About 360 MAGAZINE

360 MAGAZINE is an award-winning international publishing on popular culture and design. We introduce avant trademarks to efficacious architects. We are a LGBTQIA2S+ friendly publication--officially recognized by the NGLCC. Our core demographic ranges from 19 to 39-year-old college-educated trendsetters within their respective international communities. The pages in this art book satisfy their strong interests including music, art, travel, auto, health, fashion, tech, philanthropy, design, food and entrepreneurship. It's an introspective digital/print/tablet portrait series, which encapsulates artists/brands/entities who embody the true essence of our publication- empowerment, equality, sensuality and most important of all, humanity within a global society.

illustration by Samantha Miduri for use by 360 Magazine

How to Handle Property Damage Claims After a Natural Disaster

Unfortunately, natural disasters can strike at any time. Whether your property is damaged by a storm, flood, wildfire, hurricane, or another natural event, it is important that you get yourself and your family to safety as soon as possible. Once the disaster has passed, you can focus on clearing up the aftermath and filing a claim with your insurer. To help you be prepared, here is a look at how to handle property damage claims after natural disaster has struck.

Contact a Lawyer

Even when you are insured for property damage caused by a natural disaster, unfortunately, insurance companies do not always payout, even when you hold a valid policy. So, as well as contacting your insurer after being affected by a natural disaster, you should contact a law firm that has experience in dealing with property damage claims. Law firms like Sibley Dolman Gipe in Florida know how to deal with insurance companies to help you get the money and protection you require after facing an awful natural disaster.

Contact Your Insurer

If your home insurance policy covers things like damage caused by floods, hurricanes, and fires, you will be able to make a claim. You should contact your insurer as soon as possible – never leave it for more than sixty days. Your policy may cover things like hotel expenses if you are evacuated from your home, as well as financial compensation for the damage to your property. If you are not insured, it is best to get insured. But, if you are uninsured when disaster strikes, you may be able to still get help from the Federal Emergency Management Agency.

Take Photos of the Damage

When it is safe to do so, you should check for structural damage to your home. As you inspect your property, it is a good idea to take photos as you go along. Photograph things like broken windows, roof leaks, and any other significant damage caused by the natural disaster. That way, you have a good record to show your insurance company.

Accompany Your Insurer During the Property Inspection

When the insurer arrives to inspect the damage to your property, it is important you walk alongside them during the inspection so that you can point out anything that the inspector may miss. This ensures that you get coverage for all damage to your property, not just what was observed by the insurance inspector.

Only Repair Essentials

Once the natural disaster has passed, you will probably want to make repairs straight away. However, you should wait until your insurance company has inspected the property. It is fine to do essential repairs to make the property stable. But, your insurer needs to know exactly what damage was caused and view it first-hand. So, wait to complete repairs until after the insurance inspection. You should also keep receipts for any repairs that have been made.

Know the Timeline of Your Insurance Claim

It is important you understand your insurer’s timeline so that you are not left waiting around. Beware that insurer deadlines can change after natural disasters, but your insurance company is obliged to respond to your claim within fourteen days. At that point, your insurance company could ask for more information about the damage or require you to fill out a proof-of-loss form. The next step involves the insurer reviewing your claim. It can be accepted or rejected, which is why it is a good idea to contact a lawyer early on. The review process typically takes up to thirty days. If your claim is accepted, the insurance company usually has ninety days to send you the compensation.

When dealing with property damage claims after a natural disaster, it is essential to have an experienced property damage lawyer by your side.

How Do Essay Writing Services Work?

Many students hire professional essay writing services to meet their academic requirements. Do essay writing services work? It is a very vital question that many people are looking to find an answer to. Yes, essay writing services offer excellent benefits to students. You can hire them to fulfill your academic writing requirements. How do these professional services work?

Do your research to find a reliable essay writing service

The first thing you must do is to identify a trusted professional writing service. There are many different types of services available nowadays. You must do your research and discover an online writing service with an excellent track record.

Create an account

After identifying an online essay writing platform, you must create an account by providing an email and a password. The next step is to log in using the email and password. All members are eligible to place their writing requirements online.

Place your order and share relevant details

Renowned platforms offer a wide range of writing services to suit the varying needs of different customers. Some of them are essays, dissertations, Ph.D. projects, assignments, reports, reviews, editing, proofing, and many more. You must choose a category that fits your needs. If you want the best results, you should provide all relevant details about your project, including the number of words/pages and delivery date.

Check the price

If you want to know the exact price, you can request a quote. The best essay writing services respond immediately and send a free estimate that contains detailed information about the cost and other related aspects. Some essay writing platforms provide a price calculator on their websites to give you a clear idea about the price. There are also writing services that come with a dedicated page for pricing on their websites.

Select a writer

Trustworthy essay writing services have a team of highly experienced writers who specialize in different areas. You can go through their profiles to find the best writer that suits your requirements. When it comes to choosing a writer, the best writing platforms help you make an informed decision.

You can find the ratings given to writers by various clients, experience levels of writers, and their areas of expertise. You have to check all these details carefully before choosing a professional. Once you select your favorite writer, you can discuss everything with him to bring clarity in all matters.

Make the payment

The price varies depending on the type of essay, timeframe, academic level, and the number of pages/words you need. After reviewing all details carefully, you have to make the payment online.

Track your order status with the customer support team

Upon receiving the payment, the writer will take up your project. The order status can be checked with the help of the customer service center. You will receive timely answers to all your questions.

Download your essay

Reliable and renowned essay writing services get the job done as scheduled with meticulous precision. They will send a notification when the writer completes the essay. You can download the finished paper in a few seconds. If you want to make some changes, you can request a revision. The best writing services don’t charge any fee for your revision requests.

Music Notes by Mina Tocalini for use by 360 Magazine

Rising Puerto Rican Star, Babywine

Puerto Rican rising star Babywine continues to position herself as one of the top figures in the industry. The young artist has taken guaracha, and has given it a 2021 twist, creating a trendy sound that has fans and followers hooked.

Babywine saw a massive rise to fame thanks to her mentor DJ Nelson, who included her as a featured artist in his viral song “Papi” along with Jose De Las Heras and Alejandro Armes, that has over 10 million streams across digital platforms, over 8 million views on YouTube, and exploded on TikTok, becoming the number one used sound with more than 800 thousand videos.

Following the success of “Papi,” Babywine joined DJ Nelson and Alejandro Armes once again to release “Noche De Entierro,” a fun reggaeton about letting loose and enjoying a night out from a woman’s perspective that has already amassed over 1.2 million views on YouTube.

Next up in Babywine’s promising career is the highly anticipated remix to “Mojito,” another one of DJ Nelson’s certified hits, that will be dropping very soon.

Babywine was born and raised in Puerto Rico, and ever since she was a little girl she was drawn to music and started taking lessons. As a teenager, she joined a rock band and toured all over Puerto Rico, making herself known in the local scene.

When she decided to pursue a solo career, she did it guided by famed producer Noriega, quickly positioning herself within the Puerto Rican urban scene. Her constant hustle has led her to work with and find support in artists such as J Alvarez, Nio Garcia, Lelo y Jazzy, Turra Medina, and most recently, the people who have become her mentors and are guiding her as she becomes internationally known: DJ Nelson and Pablo Casals.

With DJ Nelson and Pablo Casals, Babywine’s sound has evolved, going beyond the typical Latin urban and adding a more unique sound with guaracha, thus becoming one of the most important exponents of that genre today. Besides the uber viral “Papi” and “Noche de Entierro,” Babywine has found success with her previous hits  “Rompecorazones.”

image by Sara Davidson for use by 360 Magazine

Hilton Hotel São Paulo Installs ActivePure Technology

Amid the spread of new variants of COVID-19, the Hilton Hotel and Resort in São Paulo, Brazil, is committed to the health and safety of its guests and employees and is taking extra precautions by installing ActivePure Technology. ActivePure is the only air and surface purification technology proven to proactively and continuously inactivate SARS-CoV-2, the virus responsible for COVID-19, on surfaces and in the air. In addition, ActivePure’s decontamination technology occurs in real-time and is safe for use in occupied indoor spaces. ActivePure Technologies’ exclusive distributor in Brazil handled the sale.

“The transformation of spaces into healthy environments will be part of the safety protocols post-pandemic, which includes, above all, the quality of the air we breathe,” says Henrique Cury, president of ActivePure Brazil, an ActivePure Technologies global partner. “We are delighted to provide peace of mind to Hilton’s guests as they visit São Paulo.”

With the Hilton brand strengthening safety and disinfection practices for its hotels worldwide, the Hilton São Paulo Morumbi added an extra layer of protection with ActivePure. As a result, guests, employees and visitors to the hotel and resort have the confidence that the property’s indoor air and surfaces are protected by this technology, proven by science and independently validated to inactivate the COVID-19 virus and other clinically relevant pathogens in the air and on surfaces.

This sanitizing system further enhances the CleanStay™ and EventReady with CleanStay™ Programs, launched globally by the Hilton brand, which offer a high standard of cleaning and disinfection to protect guests, customers, event planners and their attendees, as well as members of the team.

“With ActivePure, the Hilton São Paulo Morumbi is able to invite people into their hotel and resort with confidence,” said Joe Urso, chairman and CEO of ActivePure Technologies, LLC. “We commend Hilton São Paulo for prioritizing the health and safety of its guests and employees.”

In addition to the Hilton São Paulo Morumbi, ActivePure is working with many more hospitality leaders in Brazil, including:

  • Ibis, an Accor Hotel
  • Mercure São Paulo Jardins Hotel
  • Intercontinental São Paulo Hotels, IHG
  • Meliá Hotels Group
  • Atlantica Hotels Group
  • TYRP by Wyndham

ActivePure Technologies is a science-driven company that has developed a one-of-a-kind technology that immediately, safely and continuously inactivates pathogens – including SARS-CoV-2, the virus that causes COVID-19, as well as bacteria and other pathogens in the air and on surfaces. The technology, which has origins in the NASA Space Program and was inducted into the Space Foundation Hall of Fame in 2017, powers the 100 plus adaptable ActivePure Technology devices trusted by millions of hotels, hospitals, schools, stores, offices and homes worldwide.

ActivePure works instantly and continuously to fill rooms with virus-neutralizing particles. ActivePure’s patented technology releases thousands of submicroscopic particles that actively target pathogens in the air and on surfaces, inactivating them safely on contact.

In June 2020, the United States Food and Drug Administration (FDA) deemed ActivePure Technology safe to use in occupied spaces when it cleared the ActivePure Medical Guardian as a Class II Medical Device, using the same ActivePure Technology found in over 100 devices. The airborne COVID virus easily transmits from person to person in enclosed spaces. Independent testing completed in FDA-compliant biosafety labs level three and four found that ActivePure inactivated more than 99.9% of a high concentration of SARS-CoV-2 viruses in three minutes.

Sparks Brothers Image provided by Ken Weinstein and Big Hassle for use by 360 MAGAZINE

Simon Beck × The Sparks Brothers Film

Internationally acclaimed land artist Simon Beck has created a giant drawing of the band Sparks Brothers Ron & Russell Mael – on the beach at Brean, near Burnham on Sea, UK, to celebrate the acclaimed release of the film The Sparks Brothers.

“We’ve seen fan art, Sparks tattoos, Sparks fashion design, Sparks cosplay, etc., etc., but this is absolutely amazing in its scope and ambition. The remoteness of the location and the temporal quality of the beach sand drawings only adds to the sheer stunning head-shaking quality of it all. Yikes. Coming soon to a beach near you.” Ron and Russell Mael, Sparks.

Directed by Edgar Wright (Baby Driver, Shaun of The Dead, Hot Fuzz), The Sparks Brothers explores the career of the hugely influential band who first came to prominence in the UK in 1974 with the hit single “This Town Ain’t Big Enough For Both Of Us” and who have now released 25 genre-defying albums in their extraordinary 50-year career.

A now-familiar sight on the Somerset beach, 62-year-old Taunton-based Simon Beck creates perfect, detailed geometrical designs using a rake and a magnetic compass. The former cartographer created his first design on snow (by running in snow shows) in the Alps in 2004, and his first sand design in 2014. The drawing of Sparks is Simon’s 175 design on the beach at Brean.

Purdue University Fellow Image provided by Purdue News for use by 360 MAGAZINE

Purdue University × First Innovation and Entrepreneurship Fellow

A professor who will connect Purdue University expertise with faculty and student startups has been named the Krannert School of Management‘s first Innovation and Entrepreneurship Fellow. These fellows connect the research enterprise with the commercialization enterprise.

Zhan Pang, the Lewis B. Cullman Rising Star Associate Professor of Management, has co-founded and been involved with startup companies in other ways since he was an undergraduate in mathematics at the Nanjing University. Pang is faculty affiliate of the Regenstrief Center for Healthcare Engineering, faculty affiliate of the Integrative Data Science Initiative, a member of the Krannert Ph.D. Committee and a member of the Purdue University Graduate Council. He also is on the board of China Titans Energy Technology Group Co. Ltd., a public company listed on Hong Kong Stock Exchange.

“The innovation and entrepreneurship fellows, as representatives of different schools or disciplines, can facilitate the knowledge exchange across disciplines and help connect people to academic experts in different colleges,” Pang said. “This is in line with Purdue’s vision of building an interdisciplinary environment for discovery, learning and engagement to become or remain the most innovative university in America and the world.”

David Hummels, the Dr. Samuel R. Allen Dean of the Krannert School, expressed support in Pang and the fellowship.

“Krannert holds a unique position at the intersection of business and technology, and we say that big ideas don’t change the world until they go to market,” Hummels said. “Professor Zhan Pang is not only an outstanding scholar; he has co-founded or been involved in a number of tech startups, and he has served in an advisory capacity connecting companies to venture capitalists. He will be an excellent bridge-builder as we work to expand faculty efforts to help commercialize the world-changing discoveries that happen at our university.”

Along with one of his former Ph.D. students, Pang co-founded Data Analytics Technology to develop advanced data analytics tools and AI technologies dedicated to the health management industry.

Pang becomes Purdue’s third Innovation and Entrepreneurship Fellow. In January, the College of Agriculture appointed Christian Butzke as its Innovation and Entrepreneurship Fellow. In June, Yung-Hsiang Lu was named the first Innovation and Entrepreneurship Fellow in the College of Engineering. The campus-wide program will be coordinated through the Burton D. Morgan Center for Entrepreneurship.

Illustration by Alex Bogdan for use of 360 Magazine

PA SHAKESPEARE FESTIVAL ANNOUNCES ARTISTIC LEADERSHIP TRANSITION

Today, Patrick Mulcahy who has served as Producing Artistic Director of Pennsylvania Shakespeare Festival (PSF) since 2003, announced that he will step down from his role at the Festival at the end of the summer 2022 season.

Mulcahy will work with the Festival’s Board of Directors, staff, and the Festival’s parent company DeSales University to support a seamless transition to its next artistic leader, determined through a national search in the coming year. PSF is the professional Equity theatre at DeSales University.

“While my professional roots are in Shakespeare and the theatre industry, I shifted in the 1990s to pursue a career in academia,” said Mulcahy, who joined the DeSales faculty as Head of Acting in 1996. “When PSF came knocking in 2001 and then again in 2003, I was reluctant because I was happy living my passion for education as faculty.”  Mulcahy eventually accepted the leadership position at PSF, reducing his faculty role, and has led the Festival for longer than any previous leader, including the founder Rev. Gerard J. Schubert, OSFS.

“Leading the Festival has been the honor of my life and has provided me with countless opportunities to continue to learn.  A few years back, my wife and I began to talk about my returning to the faculty full-time. The timing is right for us, and we will continue to champion PSF to ‘ascend the brightest heaven of invention’ as patrons and fans.” He added: “PSF has never been in a stronger position. In the arts, we’re in the ‘humanity business’ and I’m proud of all we’ve accomplished at PSF – artistically, institutionally, and in our communities — and am confident our stakeholders and staff will continue to ensure the Festival’s ongoing success. I look forward to continuing to lead PSF through the 2022 season and then bringing what I’ve learned in these nearly two decades back to our students at DeSales.”

Under Mulcahy’s leadership, PSF attracted its first Tony Award-winning artists to its summer seasons, expanded its offerings to include musicals, productions in repertory, and as many as three Shakespeare plays per summer season. The Festival doubled its attendance, served its one-millionth patron, quintupled its endowment, eliminated its debt, created a modest cash reserve, grew and diversified its Board of Directors and company, and secured its first and subsequent grants from the National Endowment for the Arts and other major arts grant makers. In the last decade, PSF has become just one of a handful of professional theatres on the continent offering this range of programming to destination patrons in a single summer season. He also supported added accessibility programming, championed PSF’s education programs, increased the reach of its school tours, and created a Shakespeare for Kids production each season. Recently, PSF successfully pivoted in the pandemic to offer a broad range of indoor, outdoor, and virtual programming for the 2021 season.

 “Patrick’s leadership of PSF is a fitting testament to his talents as a Renaissance man – – a courageous strategist, thoughtful visionary, attentive fundraiser, effective manager, artist, motivator, and friend. Rarely have I witnessed so many successes of a leader during his or her tenure of any organization, be it a diversified for-profit business or a nonprofit arts organization,” says PSF Board President Judy Harris. “We hold enormous gratitude for all that Patrick has built and nurtured while leading PSF to the brightest of futures. We bear equal gratitude to DeSales University for having fostered the creation and growth of PSF, and for ensuring that Patrick return full-time to its esteemed faculty.”

Mulcahy led the 2009 strategic planning process that resulted in PSF’s Vision 2030, a commitment to world-class professional theatre, and a body of work that garnered coverage in The New York Times, The Philadelphia Inquirer, Playbill magazine, and The Washington Post. He led The Campaign for PSF in 2013-2015, which raised more than $4 million, primarily for endowment growth to support PSF artistic and education programming. Mulcahy also stewards PSF’s Equity, Diversity, Inclusion, and Anti-Racism Working Group and, with the support of the entire PSF team, has achieved increasingly diverse programming and summer staffing of artists and artisans.

In addition to having worked closely with Festival founder Fr. Schubert, and having acted and directed at the Festival in the late 1990s, Mulcahy’s tenure as leader of the Festival represents nearly two-thirds of the company’s 30-year history. In his dual role as producing artistic director of PSF and head of acting for DeSales University, Mulcahy has supported the career progression of both emerging leaders and developing artists, including many alumni who are now enjoying successful performing careers or leadership positions at other theatres. 

“It’s truly been an honor to work so closely with so many great artists, Board members, and staff. I will continue to support the Festival in any way I can,” says Mulcahy, “once I shift the focus of my attention to serving the students and the DeSales University Theatre Department. It will be a joy to come back full time to this Department, which is rich with distinctive offerings, and to working more closely once again with my gifted colleagues there.”

DeSales University President Rev. James A. Greenfield, OSFS, shared, “on behalf of DeSales University, I thank Patrick for his visionary and transformative leadership of PSF.  Its founder, Fr. Jerry Schubert, was famous for his exhortation: ‘Give beauty back.’ Patrick’s work at PSF’s helm has ensured that we will be giving beauty back to countless people for generations to come.  I am confident that Patrick’s creative collaboration with the PSF board has fortified the Festival for a transition that will greatly strengthen our future.”

 

illustration by Samantha Miduri for use by 360 Magazine

Introducing The Morgan Plus Four CX-T

Morgan unveils the Plus Four CX-T, a car with adventure at its core. A vehicle with the capability not yet witnessed on a Morgan sports car, it opens up the possibility of routes, landscapes, and destinations inaccessible by Morgan cars until now.

The Morgan Plus Four CX-T is inspired by Morgan’s well-documented history of competing in all-terrain endurance trials. As early as 1911, Morgan sports cars were competing and winning in trials competitions, and this spirit of adventure has been key to shaping the Morgan brand ever since. The more adventurous journeys that are frequently undertaken by Morgan customers all over the world have further fueled the desire for Morgan to imagine the Plus Four CX-T.

Following the launch of the Plus Four in 2020, Morgan partnered with Rally Raid UK, renowned creator of Dakar race cars, to jointly design and engineer the Plus Four CX-T. One of the aims of the project is to demonstrate the capability and durability of Morgan’s new CX-Generation platform, along with the Plus Four upon which the CX-T is based.

Just eight vehicles will be built, priced at £170,000 plus local taxes and supplied in full overland specification, with each customer having the opportunity to work alongside Morgan’s design team to specify their own CX-T. Every Plus Four CX-T is built at Morgan’s factory in Malvern, Worcestershire, before undergoing the final preparation and setup at Rally Raid UK’s own workshop facilities. Morgan’s design and engineering team have worked alongside Rally Raid UK throughout the program to define the concept, specification, technical attributes, and aesthetic of the model.

Technical details

The exterior of the Plus Four CX-T is designed to maximize luggage and equipment carrying capacity, and provide the occupant protection necessary for extreme environments. Simultaneously, Morgan has ensured that its visual design reflects this capability and purposefulness.

Most prominently, the rear panel of the vehicle has been replaced with an equipment rack, with unique side body panels designed to be reminiscent of the classic four-seater Morgan.
The rack houses two ruggedized and waterproof Pelican luggage cases, a Zarges aluminum tool/storage box, two Rotopax 11-liter containers, and two spare wheel/tire assemblies.

Additionally, for those who venture further off the beaten track, recovery equipment is mounted on the exterior of the car within easy reach when required. All exterior mounting systems for all storage and equipment have been painstakingly engineered to be tough and easy to access when needed.

The external protective exoskeleton can also be adapted to carry leisure equipment such as bikes and surfboards, to complement the lifestyle activities of the owner, while the removable side screens can be mounted onto the roof of the vehicle, allowing them to be carried unobtrusively in case of a change in weather conditions.

Rally Raid UK undertook a complete study of the standard Plus Four vehicle to determine the possibilities for the conversion. This study included durability assessments of the platform, drivetrain, and suspension systems.

The suspension has been designed to be expedition-ready: tough and fit for purpose. Durability, and a drive-over obstacle clearance of 230mm, have been achieved using modified Plus Six wishbones. These widen the track and allow for the extra arc of movement required to achieve the desired suspension performance. The wheel arch apertures have also been modified, allowing the suspension to compress deep into the wheel well, providing maximum traction and stability.

EXE-TC coil over assemblies with internal bump stops are used, these have been developed by EXE-TC specifically for the vehicle. These assemblies are born from off-road competition and are calibrated to provide the ideal balance of compliance and durability.

In addition to the main suspension hardware, the lower suspension arms contain bespoke bushes which further increase durability. The combined suspension package is optimized to undertake journeys never before attempted in a Morgan sports car while ensuring composure and comfort during any excursion into the backcountry.

A five-piece underbody protection system – comprising an engine guard, rear chassis guard, midsection shield, and rear undertray – helps to protect the chassis and important components from damage when driving in extreme conditions. The car is also fitted with a full bespoke exhaust system with a rear side exit that improves the departure angle and contributes to 230mm of ground clearance.

The Plus Four CX-T uses a BMW X-Drive electronic differential with bespoke software, calibrated and tested specifically for the application. Switches inside the cabin allow a choice of three modes to be selected depending upon the driving conditions; each mode varies the degree of differential lock that is applied. Selecting ‘Road’ mode fully opens the differential, while ‘All-Terrain’ mode applies approximately 45% lock to the rear differential, allowing some variation in torque distribution between the rear wheels. ‘All-Terrain – Extreme’ mode fully locks the rear differential, providing equal torque to both rear wheels. The two All-Terrain modes are designed to be used when tackling rough surfaces and low-traction conditions. The final drive ratio has also been shortened to account for the larger diameter tires and suit all-terrain usage.

Inside the cabin of the Plus, Four CX-T features have been added to improve occupant comfort and usability in remote environments. A RAM mount track is built into the dashboard to allow the secure fixing of a variety of devices such as phones or cameras. A flexible map light, pencil, and notebook holder have also been integrated, all designed to withstand operation in harsh driving environments.Cabin stowage has also been optimized with the addition of a removable map/document holder and insulated cool bag, both located in the passenger footwell. A custom-made first aid kit is mounted to the internal roll cage behind the seats. Just like the exterior equipment, every interior feature has been designed with accessibility and convenience in mind, whether this is for use in remote conditions or the leisure pursuits of the owner.

The cabin is enclosed within a composite hardtop which is unique to the Plus Four CX-T and has been intricately engineered to fit between the internal and external roll cages.The Morgan Plus Four CX-T is the second of two special projects being produced by Morgan in 2021, with the first being the Plus 8 GTR. The introduction of the Plus Four CX-T also coincides with the announcement of Model Year 22 updates to the Plus Four and Plus Six and helps to inform technical and aesthetic advancements for Morgan’s current and future range of vehicles. The Plus Four CX-T is on sale immediately, with all vehicles due to be built before the end of 2021.

Jonathan Wells, Head of Design, Morgan Motor Company, said: “The Morgan design team has been conceptualizing modern-day trialing vehicles for many years. Around 18 months ago, our investors and CEO, Steve Morris, were in the studio and remarked how incredible it would be to bring one of these drawings to life. The project was unrestrained and born entirely from a desire to create an exciting British adventure vehicle. The CX-T, like many recent Morgan vehicles, demonstrates the flexibility of the Morgan design. For me, it’s a complete package: historical integrity, legitimate capability, and a brand-new adventure-lead aesthetic.”

Mike Jones, Rally Raid UK, said: “Applying my experience of 13 Dakar Rallies, 60 Dakar vehicle builds and a lifetime of overland adventuring to an unconventional sports car such as a Morgan has been an interesting and rewarding project. Having the opportunity to design a car for such a prestigious marque has been a responsibility that I never imagined I would have. Rally Raid UK and Morgan have engaged with industry-leading suppliers to source the highest quality components, as well as designing a range of bespoke parts that will remain unique to the model. The Morgan Plus Four CX-T is a genuine overland adventure vehicle and I look forward to seeing the incredible destinations that owners will find themselves in.”

illustration by Samantha Miduri for use by 360 Magazine

Rick James Documentary Feature Premieres September 3rd

SHOWTIME® has released a trailer for BITCHIN’: THE SOUND AND FURY OF RICK JAMES, directed by Emmy®-nominee Sacha Jenkins (WU-TANG CLAN: OF MICS AND MEN, BURN, MOTHERF*CKER, BURN!). BITCHIN’ is an intimate yet propulsive look at Rick James, one of rock, funk, and R&B’s most legendary and often underappreciated figures. Featuring rare footage of James’ incredible live shows, never-before-seen home video, original interviews with legendary artists, collaborators, and friends, and a treasure trove of recorded interviews with James (who died in 2004), the documentary presents a full picture of James’ dramatic rise and fall, focusing in on the “Punk-Funk” music he left behind. The film, which screened at the Tribeca Festival® in June, will premiere on Friday, September 3 at 9 p.m. ET/PT. Click here to watch and share the trailer.

Best remembered as the creator of hits such as “Superfreak,” “Give It To Me Baby” and “Mary Jane,” James blazed new trails in American music and global culture in the ’70s and ’80s as a songwriter, performer, and producer, collaborating with luminaries such as Neil Young, Joni Mitchell, The Temptations, Smokey Robinson, Nile Rodgers, Eddie Murphy, Teena Marie, The Mary Jane Girls, and M.C. Hammer. BITCHIN’ presents a full and complete picture of James’ life as told by those who knew him. At the center of it all is the “Punk-Funk” that encompassed a unique swath of 20th-century music history from jazz to soul to R&B to rock and eventually, to hip-hop. Friday, August 6 marks the 17th anniversary of James’ death. 

BITCHIN’: THE SOUND AND FURY OF RICK JAMES is a Mass Appeal production for SHOWTIME, directed by Jenkins, produced by Steve Rivo, and written by Jenkins, Rivo, and Jason Pollard. The film is executive produced by Peter Bittenbender and Jenkins for Mass Appeal, and Douglas Banker and Ty James.

Showtime Networks Inc. (SNI), a wholly-owned subsidiary of ViacomCBS Inc., owns and operates the premium service SHOWTIME®, which features critically acclaimed original series, provocative documentaries, box-office hit films, comedy and music specials, and hard-hitting sports. SHOWTIME is available as a stand-alone streaming service across all major streaming devices and Showtime.com, as well as via cable, DBS, telco, and streaming video providers. SNI also operates the premium services THE MOVIE CHANNEL and FLIX®, as well as on-demand versions of all three brands. SNI markets and distributes sports and entertainment events for exhibition to subscribers on a pay-per-view basis through SHOWTIME PPV®. For more information, click here. 

About Mass Appeal

Mass Appeal is an entertainment company dedicated to telling stories from the perspective of those who shape and shift culture. Since 1996, we have documented the emerging movements that influence popular ideas. Today, Mass Appeal is the elevated voice of Hip Hop and its ever-expanding sphere of influence. Integrated offerings in content, music, and creative services stoke Mass Appeal’s ability to maximize the impact of our output. Our diverse school of thought separates us from friends and foes alike.

Music note illustration by Heather Skovlund for 360 Magazine

Foy Vance × Hair Of The Dog

Award-winning Northern Irish singer/songwriter Foy Vance has released “Hair Of The Dog”, the latest track off his forthcoming album Signs Of Life. The song is available to stream and download starting today HERE. Signs Of Life is due for release on September 10 via Ed Sheeran’s Gingerbread Man Records/Elektra Records. The album is available for pre-order now HERE.
Signs Of Life is the sound of a beloved singer-songwriter at the peak of his powers. It’s also the sound of a man, a husband, a father, a sinner, a drinker belatedly coming to terms with his demons. Namely, after years and years of almost constant touring, an addiction to alcohol and painkillers. In the bluesy, woozy “Hair Of The Dog” Vance tackles the subject head on, listing his self-medicating crutches while confessing :You no longer make me happy / You no longer make me smile / You take everything that’s good within me.”
“I had my first extended period off the road for twenty years, and I realised: wow, I drink two bottles of wine and at least a half bottle of vodka a day,” Vance explains. “I’d start the day with codeine to get myself sorted, and I’d smoke joints throughout the day. I’m showing all the signs of death, getting ashen, grey, smoking more, drinking more, smoking more I hit a wall.”
“The idea for Hair Of The Dog had been around for a while,” he continues. “I was smiling as I wrote it. I thought it was a bit too on-the-nose, but then, the situation is on-the-nose. And the feel is a tip of the hat to the woozy-ness of the beginning of this journey. I want it to make you almost feel a bit seasick.”
“Hair Of The Dog” follows previously released tracks “If Christopher Calls,” “Time Stand Still,” “Signs Of Life” and “Sapling”. Upon its release, The New York Times featured “Sapling” in The Playlist and Clash Music applauded the song as “An instant fan favorite a song about renewal and survival” The album’s early tracks have received additional praise from Entertainment Tonight, Americana UK, and more.
Vance will celebrate Signs Of Life’s arrival with An Evening With Foy Vance, an intimate tour of the UK and US, including stops in Los Angeles, New York, and Nashville’s famed Ryman Auditorium. Remaining tickets for the largely sold-out run of shows are available now HERE.
Signs Of Life was recorded in three locations: Vance’s Pilgrim studio at home on the shores of Loch Tay in Highland Perthshire, another recording set-up in a nearby Dunvarlich House, and at Plan B’s Kings X studio in London. The album was written and played more or less entirely by Vance, with assistance from young Northern Irish producer Gareth Dunlop. Serendipitously, Dunlop had been inspired on his career path by a chance encounter with Vance in a coffee shop 18 years ago.
Commenting on the album’s timely subject matter, Vance shared, “Signs of Life is about re-emergence me in my own soft revolution, the world re-emerging in what we’re about to see as we hopefully go back to some semblance of normality. But just life in general  flowers growing through the cracks in Chernobyl. Life finds a way, doesn’t it?”