Maria Soloman illustration for 360 MAGAZINE journalism article.

The War on Journalism

by Justin Lyons

What a time it is to be a journalist.

During an era in which news is a divisive, politicized topic, one man seems to have been spearheading the charge against modern media. That’s what a brand new documentary from Juan Passarelli aims to cover, at least in part.

“The War on Journalism – the case of Julian Assange” takes the case of the controversial WikiLeaks founder. Assange now faces 175 years after his site published leaked documents with information sensitive to the United States government. Now we face the never-ending battle of journalistic principles versus legality.

The thing that sticks out to me at first thought is the idea that leaks have existed as long as governments and corruption have existed, which dates back to the beginning of time. As a journalist myself, I think we consider our job as watchdogs one of the most important jobs in a functioning society. If journalists aren’t delivering news telling consumers what they need to know and why they need to know it, we’d be missing a huge opportunity to hold powerful figures accountable.

Theodore Roosevelt once called journalists “muckrakers” because they, well, rake through the muck. They dig through the dirt to find that key that might be even dirtier than the dirt itself. While it doesn’t sound like an endearing term, journalists seem to take it as a compliment.

This documentary looks at the realities of being a reporter in the middle of the action, and it seems to no longer be safe to gather information about government action. It opens with what looks like a reporter being pepper sprayed by police and proceeds to show government officials claim they will not agree to refrain from prosecuting journalists for doing their jobs.

Assange was indicted under the Espionage Act with 17 counts. The Espionage Act is a United States law published in 1917 that aims to prevent interference in foreign relations.

While it might seem that the First Amendment could guarantee freedom for press to publish information with the public good in mind, John Kiriakou, described as a CIA torture whistleblower, brought up a really interesting point.

Kiriakou was charged in the Eastern District of Virginia and hired the lawyer who won cases for O.J. Simpson and George Zimmerman. That lawyer decided that Kiriakou’s case was impossible to win in the Eastern District of Virginia. His jury would have comprised of members of the CIA, the FBI, the Pentagon, intelligence community contractors and the Department of Homeland Security.

The same applies to Julian Assange. He was charged in the Eastern District of Virginia, where Kiriakou said no national security defendant had ever won a case.

Journalists aren’t seeking more freedom than the average U.S. citizen, but they should be protected with clearly defined rights. When the Sixth Amendment guarantees the right to an impartial jury, it can make you wonder how Kiriakou’s story is possible in the first place. It seems that seeking protection for the government has overwhelmed the protection of journalistic freedoms.

Overall, the documentary is definitely an interesting looking glass into what it’s like to be a journalist right now. I also think it’s an interesting look at journalistic protections. When thinking about people like Assange or Edward Snowen, who also appears in the documentary, I wonder where their protections start and end and how those protections are recognized if we consider them journalists.

In 2020, anyone can be a journalist, and using that freedom of press for information of public interest is something that is quite clearly protected by the Constitution.

Now that Assange is appearing in court for his extradition case, I look forward to the outcome, as it could become another landmark case for journalism in the United States.

If you’re interested in seeing “The War on Journalism – the case of Julian Assange” for yourself, you can check it out right here.

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