About 360 MAGAZINE

360 MAGAZINE is an award-winning international publishing on popular culture and design. We introduce avant trademarks to efficacious architects. We are a LGBTQIA2S+ friendly publication--officially recognized by the NGLCC. Our core demographic ranges from 19 to 39-year-old college-educated trendsetters within their respective international communities. The pages in this art book satisfy their strong interests including music, art, travel, auto, health, fashion, tech, philanthropy, design, food and entrepreneurship. It's an introspective digital/print/tablet portrait series, which encapsulates artists/brands/entities who embody the true essence of our publication- empowerment, equality, sensuality and most important of all, humanity within a global society.

New Offering From Classic Car Studio

Classic Car Studio Sells 1971 Land Rover Series IIA  

The 1971 Land Rover Series IIA  is ready to go for $59,900.

After a complete frame-off restoration this striking Poppy Red off-roader carries a rebuilt 2.5L engine- including new water and fuel pumps, a new alternator, and a new radiator. It also has updated wiring, restored gauges on the dash, a completely-new suspension, and a bunch other great features making this vehicle overlanding-ready.  

About Classic Car Studio

Classic Car Studio is a St. Louis based auto shop specialized in building and selling high performance machines – the shop also had hit TV show on Velocity Channel for two seasons called, “Speed is the New Black.”

Mad About Jewelry

THE MUSEUM OF ARTS AND DESIGN’S ANNUAL EXHIBITION AND SALE OF CONTEMPORARY JEWELRY RETURNS WITH 55 ARTISTS FROM 18 COUNTRIES

LOOT: MAD ABOUT JEWELRY

April 8 – April 13, 2019

Opening Benefit: April 8

Featuring the announcement of the LOOT Acquisition Prize and the presentation of LOOT Awards honoring Adria de Haume and Josie Natori

The Museum of Arts and Design (MAD) presents the nineteenth edition of LOOT: MAD About Jewelry, its annual exhibition and sale of one-of-a-kind contemporary jewelry. Open to the public April 9 through April 13, following the Opening Benefit on April 8, LOOT 2019 showcases the work of fifty-five emerging and acclaimed international jewelry artists and designers, most of whom have never been shown in New York. The event provides the rare opportunity for collectors and jewelry enthusiasts to meet and acquire pieces from some of the most innovative creators in the field.

“The jewelry content of LOOT 2019 is particularly noteworthy in two specific areas,” said LOOT Curator Bryna Pomp. “Firstly, this year’s exhibition presents a great number of outstanding young makers who are already creating groundbreaking work. Secondly, it features a larger presence of jewelry in precious metals, particularly in silver and in gold, often with semi precious and precious stones, that is exceptionally original in design.”

MAD is the only museum in the United States with a gallery dedicated to the display of both special jewelry exhibitions and its permanent collection of contemporary and modern studio and art jewelry. LOOT extends MAD’s commitment to presenting jewelry as an art form, and provides vital support for Museum exhibitions and programs.

“LOOT reflects the core of MAD’s mission to celebrate the creative process and connect audiences to contemporary art and design,” said Marsy Mittlemann, LOOT 2019 Co-Chair. “It presents an extraordinary opportunity for artists and viewers to interact with one another and engage in conversations around the work. I am honored to participate in an event that provides a platform for international talent while supporting MAD’s exciting upcoming initiatives.”

“LOOT is always exceptionally curated, and 2019 promises to be the best edition to date,” said LOOT 2019 Co-Chair Joan Hornig. “No other exhibition in the world brings viewers into contact with the diversity of design and designers showcased each spring at MAD. It is the perfect venue for both serious and first-time collectors to engage with global talent and purchase unique pieces of wearable art at every price point.”

LOOT 2019 features fifty-five artists from eighteen countries and territories: Austria (1), Belgium (1), Chile (2), Finland (1), France (2), Germany (6), Italy (2), Korea (5), Poland (1), Portugal (2), Spain (5), Sweden (1), Taiwan (1), Thailand (1), Turkey (3), the United Kingdom (14), the United States (6), and the US Virgin Islands (1). In addition to a diverse range of artistic practices, the jewelry on display encompasses a wide array of materials, from traditional metals to more unconventional media like leather, glass, porcelain, paper, silicone, resin, textiles, wood, horsehair, recycled skateboards, and ultraviolet-reactive nylon.

ARTIST HIGHLIGHTS

The jewelry artists and designers featured in LOOT 2019 include the following:

  • Italian designer Selvaggia Armani designs and produces textiles, including necklaces and brooches, for home and casual wear. On site at LOOT, she will create a new collection of jewelry made of hand-painted leather, building on her practice of “live” painting and customized bracelets.
  • Japan-born and Massachusetts-based artist Mariko Kusumoto prevails upon fabric to construct forms of elegant simplicity and evocative imagery. Using a proprietary heat- setting technique, she gives the fabric a new identity through reshaping it into three- dimensional forms. Her designs are incorporated into jewelry and sculptural pieces, as well as in collaborations with fashion designers; in January, her work appeared on the Jean-Paul Gaultier catwalk at Paris Haute Couture Spring/Summer 2019.
  • Taiwanese jewelry artist Heng Lee juxtaposes traditional craft technique and cutting- edge technology to explore the relationship between nature and Internet culture. Using downloaded images, laser-cut metal, and hand embroidery, he creates visually striking pieces that are both digital and tactile. In a time when much of our information comes from social media, his work interrogates the divide between experience and technology, and encourages full awareness of the current moment.
  • Scotland-based artist Wanshu Li is largely inspired by the brilliant colors and sensuous movements of sea creatures like jellyfish and sea anemones. With her jewelry, she aims to create a multisensory wearing experience that involves visual enjoyment, tactility, and sound. Li’s fascination with dance culture, laser light shows, and stage performances inspired her to add a further visual dimension to her practice: she experiments with ultraviolet-reactive nylon and fluorescent paints, which combine to produce a remarkable intensity of color when the jewelry is illuminated with UV light.
  • Houston-based designer Mariquita Masterson creates handmade glass pieces that are vivid, unique, and energetic, and that unite the everyday with the exceptional. Masterson uses both recycled glass and glass from companies that produce a variety of colors and textures, and on occasion creates stunning pieces out of the fragments of broken antique vases. Most recently, Masterson has gained attention for the debut of one of her necklaces worn by Speaker of the US House of Representatives Nancy Pelosi during the President’s State of the Union address in February.

This year, LOOT will showcase the work of four 2018 graduates of La Escuela de Arte 3, in Madrid, Spain: Patricia Álvarez, Cristina Armesilla, Sonia Birndt Carrascosa, and Bárbara García. The jewelry of these emerging creators exhibits fresh expressions of color and form, and takes inspiration from music, technology, contradiction, and the city they call home.

In its first year, the LOOT Advisory Committee assists LOOT Curator Bryna Pomp with the selection of artists and designers. The LOOT Advisory Committee for 2019 includes Susan Ach, Michele Cohen, Marsy Mittlemann, and Barbara Waldman.

LOOT ACQUISITION PRIZE

Awarded annually by a jury, the LOOT Acquisition Prize recognizes a LOOT jewelry artist or designer whose work reflects maturity in artistry and concept, exhibits both a superior and an experimental understanding of materials and form, and demonstrates expertise in technique and execution. MAD’s permanent collection includes nearly one thousand pieces of jewelry, spanning the mid-twentieth century to the present day. The LOOT Acquisition Prize formalizes the Museum’s goal of enhancing its collection by acquiring jewelry from artists who have made significant contributions to the field and whose work provides historical context for MAD’s mid- to late-twentieth-century pieces, as well as from emerging artists who are an important force in the contemporary art jewelry scene.

The 2019 jury is chaired by Barbara Paris Gifford and Elissa Auther together with LOOT Co- Chairs Joan Hornig and Marsy Mittlemann, LOOT Curator Bryna Pomp, and Board Chair Michele Cohen. The 2019 LOOT Acquisition Prize will be awarded on April 8 during the Opening Benefit dinner.

In 2018, the prize was jointly awarded to Isabelle Molénat and Sarran Youkongdee. Past LOOT artists who have had works acquired by the Museum include the well-established art jeweler Iris Nieuwenburg and the emerging jewelry artist Casey Sobel. Alena Willroth, who was awarded the inaugural LOOT Acquisition Prize in 2016, will be a returning artist this year.

OPENING BENEFIT AND LOOT AWARD

The LOOT 2019 Opening Benefit takes place on Monday, April 8, beginning with a cocktail hour and reception at 4:30 pm. The evening’s activities include first access to the LOOT exhibition and sale—an exclusive opportunity to meet this year’s artists and acquire their designs—as well as a dinner honoring the recipients of the LOOT Award.

The LOOT Award recognizes luminaries in the field of jewelry, including artists, collectors, and designers. This year’s honorees are jewelry designer and philanthropist Adria de Haume and jewelry and fashion designer Josie Natori. Past recipients include fashion icon Iris Apfel (2013), collector Barbara Berger (2013), jewelry designer Joan Hornig (2016), fashion designer Kay Unger (2016), and artists Joyce J. Scott (2014) and Axel Russmeyer (2012).

The LOOT 2019 Opening Benefit Host Committee comprises Susan Ach, Iris Apfel, Davina Benshetrit, Caroline Blackman, Noreen Buckfire, Marian C. Burke, Kathy Chazen, Michele Cohen, Paolo Costagli, Stacy Creamer, Emily Cutler, Marcia Docter, Patti Dweck, Beth Farber, Sandy Grotta, Joon Han, Jan Huling, Barbara Jacobs, Ann Kaplan, Wendy Tarlow Kaplan, Jane Koryn, Laura Kruger, Luisa LaViola, Bonnie Levine, Pam Levine, Tina Livanos, Jackie Martin, Stacey Mayrock, Ella McHugh, Robert Lee Morris, Edie Nadler, Michelle Perr, Linda Plattus, Andi Potamkin, Barbara Regna, Heidi Rigney, Deborah Roberts, Lela Rose, Jill Ryan, Bette Saltzman, Gail Shields-Miller, Angela Sun, Ted Taylor, Barbara Tober, Isabel and Ruben Toledo, Kay Unger, Barbara Waldman, Janet Winter, Marcia Celis Wirth, Pamela Workman, Jan Wysocki, and Lynn Yaeger.

To purchase tickets to the LOOT 2019 Opening Benefit, to be held on Monday, April 8, visit thestore.madmuseum.org/collections/loot-2019, or contact Rebekka Grossman at 212.299.7712 or rebekka.grossman@madmuseum.org.

PUBLIC EXHIBITION AND SALE HOURS

Tuesday, April 9: 10am to 6pm

Wednesday, April 10: 10am to 6pm

Thursday, April 11: 10am to 6pm

Friday, April 12: 10am to 6pm

Saturday, April 13: 10am to 6pm

Entrance to LOOT is included in the price of Museum admission: $16 general; $14 for seniors; $12 for students; free for MAD members and children under 18 years of age. To purchase tickets online, visit madmuseum.org/visit.

ABOUT CORPORATE SPONSOR: PAOLO COSTAGLI

Paolo Costagli New York returns as corporate sponsor of LOOT. The fine jewelry brand recognized for its sophisticated, modern, and distinctly bold designs, will debut Onde, its new collection of 18kt gold and diamond jewelry at LOOT 2019. The Onde collection, inspired by the waves of the Venetian Lagoon, introduces a variety of rings, earrings, bracelets, and necklaces. Featuring Paolo Costagli’s signature bold geometrics with a touch of fluidity, the collection presents effortlessly chic precious jewelry fit for all occasions, from everyday wear to a formal soirée.

ABOUT THE MUSEUM OF ARTS AND DESIGN

The Museum of Arts and Design (MAD) champions contemporary makers across creative fields and presents the work of artists, designers, and artisans who apply the highest level of ingenuity and skill. Since the Museum’s founding in 1956 by philanthropist and visionary Aileen Osborn Webb, MAD has celebrated all facets of making and the creative processes by which materials are transformed, from traditional techniques to cutting-edge technologies. Today, the Museum’s curatorial program builds upon a rich history of exhibitions that emphasize a cross-disciplinary approach to art and design, and reveals the workmanship behind the objects and environments that shape our everyday lives. MAD provides an international platform for practitioners who are influencing the direction of cultural production and driving twenty-first-century innovation, and fosters a participatory setting for visitors to have direct encounters with skilled making and compelling works of art and design. For more information, visit their website.

New Tasty Seasoning Blends

NEW Tasty Seasoning Blends by Make it Tasty

With the new Tasty Seasoning Blends by McCormick, you can now purchase and use the exact spices featured in your favorite Tasty videos.

Tasty, the world’s largest social food network, launched its first global food product, Tasty Seasoning Blends by McCormick, which includes 5 different flavor profiles that make cooking Tasty recipes even easier. The full Tasty Seasoning Blend Kit including all five pucks is available for direct-to-consumer purchase in the US, UK, and Canada; find it here.

In addition Tasty and McCormick are building upon their strong relationship, announcing McCormick as the official spice of Tasty. Together with the launch of Tasty Seasoning Blends by McCormick, the Tasty audience can purchase and use the exact spices featured in their favorite Tasty videos.

A range of five different varieties – from Fiery to Zesty – has you covered to flavor your favorite foods. The Tasty Seasoning Blend Kit features all five of these unique flavor combinations, which were created based on the Tasty audience’s favorite flavors and formats with expert culinary guidance. The flavors are:

Savory: Tomato, basil, oregano
Jazzy: Cayenne, paprika, garlic
Hearty: Garlic, onion, red bell pepper
Fiery: Sriracha, lime, garlic
Zesty: Lemon peel, thyme, basil

“Foodies and cooks alike are always looking for more inspiration and convenience when it comes to seasoning their food in new and exciting ways,” said Tasty Creator and spice expert Kanchan Koya PhD. “With Tasty Seasoning Blends by McCormick, it’s easier than ever for chefs of all skill levels to bring to life the recipes they see in their feeds and enjoy a wide set of flavors.”

Tasty Seasoning Blend Kit (includes all 5 seasoning blends in puck form) will be available direct-to-consumer online on March 22 for $24.99 here. Individual Tasty Seasoning pouches, sold at $1.99/each, are launching at retailers nationwide in the US and Canada June 2019, with UK retail launching in 2020. Individual bottles are launching at US retailers nationwide September 2019.

50TH NAACP Image Awards

TV ONE TO AIR 50TH NAACP IMAGE AWARDS: TRIBUTE SPECIAL HOSTED BY URBAN ONE FOUNDER AND CHAIRPERSON CATHY HUGHES ON SATURDAY, MARCH 30 at 8PM/7C. One-Hour Pre-Show Special, Sponsored by Toyota, Precedes Live Telecast of 50TH NAACP IMAGE AWARDS on TV ONE.

March 26, 2019 – TV One will air the 50TH NAACP IMAGE AWARDS: TRIBUTE SPECIAL on Saturday, March 30 at 8pm ET/7C, immediately preceding the live telecast of the 50TH NAACP IMAGE AWARDS 9pm/8C. The tribute special, sponsored by Toyota, will honor this year’s nominees, past winners and significant moments. Hosted and Executive Produced by Urban One Founder and Chairperson Cathy Hughes, the special features in-depth one-on-one conversations with director/actress Salli Richardson-Whitfield, singer/actor John Legend, actor Stephan James, actress Loretta Devine, music industry legend Clarence Avant, soul singer Kenny Lattimore, and Congresswoman Maxine Waters. The network will provide promotional support for both programs on TV One, Radio One and Reach Media, Interactive One, and via a multi-platform marketing campaign. As previously announced, Anthony Anderson is set to return as host for the 50TH NAACP IMAGE AWARDS, which for the first time ever will take place from the Dolby Theatre in Hollywood, California. For the sixth consecutive year, TV One is the television home for the nation’s oldest and largest civil rights organization’s award show. The NAACP Image Awards celebrates the accomplishments of people of color in the fields of television, music, literature, and film and also honors individuals or groups who promote social justice through creative endeavors. The upcoming telecast, the 50TH Anniversary of the NAACP Image Awards, will also spotlight the significant contributions of the NAACP and the impact the organization has had on our community and country. In addition to the traditional awards categories, Congresswoman Maxine Waters will be honored with the prestigious NAACP Chairman’s Award, bestowed in recognition of individuals who demonstrate exemplary public service and use their distinct platforms to create agents of change. REACH Media syndicated radio personality Tom Joyner will be honored with the Vanguard Award, which is presented to individuals whose groundbreaking work increases understanding and awareness of racial and social issues.

THE 50TH NAACP IMAGE AWARDS: TRIBUTE SPECIAL production team includes: Executive Producers Eric Tomosunas, Keith Neal, James Seppelfrick; Producers Jay Allen and Nikki Byles of Swirl Films. For TV One, Cathy Hughes and Tamara Knechtel serve as Executive Producers, and Regina Thomas serves as Executive Producer in Charge of Production. The 50TH NAACP IMAGE AWARDS production team includes: Executive Producers Reginald Hudlin and Phil Gurin; Director, Tony McCuin; Co-Executive Producer, Byron Phillips; Producer, Robin Reinhardt; and Executive in Charge of Production, Rachel Frimer. For TV One, Tia A. Smith serves as Executive Producer in Charge of Production. For all information and the latest news, please visit the official NAACP Image Awards website at or on Facebook and Twitter. Viewers can also join the conversation on TV One’s upcoming live telecast of the50TH NAACP IMAGE AWARDS by visiting www.tvone.tv and connecting via social media on Twitter |  Instagram

About NAACP: Founded in 1909, the NAACP is the nation’s oldest and largest nonpartisan civil rights organization. Its members throughout the United States and the world are the premier advocates for civil rights in their communities. You can read more about the NAACP’s work and our six “Game Changer” issue areas NAACP.org

TV One serves 59 million households, offering a broad range of real-life and entertainment-focused original programming, classic series, movies and music designed to entertain and inform a diverse audience of adult black viewers. The network represents the best in black culture and entertainment with fan favorite shows Unsung, Rickey Smiley For Real, Fatal Attraction, and The NAACP Image Awards. In addition, TV One is the cable home of the blockbuster television drama Empire. TV One is a wholly-owned subsidiary of Urban One, Inc.

Emeli Sandé New Music Video

Emeli Sandé Shares Official Video For “Sparrow”

Watch HERE.

Sandé remarks that she “had a wonderful time working with the incredible director Sarah McColgan and her powerful team in NYC.”

“Thank you to all the beautiful women involved in this video – there was magic in the room and a true sense of sisterhood,” says Sandé.

Tal Wilkenfeld’s New Album

Tal Wilkenfeld’s new album ‘Love Remains’ debuts at #1 on Billboard’s Heatseekers Chart. Bassist for Jeff Beck, Prince & Herbie Hancock Branches into New Territory as a Singer-Songwriter . Headlining Run of East Coast Dates to Kick Off in May at Brooklyn Bowl

(New York, NY): Today, musical marvel Tal Wilkenfelds debut vocal album, ‘Love Remains,’ (BMG) debuted at #1 on Billboard’s Heatseekers chart. The Australian-born, LA-based musician who has recorded and toured with several legends including Jeff Beck, Prince, The Allman Bros, Mick Jagger, and Herbie Hancock, reveals her bonafide talent as a singer and songwriter on this solo exhibition. Jackson Browne contributed as Executive Producer on the 10-song collection. Pete Townshend calls the album adventurous, unique and unpretentious” and Sean Lennon praises Tal’s ability to “sing and write as well as she plays, an impossible combination you have to hear to believe.” From “Corner Painter,” her rollicking debut single featuring Benmont Tench on the pump organ, to “Haunted Love” a soft selection of melodious yet prolific bass and orchestra, to the warm ballad “Under The Sun,” with yearning sounds of a violin, ‘Love Remains’ showcases a transcendent balance between instrumental prowess and exquisite songcraft. Tal currently graces the cover of Bass Player Magazine’s April issue, recently had a two-night sold-out run at NYC’s Mercury Lounge, an album listening party at Guitar Center, and spoke to Marc Maron for the latest episode of WTF. Listen to Tal’s episode of the WTF with Marc Maron.This summer, Tal returns to New York City for a run of US headlining tour dates in support of Love Remains. Full tour routing below.

Tal Wilkenfeld on the web:

http://talwilkenfeld.com/

YouTube

Facebook

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Estero Inn

Estero Inn on the Waterfront of Morro Bay
Estero Inn is an intimate boutique hotel on the waterfront of Morro Bay.
Whether you are looking for a romantic getaway or a revitalizing stop on your coastal journey the Estero Inn is awaiting you with cozy fireplaces, private balconies and wet bar. Relax on their seaside landing, enjoying panoramic ocean views, amazing sunsets and inspiring wildlife including sea otters, sea lions and seals with Morro Rock as the backdrop.
The Inn is gently removed from highway 1 on the Bay & Embarcadero, just steps away from exceptional shopping, dining and your complimentary wine tasting.

Harley-Davidson Motorcyle Exhibit

Harley-Davidson and the Motorcycle Arts Foundation Announce the Opening of Electric Revolution, the World’s First Museum Exhibit Exclusively Featuring Electric Motorcycles, opening April 6, 2019 at Petersen Automotive Museum in Los Angeles

The Motorcycle Arts Foundation (MAF) and Harley-Davidson announced today the opening of Electric Revolution, the world’s first museum exhibition exclusively featuring electric motorcycles. This exhibit, which is supported by Harley-Davidson, will open at the Richard Varner Family Gallery at the Petersen Automotive Museum in Los Angeles, California on April 6, 2019. Curated by MAF co-founder Paul d’Orléans, the exhibit will explore the history and current state of the electric motorcycle and e-bike industry with 21 examples of 2-wheeled electric vehicles from both custom builders and established manufacturers.

Zero-emission vehicles have become a prominent part of the transportation landscape, and electric motorcycles and e-bikes are one of the fastest growing sectors in this quickly evolving market. The exhibit assembles a dynamic mix of production, racing, prototype and custom electric motorcycles from world renowned manufacturers and builders in the EV space including Harley-Davidson, CAKE, Specialized Bicycle Components, Roland Sands Design, Curtiss Motorcycles, Alta Motors, Joey Ruiter, and Noel Connolly. Harley-Davidson is the lead sponsor for this exhibit and has provided three recent prototypes from their electric portfolio, including the 2020 LiveWire, which will be available to the public in Fall 2019. “We are creating history with the world’s first exhibition of any type to feature two-wheeled electric vehicles exclusively,” states curator Paul d’Orléans. “The electric motorcycle industry is exploding with new players investing in an electric future, and this exhibit will showcase contemporary manufacturers as the trail blazers of the industry and pay homage to electric pioneers.”

“We are thrilled to support the Motorcycle Arts Foundation and participate in the Electric Revolution exhibition at the Petersen Automotive Museum,” states Harley-Davidson Senior Vice President of Marketing and Brand Heather Malenshek. “Harley-Davidson is at the forefront of the changing consumer landscape within motorcycles and we are excited to showcase our halo product, LiveWire, within the powerful narrative this exhibit presents to the public.” The MAF is a 501(c)(3) nonprofit dedicated to the preservation and distribution of motorcycle arts. Electric Revolution will be the second major public project for the foundation. Their first exhibition project, Custom Revolution, just ended its year-long run at the Petersen Museum, and was one of the most important cultural events for motorcycles in the last 25 years. Electric Revolution is produced by the Motorcycle Arts Foundation and Sasha Tcherevkoff.

The opening night VIP and press reception will be held on April 4, 2019 from 6:30-10pm. The event will be attended by the world’s most talented builders, designers, and thought leaders in the electric vehicle industry. The evening will feature exclusive access to the new exhibition, music, food and drinks by the legendary Drago Ristorante, and a live “electrifying” panel discussion moderated by Paul d’Orléans.

New Robotics

New Robotics: Shifting Business Models

IDTechEx Research analyzes the changing trends in the robotics industry in their report New Robotics and Drones 2018-2038: Technologies, Forecasts, Players, as new and emerging firms challenge the norm.

Machine makers in many established markets sell their machines directly or through dealer networks. At times, they create additional revenue streams by offering technical after-sales support. They often hope that the installed base of their machines together with limited incompatibility with competitors’ products provides some lock-in mechanism. They also seek to build-in some technology obsolescence into their product cycles. Some also provide finance, directly or jointly with a finance entity, to help potential customers overcome the barrier of the upfront cost.

Many traditional robot suppliers fit the description above. Integrators often install a robotic or automated solution and provide after-sale technical support. They make it difficult to integrate competitors’ robots with their solutions and offer regular hardware and software updates.

New and emerging robotic firms, however, do not easily fit this bill. They are, in fact, challenging the established norms. This is sometimes through will and sometimes through necessity. The trend towards alternative models is evident across all sectors that new robotics seeks to impact. This includes retail, agriculture, logistics, delivery, security, cleaning, transport, and so on.

In the next few paragraphs, we outline some trends and drives in each sector. To get the complete picture please see the IDTechEx Research New Robotics and Drones 2018-2038: Technologies, Forecasts, Players. This report is unique in its depth and breadth. It covers both existing as well as emerging applications. Indeed, it provides 21-year forecasts in value and unit numbers for 46 categories, painting a comprehensive and quantitative picture of this major transformation.

Agriculture

Autonomous robots can provide automated precision weeding. Robotic intelligent implementation can provide precision spraying or weeding, too. The upfront machine or fleet costs are often high today. The technology risk for end users is also high. Users are often afraid that expert operators and repair persons will be needed. They worry that the technology is not tried and tested, especially in an agricultural environment. They fear that the technology is likely to rapidly evolve, exposing them to serious obsolescence risks. Crucially, they require seasonal services and are accustomed to paying wages and not making significant capital investments into machines with low utilization rates.

To address these challenges, many companies are positioning as a RaaS- robotic as a service. They essentially become weeding service providers. They operate or monitor their own machines. They charge the customer per acre, a metric with which they are likely familiar. They absorb the technology risk. Crucially, they give their robots extensive field practice and will have the chance to gather data and feedback. This is important because the design of these products and services is still in a state of flux with many further iterations anticipated.

This positioning changes the nature of their business. Companies will require additional working capital and staff to absorb the service costs and to offer a sufficiently scaled service network. They cannot simply build to order to balance their cash flows. This is where partnerships will become important. This is also where early capital investments in case of start-ups become a necessity, as most will operate heavily in the red in the early years of their operations.

With time and technology maturity the model may revert back to a traditional arrangement, or will it? This is an ongoing debate because traditional heavy agricultural machine makers will also need to adapt their models. This is inevitable because as vehicles become more autonomous, in navigation and task, the machine becomes the services, blurring the boundary between equipment sales and service provision.  The whole value chains will need to adjust and even the dealers will need to find their sweet spots evolving their technical support into full-blown remote robot operations. To learn more please read New Robotics and Drones 2018-2038: Technologies, Forecasts, Players.

Last mile delivery

Many small robots are appearing worldwide to solve the productivity problem present at the last stage of the delivery process: the last mile. These small slow robots autonomously deliver small payloads to their final destinations. At the level of individual machines, there are highly unproductive. However, at the level of a large fleet, without a driver overhead per unit, they can become productive and commercially viable.

Here two business models have emerged. Some follow the traditional model of trying to sell their robots. Others are positioning as delivery firms staffed mainly by autonomous robots. This latter model is adopted for many good reasons. It is envisioned that the hardware will in the future become modular, standardized, and highly commoditized.  Essentially the same fate as consumer drones awaits the hardware platform. Competing in such a business would not be easy for start-ups, especially those based in California and similar start-up hubs.

Crucially, the robot companies require practice data. This is because they will need to improve their delivery and navigation algorithms so that one day they can operate large fleets in complex environments with high-speed units. The data loop would be cut if they just sold a machine and walked out. The data acquisition is a fundamental part of product improvement without which the company would likely stall. It will also open up the door to offering high value-added analytics services.

The technology is still immature. As such, it will require close monitoring and likely regular manual interventions to fix issues. As such, most players will, as a minimum, be forced to add a strong 24/7 service element to their business.

To learn more, please see the IDTechEx Research report Mobile Robots and Drones in Material Handling and Logistics 2018-2038. This report is focused on all aspects of mobile robotics in material handling and logistics. In particular, we consider the following: automated guided vehicles and carts (AGVs and AGCs); autonomous mobile vehicles and carts/units; mobile picking robots; last mile delivery ground robots (droids) and drones; and autonomous trucks and light delivery vans (level 4 and level 5 automation).

Logistics

Robotic firms are emerging to enable autonomous robotic picking. These robots combine autonomous mobility with autonomous picking skills. Here, too, companies are frequently positioning themselves as a service provider, charging a monthly subscription fee or a $ per pick rate.

In this case, too, robotic companies require the data. Their picking algorithms are based on deep learning and as such without training data their product roadmap will likely stall. This would be very dangerous to their business prospects because today’s generation of products only manages to slowly pick regularly-shaped known objects in simple environments. The future, however, is fast picking of novel randomly-shaped items in complex environments. To traverse this competency gap, data will be indispensable. The users too will require ongoing support. They too will prefer not to absorb the technology risk, especially since the technology – both hardware and software – are rapidly evolving. As such, a service model can prove win-win.

To learn more please visit www.IDTechEx.com/mobile.

Security

Autonomous mobile robots are developed to perform various security-related tasks. These robots are being designed for indoor, outdoor and even rugged terrain operation. They are essentially sensors-on-a-wheel. Some versions can have more than 50-onboard sensors, generating nearly 100 terabytes of data per year per machine. These robots can be deployed wherever some type of security and monitoring is required.

Here, too, firms are not always adopting an outright equipment sales model. It is common to seek a subscription model for giving customers access to the machine, the interface, the data plan, the 24/7 support, etc. Here, too, such arrangements can be win-win. The suppliers will retain that crucial data loop in their business models, enabling them to improve their products, for example, by offering specialized algorithms able to detect, recognize, and analyze specific situations, e.g., from car number plate recognition to detection of dangerous gas leakages in an industrial site. Customers, too, will take this arrangement because it is closer to an end solution and makes it easier for them to test the technology and the new ways of working that it might enable.

To learn more please see New Robotics and Drones 2018-2038: Technologies, Forecasts, Players. This report provides detailed technology analysis, assessing the trends in performance and price of key enabling hardware and software technologies whilst considering likely technology development roadmaps. We will also profile the key companies and innovative entities working on new robotics and drones.

Retail

Autonomous robots are also finding their way into retail stores, seeking to automate tedious tasks. In particular, they are being offered essentially as automated data acquisition tools, capturing data about items on the shelves with higher speed and accuracy than humans.

Here firms are positioning as full solution providers. This has many advantages. This future-proofs their business against hardware commoditization. They can accumulate hard-to-obtain and hard-to-copy knowhow and data which can then underpin their value-added data analytics services. Their customers too will be interested in a final solution and not another alien technology looking for a problem to solve. At the end of the day, they are interested only in an impact on the bottom line, be it higher stock availability, better stock positioning on shelves, or leaner inventories. As such, data-centric service-orientated models can be win-win propositions.

This shift towards non-traditional business models permeates every sector. It is happening even with cars where the rise of mobility is fueling serious debates about the future of mobility and the role of autonomous taxi fleets and shared facilities. In general, even if the business models are not radically redrawn, the profit pool within the value chain will be re-balanced. This will change the winners and losers and will demand that all participants begin looking ahead and planning now.

To learn more, please visit www.IDTechEx.com/robotics or contact research@IDTechEx.com.

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Leyla McCalla at the Atrium

Leyla McCalla is the former Carolina Chocolate Drop, who has embraced the sounds of her adopted home of New Orleans and her ancestral Haitian roots to address issues like lead-poisoned water, financial instability, racism, and sexism on her latest album The Capitalist Blues. Leyla will be performing a full band show at the Atrium at Lincoln Center on April 4th. Leyla previously played at the Winter Jazz Fest in NYC, and will return to the New Orleans Jazz Fest for an appearance in May. Leyla also just completed her maiden voyage to SXSW. From Austin she taped an interview for NPR‘s All Things Considered, which just aired. She was deemed “a voice for the voiceless,” as well as one of the top acts to catch by the Austin Chronicle. Earlier this year, her album The Capitalist Blues was included in New York Times playlist, NPR Music.

NPRs World Cafe premiered the music video for the song ‘Money Is King’. She also performed on WNYC Soundcheck, sat down for Salon Q&A, and performed for World Cafe9. Leyla will also be performing the album live at New Orleans Jazz Festival next month, as she wraps up a worldwide tour. You can watch her perform “Money Is King”

Along with her own album, Leyla is a member of critically acclaimed super group ‘Songs Of Our Native Daughters.’ The band is compromised of four black women McCalla, Allison Russell, Amythyst Kiah, and Rhiannon Giddens — re-writing and reclaiming the history of American folk music. The band has been featured in TIME, Rolling Stone, and the Washington Post, as well as a 5-star review in The Guardian.