Posts tagged with "New single out"

Gwen Stefani illustration for 360 Magazine by Kaelen Felix

GWEN STEFANI “LET ME REINTRODUCE MYSELF”

Global superstar Gwen Stefani releases her new reggae-tinged single “Let Me Reintroduce Myself” today on Interscope Records. With the release, Stefani is featured on New Music Daily on Apple Music. “Let Me Reintroduce Myself” is available now at all digital retailers.  Watch the lyric video for “Let Me Reintroduce Myself” HERE.

Stefani will debut the single with a performance on tonight’s episode of The Voice, airing at 8 pm ET/7 pm CT, where she is now in her fifth season as a coach on NBC’s four-time Emmy Award-winning musical competition series.    

Recorded in quarantine and co-written with relentless hitmaker Ross Golan alongside rising songwriter/producer Luke Niccoli, the single finds Stefani reminding fans of what she does best: create vibrant, uplifting music that is real and honest to who she is as an artist. 

“This song is a way of saying I’m back with new music. It’s a fun, lighthearted song because I got inspired and hope to bring a little bit of joy, said Stefani. “The idea was to write a song that had a bit of a nostalgic feeling to it, so I think musically it reminds you of back in the day, going back to where I started musically which was with ska and reggae. I’m still the same me but here’s something a little bit new in case you feel like hearing a little bit more of me.”

Musically, “Let Me Reintroduce Myself” is a full-circle moment, with an instrumental that nods to her roots with the ska-punk band No Doubt. Bass-heavy beats and breezy acoustic guitars course under and around her laid-back vocals, as Stefani confidently asserts her space in the modern musical universe: “In case you forgot—no, I’m not records on your shelf.” The single also offers a sly callback: “I already gave you bananas,” she sings playfully, nodding to the cheerleader chant on her 2005 Pharrell Williams-produced No. 1 hit, “Hollaback Girl.”

“Let Me Reintroduce Myself” caps off a busy year for Stefani. She had two top 10 hits on Billboard’s Hot Country Songs chart with fiancé Blake Shelton, “Nobody But You” and “Happy Anywhere.” And her holiday album, You Make It Feel Like Christmas, was just reissued with two new songs, including Ryan Tedder co-write “Here This Christmas.”

A three-time GRAMMY® Award winner, Stefani, has achieved global success as, among other accomplishments, a performer, songwriter, frontwoman for ska-punk heroes No Doubt, and multi-platinum solo artist. To date, she’s sold more than 50 million units worldwide. Her 2015 solo album, This Is What the Truth Feels Like, debuted at No. 1 on the Billboard 200. If 2020 is any indication, listeners should keep an eye out for more from Stefani soon.

Listen to “Let Me Reintroduce Myself” here. Keep up with Stefani on Instagram, Twitter, Facebook and her Website.

Masego – Silver Tongue Devil

Today, Masego shares Silver Tongue Devil, the latest track off his upcoming concept EP, featuring “Jamaican Princess of Dancehall” (The Guardian) Shenseea and his signature saxophone licks. The song invites fans and newcomers into the mythical mind of the artist at a crossroad: What to do with such a silver-tongued devil, who may or may not be a former flame?

LISTEN TO SILVER TONGUE DEVIL

WATCH THE VISUALIZER HERE

On October 14, a week following this release, Masego will share his Lyric Video for the track featuring footage shot in Mexico by Loug Delcy.

Silver Tongue Devil arrives less than a month after Masego made his return with Passport. In both Japanese and English, Masego laments the monotony of quarantine on what VICE Music dubbs as one of the “Best Songs to Usher In Fall” and NPR Music calls “a bittersweet anti-pandemic sentiment made palatable with [Masego’s] smooth voice.”

The upcoming project is a tropical journey through every aspect of a relationship, from beginning to end, showing off a new and reflective side of the artist. At the moment when Masego’s whirlwind touring life has suddenly been forced to a halt, he’s chosen to take this time to look inward and explore what he finds, both topically and sonically. The result is a body of work that shows Masego evolving in real-time, an expansion both in terms of production choice and collaborative partners. It is Masego’s most ambitious, enjoyable effort to date and his most refreshing interpretation of traphousejazz yet.

The forthcoming EP is the official follow up to Lady Lady, Masego’s epic 2018 debut that firmly put the singer/producer/multi-instrumentalist on the map or, all over the map, to be precise: In the almost-two years since its release, Masego has toured the world, headlining sold out tours and starring on festival stages across every continent but Antartica. The album was no less of a success with listeners: “Tadow,” the lead single, has surpassed half a billion streams and been certified gold by the RIAA; that same song has been used in over two million video creates on TikTok; and the project cemented him as a name to watch in the burgeoning generation of like-minded black musicians, with features and collaborations across marquee projects from the likes of Kehlani, Dreamville, KAYTRANADA and more.

Watch Masego’s BET Awards Performance debut, the second-most Shazamed of the entire show here.