Posts made in June 2020

Amtrac New Release

AMTRAC RELEASES “NO PLACE FEAT. LALI PUNA” REMIXES – LISTEN
HERE

Amtrac releases “No Place feat. Lali Puna” remixes via Openers/RCA Records. Listen HERE. “No Place feat. Lali Puna” is off of Amtrac’s latest album Oddyssey which was released earlier this year. This new release includes remixes by Amtrac himself, Baltra and Jacques Green. See below:

“No Place feat. Lali Puna” (Amtrac Remix)
“No Place feat. Lali Puna” (Baltra Remix)
“No Place feat. Lali Puna” (Jacques Green Remix)

About Amtrac:

The Kentucky-born and Los Angeles-based artist, DJ, producer, remixer, multi-instrumentalist, and founder of Openers, Amtrac made his formal debut onto the scene in 2011 with his acclaimed album Came Along. The album elevated the Morehead, KY native—born Caleb Cornett—to the cutting edge of electronic music. In its wake, he amassed an acclaimed catalog of originals and remixes. Lending his touch to tunes by Two Door Cinema Club, Elderbrook, Sigur Rós, and Chromatics, Pitchfork described his remixing as “epic-sounding.”

Among the originals, 2014’s “Those Days” notably boasted vocals from Stevie Wonder. Following the 2016 solo EP Lost In Motion, he reached a new plateau on the 1987 EP during 2017. Both “Never Lost” and “Piano Boy” put up over 6 million Spotify streams each as his total stream tally neared the 100 million mark. Along the way, he earned praise from Billboard, Mixmag, Revolt, Complex, i-D Magazine, and more. Not to mention, he has headlined shows on four continents. Launching Openers in 2017, he provided a home to tracks by Durante, Rick Trainor, Luces, and many others. Amtrac released his sophomore album Oddyssey in April via Openers/RCA Records and received praise from Earmilk who said “Pure Magic” and Billboard declared the album “Uplifting and Catchy”.

To Buy/Stream “No Place feat. Lila Puna” Remixes:

Multi

Follow Amtrac:

Website | Instagram | Twitter | Facebook

Tenet x Hamilton, 360 MAGAZINE

Hamilton × Tenet

A favorite of filmmakers for decades, Hamilton timepieces have played an integral role in films and inspired audiences. “The Murph,” created for Christopher Nolan’s hit Interstellar, became a fan favorite, and a clock designed for Stanley Kubrick’s iconic film 2001: A Space Odyssey influenced the invention of the world’s first digital watch.

Their latest Hollywood partnership – and biggest one yet – involved extensive collaboration between Hamilton’s design team and the production design team behind Christopher Nolan’s latest film Tenet, coming soon to theaters. Initial conversations revealed that the film required a watch with features that do not currently exist in a commercially available Hamilton watch. Accepting the challenge, Hamilton committed to merging creativity with craftsmanship to produce this key movie prop.

The 18-month preparation included technical development, testing and production at the Swatch Group’s lab in Switzerland where engineers found a way to combine the needed technology with the display on the dial of the Khaki Navy BeLOWZERO. To meet filming needs, dozens of the final prop watch were produced and Hamilton watchmakers were on the movie set to offer support with the watch’s unique functions.

For Hamilton, the creative process didn’t stop there. Our Khaki Navy BeLOWZERO served as the base for the wristwatch featured in Tenet, but since the watch was only made for the film, we decided to celebrate the collaboration with an inspired-by special edition.

Cased in lightweight titanium, this special edition features a blue or red-tipped second hand as a reference to key colors in the movie. Each color version will be limited to 888 pieces, the number chosen as a nod to the movie title, which is also a palindrome, something that reads the same backwards and forwards.

Special packaging created by Tenet production designer Nathan Crowley features colors inspired by design elements in the film.

“I’m always impressed by Hamilton’s dedication to excellence and their willingness to think outside the box to create timepieces that do so much more than tell time,” says Nathan Crowley.

“This project was one of the most challenging and exciting collaborations I’ve been a part of,” says Hamilton CEO Sylvain Dolla. “It was truly a partnership of creativity that transformed ideas into a reality we’ll get to see on movie screens around the world.”

See the Tenet special edition BeLOWZERO watch in action here.

Learn more about the collaboration and how to purchase it here.

music, note, orange, black

Teyana Taylor – The Journey

Being a jack of trades has enabled Teyana Taylor to become a master of all. From her smoky melodic vocals to her dynamic dance moves, the R&B superstar entertainer dips in dives between her talents as singer, songwriter, producer, director, dancer/choreographer, actor, fitness guru, model, and mother. When it comes to describing herself, the Harlem native can only think of one word: Everything.

“I literally can do everything. I never look at anything as being impossible,” she explains. “I exhaust all options to make what happen when I need to make happen.” Her mantra made her an early favorite to artists like Pharrell, who she signed her first deal with, and later choreographed videos for artists like Beyoncé and Jay-Z. In 2014, Teyana’s love for the arts and R&B earned her the title of the first woman signed to Kanye West’s G.O.O.D. Music imprint.

Between R&B’s identity crisis in the 2010s, Teyana dropped her debut album VII, with tracks like “Maybe” (featuring Yo Gotti and Pusha T) and the sultry “Just Different” shaping her musical persona. The critically acclaimed album debuted at No. 1 on the Billboard Top R&B/Hip-Hop Albums chart in 2014, cementing her position in today’s modern R&B field. “I fought for that raw, hood necessary R&B and now I feel like it’s better than ever,” she says.

After spicing up the R&B charts, Teyana was blessed with the arrival of her daughter Junie with husband and NBA star Iman Shumpert in 2015. “I do all of this for my baby. She’s who I do it for,” she says about Iman “Junie” Tayla Shumpert Jr., her main source of inspiration. “I always show her how to be a leader and a businesswoman. I want her to believe that she can be anything she wants to be and it not be a shocker that she’s a female doing it all.” Soon after, Teyana went on to star in the internet-breaking video for Kanye West’s “Fade,” and scored her first MTV Moonman for “Best Choreography” at the 2017 MTV Video Music Awards.

But it wasn’t until the release of her second album project K.T.S.E.(released June 2018) that the world caught up with Teyana’s talents. With her all-female production company The Aunties, Teyana self-directed videos for “WTP,” the RIAA gold-selling single “Gonna Love Me,” (whose remix features Wu-Tang Clan’s Ghostface Killah, Method Man and Raekwon), and recently, “Issues/Hold On.” Teyana has also directed videos for her peers like T.I. (“You”), Monica (“Commitment”), and Lil Duval (“Pull Up” featuring Ty Dolla $ign) with fans like Ms.Lauryn Hill and Elton John praising her boss moves.

Part of what makes Teyana stand out from the rest is her ability to move with precision and poise in everything she does. From the studio to the stage, every idea is a project with the singer front and center with a vision all her own. With her musical inspirations like Aaliyah, Teena Marie, Mint Condition and Janet Jackson speaking to her soul,

Teyana is aware her mission is larger than life. “I’m working on me every day and I think that’s my purpose,” she says, comparing her life to a never-ending book. “I’m still going, still mastering and being a better me.”

DKMS Donor Milestone

DKMS, the world’s largest network of bone marrow and blood stem cell donor centers, announced it has reached 10 million registered potential donors worldwide. Every 35 seconds, someone in the world is diagnosed with blood cancer and only 30 percent of patients find suitable bone marrow and blood stem cell donors in their family. Today, we are honoring our donor community and sharing our mission to recruit #10MillionMore potential donors worldwide.

The need to continue to expand our donor network has only intensified as we enter a new normal and face the COVID-19 crisis. For donors who are currently scheduled for blood stem cell donations or for those still looking for a match, a level of uncertainty exists. Access to treatments has become limited and hospital resources scarce. Additionally, we know that racial health disparities are at an all time high, making the need for diverse donors crucial. For this reason, DKMS is leading an international approach to significantly increase the number of available potential donors annually, while working to diversify the donor pool to ensure all patients, regardless of their ethnic background, can find the lifesaver they need.

“Every day, we work together with families, communities, and organizations to recruit more donors and provide more second chances at life for patients suffering from blood cancers or blood disorders,” said Agata Maraszek-Dudek, Chief Operating Officer at DKMS. “With this team of 10 million strong potential lifesavers, we are even more fixed on our core mission of finding a lifesaving match for everyone. We are not stopping here.”

With 10 million available donors and nearly 85,000 transplants facilitated, DKMS is the largest network of donor centers in the world. With 40 percent of all unrelated blood stem cell transplants worldwide made possible by DKMS donors. Registration is simple and includes an eligibility and health screening, and swabbing each cheek for 30 seconds to collect cells for use in matching with a patient. For more information on DKMS and how you can register, please visit dkms.org.

About DKMS

DKMS is an international non-profit organization dedicated to the fight against blood cancer. Founded in 1991 in Germany by Dr. Peter Harf, DKMS has expanded internationally by establishing entities in the US, Poland, the UK, Chile, together with BMST in India and in South Africa together with The Sunflower Fund partnered by DKMS. Together, they have registered more than 10 million potential blood stem cell donors and have given more than 84,000 patients across the globe a second chance at life by facilitating blood stem cell transplants.

360 magazine, range rover

Range Rover Turns 50!

Range Rover today celebrates 50 years of pioneering innovation, refinement, and all-terrain capability with the introduction of the new Range Rover Fifty.

The original luxury SUV has defined the market since June 17, 1970 and, five decades on, the Range Rover has evolved to become a family of desirable and capable luxury vehicles. Its compelling blend of design, refinement, and engineering innovation has ensured its place as the benchmark for all luxury SUVs.

Over its 50 year lifespan, the Range Rover has achieved many world firsts and completed numerous impressive feats. It was the first SUV to feature a permanent four-wheel drive (4WD) system when it was launched, and in 1989 was the world’s first 4×4 to be fitted with ABS anti-lock brakes. Later in 1992, it became the world’s first 4×4 to be fitted with electronic traction control (ETC) and automatic electronic air suspension – ensuring the refined driving feel Range Rover is famous for, both on and off-road. In 2012, the latest generation Range Rover became the world’s first SUV to feature an all-aluminum lightweight construction, making it lighter, stronger, and more efficient.

It has crossed the notoriously impassable ‘Darién Gap,’ was the first vehicle to ever be displayed at the Louvre Museum in Paris, and has even won the Paris-Dakar rally – twice. No other vehicle combines the
levels of luxury, comfort, and sophistication with off-road capability and on-road performance like Range Rover.

With its clamshell hood, distinctive floating roof, split tailgate, and trademark front fender vents, the Range Rover of today can still trace its roots back to the 1970 original. In its golden anniversary year, it is now the most connected, luxurious, and capable yet.

To celebrate 50 years of a motoring icon, the limited-run Range Rover Fifty will be restricted to just 1,970 vehicles globally, in recognition of the year the original Range Rover was launched.

Building on the luxuriously appointed Autobiography, the Range Rover Fifty features a number of bespoke exterior accents in Auric Atlas as well as two unique 22-inch wheel designs. The badging features a
‘Fifty’ script created personally by Prof Gerry McGovern OBE, Land Rover Chief Creative Officer, which will appear on the exterior of the vehicle and throughout the interior on the unique “1 of 1970” center console commissioning plaque, headrests, dashboard, and illuminated treadplates.

“In the world of luxury vehicles, the Range Rover has always stood apart as peerless and enduring,” said Prof Gerry McGovern OBE, Land Rover Chief Creative Officer. “Its unique and pioneering sensibilities together with an unrivaled engineering approach have been the intrinsic values which our customers have admired since the first of the breed was revealed in 1970.”

The Range Rover Fifty will be available in both standard and long wheelbase body designs with customers able to choose from four carefully curated exterior colors; Carpathian Grey, Rosello Red, Aruba, and Santorini Black. In extremely limited numbers, Land Rover Special Vehicle Operations is also offering the Range Rover Fifty in one of three Heritage exterior solid paints reproduced from the original Range Rover paint palette; Tuscan Blue, Bahama Gold, and Davos White. For customers in North America, each example will be fitted with a 518hp 5.0-liter supercharged V8 powertrain.

Full details for the Range Rover Fifty, including pricing and specifications, will be subject to an announcement later this year, closer to the vehicle’s on-sale date.

Now in its fourth generation with over a million sold in its lifetime, the Range Rover is the ultimate expression of luxury. Its unmistakable, sophisticated design and all-terrain capability have ensured the Range Rover is as revered today as it was in 1970.

The Range Rover Family

After three decades as a leader in the luxury SUV sector, the Range Rover became a family in 2005 with the launch of the Range Rover Sport, a vehicle which combines the luxury and capability of the larger Range
Rover with a sporty and engaging driving character. In 2010, the compact Range Rover Evoque made its debut, aimed at a younger and more urban customer base. In 2017, the family grew once again with the introduction of the Range Rover Velar, filling the space between the Range Rover Sport and Range Rover Evoque. Taking its name from the first Range Rover prototypes, the Range Rover Velar broadened the Range Rover portfolio with a statement reductionist design and a technology-rich interior.

Range Rover Historical Overview

Today marks 50 years since the first Range Rover was revealed, but the story goes back even further. During the mid-1960s, in a bid to revolutionize the growing 4×4 leisure market, the Rover car company’s engineering chief for new vehicle projects, Charles Spencer ‘Spen’ King (nephew of the founders of Land Rover), hatched a plan to combine the comfort and on-road ability of a Rover sedan with the off-road ability of a Land Rover.

Development of the first 100-inch station wagon prototype began during the late 1960s, with the first model being released to critical acclaim in 1970. Its blend of ability – highway cruising, off-roading, and even towing in style and comfort – ensured its instant popularity. The original Classic model was cited as an ‘exemplary work of industrial design’ when it became the first vehicle to be displayed at the world-renowned Louvre Museum in Paris in 1971.

The first-generation Range Rover (1970-1996) was originally only available as a two-door when it went on sale in 1970. During its 26 year lifespan, the Classic continued to evolve with the introduction of the four-door model in 1981 and an automatic gearbox in 1982.

The second-generation Range Rover known as the P38A debuted in 1994 and was instantly recognizable thanks to its familiar silhouette, floating roof, clamshell hood, practical split tailgate, and continuous beltline;
all of which continue to this day. The vehicle also displayed an even more luxurious interior without compromising on on-road ability and off-road capability. It also featured enhanced height-adjustable suspension as well as 4.0 and 4.6-liter V8 gasoline engines, providing greater performance than ever before.

The third-generation Range Rover (2003-2012) delivered a wealth of improvements on all predecessors. Engineering innovations included a stiffer monocoque body (replacing the traditional 4×4 ladder frame) and fully independent suspension with interconnected air springs (at the time nearly all 4x4s had rigid rear axles). The interiors of these vehicles were inspired by high-end yachts, fine furniture and first-class airline seats, providing more space and luxury.

In 2012, the fourth generation and most recent Range Rover debuted. It was the first SUV to feature lightweight all-aluminum construction, saving 926 lb (420kg) in weight compared to its predecessor. Featuring a wealth of new off-road innovations such as automatic Terrain Response® 2 and All-Terrain Progress Control, it has evolved to include efficient new electrified Ingenium engines, a plug-in hybrid electric version, and innovative infotainment and advanced driver assistance technologies.

For the past five years, the Range Rover SVAutobiography has been at the pinnacle of the model lineup, with the most powerful and refined vehicles in Range Rover history. Produced by the Land Rover brand’s Special Vehicle Operations division, customers can also choose from the Range Rover SVAutobiography and SVAutobiography Dynamic – which feature powerful 557hp V8 engines and finely crafted cabins.

For more information on Range Rover and the Range Rover family of SUVs, visit HERE.

Guy Gerber × “Don’t Call”

Today, Guy Gerber finally releases his much-anticipated rework of Desire’s ‘Don’t Call,’ streamable HERE. The track had been a stand out in his live sets for months before lock-down, and it received an incredible reaction when he dropped it in his only live-stream from his home in Rio last month.

Gerber’s rework is a stunning interpretation of Desire’s 2012 track. Languid and sultry, yet soaring, Gerber’s reimagination of the original hinges on the unique blend of melancholy and euphoria that he has built his career around. It’s fitting that the Israeli producer has turned Megan Louise’s heartbreak tune into one of the summer’s most danceable records, it’s the same contrarian spirit that saw him turn in a break-up album for his installment in the esteemed fabric mix series.

“As a fan of Guy Gerber, it’s an honor to have him remix “Don’t Call”, one of my favorite Desire songs. Recorded in snowy Montreal weather, it now finds a second life under Guy’s touch ready for the hot sweaty summer nights on the dancefloors” – Megan Louise of Desire

“I’m a huge fan of anything that goes out in Italians Do It Better, but that song really touched me; the voice, the lyrics. I made all the drums and the new synth lines on a flight to Rio. Since then it became my favorite song of the year.” – Guy Gerber

The remix comes as Desire release their own new album, Escape, eleven years after their 2009 debut II. Escape is again produced by Chromatic’s Johnny Jewel and will be released by Italians Do it Better this Summer.

Ordinarily, at this time, Gerber would have been kicking off his Rumors party residency in Ibiza, after making a myriad of stops along the way, including LA and Coachella. As it is, he’s found himself embarking on a spate of creativity at his home studio in Brazil, working on a new live show, and a body of work that is set to be released towards the end of the year.

Follow Guy Gerber: Instagram | Twitter | Facebook | Wikipedia

Vaughn Lowery, 360 Magazine, BLM, black lives matter, protests, marches, change

SCLC Leadership Summit

Dr. Charles Steele, Jr., president and CEO of the Southern Christian Leadership Conference (SCLC), announced today that the civil rights organization is organizing a major summit of leaders to help America find a cure for racism.

Dr. Steele, who heads the legendary civil rights organization co-founded and first led by Dr. Martin Luther King, Jr., said the SCLC will be calling on members of Congress, the leaders of major corporations, including those in health and science, as well as social justice leaders, religious leaders and people of wealth and influence, who have voiced support for reform in America’s law enforcement agencies and other major departments in Washington and around the nation that have been vestiges of racism.

The summit, he said, will follow the blueprint set by Dr. King, whose leadership was key to the successful civil rights movement of the 1950s and 60s. The date, for the summit, has not been determined, but Dr. Steele said it will take place this summer.

This call to action, Dr. Steele said, stems from the tragic and unjustified fatal shooting of Rayshard Brooks Friday night in Atlanta by a policeman. Brooks, 27, was shot in the back as he walked away from officers who were called to the scene of a Wendy’s restaurant where he had fallen asleep in his car.  The arrest allegedly turned into a scuffle. Minutes later, Brooks was dead. The killing, Dr. Steele said, is another vivid example of the entrenched institutional racism within law enforcement and other systems in the United States that have oppressed blacks and other people of color for four centuries. The fact this senseless shooting occurred while the nation is still healing from social unrest from the killing of George Floyd by a Minneapolis police officer last month is mindboggling, he said, and American must address racism just like it is attacking the deadly coronavirus.

“Until we cure this disease of racism, there will be more Rayshard Brooks, George Floyds, Breanna Taylors, Laquan McDonalds, and Trayvon Martins,” Dr. Steele said.  “The killings will continue to occur, because people of color, particularly African Americans, are under siege due to racism. Just like we are searching for a vaccine for Covid-19, we must find a cure for racism. This is dangerous, not only to America, but the world is looking for the United States to lead the way for freedom. You look at the United Kingdom and throughout Europe, South America and Japan, and the people are marching for their societies to respect and protect black lives. We need to find the cure to eradicate racism in society. We must convene leaders to the table to address this disease now. We will do our part to start this conversation and present solutions.” 

He added, “If we don’t find a cure for racism, our world will be destroyed. Like the virus, it will spread and consume all of us, and we will experience our world coming to an end.”

America, Dr. Steele said, has failed to weed out racism, because the nation was built on racism. It started with Europeans taking over the American soil from the natives. With illegal slavery, he added, it became a part our institutions and every aspect of society.

“Individuals have this virus,” Dr. Steele said. “It has spread heavily within law enforcement. It is a part of our communities, and it comes in all forms of discrimination. The impact is not always physical like police brutality. The system is killing blacks and other people of color by denying them access to capital. If you do not have access to money, you will eventually do something wrong. You will either destroy yourself with violence by committing some criminal act, or you will starve to death. You will have a domestic violence case within your family. It comes down from the federal government and is now institutionalized within our society. It has been designed to keep people of African American descent and other ethnicities at the bottom of society.”

Dr. Steele said America should have solved this problem in the 1960s during the turbulent civil rights era led by Dr. King, who was assassinated on April 4, 1968.

“Wisdom comes from history,” Dr. Steele said. “Wisdom comes from learning from our mistakes.  We made a mistake in 1960s when we did not include measures outside of integration. We did not include access to capital. We did not include reparations. We must have reparations with the understanding that African Americans have always been behind the eight ball. We are playing on a football field, and we cannot get beyond the five-yard line when white society is scoring touchdowns from the advantages they received from starting with free labor for centuries. We are on the field, but we cannot advance and catch up with the current system in terms of economic empowerment and economic development.”

With leaders in business, politics, sports, and entertainment calling for reform at all phrases of society, Dr. Steele said maybe we have a chance to get it right this time.

“I see hope with the marches, but we must move beyond marches and promises from corporate America and others,” Dr. Steele said. “Now, we have to get to the table and make concrete changes. But no changes will happen without a concrete understanding the history of how we received the freedoms we have today, which are constantly under attack with the current Supreme Court and other institutions, which have gutted civil rights laws and progress made over the past 50 years.  As a society, we are better off than we were 400 years ago when blacks were shackled down in slavery, but we have a very long way to go, and we will never eradicate this disease I call racism until we rebuild the structures that continue to oppress us and keep blacks and people of color at the bottom. We must reform agencies like the Department of Justice, the Federal Bureau of Investigation, the U.S Business Administration, and the U.S. Commission on Civil Rights and all the policies that allow racism to spread and take the life out of our society. If we do not address this now, we will not have a strong American society.”

About the SCLC

Established in 1957, the SCLC, whose first president was Dr. Martin Luther King, Jr., is an international organization made up of chapters and affiliates with programs that affect the lives of all Americans: north, south, east, and west. Its sphere of influence and interests has become international in scope because the human rights movement transcends national boundaries. For additional information about the SCLC, visit HERE.

360 Magazine, Israel

Israel to Reopen Borders

Yesterday, Israel Prime Minister Benjamin Netanyahu met with Greek Prime Minister Kyriakos Mitsotakisis to discuss reopening tourism between the two countries, which is set to begin on August 1, 2020. Travelers coming to Israel from Greece will not need to partake in the 14-day quarantine.

“We are thrilled that we have been able to set a date for resuming international tourism, beginning with Greece,” said Asaf Zamir, Israel Minister of Tourism. “This is an important development for the citizens of our two countries and a critical step in restoring the travel industry around the globe, helping to position us all for economic recovery following the pandemic.”

“Resuming flights between Israeli and Greek travelers is the first step in reopening the country for visitors across the globe,” said Eyal Carlin, Israel Tourism Commissioner for North America. “We look forward to expanding international travel between Israel and North America in a safe, organized manner. As we’re already seeing flights resume this month from North America, and with new health and hygiene procedures in place, the tourism industry in Israel is working diligently to ensure that travelers feel safe when choosing Israel as their next destination.”

Israel began reopening the country to domestic tourism with a phased approach on May 4, 2020. Throughout the last several months, the Tourism Recovery Task Force has been working alongside Ministry officials to put together a plan for safely reopening the country by implementing the appropriate health and safety measures to keep travelers safe, including the Purple Standard for hotels and additional protocols for businesses and attractions.

To stay up-to-date with future travel to Israel or to plan your trip when the country reopens to international travel, visit HERE.

About the Israel Ministry of Tourism:

The Israel Ministry of Tourism (IMOT), is Israel’s national tourism agency responsible for planning and implementing marketing and promotional initiatives to position Israel as a preferred travel destination. IMOT aims to increase tourism traffic to contribute to Israel’s economy and to enhance and diversify the visiting experience. IMOT works to promote Israel’s impressive assortment of historical, cultural, culinary and religious attractions – each the perfect blend of tradition and modernity. IMOT offices in North America are located in New York, Los Angeles, Atlanta, Chicago, and Toronto.

Rita Azar, 360 MAGAZINE, travel, illustration

Restoring Tennessee Tourism

Travel & Tourism are Vital to Restoring Tennessee’s Economy So Tennessee Tourism Launches New Campaign to Inspire Traveling Safely Statewide Amid Coronavirus

The Tennessee Department of Tourist Development (TDTD) launched a multi-phase campaign today with a mission to raise awareness about traveling safely amid COVID-19 as travel picks up in communities across the state. The COVID-19 virus is the largest crisis to hit the travel, leisure and hospitality industries in history, shutting down almost all travel activities and threatening the security of businesses and employees the industry supports. Research shows travelers are getting out into their own communities, reconnecting with family and friends, taking road trips close to home and exploring outdoor scenic beauty where they can safely socially distance.

The department, along with its agency of record, VMLY&R, created a series of videos featuring Tennessee-produced songs like “Tired of Being Alone” by Al Gree, “My Tennessee Mountain Home” by Dolly Parton and “I Can’t Wait” by Memphis band Star & Micey.

Each video showcases outdoor scenic beauty, “outdoor venues” with music provided by the sounds of nature, road trips, and the diverse music, history and culture in Tennessee. “As we’ve seen now more than ever, tourism and hospitality are vital to Tennessee’s economic recovery and helps create jobs and fuel revenues,” said Commissioner Mark Ezell, Tennessee Department of Tourist Development. “I’ve seen the devastation of this pandemic firsthand. We are ready. Our businesses and attractions are ready. I encourage travelers to safely explore, support local businesses and attractions, create family memories, discover outdoor scenic beauty, take road trips, explore rural destinations and hidden gems that make Tennessee a world-renowned destination.”

A special webpage on tnvacation.com features traveler safety information and health guidance, trip planning resources, travel updates (including attraction and restaurant re-openings), how to support local businesses, interactive and virtual experiences, a Tennessee playlist and safe trip ideas like: Spend Time Outdoors in Tennessee, Explore and Enjoy Tennessee’s Abundant Waterways, Tennessee State Parks You Should Experience, and Kid-Friendly Hiking Trails in Tennessee.

This campaign is critical because travel in Tennessee has been suffering since the Coronavirus pandemic broke out globally. Research indicates:

The Tennessee Department of Revenue saw sales tax revenues for the leisure and hospitality industry decline nearly 36% in April 2020; including hotel and lodging, amusement services, bars and restaurants.

The Tennessee Department of Labor saw filings for record unemployment claims, including leisure and hospitality employees. Between March 1 and May 30, 128,465 employees filed for unemployment. This represents 37% of all leisure and hospitality employees statewide.

Travel Spending in Tennessee declined 87% in the first four weeks of April according to U.S. Travel.

U.S. Travel Association predicts the travel economy in Tennessee could see a 35%-45% decline in 2020 from 2019. Total travel expenditures in Tennessee could fall from $23.27 billion in 2019 to between $12.8 billion and $15.127 billion.

The Coronavirus pandemic is the largest crisis to hit the travel, leisure and hospitality industries in history. In the U.S., an analysis by Oxford Economics predicts a $519 billion decline in travel spending in the U.S. in 2020 will result in a total economic loss of $1.2 trillion, more than 9 times the impact of 9/11 on travel sector revenue. New analysis reveals while the economy is in the midst of a recession, the travel industry is in a depression. Overall travel industry unemployment is 51%-twice the unemployment of the worst year of the Great Depression.

View the full fact sheet here. Tourism is the state’s second largest industry, which historically broke visitation records domestically and internationally and exceeded economic impact numbers year over year. For the full report on “The Economic Impact of Travel in Tennessee” in 2018 click here.

About the Tennessee Department of Tourist Development

Tennessee is the home of the blues, bluegrass, country, gospel, soul, rockabilly and rock ‘n’ roll-delivering an unparalleled experience of beauty, history and family adventure, infused with music that creates a vacation that is “The Soundtrack of America. Made in Tennessee.” In 2018, Tennessee’s tourism industry generated $22.02 billion in economic impact, more than $1.81 billion in state and local tax revenue and more than 189,757 tourism-related jobs. Explore more at tnvacation.com and join other Tennessee travelers by following “tnvacation” on Facebook, Twitter, Pinterest, Instagram and YouTube or “Tennessee” on Snapchat.

JC Stewart × “I Need You to Hate Me”

“Stewart excels at keening, heart-on-sleeve balladry that mixes raw emotion with classic pop chord progressions and a voice of angelic purity.” – Sunday Times Culture

“JC Stewart’s own ascent continues.” – Wonderland

“Supremely emotional.” – Clash

“With an instantly affecting voice and an unmistakable knack for crafting craftily infectious melodies, it’s overwhelmingly evident that JC Stewart is destined for big things.” – Euphoria

“Worthy of your attention.” – E! News

Elektra recording artist JC Stewart has shared an official music video for his latest single “I Need You To Hate Me.” Directed by Charlie Sarsfield (Stormzy, Sam Fender, Dermot Kennedy), the emotional clip stars JC alongside actress Emilia Jones (Kinsey from Netflix’s Lock & Key). Watch it HERE.

JC commented, “Honestly, when I asked if we could set a car on fire outside an old country house I was half-joking. But here we are. I’m so proud of this video and it represents everything I want this song to be. Epic, emotional, ambitious. It was amazing to have Emilia Jones involved as well. She’s an UNBELIEVABLE actress so it was an honour that she said yes! Hope you enjoy!”

As the fourth generation of JC Stewarts, the young musician was destined to continue the family business in Northern Ireland, but instead deviated on the road toward pop stardom by focusing on his songwriting craft since his mid-teens. Everything that JC does captures his ability to connect. That’s a lot to do with the purity – of emotion, texture and delivery – in his music. He possesses the ability to express deep emotion and universal truths in language that is consciously direct and uncluttered.

That ability to make a connection is quickly winning the hearts of fans and influential supporters alike. Upon its release, “I Need You To Hate Me” appeared on 29 New Music Friday playlists across the globe, elevating the young singer-songwriter to 2 million monthly listeners at Spotify. Apple Music also tipped him as a future star when they named him New Artist of the Week. JC recently participated in BBC Radio 1’s virtual Big Weekend, delivering an unforgettable live performance of the song. Watch it HERE.

JC’s touring highlights include shows with Lewis Capaldi, Lauv, Anne-Marie, Maisie Peters, and Freya Ridings, as well as an MTV Push event alongside Yungblud and Raye. His talents have also extended to co-writing with other artists, most notably “Hollywood” from Capaldi’s chart-topping debut album. While his lyrics often hone in on the devastating minutiae of faltering relationships (both “I Need You To Hate Me” and “Have You Had Enough Wine?” tackled different stages of the same break-up), JC’s quick wit and self-deprecating sense of humour are immediately apparent. Those personality traits also resulted in him going viral on a global scale.

Bored during lockdown, JC filmed his quarantine-themed take on the Friends theme “I’ll Be There For You”, singing “It looks like we’ll be inside for a year/ Or it might only be a day, a week or months it’s really not clear.” It exploded after Jennifer Aniston shared it on Instagram. Suddenly the clip was featured on ABC’s Good Morning America and NBC’s TODAY. Nina Dobrev also shared it with her 20 million followers as it raced past 5 million views.

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