Posts made in August 2021

Image via Infamous PR for 360 Magazine

Time Warp Brooklyn 2021 Lineup

Time Warp Announces 2021 USA Lineup 

Featuring Âme, Nina Kraviz, Ricardo Villalobos b2b Craig Richards, Richie Hawtin, Seth Troxler b2b Special Guest, KiNK (live), Stephan Bodzin (live), Adriatique, Ben Klock b2b Marcel Dettmann, Paula Temple, Pan-Pot, Kobosil, Reinier Zonneveld (live), DESNA, Avision, mink b2b O.BEE, and Shahar

TICKETS NOW ON SALE

Continuing its legacy as what the New York Times referred to as a pilgrimage event on the global techno calendar, Time Warp today, in partnership with long-term NYC collaborators Teksupport, announced the bill for its return to New York this Fall, following a two year hiatus. its new Brooklyn location will play host to two days of audiovisual technical immersion soundtracked by some of house and techno’s top talent. 

Time Warp will showcase a mélange of underground heroes from around the world, including several who’ve become central pillars to the event and its community over its storied 27 year history. Global scene shaper and recent Prada collaborator Richie Hawtin reprises his headlining role—a duty he’s carried on with diligence since Time Warp’s 1995 Mannheim debut. Chilean iconoclast veteran Ricardo Villalobos makes a return as well, this time alongside longtime b2b partner and Tyrant co-founder Craig Richards. Villalobos remains a rare delicacy stateside, but thanks to his deep-rooted ties to the Time Warp and Teksupport families, fans have been able to witness his brilliance twice in New York the past seven years. 

Âme, whose Time Warp legacy kicked off in 2007 brings a slice of Berlin house to the party. Second State owners Pan-Pot also represent Berlin, alongwith Ostgut Ton/Berghain figureheads Ben Klock and Marcel Dettmann for a rare b2b—all three of whom were inducted into the family in 2012. Seth Troxler rounds out the list of historic talents to grace the roster. The political activist, multilabel head, and Lost Souls of Saturn member has been an annual fixture at Time Warp’s flagship Mannheim event since 2011

Techno always takes center stage at Time Warp New York, with all sides of the spectrum covered by its all-star cast. On the melodic end, Afterlife stalwarts Adriatique are set to bring their expertise to the decks, while virtuoso Stephan Bodzin will bring a full hardware kit to the show. Industrial aficionados will enjoy performances by Paula Temple, Kobosil, and a live showing by Reinier Zonneveld. International superstar Nina Kraviz will serve up her signature high-tempo mix of techno and electro cuts, while KiNK will showcase his impressive penchant for improvisation on his array of keyboards and synths. 

Time Warp’s communal ethos extends to the cities it touches, as such, New York talent will be spotlighted with local mainstays DESNA, Avision, Shahar, mink, and O.BEE on display. 

Since its 2014 debut in New York, Time Warp has made the city a second home with local impresario Teksupport as its chosen partner. Its 2019 return saw fans gathered from across the nation to celebrate 25 years of Time Warp, which also marked the first large-scale underground dance music event to happen in the Bronx. The results were massive, ushering in a new era for the global brand and a bright chapter for American house and techno enthusiasts. Following a forced two year break since, fans can expect peak energy for its grand 2021 return.

Teksupport has produced some of New York’s most unique and exciting parties of recent years. They have scouted the city to unearth new locations, throwing parties in submarine factories, navy yards, subterranean ballrooms and industrial warehouses, building a reputation for pairing raw spaces with world class event production. Their 2021 summer season played a role in reasserting the city’s prominence as an underground dance music mecca, hosting the likes of DJ Tennis, The Martinez Brothers, Sven Väth, Guy Gerber, Dixon, Perel, and more. 

Time Warp’s return to New York will follow its prodigal return to Mannheim October 30 2021 before heading south to its Brazil HQ of São Paulo. Head to their website for more information on their international events and to sign up for tickets. 

See you on the dance floor….

TICKETS HERE

FULL LINEUP

AVISION

ADRIATIQUE

ÂME

BEN KLOCK b2b MARCEL DETTMANN

DESNA

KiNK LIVE

KOBOSIL

MINK b2b O.BEE

NINA KRAVIZ

PAN-POT

PAULA TEMPLE

REINIER ZONNEVELD LIVE

RICARDO VILLALOBOS b2b CRAIG RICHARDS

RICHIE HAWTIN

SETH TROXLER b2b SPECIAL GUEST

SHAHAR

STEPHAN BODZIN LIVE

Marijuana illustration by Heather Skovlund for 360 Magazine

Honest Marijuana’s Inside Look at Weed Candy

What’s Sweet AND Gives You a Satisfying High? Weed Candy!

Cannabis consumption is entering the mainstream these days, as legalization spreads across the country. While there are all the traditional methods of getting high: smoking a joint, using a bong, and so on, new consumers have fueled the development of new ways of enjoying weed.

Why? For the simple reason that a lot of people don’t want to smoke. Whether because they don’t like the taste, or the stigma associated with the idea of inhaling smoke, there are plenty of people who look for alternative ways to consume marijuana and the most typical method is edibles. While the earliest versions of these were largely focused on pot brownies and cookies, cannabis-infused edibles come in so many more varieties: drinks, pills, snacks, spreads, and even candies.

Without Inhaling, Weed Candy Hits the Spot

As already mentioned, weed candy is a great alternative for those who can’t smoke or don’t want to smoke. And there are serious medical reasons why smoking might be off the table. For example, people with preexisting lung conditions or who use supplemental oxygen can still get the benefits of marijuana, without the risk of explosion!

Other medical conditions, including gastrointestinal issues from eating disorders, digestive disorders, and nausea due to chemotherapy can find relief from their symptoms by directly ingesting the low doses of cannabidiol (CBD) found in high-CBD/low-THC cannabis candy. Adding to these reasons is the simple fact that discretion can be very important to people. By choosing edibles, like candy, you can get the relaxing high without smoke, smell, or coughing. 

Plus there is the added bonus that by getting your cannabis via candy, the effects last for quite a bit longer compared to smoking. This is because the candy, and the cannabis it contains, must first be digested. So, by smoking a joint, the process of getting high is much faster, as the THC moves directly from lungs to bloodstream without being digested, it’s just not an option for everyone. 

What Kind of Weed Candy is Available?

Variety is the spice of life, and consuming cannabis candy is no exception. Weed candy takes many forms. The most popular are lozenges (like Jolly Ranchers), lollipops (food on a stick is always better), and gum.

The type of candy you choose will depend on your situation. For office workers, class attendees, and those concerned about appearances, the lozenge is the most discreet. At other times, a nice lollipop or piece of gum can really liven up a slow afternoon.

Advances in Weed Tech Applied to Candy. Advances in cannabis technology have yielded some pretty amazing options, but few reach the level of nanoencapsulated THC. Too much of a mouthful for you? Just call it Nanobidiol for short.

Nanobidiol is made using a cutting-edge process that minimizes each THC molecule and then surrounds it with a special membrane that gives the THC some unique qualities. Nanobidiol is not only smaller than regular THC, but it’s also more water-soluble. This decrease in size and increase in water solubility makes the THC more bioavailable. That means you’ll feel the high in 2-10 minutes, which is 6 times faster than other weed candy on the market that takes up to an hour to start working! 

How Weed Candy Works

The impacts of weed candy on your system can be thought of in terms of speed and duration. Smoking your marijuana is like a drag race: Its effects are felt almost immediately, but they’re over just as quickly. Cannabis candy is like a NASCAR race: The experience, though still great, takes anywhere from 30 minutes to 1 hour to get going. In addition, the effects of marijuana candy tend to last quite a bit longer (from 2-6 hours) because the cannabidiol is slowly digested in the stomach. 

Is Weed Candy for You?

The benefits of weed candy are wide-ranging. Individuals suffering from both acute and chronic disorders can find relief inside a marijuana candy. Everything from chronic pain, autoimmune disorders, insomnia, to nausea, muscle inflammation, nervous system disorders, and muscle spasms can benefit from the way marijuana candy is processed into the body. Individuals who suffer from gastrointestinal disorders like Crohn’s Disease are especially benefited by marijuana candy and other edibles. This is because Crohn’s Disease is an autoimmune disorder of the gastrointestinal tract. Marijuana candy can deliver cannabinoids directly to the site of the disorder and provide much-needed relief.

As With Any Cannabis Product, Quality Counts

Quality is always a concern when it comes to marijuana. Whether you get your fix by smoking or ingesting, you should at least verify the quality of the product you’re consuming. With weed candy, it’s important to keep a few simple things in mind:

Currently, there is no regulatory agency in place for marijuana candy. What this means is that there is no way to ensure the same commercial food-prep standards that apply elsewhere.This can mean that trace amounts of allergens (gluten, nuts, pet dander, lactose) can find their way into the marijuana candy. For people allergic to these things, it’s worth really investigating your sources, or even learning how to bake your own edibles. 

Similarly, there is no way to determine the quality of the cannabis used in the cannabis candy. Because the cannabis is hidden in the mix, it’s very easy for candy companies to dispose of lesser quality marijuana that can’t be sold for smoking. Buying from a reputable source is key. It’s not always possible, but purchasing a marijuana candy that has been lab-tested for potency and contaminants is preferable. The local dispensary that you’ve frequented for a number of years is a good place to start. If they don’t already sell marijuana candy, they might be able to find a reputable supplier.

Never Tried Weed Candy? 

If you’ve never tried weed candy before, we suggest that you purchase a piece or two from a trusted source and see what you think. If you like the taste and the effects it produces, you’ll have a better idea of what you’re looking for in future purchases. As with every other method of cannabis consumption, the important thing is that you enjoy the ride. 

Quality Candy is Made with Quality Weed

Weed candy can come from any one of the more than 700 existing strains and be of any quality. The best weed candy, however, comes from high-quality, organic buds. 

With a good quality organic strain, you’ll need less candy to experience the same effects. In other words, a little will go a long way. You may have to pay a bit more for weed candy made from a high-quality extract, but you’ll be much happier with how you feel when you use it. So don’t settle for an inferior weed candy. Get some made from the best buds on the planet and experience cannabis and candy the way it was meant to be.

About Anthony Franciosi and Honest Marijuana Company

Anthony Franciosi also known as Ant, is an honest to goodness farmer whose fingers are as green as the organic cannabis he grows. He is the proud founder of Honest Marijuana Co. – an all natural, completely organic marijuana growery in Colorado. The company is a pioneer in the industry, using Earth-friendly recyclable tin cans with pure nitrogen to ensure only the highest level of integrity and quality, launching Honest Blunts, the first organic hemp-wrapped, machine-rolled cannabis blunts as well as inventing the patented Nanobidiol Technology, which reduces non-water-soluble substances like cannabinoids into a nano-size so they can be added to candy, transdermal patches, topical lotions, and other cannabis products for the cleanest, most efficient, and most discreet form of cannabis consumption.

Learn more about cannabis news via 360 here

Image via Big Hassle Media for 360 Magazine

Sam Himself – La Paz

SAM HIMSELF FONDUE WESTERN’S INDIE ROCKER SHARES DREAMY ANTHEM LA PAZ

DEBUT ALBUM, POWER BALLADS, OUT OCTOBER 2021

Sam Himself uses his vocal power to sing songs of finding your place. – Consequence of Sound

LISTEN TO LA PAZ

WATCH LA PAZ

Alt. indie rocker Sam Himself shares La Paz, a melancholy journey from minimalist intro to anthemic climax, covering almost as much ground as the road trip by which it was inspired. Sam’s latest release is the final single leading up to his debut album, Power Ballads, due out in October. La Paz follows album singles Cry, Nothing Like the Night, and, most recently, What It’s Worth, which premiered via Under The Radar Magazine, was picked up by KCRW’s Morning Becomes Eclectic, KEXP’s The Morning Show, and – as of this writing – remains on rotation on numerous national and regional stations in France, Germany, Switzerland and beyond.

The self-declared Fondue Western baritone and Swiss Music Awards 2021-nominee was on tour in Europe last year when the pandemic broke out. Unable to return to New York City, his chosen home of the past decade, Sam set up shop in his native Basel, Switzerland, where he started writing the songs on his upcoming full-length debut. The artist’s exile-at-home lasted just shy of a year, a strange time marked by restless daydreams, according to Sam, including the escapist fantasy that inspired La Paz:

During lockdown, my mind wandered a lot, looking for exits. I got really nostalgic for past travels and times when I could move freely wherever I wanted to go. Peru, for example. I took a road trip there a few years ago. One night, I was driving through the desert with about two fingers of water left in the car and the aftermath of some recent chemical calamity playing out in my bloodstream; I was exhausted but stopping by the side of the road didn’t really feel like an option, so I kept going. I’m pretty sure I was heading for the Bolivian border, and I remember staring at my GPS and thinking if I can just get to La Paz – the Bolivian city – I’ll be ok. (I can be a little melodramatic when I’m hungover.) I never made it there but La Paz nevertheless became a sort of mantra on that trip, a name for the light at the end of the tunnel. Probably not the most laid-back trip I ever took. Still, at the height of quarantine cabin fever last year, I would have given a lot to be back in that stuffy rental car in the desert, waiting for the sun to rise.

Over the course of those months in limbo, Sam began recording the ten tracks on Power Ballads wherever he could: the distinct lead bass on La Paz, for instance, Sam cut on a borrowed Hofner in the attic of his mom’s house in Basel. Despite the fact that she walked in on a number of takes (the two have since reconciled), Sam ended up using many of those demo recordings for the final version of his album. This DIY approach allowed the artist to focus on the final touches once he was able to return to New York in early 2021, where he completed his first LP together with his Second Beatle, producer and mixing engineer Daniel Schlett (Iggy Pop; The War on Drugs) at Strange Weather Studio in Brooklyn.

Schlett has been Sam Himself’s a close creative partner on all his previous releases, including last year’s acclaimed EP Slow Drugs, which featured Parker Kindred (drums – Jeff Buckley; Elliott Smith) and Josh Werner (bass – Iggy Pop; Ghostface Killah) and earned the artist a Swiss Music Award nomination in his home country in early 2021, as well as international press and radio airplay, numerous DSP editorials, and critical praise for the accompanying music videos. All songs on Sam Himself’s upcoming debut album were mastered by Greg Calbi (David Bowie; Bruce Springsteen).

As featured by SPIN Magazine (10/1), KEXP, Under The Radar, KCRW, Danger Mouse Jukebox, The Wild Honeypie, American Songwriter, The Philadelphia Globe, Consequence of Sound, Variance Magazine, Swiss National Radiotelevision SRF, DIFFUS Magazin (GE), and many more.

For more information about Sam Himself, visit his website or connect with him on Instagram, Facebook, YouTube, Spotify, Apple Music and Soundcloud.

Image via Capitol Music Group for 360 Magazine

The Greeting Comittee – Ada

THE GREETING COMMITTEE SHARE LIFE-AFFIRMING LGBTQ ANTHEM ADA

WATCH THE OFFICIAL VIDEO HERE

NEW ALBUM DANDELION OUT 9/24

Kansas City-based alt-rock band The Greeting Committee premiere their new single Ada, a grippingly honest and life-affirming track that frontwoman Addie Sartino calls an anthem for all our LGBTQ friends and family and fans. Named for a trans woman the band befriended years ago, Ada marks the latest single from their upcoming sophomore album Dandelion, due out via Harvest Records on September 24. Go HERE to stream/download Ada, and pre-order Dandelion HERE.

The single arrives alongside a powerful visual directed by Ada Brumback and produced by Alison Claire Peck (Story School). The video depicts an an all too familiar narrative for many LGBTQ youth. By the end, the protagonist is joined by her community of allies while the line you are loved is repeated. Watch the video HERE.

Partly inspired by Sartino’s own experience in coming out (and by the story of a beloved Greeting Committee fan named Dakota), Ada wanders between tender narration and inner monologue, embedding its lyrics with essential yet bracing truths (It’s hard to be a woman, even harder to be somebody you’re not; A dead name don’t ring the same). In bringing the intensely poignant song to life, The Greeting Committee took great care to fully honor Ada’s emotional reality.

When we were writing that song, [Ada] took the time to go for a two-hour walk with me and tell me about being transgender and growing up in a small town, and what that felt like for her, Sartino recalls, noting that The Greeting Committee first met Ada back when she handled merch for the band.

Referring to the song’s namesake as one of the people who’s made The Greeting Committee who we are today, Sartino points out that Ada closely aligns with the band’s longtime mission of providing their audience with music that illuminates. I think it’s important to have a song like ‘Ada’ on our album, and it’s even more important to give Ada and Dakota the recognition they deserve, says Sartino. Because at the end of the day, I’m not transgender, that’s not my story to share. But I do have a voice and a platform, and to be able to use that platform to share these very personal stories is incredibly special. It’s something that we as a band don’t take lightly.

Like all of Dandelion, Ada was produced by Jennifer Decilveo (MARINA, FLETCHER, Bat for Lashes) and mixed by Dave Fridmann (The Flaming Lips, Tame Impala), who helped to assemble the track’s kinetic collage of sounds: thrashing percussion, bright squalls of synth, achingly delicate piano work. The song arrives as the follow-up to The Greeting Committee’s recent single Float Away, a July release praised by the likes Pop Matters (who noted that the bass steamrolls in static, angst-grunged; the drums are propulsive without feeling frenetic; and marimba keys twirl underneath it in a loop, like a haunted carousel all our minds seem to be stuck riding lately). Back in June, the band shared the first single from Dandelion: the gorgeously sprawling alt-pop epic Can I Leave Me Too?, hailed by Clash as a raw portrayal of post-break-up poignance, cloaked in indie pop reverb.

About The Greeting Committee

Made up of Addie Sartino, Brandon Yangmi, Pierce Turcotte, and Austin Fraser, The Greeting Committee have embraced a spirit of purposeful sharing since their formation in 2014. Founded soon after Sartino and Yangmi got their start playing open-mic nights in Kansas City, the band self-released their debut EP It’s Not All That Bad in 2015. Its lead single Hands Down quickly became a breakout hit, paving the way for The Greeting Committee’s signing to Harvest Records when they were all still in high school. After making their Harvest debut with the Meeting People Is Easy EP in 2017 and releasing their debut album This Is It in 2018, the band spent much of the next few years on the road, with sold-out headline shows in major markets such as Chicago, Austin, New York, Los Angeles, and Minneapolis. To date, they’ve toured with the likes of Bombay Bicycle Club, Tennis, Hippo Campus, and Rainbow Kitten Surprise and taken the stage at leading festivals like Lollapalooza and SXSW, in addition to delivering the I’m Afraid I’m Not Angry EP in late 2019 and appearing in Netflix’s To All the Boys: Always and Forever. The band’s second album Dandelion will be out on September 24 via Harvest Records.

For more information on The Greeting Committee visit Instagram, Twitter, Facebook, and website.

WILLIAM SHATNER- ALBUM BILL image of Nicole Hajjar use for 360 magazine

WILLIAM SHATNER- ALBUM BILL

WILLIAM SHATNER ANNOUNCES NEW SPOKEN WORD ALBUM BILL SET FOR RELEASE ON SEPTEMBER 24TH
RELEASES TWO SINGLES “CLOUDS OF GUILT” FEAT. JOE JONAS AND “SO FAR FROM THE MOON” FEAT. BRAD PAISLEY TODAY

The award-winning actor, director, producer, writer, and chart-topping recording artist William Shatner announces his forthcoming new album, BILL, set for release on September 24th via Joe Jonas’ new label Let’s Get It! Records/Republic Records. To celebrate the announcement, William Shatner teams up with Joe Jonas and Brad Paisley to release the first two singles from the album, “Clouds of Guilt” feat. Joe Jonas and “So Far From the Moon” feat. Brad Paisley, out now.

Through spoken word and genre-bending music, the songs on BILL chronicle significant autobiographical moments in William Shatner’s life and the ideas, challenges, and questions he’s confronted along the way. The tracks were co-written and produced by Grammy Award-winner Dan Miller [They Might Be Giants], while the lyrics were a collaboration between Shatner and his friend and writer Robert Sharenow. In addition to Joe Jonas and Brad Paisley, BILL features guitarist Joe Walsh [James Gang, Eagles, Ringo Starr & His All-Starr Band], pedal steel guitarist Robert Randolph [Robert Randolph and the Family Band], musician John Lurie, saxophonist Dave Koz, and more. See the full tracklist below.

On creating the album remotely during the pandemic, William Shatner says, “Through a series of phone calls, texts, and emails, music and words flew back and forth across the country. The [Covid-19] crisis created an urgency and quickly unleashed a candor between us that allowed us to peel back layers that sat on the surface of a subject to reveal the depth of truth buried underneath. What better time to contemplate life’s biggest questions than during a global pandemic? Some songs touched on painful or beautiful moments, while others turned into elliptical philosophical explorations about the very nature of existence and death.”

He continues, “BILL blends long-form autobiographical poetry and prose, music, spoken word performance art, and philosophical exploration. Toggling between passion and despair, reflection and yearning, this collection explores my life journey during a pivotal and chilling moment of history.”

In “Clouds of Guilt,” William Shatner explores the strangely powerful role guilt has played throughout his life, with equal measures of wit, irony, and self-awareness.

Joe Jonas states, “I’ve been a fan of Bill’s for as long as I can remember. He’s iconic. To not only be featured on one of his songs that mean so much to him but to also get to be a label partner on the entire project, it’s an honor.”

While on “So Far From the Moon,” William Shatner revisits a pivotal moment in his life after the cancelation of Star Trek and his divorce, when he was doing dinner theater and living out of the back of his pickup truck. One the night of July 20th, 1969, as he lay out in a sleeping bag in the back of the truck, staring at the sky, he listened to the live broadcast of the moon landing. Despite being at a low point in his career, Shatner found inspiration and a connection to the astronauts in the sky above, who he had met years before while they were training for their mission.

Brad Paisley comments, “It’s so interesting to hear what effect the moon landing had on Bill, because every generation of astronauts since those days credit him with inspiration. I’m so proud to be on this track.”

The other songs on BILL dive into various stories and topics, including the nature of relationships, the struggle with fame and identity, the meaning of life, and more. Like epic song cycles of the past from Homer to Kendrick Lamar, William Shatner’s journey is both extremely personal and universal, extraordinary and relatable. His unique insights and delivery, beloved by millions worldwide, give voice to the joys and struggles we all face.

Stay tuned for more music to come from William Shatner soon!

BILL TRACKLIST:

  1. “I Ride”
  2. “Made In The Shade” feat. Joe Walsh
  3. “Clouds of Guilt” feat. Joe Jonas
  4. “So Far From the Moon” feat. Brad Paisley
  5. “Love, Death, and Horses”
  6. “Just Forgive” feat. Robert Randolph
  7. “Loneliness” feat. John Lurie
  8. “Thunder and Fire” feat. Joan as Police Woman
  9. “The Bridge” feat. Daniel Miller
  10. “Black Horse”
  11. “Masks” feat. Dave Koz
  12. “Monday Night in London”
  13. “Toughie” feat. Robert Randolph
  14. “What Do We Know”

PRE-ORDER BILL HERE

LISTEN TO “CLOUDS OF GUILT” FEAT. JOE JONAS HERE
LISTEN TO “SO FAR FROM THE MOON” FEAT. BRAD PAISLEY HERE

Wet Leg- Chaise Longue illustration by Anh Hoang use by 360 Magazine

Wet Leg-Chaise Longue

New UK band WET LEG is receiving a *huge* response to their debut single “  from the New York TimesNPR, etc., and is currently enjoying an enormous surge in radio play here in their native UK, Europe, and down under! If you haven’t heard it yet, here it is: “Chaise Longue”.  It is the sneakiest, most fun-loving, earworm of the summer. The song is being added at radio stations all around the country.

The band –  Rhian Teasdale and Hester Chambers – come from the Isle Of Wight, a sparsely populated island off the south coast of England accessible only by boat. They are old friends who share a penchant for French disco, effervescent imaginations, and a shared love of The Ronettes and Jane Birkin, through to Ty Segall and Bjork. Their recent UK live debut shows went with a huge bang and we’re hoping to have some information on their first US shows VERY SOON INDEED!

“They’re one of those new bands whose sound and aesthetic seem to have arrived fully formed, promising exciting if totally unpredictable things to come.” – New York Times   

“Immensely charming…The end result lands somewhere between Dry Cleaning’s wry, sardonic post-punk and Sports Team’s Pavement-obsessed alt-rock crowd-pleasers — though you can certainly hear stated influences such as the Ronettes, Jane Birkin, Ty Segall, and Björk in there too if you squint” – Stereogum

“The debut single from U.K. rock duo Wet Leg is a doozy…the ear-grabbing track is an undeniable introduction to Wet Leg.” – Paste

“by the time they double down on the earworm hook “on the chaise longue all day long,” you feel about ready to collapse onto titular seat and unload all your stresses.” – Beats Per Minute

“a real corker…There’s a coy wit here and, when the guitars kick in, the song recalls the heyday of Franz Ferdinand, The Futureheads and The Rakes. “Chaise Lounge” is even better when watched with its video that features excellent dancing from Chambers, as well as some high kicks.” Brooklyn Vegan

“Fueled by chugging drums and a boisterous guitar riff, the tongue-in-cheek track is whimsical and blithe, channeling the unfettered radiance of an island’s sun. It just might be your poolside song of the summer.” – Consequence Of Sound

Food graphic via 360 magazine

AVANA Employees Volunteer at Foodbank

AVANA Companies’ Employees Volunteer for Day of Service at St. Mary’s Foodbank

Company celebrates making Inc. 5000 List by giving back

AVANA Companies, a comprehensive lending and asset management platform since 2002, is proud to announce it has helped to feed more than 400 families after a day of service at St. Mary’s Food Bank in Phoenix. Company employees decided to serve the community as a way to celebrate its selection for the 2021 Inc. 5000 List of America’s Fastest Growing Private Companies.

The list represents a unique look at the most successful companies within the American economy’s most dynamic segment—its independent small businesses.

AVANA means preserver and it has always been our mission to help to foster community involvement where we live and work and we are so proud that the members of our team share these values, says CEO Sundip Patel.  Service is the foundation of our company culture, so it only makes sense to celebrate by helping others.

About 20 AVANA employees, some from out of town, participated in the day of volunteering. They worked together to fill food boxes which will be distributed to needy families.

AVANA Companies collaborates with a diverse group of skilled professionals to foster its mission to build and preserve communities through Commercial Real Estate (CRE) and Small and Medium Enterprise (SME) lending opportunities. For nearly 20 years, AVANA has promoted local ESG (Environmental, Social, and Corporate Governance) investment opportunities by contributing to the social good and educating potential investors about alternative investments that have a social and environmental impact. Through AVANA’s Family of Companies, it provides capital to grow and create jobs, stimulate economic growth, and finance diverse renewable energy projects through its strong portfolio of lending and investment products. 

About AVANA Companies

The AVANA Family of Companies (AVANA) is dedicated to stimulating local economies and contributing to clean energy development across the United States. Founded in 2002 by brothers Sundip and Sanat Patel, it is a family of ESG lending and investment platforms that serve entrepreneurs and investors. AVANA’s ESG lending is done through AVANA Capital, LendThrive™,and Extensia Financial and ESG investments through AVANA Fund and EqualSeatTM. The company’s goal is to empower American small businesses by providing ESG focused loans and investment opportunities that are impactful, socially driven and preserve wealth. AVANA is headquartered in Arizona and serves small business owners and investors across the United States and globally. AVANA invests in the communities it serves, creating jobs, stimulating economic growth, and contributing to sustainable projects. AVANA has recently been named to the 2021 Inc. 5000 List of America’s Fastest Growing Private Companies. AVANA Capital, LLC is licensed in California under DBO license number 603K752 and in Arizona under CBK license number 0921662. To learn more, visit their website or follow on AVANA Companies on LinkedIn.

Image via Marvel Entertainment for 360 Magazine

The Last of the Marvels

THE LAST OF THE MARVELS SEES THE RETURN OF THE FIRST OF THE MARVELS IN NEW CAPTAIN MARVEL #34 COVER BY ARTGERM

CAPTAIN MARVEL’s upcoming The Last of the Marvels storyline teases the return of Mar-Vell this November

The Last of the Marvels, the highly anticipated arc in writer Kelly Thompson’s hit run on CAPTAIN MARVEL, kicks off next month when a mysterious villain begins to target the very legacy of the Captain Marvel mantle. The saga will feature Carol Danvers teaming up with other former Captain Marvels and Captain Marvel-inspired heroes including Genis-Vell, Kamala Khan, and perhaps even Mar-Vell himself!

Seen on Artgerm’s newly revealed variant cover for November’s CAPTAIN MARVEL #34, the original Captain Marvel is back in all his glory.

The Silver Age star met his untimely end in 1982’s legendary DEATH OF CAPTAIN MARVEL graphic novel. Will he make his grand return to combat this strange new threat and restore hope for Carol and the Captain Marvel name? Check out Artgerm’s variant cover below and don’t miss the reveal of the year in this exciting chapter of Last of the Marvels this November! For more information, visit the website.

CAPTAIN MARVEL #34

Written by KELLY  THOMPSON

Art by SERGIO DÁVILA

Main Cover by IBAN COELLO

Teaser Variant Cover by ARTGERM

Virgin Variant Cover by ARTGERM

On Sale 11/17!

To find a comic shop near you, visit here.

About Marvel Entertainment

Marvel Entertainment, LLC, a wholly-owned subsidiary of The Walt Disney Company, is one of the world’s most prominent character-based entertainment companies, built on a proven library of more than 8,000 characters featured in a variety of media for over eighty years. Marvel utilizes its character franchises in entertainment, licensing, publishing, games, and digital media.

For more information visit Marvel’s website.

Image via RCA Records for 360 Magazine

Destiny Rogers × Flo Milli – Simon Say

DESTINY ROGERS RELEASES SIMON SAY FEAT. FLO MILLI

Listen/Watch the Visualizer HERE

Destiny Rogers is the new ‘It’ girl of alt-R&B. – NYLON

…an unapologetic uniqueness, a creative presence, and a strong voice. – V MAGAZINE’S NEXT GENERATION

Destiny Rogers marries a gift for personal storytelling with a sumptuous percussion palette… – Billboard

Beach Wave Sound / RCA Records artist Destiny Rogers releases a brand new single with accompanying visualizer Simon Say featuring Flo Milli.

LISTEN / WATCH HERE

Simon Say was produced by multi-Grammy Award winning and Producer of the Year nominated producers/songwriters The Stereotypes (Bruno Mars, Cardi B., Justin Bieber) who also co-wrote the song with Destiny Rogers, Flo Milli and Grammy nominated singer/songwriter Ant Clemons. On Simon Say, Destiny offers up a gorgeously understated anthem of empowerment. One of the main messages I want to put out in my songs is the idea of being an independent woman and a boss bitch. ‘Simon Say’ is about knowing what you’re capable of, and never letting anyone hold you down says Destiny.

Simon Say follows Destiny’s latest tracks What I Like, which was featured in Destiny’s Jordan Brand campaign, titled Delta of Destiny for the release of the Jordan Delta 2 shoe, and West Like featuring Kalan.FrFr on which Destiny pays loving homage to her West Coast and Latin roots.

Check out her live performance video for What I Like HERE and the official video for West Like HERE , plus a live performance video HERE.

Since first breaking through with her boldly confident but carefree single Tomboy, which has generated over 45 million views on YouTube (Watch HERE) and most recently covered by K-Pop super group Black Pink’s Lisa through a dance cover (Watch HERE) that has generated over 70 million views,  Destiny Rogers has staked her claim as an artist to watch. Growing up in the Northern California town of Lodi, the 21-year-old multi-faceted musician taught herself to play guitar at age 10 and soon started writing and self-producing her own songs. Soon after the 2019 premiere of Tomboy, a track that recently hit #12 on Spotify’s Global Viral 50, Destiny’s spectacular rise has included touring the world and writing for heavy hitters such as Alicia Keys, Khelani and G-Eazy, all while discovering a new sound that transcends genres to irresistible effect.

Check out her Genius Verified piece HERE which explores her debut Tomboy.

Destiny Rogers is currently in the studio working on new material.  Prior to West Like featuring Kalan.FrFr, Destiny released a reworking of Tomboy feat. Coi Leray, and linked up with Coi for a special TikTok to the song which was reposted on Instagram and praised by Kim Kardashian West.  In addition, K-Pop superstar B.I released his global single, Got It Like That featuring Destiny Rogers with Tyla Yaweh which debuted at #1 on Spotify’s K-Pop X-Overs chart and has generated over 4 million views on YouTube (Watch HERE).

About Destiny Rogers

21-year-old Destiny Rogers is a singer, songwriter, and multi-instrumentalist who was born and bred in Lodi, a small Northern California town. At age 6, she became obsessed with skateboarding and even thought she wanted to pursue her passion professionally. She grew up in the church with her father who is a youth pastor who and listened to AC/DC and Mexican mother who listened to Mariachi music — Destiny was pulled in by the power of music. At age 9, she received her first guitar and by age 10 taught herself how to play by watching Justin Bieber covers online and began singing.

After a few years of busking in Los Angeles on the weekends and facing the trials and tribulations of the music industry, she connected with the Grammy-Award winning songwriter/producer team The Stereotypes (Bruno Mars, Cardi B, Justin Bieber). She signed to their label, Beach Wave Sound in 2018 and released her R&B and hip-hop inflected pop debut EP Tomboy via Beach Wave Sound/RCA Records the following year.

Destiny has performed at various festivals including Something in the Water, Lights On and Tyler, The Creator’s Camp Flog Gnaw, as well as on a European and North American tour with Ruel.

Follow Destiny Rogers via Instagram, YouTube, Twitter and Facebook.

About Flo Milli

21-year old, Alabama born rapper, Flo Milli has taken the Internet by storm in her short accent. Releasing her first official track Beef FloMix on her SoundCloud in late 2018, she had gone viral by early 2019 on TikTok, marking her breakout success and she hasn’t let up since. Known for her bubbly delivery and aggressive bars, in July 2020 she took the internet by storm once again with the release of her debut mixtape, Ho, why is you here ?  On the project, Flo exudes unapologetic confidence and empowers females with her experiences shared in her music, making her a relatable youth figure. Standout tracks from the project include the SWV-sampling Weak and May I.  The mixtape received great critical support upon release landing on the covers of Spotify’s Feelin Myself playlist and Apple Music’s On Repeat, along with two Spotify New Music Friday billboards last summer. She received rave reviews in the press from the likes of New York Magazine, Pitchfork, Rolling Stone, Complex, FADER and NYLON, with many calling her the next female rapper to break through and coining Ho, why is you here ? as one of the best projects of 2020. Other accolades include her first ever award show nomination for Best New Artist at the BET Hip-Hop Awards where she performed as part of the cypher.

Following the BET Hip-Hop Awards and breaking into 2021, she was named a VEVO DSCVR Artist for 2021 and Spotify’s latest RADAR Artist. Her first release of the year is her Fiddler On The Roof sampling, Kenny Beats produced, Roaring 20s which is accompanied by a dance-filled, flapper visual. Most recently, Flo was nominated for Best New Artist at the 2021 BET Awards and was an inductee of XXL’s 2021 Freshman Class.

Follow Flo Milli via Instagram, Twitter, Soundcloud and her website.

Image via Republic Records Media for 360 Magazine

Big Boss Vette – Eater

BIG BOSS VETTE DROPS NEW SINGLE EATER TODAY

ANNOUNCES DEAL WITH REPUBLIC RECORDS

After making waves with millions of streams independently and attracting a rabid audience on social media, St. Louis rapper and singer Big Boss Vette unveils a brand new single entitled Eater today. It marks her first release for Republic Records.

Listen to EaterHERE.

On the track, a hyped-up New Orleans bounce-inspired beat rages underneath her confident and charismatic delivery. She rips through one raunchy, raw, and raucous NSFW bar after another without apology. She previewed the track with snippets on social media, generating tens of thousands of listens and inciting anticipation for its arrival.

Regarding Eater, she said, It’s vulgar. It’s basically about a woman taking somebody else’s man and turning him into her hoe. I love bounce music, and I wanted to put a St. Louis twist on it. It’s for the club heads and the twerkers. We made magic.

No stranger to making bangers, Vette put numbers on the boards with independent tracks such as Bad Bitch, Outside, No Fakin, Make Em Mad, and more. This year, she caught the attention of Republic Records and signed to the label.

Now, she’s got even more heat on deck. You’ve been warned. There’s a new boss in town.

About Big Boss Vette

Big Boss Vette asserts herself as a bright, blunt, and bold force for hip-hop with unapologetic bars, undeniable style, and a fiery flow of her own. The St. Louis rapper and singer lights up any room and instantly commands attention. As a kid, Big Boss Vette told everyone, I want to be a rapper, and she made good on her promise. Taking to social media, she posted freestyles on Facebook during high school, remixing the likes of Dej Loaf’s Try Me and making a viral impact with millions of views. She regularly uploaded remixes to YouTube and attracted an audience. However, trouble followed her everywhere—until she got shot. Changing the course of her life, she served up Bad Bitch in 2019 and racked up 1.7 million YouTube views. A year later, Outside exploded. Following a much-liked teaser video, her TikTok followers demanded the full version, and she delivered. It lit up TikTok with countless anime creations and support from Chlöe Bailey. At the same time, it generated 8 million Spotify streams and 2 million YouTube views. During 2021, she picked up the pace with No Fakin, Dog Ass *****, and more. Along the way, she attracted the attention of Republic Records and landed a deal with the label. After raking in over 30 million total streams independently, she bosses up on a series of singles led by Eater.

Follow Big Boss Vette on Instagram, TikTok, Twitter, YouTube, and Spotify.