwriter J Warner and is available to buy and stream now on all partners.

“Everything I do stems from club culture,” says SG Lewis of the idea behind his upcoming three-part project. “Dusk, Dark, Dawn is about taking the intentions of that music – all of those feelings, those experiences I had from the age of 17 to 19 – and placing them outside of the context of a club. Those memories of being a young person and having my mind completely blown.”

Presented over three phases, ‘Dusk, Dark, Dawn’ maps the trajectory of one night out over the course of an album, matching genres and tempos different stages of that night, beginning at sun-down, both inside and outside the club. In the first phase ‘Dusk’, SG Lewis plays with disco, west coast hip-hop and 80’s electro references to start the story. “Disco has always had the association of the start of a night for me. I spent a lot a time as a resident DJ in clubs and disco was always that magnetic genre, always brought people onto the dancefloor.” Lead single ‘Aura’ blends SG’s signature warm, uptempo house with disco inflections. “There’s an undeniable beauty to this part of the night. The apprehension, excitement… ‘Dusk’ is the warm-up for the heavier, darker things to come.”

SG Lewis will tour a four-date run across the UK in April, playing in Glasgow, Leeds, Manchester and London. Full details follow.

Tour Dates
04/04               Glasgow                      ABC2
05/04               Leeds                          Belgrave Music Hall
06/04               Manchester                 Gorilla
07/04               London                        Electric Brixton


ABOUT CASABLANCA RECORDS
Casablanca Records, the legendary label of the 70’s, defined the sound of its era. During the infamous days of Studio 54, Casablanca launched the careers of artists such as Kiss, Parliament, Donna Summer and Giorgio Moroder. Re-launched by Republic Records executive vice president Rob Stevenson, the label now focuses on Dance, Electronic, and Future Pop music. Working with a global roster of both established superstars and emerging new talent, Casablanca Records is home to Stromae, ALMA, Kungs, Martin Solveig, Tiësto, Felix Jaehn, SG Lewis, and Chase & Status.
 

ABOUT REPUBLIC RECORDS
A division of Universal Music Group, the world’s leading music company, Republic Records is home to an all-star roster of multi-platinum, award-winning legends and superstar artists such as Ariana Grande, Aminé, Black Sabbath, DNCE, Florence + the Machine, Gotye, Hailee Steinfeld, James Blake, James Bay, John Mellencamp, Jordan Smith, Julia Michaels, Keith Richards, Kid Cudi, Liam Payne, Marian Hill, Of Monsters and Men, Post Malone, Seth MacFarlane, Stevie Wonder, and more. Founded by brothers and chief executives Monte and Avery Lipman, it is also comprised of innovative business ventures, including American Recordings (The Avett Brothers, Towkio), Boominati Worldwide (Metro Boomin), Brushfire (Jack Johnson), Casablanca Records (Giorgio Moroder, KUNGS, Tïesto), Cash Money (Drake, Lil Wayne, Nicki Minaj), Hollywood Records (Sofia Carson, Zendaya), Lava Records (Greta Van Fleet, Jessie J, Lorde), Monkeywrench (Pearl Jam), XO (The Weeknd), Roc Nation (Belly, Justine Skye, The Dream), Tuff Gong (Damian Marley), Victor Victor Records (D Savage, Ski Mask The Slump God), among others. Republic also maintains a long-standing strategic alliance with country powerhouse Big Machine Records (Taylor Swift), and Universal Music Latin Entertainment (Luis Fonsi, J Balvin). In addition, Republic has expanded to release high-profile soundtracks for Universal Pictures (Fifty Shades of Grey, SING), Fox TV (Lee Daniels’ STAR), and NBC TV (The Voice), as well as other notable film and television franchises.

YUNGBLUD

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UK recording artist Yungblud, whom NME has said carries himself like “a hyper-addictive mix between rapper Eminem and Johnny Rotten,” releases his self-titled debut EP today via all digital partners. Listen to Yungblud HERE.

With his frenetic take on alt-pop equally inspired by punk, hip-hop, and UK garage, Yungblud uses breakneck flow and tongue-in-cheek attitude to deliver pointed lyrics about everything from gentrification to disenfranchisement to addiction without getting heavy-handed. “I want my music to always have a message, but I don’t want to preach to anybody,” says the Northern England native, whose given name is Dominic Harrison. “This music’s just an outburst of emotion and anger, and everything else going on in my head.”

The Yorkshire-born, London-based Yungblud, produced by Matt Schwartz – known for his work on Massive Attack and Kylie Minogue, and brought to Geffen/Interscope by executive producer Martin Terefe who has worked with Jason Mraz and KT Tunstall.

The EP features “King Charles” and “Tin Pan Boy” (which Wonderland called “a bold and biting call to social justice”) and the current single “I Love You, Will You Marry Me,” which takes its title from a real-life, ill-fated marriage proposal spray-painted at a public housing project in South Yorkshire. Watch the live performance video for “ILYWYMM” HEREand the self-directed video for “Tin Pan Boy” HERE. The EP also includes two brand-new songs, “Anarchist” and “Polygraph Eyes,” a seedy portrait of a Saturday night out that also serves as a delicate commentary on consent and “lad mentality.”

In a recent profile of Yungblud, Wonderland raves about his “captivating songwriting,” while Nylon notes that “Harrison imbues every ounce of raucous energy into songs that defy genre.” NME has called him “utterly thrilling” and says that “what makes Yungblud so intriguing is the versatility in his material already, and how confident he feels about pulling it all off.”

Yungblud, who is on the road in Europe through early February, hits the road for a U.S. spring tour with K.Flay beginning March 12 in Washington, DC. “If you ever get the chance to see him perform live, his passion is evident in the way he throws himself around the stage, spitting ferocious lyrics at the front row and strutting around with the confidence you only have if you were born to do something,” writes Wonderland. 

Tour Dates with K.Flay:

March 12  Washington, DC 9:30 Club
March 13  Buffalo, NY  Town Ballroom
March 14  Detroit, MI  Magic Stick
March 15  Toronto, ON  Danforth Music Hall
March 16  Montreal, QC  Corona Theatre
March 18  Philadelphia, PA Union Transfer
March 19  New York, NY  Irving Plaza
March 21  Boston, MA  Royale
March 23  Charlotte, NC  The Underground
March 24  Atlanta, GA  Variety Playhouse
March 25  Cincinnati, OH  20th Century Theatre
March 27  Tulsa, OK  Cain’s Ballroom
March 28  Dallas, TX  Granada Theater
March 29  Austin, TX  The Mohawk
March 30  Houston, TX  WOMH Downstairs

YUNGBLUD “YUNGBLUD” EP
Retail:  http://smarturl.it/
Amazon:  http://smarturl.it/
Apple Music:  http://smarturl.it/
Google Play: http://smarturl.it/
iTunes:  http://smarturl.it/
Spotify:  http://smarturl.it/
Tidal: http://smarturl.it/Twitter / Instagram/ Facebook

 

Liz Huett

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Interscope singer-songwriter Liz Huett releases a rendition of Tom Petty’s   “You Don’t Know How It Feels” today, January 19th, via all digital retailers – http://smarturl.it/YDKHIF. “You Don’t Know How It feels” is a tribute to the late musician who Huett credits with inspiring her to make music.   Listen to “You Don’t Know How It feels” HERE.

“Covering a song by your hero is intimidating, to say the least,” says Huett.   “But I was willing to take the risk because both he and this song mean so much to me.  I wanted to honor Tom in my own way because his excellent artistry is a huge part of what inspired me to make music in the first place.”

“You Don’t Know How It Feels” is produced by Steve Solomon and follows the release of “H8U” and “STFU & Hold Me,” two songs that  were released to critical praise with Entertainment Weekly  stating “Huett mixes the melodies and storytelling of country music with the slick production and hooks of pop.”

Huett grew up in Riverside, California, with her ear glued to the radio, listening to everything from pop acts like Tom Petty and Pink, to ’90s country superstars. Not long after she decided to move to Nashville to pursue her music career, she was hired as a backing vocalist for Taylor Swift, with whom she toured for three and a half years. With Swift’s blessing, she decided to come off the road and throw herself into writing her own music. Huett quickly lined up a publishing deal with Warner Chappell, began writing songs, and worked on developing her eclectic pop sound. Now signed to Interscope Records, Huett delivers her songs with a genuine vulnerability that makes her work appealingly relatable. Huett is currently working on her debut album.

 

Liz Huett – “You Don’t Know How It Feels” eSingle
Retail: http://smarturl.it/YDKHIF
Amazon: http://smarturl.it/YDKHIF/amazonmusicbuy
Apple Music: http://smarturl.it/YDKHIF/applemusic
Google: http://smarturl.it/YDKHIF/googleplay
iTunes: http://smarturl.it/YDKHIF/itunes
Soundcloud: http://smarturl.it/YDKHIF/soundcloud
Spotify: http://smarturl.it/YDKHIF/spotify
Tidal: http://smarturl.it/YDKHIF/tidal

  

For more about Liz Huett:
Website / Facebook / Twitter / Instagram

Bryan Bailey’s New Book “The Hammer”

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For thousands of years, dogs have established themselves in the homes and hearts of humans, coming to be viewed almost exclusively as loyal, friendly, and obedient… which is why it is often so alarming and unexpected to owners when a dog attacks. So what causes dogs to act aggressively, and how can it be avoided? The answers are found in Bryan Bailey’s latest book, The Hammer: Why Dogs Attack Us and How to Prevent It (Best Seller Publishing), available this month wherever books are sold.

In The Hammer: Why Dogs Attack Us and How to Prevent It, Bailey answers the following questions:

• What are the leading causes of canine aggression?

• Why do dogs attack children?

• What are common mistakes made by people that cause dogs to attack them?

• Why do the number of attacks to Americans continue to rise each year?

• What is canine pharmacotherapy and how can it help lessen the number of attacks to Americans?

• Why do 50% of dog bite fatalities occur to the dog’s owner?

• Which breeds are most involved in dog bite fatalities?

• What are four factors that are involved in all dog attacks?

• What can we do to prevent attacks?

• If someone is attacked by a large dog, what should they do to prevent themselves from being seriously injured or killed?

• Why is this a uniquely American problem?

Bailey has spent more than three decades studying and teaching the influence of wolves over modern dogs, shedding light upon the instincts that trigger aggressive behavior – and what can be done to prevent it. Featuring both meticulously researched information and thrilling stories inspired by real-life victims, The Hammer offers the only resource you’ll need to learn to protect yourself from situations in which man’s best friend turns into your worst nightmare.