OAKLEY FUSES FANTASY WITH SCIENCE WITH 13.11 EYEWEAR
NEW STYLE BOLDLY REMIXES THE ICONIC PRO M FRAME WITH UNMISTAKABLE KATO LENS SHAPE
13:11, Oakley’s forthcoming eyewear represents what it means to reimagine everything. Part fantasy, part science, its design boldly reinvents the icon Pro M Frame® with Oakley Kato™ lenses.
The result is a legend of the past merged with state-of-the-art advancements in eyewear technology, that upholds Oakley’s legacy of delivering cutting-edge products. A simple equation resulted in its quirky moniker, adding the ‘M’ for M Frame to the ‘K’ for Kato, the 13th and 11th letters of the alphabet.
13.11 boasts a unique brow design that makes a powerful statement, featuring strong aesthetics that will enhance the wearer’s world like no other. Crafted for any exploration ahead, the design combines a Kato-inspired lens shape with a singular piece and hingeless frame inspired by the Pro M Frame, which made its original debut in 1996. 13.11 showcases sculpted surfaces crafted from durable and flexible O-Matter™ material, complemented by Unobtanium® ear socks and nose pads for a secure grip. Complete with Oakley Prizm™ Lens Technology, see colors and contrast like never before. Housed in a custom form-fitting hard case, the packaging is inspired by the creation of the eyewear, sparking a new design narrative.
Starting January 18th, Oakley 13.11 will be available on Oakley.com as well as in selected Oakley stores and partners worldwide.
It’s a story of joy of life, of passion, of humanity, of people, of real life, of irreverent glamour, of provocation, of confidence, of simplicity, of immediate feelings and emotions, of a specific type of art, of words – words in artworks, words in pictures, words in spaces, just words. A story of richness and lust/desire, of red but also blue and green, of flash, of spontaneity, of light, of a party at the first light of day, it’s an unhidden story, one that’s proud, it is manifest and not taboo although it might look like it should be, it is completely free and filled with euphoria. It is a story of fabulous, diverse people; it’s Getty images of cool people of all ages, and it’s inclusive as in everyone is welcomed. It’s a story of movies, of my beloved Italy, of intellectuals and travels around the world but still feeling at home wherever you are. A story of objects – shiny, tactile, and cold to the touch but warm to the heart and soul, these are desirable to collect, not for a museum but to enrich everyday life. It’s a story of music and nights out of sweat, dancing, and singing. It’s a story of family, of kissing, lots and lots of kisses. It’s a story of everything, again, but this time expressed through joy.
Sabato
CREDITS
HAIR DUFFY – STREETERS MAKE UP THOMAS DE KLUYVER – ART PARTNER NAILS JENNY LONGWORTH – STREETERS
EXITS56 NUMBER OF MODELS56
EXCLUSIVE MODELS
JOEL ORTIZ @CREW MARTIN MILLER @FRANCINA MATEO RUIZ @INDEPENDENT EMILIO CILIA @MORFOSI MODOU WADE @NEXT DIAO MINGHUI @SELECT
Mark Ronson – Late Night Prelude Romy – Love Her Lucky Love – Masculinity Mark Ronson – Late Night Feelings ft. Lykke Li Mina – Ancora ancora ancora (Mark Ronson remix)
A unique Super SUV equipped for police service unveiled at the Dubai Airshow
The Lamborghini Dubai dealership continues its successful collaboration with Dubai Police, delivering an Urus Performante before the end of 2023, the year that marked its 60th anniversary.
At a special ceremony held at Dubai Airshow 2023, Paolo Sartori, Regional Head, Automobili Lamborghini Middle East and Africa, handed over the keys to the marque’s Super SUV to Major General Ahmed Mohammed bin Thani, acting commander-in-chief of Dubai Police. Paolo Sartori, added: “We are delighted to continue our collaboration with Dubai Police, supporting them in their crucial public safety mission. Following our delivery of an Urus to the force in 2022, this new Urus Performante edition will be used to carry out a range of public duties and, above all, will help enhance the city’s security and safety, with this initiative further demonstrating our brand’s longstanding presence here in the UAE.”
Equipped with a twin-turbo V8 engine delivering 666 CV of power and 850 Nm of torque at engine speeds from 2,300 to 4,500 rpm, the Urus Performante guarantees 0 to 100 km/h (ca. 60mph) acceleration in just 3.3 seconds and a top speed of 306 km/h (ca. 190 mph).
Adapted to the needs of the police force, the Urus Performante entered service with the Dubai Police after a period of preparation and modifications of the car to adapt it to the work requirements of the police force.
The livery combines the classic colour green with white, with details on the bonnet and side doors featuring the police logo. The rear spoiler is fitted with a blue 360° LED light bar combined with an electric siren. The passenger compartment, on the other hand, has been customised with various essentials for the Dubai Police, including an armoured gun box, a fold-down message display, a special compartment in the boot for storing service equipment and a defibrillator for first aid response.
Commenting at the ceremony, General Ahmed Mohammed bin Thani, acting commander-in-chief, of Dubai Police expressed his appreciation for the collaboration with Lamborghini Dubai. “The high-performance Super SUV was added as part of Dubai Police’s efforts to increase the number of patrol officers across Dubai. The new Lamborghini Urus Performante will support Dubai police in their commitment to better serve residents, maintain social safety and security, and provide services in popular tourist destinations.”
*Fuel consumption and emission values of Urus Performante; Fuel consumption combined: 14,1 l/100km (WLTP); CO₂-emissions combined: 320 g/km (WLTP)
In 2023, Rolls-Royce delivered 6,032 motor cars to clients across more than 50 countries worldwide. More than ever before in the marque’s 119-year history, the total number of commissions was in line with expectations of the luxury house. 2023 also saw a record level of Bespoke projects for the brand as all Rolls-Royce motor cars are hand-built at the marque’s home in Goodwood, UK. North America continued to deliver strong demand, not only in volume but more importantly in bespoke value. The United States remains the marque’s largest market.
Cullinan was the most commonly requested commission both in standard and Black Badge commissions for clients in North America and worldwide. Ghost remains popular and saw some of the most complex Bespoke and Collection projects ever, including Black Badge Ghost Ékleipsis. Phantom remains the pinnacle member of the Rolls-Royce family, also seeing record levels of bespoke value and continued strong demand. Phantom Syntopia, the most technically complex Bespoke project ever for Rolls-Royce, was delivered in 2023.
Rolls-Royce unveiled Spectre to the world in October 2022, with first cars deliveries to North American clients only weeks ago. The first all-electric series Rolls-Royce in history has attracted enormous interest worldwide, particularly among younger clients, setting a clear direction of travel and establishing a solid foundation for the marque’s bold electric future.
GLOBAL & REGIONAL SALES
Rolls-Royce reports sales growth in the majority of the markets in which it operates, with deliveries reaching new record levels in the Middle East, Asia-Pacific and Europe regions.
The USA was Rolls-Royce’s single largest market worldwide, while Greater China remained the marque’s second-largest market. Record sales were achieved in Europe, where the UK is the largest single market. Record annual sales and year-on-year growth in the Asia-Pacific region were fueled by a strong performance in Korea, whose dynamic, vibrant economy is reflected in a rapidly expanding luxury market.
BESPOKE: DEFINING THE BRAND
Every motor car hand-built at the Home of Rolls-Royce includes some element of Bespoke, the company’s unique program offering personalization possibilities which are limited only by the client’s imagination. In 2023, Bespoke commissions reached new record levels by both value and number; the technical innovations required to deliver specific projects saw Rolls-Royce file several new patents during the year.
Bespoke projects completed in 2023 included many ‘firsts’ for the marque that were also technical innovations. These included the scent-release mechanism concealed in the headrests of Phantom Syntopia, which incorporated technology originally developed for medical applications, while many Bespoke paint finishes achieved in 2023 required entirely new materials, techniques, and formulations to achieve.
The year’s commissions also created new opportunities in the use of rare and beautiful materials and intricate craft techniques. These included: exquisite mother-of-pearl inlays for ‘The Pearl Cullinan;’ hand-perforated leather seats for Black Badge Cullinan Blue Shadow; Starlight Headliners incorporating mesmerizing celestial animations for Black Badge Ghost Ékleipsis; and exquisite hand-painted Gallery artworks for Phantom ‘Inspired by Cinque Terre.’
BUILDING FOR THE FUTURE
In 2023, Rolls-Royce submitted plans for a major new investment to modernize and upgrade its manufacturing facilities. The plans will enhance and extend the marque’s Bespoke and Coachbuild capabilities as well as support production of its future all-electric product portfolio. This significant investment represents the single largest injection of new capital at the Home of Rolls-Royce since the site opened in 2003. This reflects the scale of the transformation in the company’s size, activities, commercial success, and global influence in the intervening two decades.
OUTLOOK
Rolls-Royce Motor Cars does not provide volume forecasts. According to Fritsches, “Rolls-Royce Motor Cars NA already has a strong level of orders for 2024 including many intricate and complex Bespoke projects we hope to deliver to our North American clients in the coming year. Our quest is for ever-increasing value, not volume, of Bespoke Rolls-Royce commissions.”
The Dolce&Gabbana Fall/Winter 2024 Men’s Collection, Sleek, tells a story of elegance and of the handmade; a sartorial essay, predominantly in black, which is, together with the attention to detail, part of the all-Italian DNA of Dolce&Gabbana.
The intention is to elevate the power of tailoring, focusing on a quality capable of distinguishing itself from the rest.
Authentic garments, characterized by perfect cuts and delicate proportions which are found above all in jackets and coats. A clean and elegant look that even the youngest are approaching.
Dolce&Gabbana fashion has deep roots. This Collection reflects the change that Domenico Dolce and Stefano Gabbana perceive and aims to recover values through quality expressed in all its forms.
Color scheme: black, white, grey, camel, denim
Front row guests included Jeff Bezos & Lauren Sanchez (their son Nikko Gonzalez walked the show), André Lamoglia, Jason Fernandez, Franco Masini, Maria Pedraza, Blanco, Simone Susinna, Fabio Quartararo, Noah Beck, Jacob Rott, Quavo, Lucien Laviscount, and Juju Shuster.
Korean talents included Rowoon, DPR Ian, Younghoon, Hyunjae
After much anticipation, GRAMMY® Award-winning multi-platinum sonic visionary, artist, producer, actor, and director Kid Cudiproudly presents his anxiously awaited ninth studio album, INSANO, out now via Republic Records. Listen HERE. It stands out as his first full-length offering since 2022 and features Travis Scott, Pharrell Williams, A$AP Rocky, Lil Wayne, Young Thug, Lil Yachty, DJ Drama as well as the late XXXTentacion. Check out the full tracklisting below.
Once again, Cudi elevates the culture with an unpredictable and undeniable body of work powered by his uncanny ability to naturally trailblaze and break boundaries. The album’s expansive scope manifests in the form of interdimensional alternative hip-hop. Cudi debuted the album with an exclusive sold out listening event at the famed Hollywood Palladium.
The INSANO album art will come with 4 cover-art variations featuring artwork by renowned artist and designer, KAWS as well as one rendition featuring a character by renowned multimedia artist Glassface. Check them out HERE.
Kid Cudi and KAWS also collaborated on a collection of 8 pieces, which features standouts like the multi-level pile rug, a 500-piece puzzle, classic heavyweight cut + sew garments that Cudi is always known to deliver + more. Available for a limited time exclusively on shop.kidcudi.com – Cudi bulldozed the way for INSANOwith “AT THE PARTY” [with Pharrell Williams & Travis Scott]. Beyond posting up millions of streams, NME hailed it as “hypnotic,” and Rolling Stone praised, “speaker-rattling kick drums, bass thumps, and an array of heady synths that flit between psychedelic and sinister. Kid Cudi matches that mood.” US Weekly christened it “a mid-autumn club banger,” while HYPEBEAST raved, “it’s a great reminder of the chemistry between the two that’s aided by the stellar contribution of Pharrell.”
The last time we heard from Cudi was on 2022’s ENTERGALACTIC—which landed in tandem with the companion NETFLIX project of the same name that was recently nominated for an EMMY Award for “Outstanding Animated Program”. Beyond piling up hundreds of millions of streams, Pitchfork hailed it as “some of his most purely enjoyable music in a decade.” Upon arrival, it bowed in the Top 15 of the Billboard 200 and emerged as his seventh Top 20 debut on the respective chart. Plus, it earned a nomination in the category of “Outstanding Soundtrack/Compilation Album” at the NAACP Image Awards.
INSANO TRACKLISTING: 1. OFTEN, I HAVE THESE DREAMZ (feat. DJ Drama) 2. KEEP BOUNCIN’ 3. GET OFF ME (feat. Travis Scott) 4. MOST AIN’T DENNIS 5. WOW (feat. A$AP Rocky) 6. ELECTROWAVEBABY 7. A TALE OF A KNIGHT 8. CUD LIFE 9. TOO DAMN HIGH (feat. Lil Yachty) 10. GETCHA GONE 11. AT THE PARTY (feat. Travis Scott & Pharrell Williams) 12. MR. COOLA 13. FRESHIE 14. TORTURED 15. X & CUD (feat. XXXTENTACION) 16. SEVEN (feat. Lil Wayne) 17. FUNKY WIZARD SMOKE 18. RAGER BOYZ (feat. Young Thug) 19. PORSCHE TOPLESS 20. BLUE SKY 21. HIT THE STREETZ IN MY NIKES
Born and raised in Baltimore, Maryland, Raymond Smith grew up surrounded by creatives and ambitious peers. Smith, founder and CEO of The Digital Footprint, started his company in 2016 and the success has been unparalleled. The Digital Footprint is a Black-owned marketing agency that specializes in ideation, creative rollouts, design, strategy, IRL activations and content. Smith has produced bespoke marketing campaigns for an impressive collection of brands such as the MLB, Nike, Capital One, HBO, Universal, Ethika, and D’USSÉ to name a few. His agency has received honors from The United States Black Chambers and Apple Music for his team’s work servicing over 1,000+ brands and influencers.
As of late, Smith was tapped to execute a series of creative campaigns throughout 2023 for PUMA and their latest collaboration with NBA star, LaMelo Ball. The rollout includes strategically hand-picking influencers & creators of color to drive organic awareness towards Ball’s PUMA MB.02 sneakers. The young executive curated in-real-life experiences for talent to build a community around sports, lifestyle and fashion that felt authentic to the brands’ identities. From gifitng suites at Hornets games… to elegant dinners inside art galleries… Smith was able to highlight the anticipated product drops for PUMA and Ball’s collection.
360 Magazine sat down with Smith to talk about his favorite campaign of the year.
“It’s really hard to choose because each campaign hit a different piece of my brain. I’m an artist so I’m sensitive about my shit. It’s almost like making someone choose between their favorite kid. I want to represent for everyone in my community, so I have no choice but to win.”
One thing Raymond wanted to highlight was his passion for the culture. He mentioned a handful of activations he crafted included an interactive exhibit on the streets of downtown Los Angeles, a breakfast themed photoshoot with custom LaMelo Ball coffee, and a custom limited-edition cereal box for A-List recipients.
A true marketeer can see why it’d be hard to choose one of these campaigns as a favorite. Not to mention that each product drop sold out within seconds of launch reinforcing their were two different types of ROI. Return on Investment and Return on Influence. 360 Magazine’s looking forward to seeing how Smith and The Digital Footprint will shake up the culture in 2024.
Kratom, a tropical tree native to Southeast Asia, has garnered significant attention and popularity worldwide. Known for its unique alkaloids, kratom has been used traditionally for its potential therapeutic and stimulating properties. In recent years, its popularity has surged in various regions, sparking interest among those seeking alternative herbal remedies and supplements.
This article aims to be your comprehensive guide on where to buy Kratom locally. We understand the challenges and concerns associated with finding Kratom nearby, and the importance of purchasing it safely and legally cannot be overstated.
Whether you are a seasoned user or new to kratom, this guide will navigate you through the ins and outs of procuring this herb locally, ensuring you make informed and responsible choices.
Understanding Kratom
Kratom, scientifically known as Mitragyna speciosa, is a tropical tree native to Southeast Asia, mainly found in Thailand, Malaysia, Indonesia, and Papua New Guinea. Its leaves contain compounds that can have mind-altering effects.
Traditionally, kratom leaves have been used for medicinal purposes. The key psychoactive components, mitragynine and 7-hydroxy mitragynine, are believed to have relieving, anti-inflammatory, or muscle relaxant effects.
However, the legal status of kratom varies globally and even within countries. In the United States, Kratom is not a controlled substance at the federal level but is illegal or restricted in several states and municipalities.
Similarly, while legal in most European countries, a few have imposed bans or restrictions. In Southeast Asia, where Kratom originates, its legal status varies: for example, it’s banned in Thailand and Malaysia but legal in Indonesia. This patchwork of legality emphasizes the need for potential users to be aware of the laws in their specific region to ensure compliance and safety.
Advantages of Buying Kratom Locally
Purchasing Kratom locally comes with several advantages, the most significant being immediate availability and access. When you buy from a local store, there’s no waiting for shipping; you get your product right then and there. This instant gratification is a big plus for those who need kratom promptly.
Another key advantage is the ability to inspect the product physically. You can check kratom’s appearance, assess its quality, and even ask store employees questions directly. This hands-on approach provides a level of assurance and transparency that takes more work to achieve when buying online.
Supporting local businesses is another benefit. By purchasing locally, you’re contributing to the local economy and often supporting small business owners in your community. This can foster relationships and lead to better customer service and product knowledge from vendors who value their local clientele.
Minor Drawbacks
However, there are drawbacks to consider. Local stores may offer a limited variety compared to online vendors, limiting your options regarding strains and product types. Additionally, prices at local stores can be higher due to the costs associated with maintaining a physical storefront.
Places to Buy Kratom Locally
When looking to buy Kratom locally, there are several options you can consider, each with its own set of characteristics:
Smoke Shops and Head Shops
These are perhaps the most common local outlets for kratom. Often found in urban areas, they typically offer a range of Kratom products alongside other smoking paraphernalia. The variety in these shops can be extensive, but the quality may vary. It’s important to ensure these shops are reputable and have a good understanding of their Kratom products.
Specialty Kratom Stores
Some areas might have shops dedicated solely to selling kratom. These specialty stores will likely have knowledgeable staff and a wide variety of premium kratom strains. They often focus on ethically sourced products and might offer more detailed information about the origin and processing of their Kratom.
Natural and Herbal Stores
Health food stores or herbal shops sometimes carry Kratom. These establishments focus on natural wellness and may provide organic or ethically sourced Kratom. The staff in these stores can be knowledgeable about the herbal properties of Kratom and its uses.
Gas Stations and Convenience Stores
While some of these establishments may sell Kratom, it’s crucial to approach it with caution. The kratom found here may not be of the best quality, and the staff might not be as knowledgeable about the product. It’s advisable to use these as a last resort, and only if you’re familiar with the brands and types of kratom they offer.
Helpful Tips When Locating Reputable Local Stores
When identifying reputable local stores, consider the following tips:
Knowledgeable Staff: A store with knowledgeable staff who can answer your questions is a good sign.
Product Transparency: Look for stores that are open about their Kratom sources and provide information about the strains and their effects.
Customer Reviews: Check online reviews or community forums for feedback about the store.
Quality Assurance: Reputable stores often have quality testing protocols or can provide information about their product testing.
Legal Compliance: Ensure the store complies with local Kratom sales and distribution regulations.
Remember, while local purchasing offers the advantage of immediate access, it’s important to prioritize quality and safety in your selection process.
How to Assess the Quality of Kratom Locally
Assessing the quality of Kratom locally requires attention to several key factors:
Evaluating the Appearance and Smell
High-quality Kratom should have a vibrant green color and a fresh, earthy smell. If the Kratom appears dull or has an unusual odor, it might be a sign of old or poor-quality products. Check for any signs of mold or other contaminants, clear indicators of compromised quality.
Inquiring About Sourcing and Lab Testing
Ask the vendor about the origins of their kratom. Reliable vendors should be able to provide information about where their kratom is sourced from and the methods used in its harvesting and processing.
Additionally, inquire if the Kratom has undergone lab testing for quality, purity, and the presence of contaminants. Reputable vendors often conduct or provide third-party lab testing results to ensure product safety.
Understanding Different Strains and Their Effects
Familiarize yourself with the different strains of Kratom available and their purported effects. Strains are generally classified as red, green, or white, each having distinct properties.
For instance, red strains are often associated with pain relief and sedation, green for balanced effects, and white for stimulation and increased focus. Understanding these can help you choose a strain that best suits your needs and expectations.
Alternatives to Local Purchases
While local purchases offer certain advantages, online purchasing presents an alternative with its own set of benefits and drawbacks.
Online Purchasing Options
The internet offers a wide array of online kratom vendors, each providing a diverse range of products. These platforms often have extensive selections of strains, forms, and quantities, catering to a broader audience.
Pros of Buying Kratom Online:
Variety: Online vendors typically offer a wider selection of strains and product types.
Convenience: Shopping online is convenient; you can order from anywhere, anytime.
Price: Online stores often have lower prices due to reduced overhead costs.
Information and Reviews: Online platforms provide detailed product descriptions, lab testing results, and customer reviews, helping you make an informed choice.
Cons of Buying Kratom Online:
Waiting Time for Delivery: Unlike local purchases, online orders require shipping time.
Quality Assurance: It can be easier to verify the quality and freshness of the product if you see it in person.
Trustworthiness: It requires due diligence to ensure the online vendor is reputable and their products are safe.
Final Words
Throughout this guide, we’ve explored the various facets of purchasing Kratom locally. We’ve delved into the advantages of buying from local stores, such as immediate access and the ability to support local businesses, while acknowledging potential limitations in variety and pricing.
We’ve highlighted different local sources for Kratom, including smoke shops, head shops, and natural stores, and provided tips for identifying reputable vendors. Understanding how to assess the quality of kratom, from its appearance and smell to inquiries about sourcing and lab testing, is crucial.
Balancing convenience, quality, legality, and safety in your decision-making process is crucial. As the Kratom market continues to evolve, staying informed and cautious is key to ensuring a safe and satisfying experience. Remember, responsible and legal purchasing is paramount, not just for personal safety but also for upholding the standards and sustainability of the Kratom community.
TWENTY-FIVE TIME GRAMMY® NOMINEE COMPOSER GORDON GOODWIN STRIKES GOLD AGAIN WITH THREE NEW GRAMMY® NOMINATIONS.
The 66th Grammy® Award Nominations were announced on November 10, 2023. The astonishing surprise was three new nominations for Multi Grammy® Emmy Winning Composer/Arranger, Jazz Veteran Gordon Goodwin.
Nominations
• Best Jazz Vocal Album: Patti Austin Featuring Gordon Goodwin’s Big Phat Band – For Ella 2.
• Best Instrumental Composition: Quartet San Francisco Featuring Gordon Goodwin’s Big Phat Band – Cutey and The Dragon, Composed by Raymond Scott and Gordon Goodwin.
• Best Arrangement, Instruments, and Vocals: Patti Austin ft. Gordon Goodwin’s Big Phat Band – April in Paris, Arranged by Gordon Goodwin.
Gordon is delighted that his current projects have been considered once again by The Recording Academy. He says, “25, I look at that number and it shocks me every time. I still find it difficult to believe that the members of
the Recording Academy have given me 25 Grammy® nominations for my work. I don’t think you ever get used to it and the three most recent nominations seem somehow more precious than ever. I had the good fortune to be involved in two projects that were close to my heart in the past year, and happily, both were acknowledged by the Recording Academy.”
Gordon is grateful for being nominated twice for his collaboration with Jazz phenom Patti Austin. She is jazz royalty; Patti Austin’s keen interest in being a total entertainer likely started when she stepped onto the stage of the world-famous Apollo Theater in Harlem at the age of four at the urging of music legend Dinah Washington. After a series of much-acclaimed albums for CTI Records, she signed with her godfather Quincy Jones’ Qwest label and began achieving mainstream success on an international level thanks to the GRAMMY® nominated hit “Baby Come To Me,” her now classic duet with James Ingram and the follow-up duet, the Oscar-nominated “How Do You Keep the Music Playing?” as well as her appearance on albums with Jones on his best-selling album Stuff Like That, his GRAMMY®–winning classic The Dude, and later, his From Q With Love Vols. 1& 2. The GRAMMY® nominated For Ella album opened new doors for Patti as a performer and her embrace by the jazz world was further cemented with her Grammy winning classic CD “Avant Gershwin: Now, after more than two decades of touring, her take on the classic American Song Book has expanded Patti’s appeal and garnered standing ovations all over the USA and Europe. Patti continues her philanthropic work with her mentoring organization, “The Over My Shoulder Foundation” and with Covid hopefully winding down she has resumed her touring schedule to the delight of fans all around the world.
Gordon is pleased to receive his composition nomination for “Cutey and The Dragon,” from the album Raymond Scott Reimagined, featuring Quartet San Francisco, Take 6 and the Big Phat Band. Goodwin took the unfinished work by Raymond Scott and completed it in a manner that honors Scott’s sophisticated yet playful style. Raymond neither received nor was nominated for a Grammy during his lifetime; the awards were launched in 1958, by which time Scott had largely stopped issuing commercial recordings. Raymond Scott was a composer, inventor, visionary, pianist, engineer, electronic music pioneer, control freak.
Gordon Goodwin was born in Wichita, Kansas, and Goodwin’s parents moved to Southern California when Goodwin was four. After completing his formal music education at Cal State University-Northridge, Gordon began working as a live performer at Disneyland and after a few years, he was commissioned to work on a musical that featured past and present Mouseketeers (including Britney Spears and Christina Aguilera). That exposure led to studio work with the likes of Quincy Jones, Mel Tormé, Ray Charles and legendary vocalist Johnny Mathis.
In 1999, Gordon founded the Big Phat Band for what he thought would be a single performance at his alma mater Cal State at Northridge. Since then, the Big Phat Band has recorded 10 albums, and in the process received 25 Grammy® nominations. Goodwin won a Grammy® for ‘Best Instrumental Arrangement’ for “Incredits” for the film The Incredibles and has been honored with 3 Emmy awards for his work on the Steven Spielberg-produced shows Animaniacs and Pinky and the Brain. His work has been featured/utilized in more than 80 film & TV productions spanning the gamut of pop culture: amplifying the likes of National Treasure, Star Trek: Nemesis, Snakes on a Plane, Get Smart, Remember the Titans, The Sorcerer’s Apprentice, The Majestic (starring Jim Carrey), The Lion King, The Incredibles and Ratatouille.
Gordon has won four Grammy® Awards and three Daytime Emmy Awards and has received twenty-five Grammy® nominations for his compositions and arrangements.
Gordon’s discography includes Swinging For the Fences, XXL,
The Phat Pack, Act Your Age, That’s How We Roll, Life in the Bubble, Wrap This, A Big Phat Christmas, An Elusive Man, Joyful, The Gordian Knot, The Reset, Raymond Scott Reimagined, For Ella 2, w/Patti Austin, Music for Two Pianos (2024).
Gordon is also the host of the popular long-running radio program, “Phat Tracks with Gordon Goodwin,” airing for 5 years on KJAZZ, America’s jazz and blues station, and finishing its 2nd year broadcasting and streaming from its new home on San Diego’s Jazz 88.3 FM (KSDS). The weekly 2-hour show is a mix of music and stories and commentary.
Pianist, saxophonist, composer, arranger, and conductor – whatever it is Gordon Goodwin touches, it’s all about his love of music. The accolades and awards come, but for Gordon the feeling of gratitude for his life in music is strong, and he wouldn’t want it any other way.
“Listening to Gordon Goodwin’s Big Phat Band, I was immediately taken by Gordon’s contemporary musical viewpoint, the dynamics of his “Big Phat Band,” its bevy of superb soloists, and the exhilaration of its sound.” – Quincy Jones.
Upcoming Shows
Jan 25 – Winter NAMM Show Concert, Anaheim, CA.
Jan 29 – Catalina Jazz Club Patti Austin/BPB Grammy Celebration Concert, Hollywood, CA.
March 2 – Studio Channel Islands Art Center, Camarillo, CA.
March 16 – Bonita Center For the Arts, La Verne, CA.
April 27 – Thousand Oaks Performing Arts Center, Thousand Oaks, CA.
May 4 – The Grape, Ventura, CA.
June 1 – International Trumpet Guild Concert, Anaheim, CA.
1. How has your family inspired you as a musician?
Gordon: My parents insisted that I take piano lessons as a little kid and that piano teacher was the first person to suggest I could write music myself. My first compositions, as lame as they were, were produced when I was in first grade. I owe that to my mom and dad, who nudged me in that direction very early.
2. What do the next 5 years look like musically?
Gordon: For me? I’ll just keep growing, keep playing and composing. If you do that, the rest follows.
3. Talk about any producer you have worked with.
Gordon: I have worked with some of the best, including Quincy Jones, David Foster and Phil Ramon, and have learned a lot from them all. I produce most of my own records, but have also used Gregg Field and Lee Ritenour as producers, and both of those guys have great chops and great taste.
4. Where do you get your ideas for subject matter for your project development?
Gordon: I mostly get inspired by other people’s efforts, which somehow triggers the urge to sit down and create. I hear someone’s song or symphony or read somebody’s book, or watch somebody’s movie and that inspires me. Creation requires effort – rarely is there a bolt out of the blue with that perfectly formed idea. It usually is a result of hours of craft.
5. What charities are you aligned with and why?
Gordon: I like to contribute to St. Jude’s because the idea of little kids with cancer really offends me. I also admire Doctors Without Borders and Habitat for Humanity.
6. What music projects will you be involved with in the future?
Gordon: I have a new record coming out next year called “Music For Two Pianos.” It’s a piano duet record where I play both parts. I created ten original pieces for this record, and the style is a jazz and classical hybrid. It was a blast to do and I enjoyed getting a stronger connection to the piano in the process. Other than that, I am working on a record for my wife Vangie Gunn, with mostly original tunes, I have a film I am scoring and have a new Big Phat Band record to compose and produce. It’s going to be another busy year!
7. Who are your biggest influences?
Gordon: There are way too many to mention. I believe in exposing yourself to as many people as you possibly can in order to widen your musical worldview. But if I had to make a short list, let’s go with Chick Corea, Michael Brecker, Cannonball Adderley, Bill Evans, John Williams, Igor Stravinsky, Claude Debussy and… this is too hard! Sorry for all of the incredible geniuses I just left out!
8. What advice would you give to a recording artist starting out?
Gordon: Practice your craft every day, even if it’s only for a short time. Commit to improving and know that it’s a long slow climb. Forget about overnight success. If you are serious about your music, you will realize that it’s a lifetime commitment.
No way can you figure it all out in your 20s, unless your music is based on youth, celebrity, and looks. One thing’s for sure: Mine isn’t!
9. Talk about your training in your early career, who have you trained with and why?
Gordon: I studied music in college where I learned orchestration, counterpoint, music history, conducting, things like that. But I also played in the jazz band and had a gig at a club every night where we played the music of Stevie Wonder, Earth, Wind and Fire, and other Top 40 stuff. So, I got my education in the classroom and on the bandstand. I believe you need both of those elements. You play music with your brain and also your heart.
10. How do you take care of yourself, your health regime?
Gordon: Vangie and I walk almost every night. We try to go between 3-4 miles each night, depending on our schedule. Other than that, I do a fair amount of stretching and live a pretty clean life – no drinking, smoking or drugs. I never much liked or needed that stuff.
11. What is it about Raymond Scott that got you to do this current project?
Gordon: In the 90s I worked for Warner Brothers Animation and, at that time, I took a deep dive into the music of Raymond Scott and Carl Stalling, two compositional legends whose music really informed the style of Bugs Bunny and Daffy Duck Cartoons. So, when Jeremy Cohen offered me the opportunity to revisit this music on the Raymond Scott Reimagined project, I jumped.
12. What musician did you admire as a child?
Gordon: My first musical hero was Herb Alpert. I loved the Tijuana Brass! I even had my own Tijuana Brass band when I was in 4th grade. And now as an adult, I find myself being friends with Herb and recently wrote some charts for a new record he is releasing. Life is funny that way, and I am amazed when I get a call from this amazing man, knowing that he was such an influence for me at a formidable time in my life.
13. What do you do to relax?
Gordon: I love Hawaii and try to get there each year or so. I love to read and lately have been digging into podcasts.
14. What other business strategies do you plan on starting to promote your brand?
Gordon: There’s a tough one. The music business is in terrible shape and when I started the Big Phat Band in 2000, I thought it was bad THEN! Little did we know that almost every category of the music business would continue to degrade. I am less and less optimistic about the future of music in our country because, since consumers have decided, they shouldn’t have to pay for it, there is little reason for people to dedicate their lives to something that will not allow them to make a living and raise a family. We have some serious catching up to do, and it all starts with arts education in the schools, which is on the cutting block in many institutions.
15. What’s the one thing you think everyone could do to make the world a more positive place?
Gordon: I believe it starts with building empathy for others, and the best way to develop empathy is to gain an understanding of the arts. Music – at least music of content – teaches us how to empathize. Other than that, make it a point to find the good in the world, to find your sense of gratitude for what you have and to do something nice for someone else each day. Pretty simple, as it turns out.
16. What would you be doing if you were not a musician?
Gordon: I have no earthly idea. I have no other skill set! I do have a pretty good understanding of human behavior, but the thought of not getting up each day and engaging with music? Nope. No way.
17. What was your first memory of hearing great music?
Gordon: I remember watching The Mickey Mouse Club television program as a really young kid, and that theme song may have been the first time I was aware of a thing called music. After that, probably the Bugs Bunny and Tom and Jerry cartoons I would watch had some amazing music.
18. What do you want to leave as your legacy?
Gordon: Some projects I do for money. Some projects I do for musical satisfaction. Sometimes those things intersect, but either way, I go in all the way and commit to making the music the best it can be. Sometimes the music is pretty easy to play, other times it is really challenging to play, but I just go where the music demands. I hope people remember my music as being informed by a positive and optimistic worldview.
19. How do you overcome challenges in your career?
Gordon: It can be frustrating at times, but I remember that I am a lucky man and have had extremely good fortune to have music in my life. On my worst day, when I am composing music that I may dislike, just because a producer or director wants it, I remember that a million people would trade places with me in an instant. Hang on to your gratitude, things always work out!
20. Is there anything in your careers that you wish you could do again?
Gordon: I never consider this question, except to remember to learn from each experience.
21. What is the best thing about being nominated for another Grammy?
Gordon: Grammy Nominations are awesome and really gratifying! It is thrilling to see your name on that list! But the truth is that you probably won’t sell more records with a Grammy win, never mind after a nomination. It doesn’t make your music any better, nor does NOT being nominated make your music any worse. But what it can sometimes do, is enable you the chance to keep doing what you are doing – writing more songs, recording more music, doing more gigs. That is the true value of the Grammy experience.
22. What was it like working with Patti Austin?
Gordon: Patti is a living legend. She is more than a really good singer; she is an extraordinary musician. I have never once seen her get stumped by a musical problem. Plus, she is absolutely hilarious! A real joy to work with and it is one of the great honors of my life that she chose to work with me on “For Ella 2.”
23. What’s it’s like to work with The Big Phat Band?
Gordon: I started the Big Phat Band in 2000, and since that time, it has brought balance to my life. Having musicians of that quality is a great luxury for a composer, and there has been nothing, not anything at all in 23 years – that they haven’t nailed on the first take. Many of them are lifelong friends and it is a privilege to take the stage with them.
As of late, Vaughn Lowery has had a sit-down with prolific personality and uber talented musician Hayes Warner. After a turbulent year filled with provocative single releases and achievements, she elaborates on her whirlwind.
2023 was a big year with a lot of fun releases including your latest “Worst Time or Year.” What are you the most proud of and what are you looking forward to in 2024?
2023 has been an amazing year for me since I’ve gotten to really focus on making music. I’ve spent a lot of time in the studio putting finishing touches on my debut EP that I’ll be releasing this year. I’m definitely most proud of this upcoming music because I think the whole project really reflects who I am – there’s a lot of sarcastic humor, sprinkled in with some light-hearted sassiness, but also there are some really vulnerable songs on there. I think each song kind of dives into different sides of my personality.
In terms of what I’m looking forward for 2024, I am SO excited to get out on the road and perform these new songs. I’ve secured some super exciting show dates that I can’t wait to announce.
Speaking of “Worst Time or Year” I feel like a lot of people can really relate to that sentiment in relation to the holidays. Can you tell us a bit about your personal inspiration for that song?
I wrote “Worst Time of Year” after a series of failed attempts at creating a typical Christmas song. I gave the cheerful, jingle-bell rock anthems a shot, but the lyrics felt super forced and stupid. So “Worst Time a Year ” came about when I started writing my honest feelings about the holidays. The holidays can be a real struggle for people with weird family situations, and this song delves into what that experience looks like for me. There’s this strange societal expectation to seem perfect during the Holidays, especially when it comes to spending time with family. With “Worst Time of Year” I had a lot of fun lightheartedly making fun of that fake perfection. Obviously no judgment to people who love the holidays, I just love that “Worst Time of Year” lets me be sassy about my anti-holiday spirit :).
From whom or from where did you gain your musicality from? Who are some of your musical inspirations?
I think New York has really instilled a go-getter energy in me, and that fast-paced mentality has definitely influenced my songwriting. Growing up, I honestly used to stupidly strut around the city aimlessly with my headphones in and write lyrics to my next song. So New York is really ingrained in my music, and I think the rapid energy of the city translates into my songs.
Also growing up, I was a HUGE fan of P!nk, Avril Lavigne, Kes$ha, Joan Jette, and other Pop and Punk-Rock musicians. I’m really inspired by the no-nonsense attitude of their music – it’s like ear candy with a side of deep wisdom.
You started writing music at such a young age. Can you tell us a bit about how you got started and your process?
Growing up, I always listened to music as a way to cope with feelings, and so I think that writing songs was just the natural next step to dealing with emotions. I had this tiny keyboard in my room during middle school, and that’s where I kicked off my songwriting journey, even if those early songs were cringe-worthy at best. I became obsessed with songwriting, and still can’t believe I get to do it as a job now.
My writing process is pretty flexible and depends on the song and my mood. There are moments when a killer concept or lyric strikes, and I immediately jot it down in my notes app. Alternatively, I might spontaneously record a melody on my voice memos app – some of these morph into full-fledged songs, while others are just shower thoughts. Or, I’ll sit at the piano, tinkering with chords until I find something that sticks. In those instances, the melody takes the lead, and the lyrics follow suit.
We saw you recently worked with Loren Gray on your song “Breadcrumbs.” What was that like?
Working with Loren was the best. She’s so funny, and we have the best time joking around, but she’s also so professional. I really think we nailed a balance between having fun and getting things done. The whole process of making Breadcrumbs was by far my favorite project ever, and we’ve become super close friends through collaborating.
Loren and I met when we both found out we were unknowingly being cheated on by the same person. So, we turned that wild situation into “Breadcrumbs.” What I love about the song is that the whole playful vibe we had making the song totally shines through. It’s like our fun energy got baked right into the track.
Can you mention a few artists on your wishlist to work with in the near future?
I have been obsessed with Chappell Roan’s newest album, The Rise and Fall of A Midwest Princess. I would LOVE to collaborate with her. I would also die to collaborate with Hayley Williams and Paramore. I’m absolutely obsessed with her energy on stage. She has such a powerful voice, and is able to belt out crazy notes while bopping around the stage with so much energy.
Is there any words of encouragement or advice you can offer an aspiring recording artist?
I think the best advice that people gave me when I first started releasing music was to stop caring about other peoples’ judgements. Self-criticism is already on autopilot, and stressing over opinions can straight-up paralyze you. At the end of the day, what matters is making music that’s authentic to you. Sure, not everyone might jump on your vibe when you drop a song, but the right audience will find it if it’s authentically you. Letting go of people’s opinions is so much easier said than done. I mean, I’ve stumbled upon a few nasty comments on my TikTok that definitely took me back. But being a recording artist has become so much more fun the second I let go of other people’s opinions and became more of myself!
